Orlando Soup helps fund creative ideas in Orlando.

Orlando SOUP was modeled after the successful Detroit
SOUP, a micro-granting dinner celebrating and supporting creative
projects in Orlando. For a donation of $10, attendees receive soup (made
by Edible Orlando using fresh, local ingredients), salad and bread.
Before dinner is served, attendees will listen to four short community
project proposals covering a range of topics such as art, urban
agriculture, social justice, social entrepreneurship, education,
technology, and more. During dinner, attendees cast a vote for their
favorite project and, at the end of the night, the project that receives
the most votes is funded by $7 from each attendees’ donation. Winners
appear at future SOUP dinners to report their project’s progress.

I went to the Soup crowd funding event on August 13th 2014at East End Market. (3201 Corrine Dr, Orlando, FL). The walls were still covered with my framed sketches. It was great to see so many people in the community room sharing creative ideas. The room buzzed with excitement. I had been asked to work on a mural to cover the front facade of the Fringe offices in the Ivanhoe Village district. Scottie Campbell set up an online crowd source page to try and raise the money to pay me for the project. About $2000 had been raised for the proposed project, but that was less than half of what was needed. Scottie decided to pitch the idea at the Orlando Soup event to make more people aware of the project and raise more funds. His pitch was eloquent and exciting and it helped that my work was visible on every wall. Oddly, though I was in the room sketching, I was never called up to the mic since Scottie covered every base.

Another presentation this evening was by Cole Nesmith who was raising money for The Creative City Project which featured live performances throughout downtown Orlando by local and international arts groups. Cole wants to pay the artists involved but raising the funds needed is a full time job. I wanted to do life sized interactive portraits on the street as my contribution. Unfortunately I was in Australia when the Creative City Project became a reality, so I didn’t get a chance to experience or sketch any aspect of it.  For this Orlando Soup presentation, Cole made a tactical error when he gave everyone in the room a tiny battery and light. The audience became so involved in trying to get the light to work, that they must have missed Cole’s underlying message that it takes everyone’s involvement to light up Orlando with creativity.

Pat Greene gave a presentation about his Transit Interpretation Project (TrIP) and exhibition. He had photographers ride the new Sun Rail trains to take photos of fellow commuters. He needed funds to help hang the exhibit which was at the Gallery at Avalon Island  (39 South Magnolia Avenue, Orlando, FL). This show happened while I was away as well. Patrick got the most votes to help fund the TrIP Project show.

Mark your calendar. The next Orlando Soup is January 20, 2015 from 6:30pm to 8:30pm at East End Market. (3201 Corrine Dr, Orlando, FL). The community room is upstairs. It is a great way to see what creative projects are brewing in Orlando.

The Orlando Amtrack Station

Patrick Greene has been having photographers ride the Sun Rail Trains to take photos of passengers. He arranged for a group to meet and then take the train to the Orlando Amtrak Station near the Florida Hospital South of Downtown. I was running late but wanted to catch the photographers at work, so I went to the final destination. I sketched the station while waiting for the train to arrive. Several trains came and went. Taxis picked up passengers and drove off.

Photos were gathered together for an exhibit at Avalon Gallery as part of the Transit Interpretation Project (TRiP). TRiP is an ongoing project where artists, writers and photographers ride the Orlando transit system and then write blog posts about the experience. I took the Lynx bus downtown from my suburban studio to Avalon for a literary evening based on writers experiences. I didn’t notice my work on the TRiP site, but then a gain I don’t check the site that often.

With the sketch done I was surprised that I hadn’t noticed any photographers around the station. I finally left, a little disappointed that I had missed the creative filed trip. Later Patrick let me know that he wasn’t able to get tickets to the destination I sketched. The group ended up going south away from the Amtrak Station. When I first began Urban Sketching in NYC, it was for a class assignment where I returned to Grand Central Station again and again, doing a sketch each time to document life in the historic station. Train stations therefor are always have a warm place in my heart a great place to sketch.

TrIP Home

The TrIP home from the “There will be TrIP” reading at The Gallery at Avalon Island was quite the adventure. As I exited the venue, Lisa Bates rode by on the quirky, Pewee Hermanesque cougar spotted bicycle she calls “The Beast“. I envied such simple and efficient mobility. Her bike was once stolen but then police quickly found it thanks to it’s undeniable uniqueness. Google maps on my iPhone directed me back towards Division and Central. I started to get nervous as I crossed under I-4 into the heart of Parrimore. The bus stop was a simple pole stuck into the pavement on a street corner across from a mission. A red neon cross announced, “God is Love, Christ is Savior”. There was no seat at the stop but luckily, I always carry an art stool. I sat down and leaned against the bus stop sign pole and it gave way. It wasn’t cemented it place but was just stuck loosely in the hole. Once it stopped moving I leaned back again.

I heard a couple arguing a block away and their loud voices got closer. “I got Aids from You! You gave it to me from F*cking a F@ggot!” Another woman staggered up to me holding a Styrofoam plate of food. “How are You!” she shouted. “I’m fine” I replied sheepishly. “WHAT!” She shouted. I shouted back “FINE!” “Oh”. She stumbled to the corner and the plate of food fell from her hand splatting onto the street. She ignored it and weaved the other way across the intersection. Two guys walked towards me deep in an animated conversation. “You need to be careful when you have a box of cocaine. The cops know it the second they get there and pull behind you.” The conversation trailed off as they walked away. “I am going to die.” I thought. I leaned back and tried to blend into the surroundings. When on earth is this bus going to come? Maybe I should hike to the Lynx main bus terminal. It might be safer there. Yet, at least 5 police cruisers drove by while I waited.  I wondered if the police thought I might be a dealer.

The bus did finally arrive. I sat midway back. In front of me, a guy sat exhausted leaning forward against the seat backs in front of him. A woman in a red down jacked sat fingering her phone intently the entire drive back home with the bright screen inches from her face. Two teenagers with loaded back backs piled in. The bus driver would give each passenger that stepped on board a trivia question. “What band sang “Hotel California?” The passenger was stumped. I had just been to an Eagles concert a few weeks prior so I knew the answer. I kept the answer to myself. The driver talked to the two back packers about hunting gator in the Florida swamps. I assume he was pulling their tails. The back packers that is, not the gators. This driver most certainly deserves a raise. He kept passengers on their toes. When I got off, I called Terry who was at home. The hike home from the bus stop is about 4 miles and it was a freezing cold evening. Screw the authenticity of a full round TrIP by bus. Terry offered a ride and I was taking it.

I started walking west towards home and Terry said she would find me along the way. I was wearing my full foul weather gear which was dark blue and black. The second I pulled my hoodie over my head, I warmed up. I saw headlights driving towards me but I used my baseball cap to cut the glare. Terry’s car drove past me a bit and stopped. As I walked up from behind to the passenger door, she suddenly drove away. Was she toying with me?  I knew she would have to turn around, so I crossed the street and continued hiking home. On the second pass, she once again stopped and as I walked up, she accelerated away. Several texts confirmed that she couldn’t see well at night. I suspect I might have looked a bit scary as I approached her car. On the third pass I flashed my cell phone light at her to communicate that I was a “friendly”. We drove the second half of the TrIP home with ease. Terry made it quite clear that she felt this TrIP was a bit insane. But I stepped outside my comfort zone and it was indeed an adventure.

The TrIP

Patrick Greene who is the curator at The Gallery at Avalon Island, 39 S Magnolia Ave, Orlando, FL, asked me to be a part of the TrIP Project. The TrIP Project has artists and writers ride the Lynx bus system to report on the mass transit system in Orlando. The first plan was for me to sketch Benoit Glaser and several other musicians who were going to play their instruments on the bus. Unfortunately Patrick gave me the wrong date and I knocked on Benoit’s door a day early. A second option was to sketch Genevieve Bernard‘s Voci Dance who did an interpretive dance performance on a bus. However, a close friend and artistic spirit, Mary Hill, took her own life and I needed to go to her memorial service that day. The bus tickets sat in my pocket unused for the longest time.

Finally, I saw that there was going to be a reading at The Gallery at Avalon Island called, “There Will Be TrIP” on January 14th. I decided I would take the bus downtown for this reading. When I graduated high school, I decided to go to the School of Visual Arts in NYC. I stayed with my parents the first two years and took a bus to the city everyday. The bus ride and consequent subway rides took well over three hours out of the day. Since I also had to get back, that was six hours in transit. Sketchbooks at the time became filled with sketches of fellow passengers. I didn’t own or drive a car for the entire decade I commuted to and stayed in NYC. When I came to Orlando to work for Disney Feature Animation, I got off the plane, took one driving education course and then got my drivers license at the Department of Motor Vehicles. Within the first week I had purchased my very first car, a sweet Honda del Sole convertible. Not once did I ever take a bus in Orlando.

On the morning of January 14th, I got ready for my TrIP adventure. It was raining, so I put my sketchbooks in a zip top plastic bag and put on a full set of rain gear that included plastic pants. I looked like I was ready for an Arctic Expedition. Google Maps on my iPhone said the closest bus stop would be near Universal Studios. It was a four mile hike. The reading downtown was going to be at 7pm. I left at 2pm since I had no clue what I was doing. I hiked through isolated suburban side streets and marveled at all the McMansions surrounding a lake I walked around. The rain was persistent but light. I felt a little uncomfortable walking with my hoodie up since Trevor Martin had been gunned down for walking in a neighborhood much like this I imagined. Someone was just recently shot for texting during the previews at a movie theater. People with guns are crazy in Florida.

Besides raining it was also hot and humid which meant I was getting wet from the inside out rather than from the outside in. When the rain became the faintest mist, I took off the rain jacket to vent some body heat. One of the side streets leading to the bus stop turned out to be the entrance to a gated community. I would have to walk around the gated community adding more miles to my hike. I realized when I was maybe one mile from the bus stop that, had I driven, I would already be downtown and parking,

I walked past a bustling middle school with long lines of cars waiting to pick up children. I realized this was a prime sketch opportunity although I imagined some parent might question my motives. When I arrived at the bus stop it was 3:30pm. I had been hiking for an hour and a half. Five construction workers in bright green vests were at the stop. Conversation was about car envy. A female worker lamented a friend who had a job and makes money on the side. Her friend could afford a Honda Civic. The construction workers make about $150 a day helping build a huge new motel right next to Universal. A large SUV driven by a fellow construction worker pulled up and they all piled in. The 21 bus that I was waiting for didn’t arrive for another hour at least.

On board, the large female driver had to help me figure out how to insert the ticket into the column shaped payment device. Digital lights and numbers gave me too much information to look at. The ticket got sucked in and then spit back out. On the back of the ticked, I found out I could board any bus until 3am in the evening, after that the ticket was void. On the bus, people sat in tight constrained poses clutching bags with arms crossed.  A mom boarded with her excited little girl. They likely had just been at Universal. The child’s eyes were filled with delight.  This bus trip was a fresh adventure for her. They sat next to me and I saw the girl motioning to her mom to look at what I was up to. She sat on her moms lap and watched every line and wash as it splashed on the page. At the Valencia College bus stop a gorgeous woman got on and stood right beside the driver checking her phone periodically. I sketched her quickly, so happy she had brightened the scene. Sketching on the bus got me motion sick. The bus lurched and pitched every time it stopped and it stopped 65 times on the route downtown. The driver also had a lead foot. Perhaps she had learned to drive at the Daytona racetrack.

At 5pm I arrived at Central and Garland Avenue downtown near Church Street Station. The walk to Avalon was less than a mile, so I figure the TrIP probably took three and a half hours whereas a drive downtown usually takes me half an hour but I park in the suburbs to avoid meters and being towed, so the walk can be an extra half an hour or so. So my assessment is, Bus = 3 1/2 hours and Car = 1 hour. The good news is that if I ever got drunk downtown, I know what bus would get me to within 4 miles of my home. But why would I get drunk downtown? Since I was early, I decided to go to Jimmy John’s to get a sandwich. I checked into Avalon where artwork and poetry was being hung on the walls. A poem by Naomi Butterfield was hung by a painting by Parker Sketch. The show is titled “I Believe.”