
In Situ was the first panel discussion I attended at SECAC. When I entered and started sketching, Rebakah Radke Associate Professor in the School of Interiors at the University of Kentucky College of Design was giving a presentation titled From Stitch to Site: Place-Based Learning Across Appalachian and French Post-Mining Landscapes. Her scholarship centers on design pathways for sustainable climatic futures in post‑mining territories of Appalachia, using community‑centric collaborative design processes to support climate aware and proactive communities. Radtke’s work is rooted in place‑based design research — engaging local communities in co‑creating solutions that respond to both ecological and social conditions. In Appalachia, this means addressing the legacies of coal mining, energy transition challenges, and climate resilience, while integrating local knowledge and expertise into design outcomes.
Kentucky has a long history of coal mining as does France. Her further research involving French post‑mining landscapes, involves similar socio‑ecologic transitions and community engagement strategies that need to be adapted. Rebekah had an inspired way of introducing mining to her students and then having them go to France to see how similar the mining history was there.
In my trip to Europe following the footsteps of my father 1st Lieutenant Arthur Thorspecken, I went to may mines in the Ruhr Pocket industrial area of Germany. Germany used forced labor to mine the coal. The coal was used to produce a crude diesel fuel which was needed to fuel thanks. I know that hundreds of Polish and Russian forced laborers died in the mines. They were literally worked to death, being starved to death. All the mines I visited were closed for many years. Some were converted into museums while others were abandoned and surrounded with security fencing. I sketched all the coal mines I could find in my travels through Germany.
The use of forced labor in German-occupied Europe during World War II took place on an unprecedented scale. It was a vital part of the German economic exploitation of conquered territories. It also contributed to the mass extermination of populations in occupied Europe. The Germans abducted approximately 12 million people from almost twenty European countries; about two thirds came from Central Europe and Eastern Europe.
In the teaching I do, I always work to get the students out of the classroom and out in the field sketching on location. Rebekah’s research and work with her students was a real inspiration.

I drove to Winston Salem, North Carolina to attend a SECAC Conference with Stella Arbelaéz Tascón. SECAC stands for Southeastern College Art Conference. I was brought in as an illustrative journalist to cover the convention with sketches. Since I was offered a press pass, I felt I had to sketch every session I attended.
The drive to North Carolina was 10 hours, which was divided into two driving sessions. By the time we arrived at the Conference we were both exhausted. Stella’s world traveling mini poodle named Boo Boo came along for the Conference. Since we arrived late, there was no time to get him into a doggie day care. So, Stella brought him into the Conference in her shoulder bag. There is a hole in the shoulder bag which allows just Boo’s head to stick out. Most people never notice him or they think he is a plush stuffed animal.
The invitation said that the Opening Reception would happen in Salem 2, which was a large conference room. Outside that room there was plenty of small bites on tables, and each attendee got two drink tickets. Since I was waiting for the Salem 2 doors to open, I decided to get a plate of food and a white wine. I was feeling a bit tipsy from the single wine since I never drink. When I had finished the veggies, I had picked out for my dinner, I found that the Salem 2 Conference doors had still not opened. I opened one door and peaked inside to find a vast space filled with chairs. I decided to get a sweet slice of pie since I still had time to kill before I started my sketch.
When I finished my pie, I realized that the Salem 2 Conference room doors would never open. This informal gathering in the hallway was the event. I quickly whipped out my artist stool and sat down to sketch. Staff noticed me setting up and they complimented my on bringing along my own chair.
Then I dug into my art bag and pulled out my sketchbook. I had two sketchbooks to document the Conference. The small sketchbook I had used in the hotel room to write down the Conference Center address. I had then placed the sketchbook on my bed and forgot about it. At least I had the large hardbound sketchbook to work with. Then I realized I forgot my pen and pencil travel case. How on earth was I going to do a sketch, I didn’t have my art pencils, pens or watercolor brushes. Digging through my pockets I discovered I had a single yellow Ticonderoga pencil. I also had my watercolor palette but no brushes to apply the paint.
I had to put something on the page, so I started doing a very rough sketch with my pencil. Then I started applying watercolor with my finger and a rag. I wasn’t about to apply many colors I just needed to get something on the page.
While struggling with my sketch, I met Mina Rezghian. Mina is a University of South Carolina MFA candidate, She had three pieces on exhibit in the Annual SECAC Juried Exhibition. Thanks to exchanging Instagram information, I got to see some of her work. I briefly got to learn a little about her childhood in Iran. She mentioned a flood that washed away her collection of plush rabbits. My little sister had a plush rabbit that she held so often that it started to fall apart. She held the rabbit by its long partly detached ear and the rabbits butt dragged on the ground as my sister dragged it around. Mina’s childhood was washed away in a flash. Her father came to America feeling he could find a better life. Mina’s work reflects memories of a life that was tender and sweet and yet she came from a country that our President decided to bomb. On February 28, 2026 a U.S. Tomahawk missile struck an elementary school in Minab Iran, killing at least 156 people including 120 children and 26 teachers. After the brief conversation with Mina, I had a million more questions, but this is just an example of the amazing people that can be met at such an inspiring Conference.
In the Juried exhibition, Mina had
I went to a rehearsal for a
Brooklyn’s Pizzeria and Italian Restaurant (27405 US Highway 27, Leesburg, Florida) has to be the most sketched Pizza joints in Lake County Florida. When my food supply would run out I would head out one night to Brooklyn Pizza for some spaghetti or a small pizza pie. Both options offered comfort food before my next grocery run.
I stayed at a really nice Air B&B in Thornton Park while I was looking for an apartment to rent. It was in the top floor of a 3 story building with a balcony that overlooked Washington Street. There was a bar next door with a UCF banner and I liked hearing all the conversations.
I went to the Dr. Phillips Center for the Performing Arts to sketch and Art and Autism event which was to be held on the 2nd floor Tupperware Brands Hospitality Suites. I never did find the suites but I did find this huge ballroom tiger overlooking the Dr. Phillips lobby.
Ligature Coffee (419 E Michigan St #4, Orlando, FL) was the site of an Urban Sketcher’s Orlando Coffee and Draw outing. Just short of a dozen sketchers enjoyed some coffee, sketching and conversation. Instead of drawing the coffee shop, I simply drew the sketchers. The blue touches of color from the coffee mugs played throughout the scene. The parking lot right in front of the shop negated any pastoral views while sipping the brew.
On April 7, 2026 I went to City Arts Factory to sketch. Johanna Lung who was performing on the little stage set up in the ground floor café. Coffee, wine and beer can be found at the bar. I was staying at a Thornton Park Air B&B but would have to find a new one for the following week. I wanted to be settled for when Fringe was set up in May so I planned to find an extended stay.
On May 30, I went to the ICE Offices (9495 Delegates Drive Orlando Florida) to sketch the Anything but ICE Job Fair. I did a drive by and found a few people gathered outside the heavily fortified warehouse facility. Finding parking was a challenge but I found what looked like legal parking on a side street nearby. I had a thought that officers would most certainly be scouting around the area looking for any infraction to ticket protestors.