ADSR-Squared

City Arts Factory is about to move into the former Avalon Art Gallery space (39 S Magnolia Ave, Orlando, Florida 32801.) Chris Belt took over The In between Series from Patrick Greene, the former gallery promoter at Avalon Island. Chris wanted to add his own touch to the series and decided to ask artists from different disciplines to work together. Pulled together Elizabeth A. Baker a modern electronic sound composer, and Voci Dance.

ADSR-Squared was a multi-movement interdisciplinary structured improvisation work for dance and sound. Evolved from the traditional spatial and sonic relationship of a fixed media track behind dancers, the piece blurred the line between music makers and movers, creating an immersive experience for both performers and audience.

I decided to sketch from the side lines but was afraid the wall I backed my artist stool against might be in the way of some part of the dance routine. I went back stage quickly to check with choreographer Genevieve Bernard to be sure I wasn’t blocking anyone.

The Voci dancers brought a playful aspect to the evening. They interacted with speakers, holding them to their ears and moving to the beat. When they began using small musical instruments, one dancer became possessive and would not share the instrument she came to love. The dancing wasn’t limited to the stage area. Dancers moved in and around the audience as well.

One dancer sat next to me for the longest time. I began to wonder if she was an understudy, but she was only waiting for her moment to shine when she began her solo. Ausin Texas has the saying, “Keep Austin Weird.” The In Between Series is doing its part to “Keep Orlando Weird.”

Weekend Top 6 Fringe Picks for May 19th and 20th.

Saturday May 19, 2018

1 p.m to 2 p.m.  $12 plus a Fringe button. For Love, Sir: Letters of Life, Love, and Sacrifice. Bent Book Productions. Red Venue, upstairs in the Orlando Shakes 812 E. Rollins St Orlando, Florida 32803. Ages 13 and up. “For Love, Sir” is a
beautiful and poignant play following the lives of three service
members and their families as they experience the hardships and
lifestyle of active duty. This story is told through the medium of real
letters either written by or inspired by real soldiers and their
families over the course of American History.

2:30 p.m. to 3:30 p.m. $12 plus a Fringe button. Taurus Faeces. Deanna Braunstein. Red Venue, upstairs in the Orlando Shakes 812 E. Rollins St Orlando, Florida 32803. Ages 13 and up. We all accumulate tales and experiences that follow us to the very end.
In “Taurus Faeces,” Deanna Braunstein unpacks the gift of a lifetime of
stories and memories left by her mother, a fiery word slinger. Deanna
brings to life her mother’s literary voice and skewed sense of humor,
telling tales of life and love, truth and…Taurus Faeces.

11:59 p.m. to 12:59 p.m. $12 plus a Fringe button. Corsets and Cuties – Harlots. Corsets and Cuties, LLC. Black Venue 511 Virginia Dr, Orlando, FL 32803. Ages 18 +. Sponsored by Premier Couples Superstore, Corsets & Cuties – A
Burlesque Cabaret returns for another scantily clad romp through the
Orlando Fringe! Voted 2 years running among the best of burlesque in
Orlando, there’s something for everyone in this show. Come visit the
Black venue and see why patrons say these Harlots are among their
favorites at Fringe!



Sunday May 20, 2018 

 Noon.  $12 plus a Fringe button. In Tandem. The Explore Composite. Blue Venue in the Shakes 812 E. Rollins St Orlando, Florida 32803. Ages 7 and up. What would you give for an escape? For freedom? For complete liberty?
Inspired by the humanitarian crisis in Venezuela, The Explore Composite
examines the complexities of humanity and how we came to develop the
relationships we have today. What bonds us? What drives us apart? How
far would we go to protect the ones that we love?

1:45 p.m.to 2:45 p.m. $10 plus a Fringe button. LUNA. Ana Cuellar. Pink Venue in the Shakes 812 E. Rollins St Orlando, Florida 32803. Ages 7 and up. Join Ana Cuellar, a Cirque du Soleil artist, who brings us 8
internationally acclaimed dances to Fringe this year through her
creation of LUNA. Come and let LUNA’s emotional forces draw you in to
experience her creative spirit channeled through the movement of dance.
Featuring Cirque and top professional performers. Let LUNA light up your life!

9 p.m. to 9:50 p.m. $12 plus a Fringe button. AQUAdance. Voci Dance. SITE-SPECIFIC The Aqua Venue, 1314 Chiester Street. Orlando, FL 32803 a few blocks north of Lock Haven Park. All ages. Dive into the waterful world of AQUAdance, the first water ballet in the
history of the Orlando Fringe! Inspired by Esther Williams’ classic
aqua-musicals, Voci Dance presents a unique blend of modern dance and
synchronized swimming. At an off-site venue with a pool and bar only 1
mile from the beer tent. Brought to you by the award-winning company
behind 2016’s Paint Chips (Orlando Sentinel ‘Best of the Fest,’ Orlando
Weekly ‘Best of Orlando’).

AquaDance Fundraiser

Genevieve Bernard of Voci Dance has always wanted to choreograph a water ballet. A week before the Orlando International Fringe Festival got underway, she held a fundraiser for her show titled AQUADance. The audience sat in lawn chairs on the back patio. Pam and I ended up sitting in a cactus garden in the corner of the pool enclosure. My hope was to sketch some of the audience as well as the dancers. Neighbors stopped by and brought along their lawn chairs because more people showed up that expected. A wind blew down the screen set up house left which acted as the dancers green room where they could dry of between sets. A Swam and large flamingo float acted as the background set.

AQUADance is the perfect Fringe show. It is sufficiently retro and weird while being absolutely adorable. Dancers came out wearing floral pink swimming caps while holding pink balls that they moved in undulating patterns. They all jumped in the pol gracefully and then began a Busby Berkely inspired number with kaleidoscopic patterns created as the dancers circled one and spun. When it came time to dis guard the balls they were thrown into the cactus garden where we sat.

Dancer Sarah Lockard was smiling ear to ear the whole time. Each dancer’s unique characteristics came out at various times in the show. It was clear that despite the hard work they all were having a great time. Genevieve shed a tear because she was so happy to see her dream of a Fringe Water Ballet finally become a reality. The most funny routine came when all the dancers became flamingos by holding a hand over their heads that was moved like a flamingos head. The dancers moves in distinct and quirky bird like ways, strutting and moving like a regal flock. Their facial expressions, with wide eyes and pursed lips had me laughing out loud.

This production first water ballet in the history of the Orlando Fringe! Inspired by
Esther Williams‘ classic aqua-musicals, Voci Dance presents a unique
blend of modern dance and synchronized swimming. At an off-site venue
with a pool and bar only 1 mile from the beer tent. The hand crafted bar has been in more shows than many actors. I had a coconut rum pineapple flavored tropical drink with an umbrella and I could have sipped that drink all night.

Brought to you by
the award-winning company behind 2016’s Paint Chips (Orlando Sentinel
‘Best of the Fest,’ Orlando Weekly ‘Best of Orlando’). It will be staged at Al’s home (The Aqua Venue 1314 Chichester Street Orlando, FL 32803) a few blocks north from the green lawn of faboulousness. Trust me this unique show will be worth the trek.

The show is 50 minutes and Tickets are $12 along with a Fringe button which is needed to get into any show.

9:00 PM

7:30 PM

9:30 PM 

9:00 PM 

11:00 PM 

8:00 PM 

10:00 PM

Voci Dance Paint Chips at Fringe Winter Mini-Fest.

I went to a Voci Dance dress rehearsal at the John and Rita Lowndes Shakespeare Center
(812 E Rollins St, Orlando, Florida 32803). Much time was spent getting the projector situated while the dancers stretched.

Fringe favorite Voci Dance is back and for the Orlando Fringe Winter Mini Fest, bringing the word jazz master Ken Nordine’s 1960s COLORS album to life through a quirky supersonic multimedia dance performance that brings to visual expression, the eccentric hues of the artists’ palette through Voci’s signature blend of creative movement, humor, wit, and grace. Treat yourself to an experience where the unexpected becomes the norm.

This show is playful and fun. Each dancer added their own quirky personality to the colors they portrayed. When layered with the music, colorful projected visuals and the beat generation near to the beat generation narration the playful irony was contagious. Blue and yellow were dear friends, but nasty green stepped in between and separated the pair.  Yellow wallowed in sorrow until blue realized that together they could make their own shade of green. Purple us proud and white split the dark as she aimed a small flashlight at herself. Mud slithered on the dance floor. Though each color was unique in personality, the magic happened as they collaborated.

Friday, January 6th @ 5:45pm and Sunday, January 8th@ 2pm in the Mandell Theatre at the Lowndes Shakespeare Center.

Tickets.

More info.

Dancers: Lisa Mie, Katherine Fabian, Larissa Humiston, Leah Marke, Sarah Lockard, Tymisha Harris, Dede Ramos, David Gabriel.

Kids Fringe proved that anyone can Fringe.

On the weekend of May 24th and 25th I held a sketch tour at the Orlando International Fringe Festival. Artist Gay Geiger joined me on those two days to sketch as many aspects of the Fringe as we could. We started at the Kids Fringe each morning. At the main stage, Voci Dancers would lead the kids in stretches to start out the day. It was a perfect opportunity to do quick gestural drawings to start out the day. Beth Marshall‘s son Darth was working the tech for the stage.

Dave Rocker’s Barnyard Jam was the first act up after the morning stretches. The cloth fence of course hid the puppeteers.  Before the show, several children were introduced to the puppets and it was charming to see their looks of wide eyed shock, surprise and wonder. The one puppet that is hidden behind a curtain in my sketch was a goat. The songs were light hearted and fun and the kids loved every minute.

Besides doing my own sketch, I also gave Gay as many notes as I could. With just one student I was able to give her tons of tips as we worked. When you sketch you are thinking a thousand thoughts and I just verbalized that inner dialogue. It was fun having a student along to share the experience with and I ended up doing far more sketches than I usually would.

Voci Dance presented Whisper-Roar at the Orange Studio.

On September 5th and 6th Voci Dance presented Whisper-Roar at The Orange Studio, 1121 N Mills Ave, Orlando, Fl. V Whisper/Roar was two collaborative evenings of modern dance, music,film, costume couture and installation art. The collaborators were Voci Dance, DJ Nigel John, Tamara Marke

Admission: was $15 at the door.

Wine was available as well as lite bites from Happy Chow.

The most unique feature of the space was a huge sculpture that consisted of wooden slats that were all interconnected by bolts. This sculpture by artist Mario Shambon looked like it was articulated. Had any section moved, it would affect every other section. Yellow florescent lights were also suspended throughout the space. I arrived early when the dancers were just warming up. A black and white video was projected on the far wall. In the video the dancers stood in a line, erect like soldiers.

The audience became an integral part of the space as they filtered in. Dancers might coach a few people to move forward but in general there was no set stage that separated the audience from the dance. Several free standing doors were also set pieces for one of the dances. My favorite dance number involved one dancer, Leah Marke, shedding multiple layers of robes and light frilly fabric covered with words. A bold spotlight illuminated her from the side. It was as if she were shedding layers of judgement or self criticism. An aluminum staircase on wheels was rolled in slowly by a procession of dancers. The dance ended with her ascension to the top of the stairs and then the room blacked out.

While sketching I felt like I was trying to capture fleeting gestures against a stark industrial setting. The strong verticals implied in the black and white video strengthened that premise.

Weekend Top 6 Picks for September 6th and 7th

Saturday September 6, 2014

7:30pm to 9:30pm $15 at the door. Whisper/Roar. The Orange Studio 1121 N Mills Ave, Orlando, Florida. Two collaborative evenings of modern dance, music,film, costume couture and installation art.

Collaborators: Voci Dance, DJ Nigel John, Tamara Marke, and Mario Schambon.

When: Friday, Sept. 5th and Saturday, Sept 6th; Doors open at 7:30, Performances at 8:00

Where: The Orange Studio, 1121 N. Mills Avenue, Orlando, FL 32803

Wine available as well as lite bites from Happy Chow.

More info: vocidance.wordpress.com

8pm to 11pm Free. Official Observatory Open House. Embry-Riddle Observatories 600 S Clyde Morris Blvd, Daytona Beach, Florida. Please join us for the Astronomy Observatory Open House nights at ERAU’s Daytona Beach campus! These free events allow the campus community and members of the general public of all ages to view the night sky through the Observatory’s telescopes, ask questions, and learn about our universe.

This year we are introducing a new Public Lecture to the Astronomy Open House that will begin at 7pm. Observations will follow from 8pm – 11pm.

View the sky through many of the Observatory’s telescopes and binoculars. We have step stools so kids can reach the eyepiece!

In addition to viewing the night sky through our telescopes, explore our astronomy posters and take a walking tour of the solar system. There is no fixed program for observations and no reservations are necessary. Just drop by to see the stars!

9:30pm to 11:30pm Free but at least get a drink. Son Flamenco. Ceviche Tapas Orlando, 125 West Church Street, Orlando, FL. Hot blooded Flamenco dancers every week.

Sunday September 7, 2014

1pm to 3pm Free. Yoga.  East side of  Lake Eola Park, Orlando, FL.

2pm to 4pm Free. Join poet Peggy Miller as She Reads. Winter Park Library 460 E. New England Ave. Winter Park, FL. Comstock Review Editor Peggy Miller reads at the at Winter Park Library. As a previous research assistant working in biochemistry for the USDA, Peggy Miller’s poems are often inspired by the sciences. Join poet Peggy Miller as she reads and discusses her latest works at 2 p.m. on September 7th at the Winter Park Library.

9pm to 11pm Free but grab a Yak! Comedy Open Mic. Austin’s Coffee, 929 W Fairbanks Ave, Winter Park, FL. Free comedy show! Come out and laugh, or give it a try yourself.

The Shift to feature a Multiple Dance Company Ccollaboration

Emotions Dance  founded by Larissa Humiston is teaming up with Orlando’s best in modern, improv, and contemporary dance to engage and enlighten audiences with new, experimental, and in-progress works all under one roof.

After the performance, there will be a Question and Answer session with the Artistic Directors to allow audiences to provide feedback as well as gain insight into the creative process.

A one-of-a-kind annual event hosted by Emotions Dance Company, The Shift: Calm and Chaos focuses primarily on shifting our perception of movement, dance, and art while allowing companies to grow and change as artists.

Companies participating this year include: Voci Dance, Yow Dance, Dawn Branch Works, Canvas Creative Coalition, Red Right Return Dance Company, Mary Love Dance Projects, Coby Dance Project and more!

Mark Your Calendar! The Shift: Calm and Chaos  will be performed on

Friday September 19 and Saturday Sept 20, 2014

8pm

at the Lowndes Shakespeare Center’s Mandell Theatre

(812 E Rollins St. Orlando FL). Presale tickets are available Aug 12 until September 12
GA- $18
Students/Seniors (65+)- $14
At the door- GA- $20
Students/ Seniors (65+)- $15
Discounted tickets available for parties of 10+.

Also on the horizon is  7 Deadly Sins happening October 17-25th at The Venue (511 Virginia Dr, Orlando, Fl). 7 Deadly Sins is an original work that combines
contemporary dance, visual art, performance art, poetry, music and
culinary art to examine topics of temptation and sin. Lust, pride,
gluttony, sloth, wrath, envy and greed come together to entice audience
members through an interactive art gallery setting. 

Featuring performances
by Emotions Dance Company, visual art by award winning body painter and
Skin Wars Season 1 contestant, Shannon Holt, visual art by award
winning body painter, Brit Lytle, artwork by Patrick Fatica, Amanda
Wegman
, Scott Hodges, Thomas Thorspecken and others, spoken word
performances by E.J. Younes, J. Bradley, and Ashley Inguanta, aeral
performances by American Circus Academy, and a variety of refreshments
from local food vendors to satisfy your inner glutton.

Friday October 17
Saturday October 18
Friday October 24
Saturday October 25

7-10pm

The Venue (511 Virginia Drive. Orlando FL)

Presale tickets- $20 (available Sept 19-Oct 12)
At The Door- $25

This program contains some mature themes and may not be appropriate for children under 13.

The TrIP

Patrick Greene who is the curator at The Gallery at Avalon Island, 39 S Magnolia Ave, Orlando, FL, asked me to be a part of the TrIP Project. The TrIP Project has artists and writers ride the Lynx bus system to report on the mass transit system in Orlando. The first plan was for me to sketch Benoit Glaser and several other musicians who were going to play their instruments on the bus. Unfortunately Patrick gave me the wrong date and I knocked on Benoit’s door a day early. A second option was to sketch Genevieve Bernard‘s Voci Dance who did an interpretive dance performance on a bus. However, a close friend and artistic spirit, Mary Hill, took her own life and I needed to go to her memorial service that day. The bus tickets sat in my pocket unused for the longest time.

Finally, I saw that there was going to be a reading at The Gallery at Avalon Island called, “There Will Be TrIP” on January 14th. I decided I would take the bus downtown for this reading. When I graduated high school, I decided to go to the School of Visual Arts in NYC. I stayed with my parents the first two years and took a bus to the city everyday. The bus ride and consequent subway rides took well over three hours out of the day. Since I also had to get back, that was six hours in transit. Sketchbooks at the time became filled with sketches of fellow passengers. I didn’t own or drive a car for the entire decade I commuted to and stayed in NYC. When I came to Orlando to work for Disney Feature Animation, I got off the plane, took one driving education course and then got my drivers license at the Department of Motor Vehicles. Within the first week I had purchased my very first car, a sweet Honda del Sole convertible. Not once did I ever take a bus in Orlando.

On the morning of January 14th, I got ready for my TrIP adventure. It was raining, so I put my sketchbooks in a zip top plastic bag and put on a full set of rain gear that included plastic pants. I looked like I was ready for an Arctic Expedition. Google Maps on my iPhone said the closest bus stop would be near Universal Studios. It was a four mile hike. The reading downtown was going to be at 7pm. I left at 2pm since I had no clue what I was doing. I hiked through isolated suburban side streets and marveled at all the McMansions surrounding a lake I walked around. The rain was persistent but light. I felt a little uncomfortable walking with my hoodie up since Trevor Martin had been gunned down for walking in a neighborhood much like this I imagined. Someone was just recently shot for texting during the previews at a movie theater. People with guns are crazy in Florida.

Besides raining it was also hot and humid which meant I was getting wet from the inside out rather than from the outside in. When the rain became the faintest mist, I took off the rain jacket to vent some body heat. One of the side streets leading to the bus stop turned out to be the entrance to a gated community. I would have to walk around the gated community adding more miles to my hike. I realized when I was maybe one mile from the bus stop that, had I driven, I would already be downtown and parking,

I walked past a bustling middle school with long lines of cars waiting to pick up children. I realized this was a prime sketch opportunity although I imagined some parent might question my motives. When I arrived at the bus stop it was 3:30pm. I had been hiking for an hour and a half. Five construction workers in bright green vests were at the stop. Conversation was about car envy. A female worker lamented a friend who had a job and makes money on the side. Her friend could afford a Honda Civic. The construction workers make about $150 a day helping build a huge new motel right next to Universal. A large SUV driven by a fellow construction worker pulled up and they all piled in. The 21 bus that I was waiting for didn’t arrive for another hour at least.

On board, the large female driver had to help me figure out how to insert the ticket into the column shaped payment device. Digital lights and numbers gave me too much information to look at. The ticket got sucked in and then spit back out. On the back of the ticked, I found out I could board any bus until 3am in the evening, after that the ticket was void. On the bus, people sat in tight constrained poses clutching bags with arms crossed.  A mom boarded with her excited little girl. They likely had just been at Universal. The child’s eyes were filled with delight.  This bus trip was a fresh adventure for her. They sat next to me and I saw the girl motioning to her mom to look at what I was up to. She sat on her moms lap and watched every line and wash as it splashed on the page. At the Valencia College bus stop a gorgeous woman got on and stood right beside the driver checking her phone periodically. I sketched her quickly, so happy she had brightened the scene. Sketching on the bus got me motion sick. The bus lurched and pitched every time it stopped and it stopped 65 times on the route downtown. The driver also had a lead foot. Perhaps she had learned to drive at the Daytona racetrack.

At 5pm I arrived at Central and Garland Avenue downtown near Church Street Station. The walk to Avalon was less than a mile, so I figure the TrIP probably took three and a half hours whereas a drive downtown usually takes me half an hour but I park in the suburbs to avoid meters and being towed, so the walk can be an extra half an hour or so. So my assessment is, Bus = 3 1/2 hours and Car = 1 hour. The good news is that if I ever got drunk downtown, I know what bus would get me to within 4 miles of my home. But why would I get drunk downtown? Since I was early, I decided to go to Jimmy John’s to get a sandwich. I checked into Avalon where artwork and poetry was being hung on the walls. A poem by Naomi Butterfield was hung by a painting by Parker Sketch. The show is titled “I Believe.”

Imperial Wine Bar and Beer Garden

The Imperial Wine Bar and Beer Garden, located in Ivanhoe Village, (1800 N Orange Ave, Orlando, FL) specializes in boutique wines and craft beers. Located in the back of an antiques store, the bar offers an exotic, comfortable yet elegant pub atmosphere. Terry and I went here one night to meet Wendy Wallenberg and her entourage. When we arrived, we spotted Genevieve Bernard and some of her girlfriends. Genevieve works at the Mennello Museum, is the founder of Voci Dance and runs Kid’s Fringe. Needless to say, she is very involved in the arts and always busy. Her husband Seth reports on the arts for the Orlando Weekly, so I bump into him quite often in my explorations. One of Genevieve’s friends knew of my blog. She introduced herself saying, “You might not know me, but I certainly know you since I read your posts.” Another friend said she read Analog Artist Digital World when she moved out of town to check back and see what is happening in Orlando. It made me happy to think I am providing some kind of service with my obsessive sketching and ramblings.

That reminded me, I hadn’t done a sketch yet today. Wendy and her friends arrived and we exchanged places with Genevieve’s friends as they left. The place was packed. The Imperial has over 40 beers and 45 wines to choose from, with something to offer every beer and wine drinker, from the
novice to the adventurous. I muscled up to the crowded bar to get a drink for Terry and myself. I got a German beer, Weissen-something, and Terry wanted a hard cider. Though I risked seeming anti-social, I sketched. A huge blue Buddha sat crated behind our table. Outside, a food truck generator purred. Wendy’s friend Denise ordered some sort of sushi or volcano roll from the truck. As the conversation darted from journalism to fashion to sports cars, my eyes darted about trying to lock people into a composition. Wendy has to be the most animated person I know. She is a constant blur of motion.  When we left, Wendy gave Terry pointers on how she needs to customize her new Porche. The car was called “Baby” for a while but now she is called “Enterprise“.