Alice Takes Wonderland Rehearsal

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Linda Elchak of NAO Dance choreographed Alice Takes Wonderland in 2010. The production was staged in a warehouse on Hanging Moss Road in Winter Park. It was clear that the curtains had just been hung from the rafters. This was a playful production with bright costumes and props. The production encouraged improvisational dance, so every rehearsal and production was unique. Dancers could break away from any structured mold to express themselves in the moment.

The rehearsal involved a complete run through of the show. The stage was barely elevated which meant that people sitting in the front row were right on top of the action. There was less of a performer to audience disconnect. Props were simple, direct and fun. like rabbit ears, a clock, and suitcase. The magic came from the performances which were playful and fun.

With dance, I like to get the sketches done and then relax and simply enjoy the movement on stage. The front entry foyer was converted into the Mad Hatter’s tea party and guests got to be part of the immersive experience. Since this production I’ve never heard about this space being used again. The space must have returned to its industrial origins.

Love Out Loud

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I went to a tech rehearsal for “Love Out Loud” a DiDonna Productions new multi media dance performance choreographed by McClaine Timmerman. It  takes an intimate look into the world of dating, relationships, and love today. The multi-talented cast explores the struggles, opinions, feelings, hopes, fears, and doubts that we all experience at one point or another. McClaine uses an amalgam of modern dance, projection, and live music to express the topics under investigation.

Showing their commitment to original music, Timmerman and DiDonna utilize all original music throughout “Love Out Loud” including works by Scott Hall, Nigel John, a collaboration between Keifer Curtis, Aurelio Guimaraes and Jeremy Studinksi, and features original live music by Paige Keiner. Paige was at the rehearsal. She explored social media on her phone before the rehearsal started and then performed a solo acoustic piece on her guitar as the cast performed. I had never seen her perform before and I was impressed by her silky confident voice. One of her songs, “What Good is a Throne When You’re All Alone?“, featured an incredible dance performance with McClaine and a male dancer. McClaine was in a black night gown and the male dancer in PJ’s. They danced intimately before bed but their differences and inner turmoil erupted as they performed. This wasn’t a peaceful loving couple but a couple who never seemed to connect. Their bodies rippled in angst as they resigned themselves to the inevitability of being at war yet sharing the same bed. As the lights slowly faded, they lay down together and then their touching arms rose up and their fingers laced together.

McClaine accomplishes something I’ve never seen before. The show is part documentary, part drama and part modern dance. Interviews are projected during the performance that have people sharing their raw honest feelings about what it is like to love in a digital age.  Have the words “I love you” lost their meaning? Social media brings people together in a hive mentality and yet separates us behind computer and cell phone screens. Interpersonal, one on one conversation, is becoming a lost art form.  Is it possible to find a long term relationship while voyeristically following everyone else’s relationships? Is there such a thing as a soul mate?

One dance piece had a male and female dancer circling each other as they fingered their cell phones firing off texts. The flirtatious texts were projected on the back wall of the stage. Through the whole dance they only occasionally glanced at each other. It is easy to fall in love with an illusion through text. The next couple on stage fired off an accelerated angry barrage of bitter texts at each other. They bumped into each other like football players forcefully and immaturely jockeying for dominance.

A dance number about “selfies” had all the dancers lined against the wall as they shot iPhone photos of themselves alone and in small groups. The photos were projected above them in accelerating frequency. They all arched their backs raising the phone high above them in a graceful chorus line. They pouted and puckered their lips and smiled and over acted for each shot. Any individuality became lost in the sea of self absorption. McClaine brings humor and fun to each piece while exploring raw emotions. I found myself laughing often with delight. The show offers dance with a deep personal and insightful twist.

The cast includes choreographer McClaine Timmerman, along with her troupe including Andres Avila, Alina Gavrilov, Aurelio Guimaraes, Felipe Vasques, and Nagi Wakisaka. Dancer Dion Leonhard was at the rehearsal to offer notes to McClaine. As McClaine warmed up, stretching a leg above her head, Dion said, “I’d like to have a relationship with your extension McClaine.” “Whatever, you’ve got your own extension.” McClaine fired back. I could feel the love and respect these talented performers had for each other.

Mark your calendar! “Love Out Loud” will be presented for four performances only, at the Santos Dantin Theater in the John and Rita Lowndes Shakespeare Center (Loch Haven Park, Corner of 1792 and Princeton Street Orlando FL.) Performances are 8pm on Thursday May 1st, Friday May 2nd, and Saturday May 3rd, with a 2pm matinee on Sunday May 4th. Tickets are $15.00 general admission, and $10.00 student admission, and are available at the door cash only, or by reservation (will call cash only at the door) by calling 407-721-3617.

Sylvia

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On Friday April 18th, I went to the first of two performances by Red Right Return Dance Company at The Venue (511 Virginia Dr, Orlando, FL.) Elise Frost was the director and she was kind enough to let me know about the world premiere performance by this new dance company. RRR was formed in the summer of 2013 by a group of like  minded artists hungry for a space to play and develop as movers and creators. Sylvia was the culmination of their work showcasing how they discovered each other as artists and humans. Sylvia is the first destination on their journey.

The mission of RRR Dance Company is to establish a platform for the development of contemporary dance in the Central Florida community. The company seeks to create risk taking works through experimentation of movement, act of play and the creation of a fearless creative space. This performance was an incredible first step. The program began with a quote from Poet Sylvia Plath, “Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all of my ideals, for all that – I love life. But it is hard, and I have so much – so very much to learn.”

The line of dancers progressed slowly up the wheel chair access ramp at the back of the stage. They moved as if in a funeral procession and then the lead dancer would scuttle back in live. There was pushing and shoving in the endless procession. On stage groups of dancers would huddle together seeking solace in each other and in human contact. The groups would move like a single entity. Dancers were often off balance trusting that they would be supported by someone else. At times, couples would pair off and dance to their own embrace. There was an intimacy in the interactions. At times dancers might be face to face, forehead to forehead looking into each others eyes. One dancers spun and fell loudly repeatedly. The sound of the fall was so loud that I was concerned she might hurt herself. She rose up and flung herself into space again with no fear.

A group of dancers pushed a fellow dancer up against the rear wall of the stage and they supported here there in a Christ like pose. They kept here there the longest time looking a bit like the solders who raised the flag on Owo Jima toward the end of World War 2. The dancers formed a line down the center of the stage facing the audience. They pressed forward and the lead dancer would stare above the audiences head in horror at some terror in the distance. That dancer would try to escape to the back of the line but never without a struggle. Each dancer on turn would face the horror and struggle to escape.

Suddenly the music changes and the lights all glowed red and the dancers broke into a joyous dance of celebration and abandon. With this sudden explosion of energy, the audience applauded. Some of the dancers I recognized, like Ashley Kroft and Darci Ricciardi so as an artist I felt invested in the off balance chances that the company took. There was a raw naked abandon to the entire performance. It was exhilarating. This is the face of change in an otherwise homogeneous clean cut town.

Great Irish Hooley

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Over Labor day weekend, Monday September 2nd, I went to Raglan Road (1640 North Buena Vista Dr, Orlando, FL) for the Great Irish Hooley. Raglan Road is located on Pleasure Island near Downtown Disney. A Hooley is a unique Irish Festival jam packed with the best of Irish Music and Entertainment outside of Ireland. This sounded to good to be true, so I braved the Disney Tourist crowds to get a sketch.

When I pulled into the Downtown Disney parking lot, it immediately began to rain. I pulled out my iPhone and pulled up the weather radar app. Sure enough the radar showed a small rain cell right over my location. The clouds were moving fast and the radar showed a wide open expanse once the storm passed. The radar updates every five minutes and I waited in the car with the rain pelting loudly on metal. After fifteen minutes the rain slowed and I started over to Raglan Road.

As luck would have it there was an awning that provided perfect cover right across from the pub. The lightning rods on every corner of the pub seemed ready for any strike. The outdoor stage was covered with tarps and I assumed I would be sketching a rained out event. One of the Irish dancers, Daniella, spoke with tourists in front of the pub. She took an interest in my sketch and then spoke with Disney Coworkers who were exploring the parks on their day off. He was leaving his Disney job soon and she expressed regret about having to see so many people always leaving. A manager checked with the bartender, and nerves bristled that she would start telling employees gathered outside the pub what to do. The manager noticed me sketching and walked over. Luckily she just glanced down, said, “Nice” and walked off.

Someone joked with the bartender, saying, “You look lonely. Seven dollars for a Guinness! No wonder you look lonely!”  He ordered a drink anyway. The stage was cleared and Johnny Norton and Justin Murphy began to play. A crowd formed quickly in the street to watch. Declan Masterson followed that act playing lively music for jigs and reels. The dancer, Daniella began doing a jig in front of the band, then people in the audience joined in. This turned out to be an amazing performance by traditional Irish musicians who had been flown in for the four day event. Though off to a soggy start, this turned out to be a hell of a good time. I heard the interior of the pub is absolutely gorgeous so that may warrant a return visit.

Ballet Class – ME Dance, Inc.

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I went to the Raskin Dance Studio (2143 Partin Settlement Rd; Kissimmee Fl) to sketch an open Professional Ballet Class run by William Marshall Ellis the founder of ME Dance. The class is open to all intermediate and advanced dancers every Monday Night at 8:30pm. The cost is $10 per class. I was surprised at how crowded the class got. Several dozen dancers stretched and worked at the bars. While stretching dancers got to gossip and catch up on their complex lives.

The ME Dancers would be performing at the Bob Carr Performing Arts Center for the Red Chair Affair on August 24th. They woud be performing “Journey” with music by, you guessed it, Journey.  In this piece the dancers wear loose fitting 80’s styled outfits while dancing to “Don’t Stop Believing.” Dancers who performed at Red Chair included, Rachel Aimee, Shannon MacLaren, Alex Schudde, Rachel McKeever, Stephanie MaMahon, Krista Wilson and Emily Williams. Marshall is preparing for the upcoming dance season. Incredibly most venues are booked solid. This is good news to know the Orlando dance scene is thriving but now that this new dance company has build a full repertory, they need a home to showcase it in.

Autobiography

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June’s Third Thursday at the Orlando Museum of Art was organized by Anna McCambridge-Thomas. The theme for all the art that evening was “Collaboration.” When I arrived, I quickly took a look at all the art on display but Genevieve Bernard of Voci Dance had informed me of her unique collaboration. The dance piece her dance company, Voci Dance, was going to perform involved a collaboration with Asatta Wilson of Vixen Fitness. Asatta is a rather talented and fit pole dancer. During previous rehearsals, Genevieve explained to Asatta what dance moves she wanted. Though the dance terminology was different the art forms and moves were similar. As Asatta explained, she does the same moves just with some sensual flair to please the costumers.

I sat in and sketched the rehearsal for the dance titled, “Autobiography“, before patrons got to the museum. A Platinum Stages pole stood at stage right. Dancers approached the pole and interacted with it as a symbolic obstacle. Sarah Lockhard delivered a monologue in which she kept falling into a hole repeatedly. It wasn’t her fault even as she kept to the path and fell again. After repeated tries she finally realized she should walk another route.

Towards the end of the dance performance Asatta took to the pole doing a gymnastic and graceful routine that defied gravity. I got a second chance to work on the sketch as the theater filled with patrons. Having seen the rehearsal, I knew what dancers I wanted to complete the composition. From slow motion walks to graceful twirls, one gesture flowed through the dance company. The pole was no longer an obstacle but something to be conquered.

Once Upon a Wonderland

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Terry and I bumped into Tod Caviness outside the Silver Venue in the Rep Theater at Fringe. He was going to see his wife, Christin Caviness, dance in Once Upon a Wonderland by Yow Dance. She performed as Little Red Riding Hood. Yow dance had a similar Fairytale themed show last year. From talking to Christin at an open mic Speakeasy event at Will’s Pub, I learned that some magic had been thrown into the mix.

A large canvas map was propped up on stage right. It resembled a large curtain map that had been used in the traveling Broadway hit “Wicked” at the Bob Carr Performing Arts Center. A golden egg in a nest was fixed in the center of the kingdom. The Queen of Hearts walked down the theater isles towards the stage in drag. She sat down and messed with a few audience members before taking to the stage.

It was hard to decipher any story line that might pull the production together. The dancing was graceful and  it was interesting to see someone sawed in half, but there didn’t seem to be any underlying motivation behind anything that happened. Micro phoned singers sang Wickedesque show tunes with thin watery lyrics. I had hoped this production would build on last year’s “Classically Demented” show but none of the elements seemed to fit together. There was plenty of flash but little heart.

Later speaking with Christin, I made a blunder by thinking  she had performed as Snow White, when she had performed as Little Red Riding Hood. It was sad proof that my attention had wandered.

Girls at Gay Days Kick-Off Party “One Hot Mess”

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Drip, ( 8747 International Dr. Suite 102, Behind Denny’s and Senor Frogs, Orlando, Florida), has been hosting parties and performances for Gay Days all this week.  I was slated to do a painting live of two Drip dancers in an erotic embrace, so I went to the women’s kickoff party, “One Hot Mess.” I arrived at around 10pm and the 8:30pm performance had just wrapped up. After a performance there is a monstrous amount of clean up work that needs to be done. Wet sand has to be shoveled aside and all the water has to be removed.

I settled in a chair near the Drip T-shirt paint station where red, blue and yellow paint is available. As I started this sketch of a body painter at work, I got pelted with blue and then red paint. Women were slinging the paint at each others shirts, and I was in the line of fire. The blue and red splotches can still be clearly seen on my sketch. One woman apologized and I said it was fine. You know going in to a party called “One Hot Mess” that things could get messy.

The woman whose body was being painted didn’t have a top on, yet the Drip logo across her chest hid any signs of nipples. She checked her cell phone often as swirls and wings were being painted on her back. Jessica Mariko‘s voice announced that the dance floor was now open.  Two drip dancers worked their magic in the center of the room while the DJ cranked up the eardrum splitting beats. Jessie Sander did a solo rain dance performance standing in a kiddie pool under a Drip paint can chandelier. The crowd of 50 to 75 women were loving it.

Later three Drip dancers performed a new number I had never seen before. They each had a sack filled with white powder that covered their bodies and filled the air in rich thick clouds. After that, Jessica wanted me to do my live painting In the main dance area. Lights pulsed green blue and yellow. Painting under those conditions would be a challenge. Regardless I set up my portable easel and the dancers, Meagan Nagy and Paige Metelka, posed in front of a back lit screen. The canvas was more textured than expected and the paintbrush would run dry too fast. Regardless, I just tried to cover the canvas as fast as I could. Surprisingly this was the one time when I felt that acrylic paint was taking to long to dry. Whenever possible I shouted to the intertwined dancers to take a break. I was sweating up a storm and they had to work hard to keep the pose. When I stepped back, the canvas was a hot mess but I learned a lot doing it. A woman asked if it was for sale and I sold it on the spot. In my rush to clean up, I forgot to sign the painting. Painting on a crowded dance floor pushed me out of my comfort zone but sometimes, that is a good thing.

Two shows for the Ladies remain…

8:30PM-10:30PM $35 DRIP Shows- for the ladies (all female cast). Drip 8747 International Dr. Suite 102 (Behind Denny’s and Senor Frogs), Orlando, Florida

11:30PM-1:30AM $35 DRIP Shows- for the ladies (all female cast). Drip 8747 International Dr. Suite 102 (Behind Denny’s and Senor Frogs), Orlando, Florida

iDentify

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John DiDonna Productions in collaboration with choreographers McClaine Timmerman and Jill Lockhart presents
“IDentify”
An original dance experience. I went to a rehearsal at The Venue, (511 Virginia Drive, Orlando, Florida). There were just two dancers there when I arrived, Darcy Ricciardi and Elise Frost. Brittany Wine entered and began organizing the chairs. It became obvious that this was the first time the show was being performed at The Venue. Blue Star, who owns The Venue, came in and welcomed everyone. I decided I wanted a high vantage point, so I asked Helen, The Venue’s stage manager, if I could climb up into the Tech booth. She was fine with that and even found me a stool.

The show fused elements of hip hop and modern dance, It presented a multimedia exploration of how we as individuals and as a society find, lose, transform, and express our identities as we progress through life. The performance, offered a synthesis of dance, videography, music, spoken word, and photography. It was both a lighthearted and somber commentary on the human experience. It delved deep into the question we all seek to answer:
“Who am I?”

Before the full run through of the show, McClain addressed the cast, “You should give everything you got tonight. I’ll be the only one in the audience and I am your biggest fan. I love you all and support your every effort.”  That love, support and camaraderie was felt as the cast stretched and interacted together, and it flowed through the whole show. One of the dancers, Kim Matovina, looked exactly like McClain. I kept looking back and forth doing double takes. It made me wonder, what makes McClain unique? How is it I could misidentify her?

The show began with three females in tight black dresses putting on red high heeled shoes. They read fashion magazines and a narrator explained to them how dress to catch a man. Caffeine was out and they should drink eight cups of water a day.  When they held the magazines up over their faces, it was like a mask showing the fashion model’s face replacing their own. That would be the image I’d want to catch for the show’s poster. Elise gave a hilarious hyper monologue talking to the audience at 90 miles an hour. She would try and calm herself down with quick bouts of yoga breathing. She was laugh out loud funny!

Video presented scenes of the dancer’s everyday lives, jobs, friends warmth and angst. In one clip, McClain danced freely on a foot bridge and her dog padded up to her with curiosity. Lovers lay side by side watching as the other slept. It became clear that the dancers were sharing everything, their doubts and convictions. It was heart warming to watch, even as I battled with line and color upstairs. They drew me in and warmed me.

WHEN: Only three performances remain…
Tonight, Friday April 26th- 7:30pm,
Saturday April 27th- 7:30pm,
and Sunday April 28th- 2:30pm

WHERE: The Venue, Orlando
511 Virginia Drive, Orlando, FL 32803
Ivanhoe Village
www.thevenueorlando.com

TICKETS: $15.00 general / $12.00 student and senior
For reservations please call (407) 721-3617 beginning March 2013 – cash only at door
For credit card pre-orders please use www.redchairproject.com beginning in April 2013

Jai Gallery

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Josh Garrick informed me that he would be reciting a Homerian Greek Myth at Jai Gallery (101 South Garland Avenue Orlando FL) on Third Thursday. Josh took the gathered patrons on a journey through the world of Barbara Sorenson‘s artwork. Dancers from John DiDonna productions / Empty Spaces Theater Co(llaboration) performed to the narration. Jennifer Bonner designed some magnificent cloaks for the dancers that mimicked and accentuated tall sculptures in the room. Josh spoke of potions for the fairest in the land as he stood by large vases. I didn’t realize that this Snow White theme dated back to Greek myths.

Wendy Wallenburg was shooting pictures and Carl Knickerbocker had ventured out of his art studio to gallery hop.
Melisse Mila Makaroff was one of the dancers and I almost caught her in my sketch but the moment flowed past too quickly. The performance moved all throughout the gallery for just 20 minutes and I could only catch one view. As people mingled afterwards, I rushed to complete what I had started. This was my second sketch of the night and I needed to get home. Patrick Greene tripped on one of Barbara’s colorful metal sculptures and I laughed out loud. The pretentious veil had been lifted.