Orlando Shakes Board Meeting

Posted on by Thor

Jim Helsinger, the Artistic Director at the Orlando Shakes (812 E. Rollins St., Orlando, FL), invited me to give a brief 10-minute presentation at the Orlando Shakes Board meeting that showed some of the creative process involved in each season’s posters. It was exciting to share a bit of the creative chaos that transpires every season.

I prepared 10 slides (JPGs) that showed all of the versions of each poster that were used as the concept for each poster evolved. Some slides had just 4 versions of the poster while others had up to 10 different concepts.

The meeting was tightly packed with budgeting and marketing presentations, so I didn’t want to run overtime. With the 10 slides I had just 1 minutes to discuss each poster evolution. This is something I do here on Analog Artist Digital World each season anyway. I show all the ideas that didn’t work, before showing the final poster concept.

With Stuart Little I pointed out that the first pass at the poster was just something to get the conversation started. I did another version with Stuart in the port hole of a boat and then one with the cat dominating the scene. When the cat was pushed further into the background the concept allowed Stuart to take center stage.

With Hound of the Baskervilles the challenge was to make it clear that the show was a comedy. I first pass was quite dark with a huge demonic dog hidden in the trees while a silhouette of Sherlock was looking through his magnifying glass. A second pass had Watson and Sherlock seated in the same forest. I realized that Watson has a bigger role in the mystery than Sherlock. I put another dog in a golden frame. That dog was once again too dark and menacing. When I replaced him with a smiling rottweiler and had Watson looking through the magnifying glass with a huge magnifying glass and Sherlock looking quite perplexed. The comedic aspect seemed clear to me.

With Fat Ham I just had to switch from the nightclub dance mode I adopted in the first tow passes at the poster and instead focus on the picnic in the backyard. With Shakespeare’s As You like It I tried about 10 different concepts before settling in on female lips and a mustache. I had seen an image of a lipstick kissed onto a sheep of paper and to me that pattern looked like trees in a forest. It is an abstract though that came after many far more literal passed at the poster design.

With Dracula: A Comedy of Terrors there were tons of passes at the poster because I had worked on it for two seasons. Concepts started with a full cast and over time the challenge became figuring out how to depict a vampire smiling. Any time a vampire smiles it doesn’t come off as comedic, it comes off as menacing. Clattering toy teeth were an obvious work around to let people know this was a comedy.

Come From Away also had many passes before setting on a final poster image. It is about planes being diverted to land in Nova Scotia after the 9-11 attacks in NYC. Many of the early designs had multiple airplanes lined up on the runway. But that isn’t what the show is about. It is about how people come together for one another in an emergency. The challenge was how to depict a welcoming community. Orlando came together to embrace love and strength after the Pulse Nightclub massacre.  The concept that worked showed multiple hands creating a heart shape with a bright sunrise glowing in that heart shape. I had seen this symbol of the heart so often after Pulse, and I finally embraced it for the poster concept.

Richard III was a rare case where I did four concept and one hit the mark perfectly. In that poster, Richard’s hand rises from inside a crown and it scratches three bloody trails onto a white wall.

With A Christmas Carol I got to point out how I had created a poster design for the show 4 different times. This time I resisted showing a large cast and instead just focused on Scrooge walking down a dark London street while it snowed. That simple image allows the viewer to decide who Scrooge might be on that dark evening walk.

With the Children’s show Corduroy, I sketched a Teddy bear sitting on a shelf. He seemed sad, which he was since he had been abandoned there for so long. The show, however, is very finny and comical. The poster needed a verb. I did two passes with a girl hugging the bear, one was realistic and the other cartoony. In the end the concept that got accepted showed Corduroy reaching for a button which had popped off of his green overalls. That button was his quest for the entirety of the show. He wanted to look good to the little girl would return and bring him home.

Last I got to share a sketch of the recent production of Henry VI: The Rise of Richard which I had done on location in the theater. I have been doing a location sketch like this every day since January 1, 2009. Of course I sketched the board meeting itself. I only had an hour while subtracting my presentation time. I had to work fast. The sketch is rushed and not as complete as other sketches I have done, but it isn’t the worst thing I have ever done, so I accept what it is and move on to the next.

Million Dollar Quartet, Final Theater Poster

Posted on by Thor

For this poster I did extensive research on what record album c overs looked like in 1956. The Million Dollar Quartet jam session took place on December 4, 1956, at Sun Studio in Memphis, Tennessee. It was an impromptu gathering featuring rock ‘n’ roll icons Elvis Presley, Johnny Cash, Jerry Lee Lewis, and Carl Perkins.  The session was a chance meeting where the four musicians played together, captured by Sun Records owner Sam Phillips. A local newspaper, the Memphis Press-Scimitar, published an article the following day featuring a photograph of the four men, leading to the “Million Dollar Quartet” nickname.

On my first pass at the poster, Elvis didn’t quite look like himself, so I had to tie him down some more.  I also did not have the red radiating beams which is an effect I saw on another album of the day. The beams reference Sun Studios where the performance happened. Those radiating beams gave the poster the pop that I was looking for.

Million Dollar Quartet is a Tony Award-nominated musical by Colin Escott and Floyd Mutrux. The show brings this historic night to life with a score of their hit songs, telling a story of music, fame, and personal drama. The score includes over 20 chart-topping hits like “Blue Suede Shoes,” “Great Balls of Fire,” “Walk the Line,” “Hound Dog,” and “Folsom Prison Blues”.

I unfortunately didn’t have the time to go to the show to sketch. There really should have been a sketch artist in the room when these 4 performed together. The show was   in honor of Harvey L. Massey. I once sat next to Harvey and his wife Carol in the Shakespeare Theater. They were seated in the seats above the entry doors. I decided that those seats were the perfect angle from which I should sketch the show. I asked if it was alright if I could sit next to them to sketch. Harvey was a huge supporter of the Orlando Shakes productions. Had I realized who he was at the time I might have been to intimidated to sit down next to him and sketch the show.

Harvey L. Massey, was the retired Chairman and CEO of Massey Services. Massey Services is the pest service that almost every Central Floridian uses to keep pests from their homes. The company grew to more than $200 million in revenues with more than 1,700 employees. He passed away peacefully on Tuesday, January 24, 2023 at the age of 81.

James Chonody Street Artist Little Econ Trail

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I have been biking the Little Econ Greenway Trail each morning since I have been in an Airbnb in Azalea Park. I set up this short-term rental for two weeks. Stella Arbeláez pointed out that the place was very close to the Little Econ trail. I am glad I made it a limited stay in Azalea Park, because the house is directly under the flight path of planes landing at the Executive Airport. I thought only little Cessna’s landed at that airport, but I was wrong. The planes also fly over the Little Econ Trail but the noise isn’t as bad since the planes have more elevation when flying over the trail.

I tend to bike the trail as soon as I wake up in the morning. I know that the heat builds and I would rather not be sweating when the Florida heat reaches it’s peak in the afternoon. Riding my bike each morning gives me time to think, and it allows my body to heal faster after my hernia repair operation. The time spent biking also allows me to reflect on what I want to accomplish for the day.

One morning I noticed an artist set up in one of the picnic canopies working on a painting. I had wanted to bring along my art bag so I could do a sketch on the trail, but I managed to forget it back at the Airbnb. I cursed my thoughtlessness and rode by, hoping I might catch him the next day. Thankfully he was indeed there the next day. I rode past again because I wanted to be sure to do a full circuit of the trail. On the ride back, I stopped to introduce myself.

James Chonody was dressed in a Hawaiian shirt that looked like Van Gogh’s Starry Night painting. My awkward introduction was warmly received by James, and he started to tell me all about his career as a location artist. James gave up drinking about 7 years ago and at the same time he took up painting. He thought he might reward himself with a drink after finishing his first painting, but he became completely obsessed with that first painting and forgot all about drink. Painting had kept him sober for 7 years. I feel the need to get lost in the creative process once every day to keep my life on point, and I suspect James feels that same need. He said that children who like to spin obsessively are prone to want to drink later in life. They like the feeling of being a bit off balance. Art does the opposite.  It offers a chance to be completely balanced and very much aware of the surroundings.

As James related his life story I felt like our paths were very much alike. He worked for Disney helping engineer the parade floats, and I put in 10 years at Disney Feature Animation. He feels more satisfaction now that he is producing art that satisfies his tastes. We had some fun bashing Disney executives.

James blocks in his paintings quickly and can do several paintings a day. He doesn’t like to over polish a painting, he likes the look of definite bold brushwork. I was a little worried because he felt the mason jar painting he was working on looked complete. I just hoped he would work on it long enough for me to finish my sketch from across the bike path. He did continue painting by adding lights to the background of the piece. He started packing up at about noon. I think like me he likes to get back to the studio before the worst of the Florida heat hits.

His painting often starts with a black ground. He explained that this allowed the darkest darks to already be in place, he just needed to add lights. We joked about watercolor artists who refuse to use black. They spend so much time mixing black with burnt Umber and ultramarine, blue. Like James I am happy to just use black if it suits the needs of the sketch.

He is a member of the Sanford Seminole Art Association and he encourages artists to paint on location. I hope to stop out and join them at some point. I am always excited to learn about a new arts organization.

The story James related of resilience and using art to rebuild oneself really resonated with me. James is 74 years old and he has his art for sale as he works on a painting. As we were speaking someone walked up to his artist’s area and they were in the market to buy the painting James had of a golden retriever dog swimming. The person didn’t have enough cash, and he offered James a down payment. James suggested he look for an ATM cash machine nearby. He joked with me that the park should really set up an ATM near the picnic canopy where he sells his art since the art sells so well. As I was finishing my sketch, the guy returned with the rest of the cash to buy the painting.

James explained that it was a good day since he had sold several paintings and he had replenished his artistic stock by completing a painting of the mason jar full of lemonade. He also had a painting of a mason jar full of fruit loops cereal. He said people love nostalgia and nostalgia sells. That Fruit Loops painting would end up in someone’s breakfast nook, of that he was certain.

Other paintings on display were of Italianate architecture.  James said that some people could spot his engineering background in his artwork. I sometimes get similar comments about my location sketches. James paints live at events, so we certainly have much in common. It was such a pleasure to meet a fellow artist on a beautiful Sunday morning. Showcasing his work outside allows him to meet people and sell art.  He wondered why more artists don’t do it. I want to live more like James when I grow up.

2022 Christmas Carol

Posted on by Thor

The 2022 version of A Christmas Carol poster for the Orlando Shakespeare Theater (812 E Rollins St, Orlando, FL) was built around the vision of Christmas past with the whole cast having a grand time dancing at the Fezziwig Christmas party. Fezziwig was Ebenezer Scrooge‘s jovial, generous first employer. He was a “foppish” and jolly, stout man, and he hosted a lavish Christmas Eve party every year for his employee. He stands as a stark contrast to Scrooge’s stinginess.

Scrooge and Christmas past are far back in the crowded room near the torch at the windows. I put the focus on Fezziwig and his wife dancing.

My decision to leave Scrooge in the background would have to be changed, so this was not the final version of the poster. A number of faces of members of the cast were changes and Scrooge an Christmas past took center stage to replace Fezziwig and his wife.

I painted Scrooge and Christmas past with blue tones to separate them from the crowd. In the play no one ever sees scrooge of Christmas past, so if they danced then perhaps others at the party would have danced right through their holographic visages.

With so much intricate detail this poster was a joy to work on while the changes kept me adjusting the composition throughout the process. Tiny Tim had to be added and brought to the foreground. The woman that Scrooge loved and lost is dressed in blue and dancing in the mid ground. She has her back to the audience and is facing scrooge but does not see him. That is how many relationships erode. Someone you once trusted becomes a passing acquaintance.

I like the chaotic flavor of this poster. The Shakes had sent me photos of the cast dancing from past productions, so I had plenty of reference to add people dancing, drinking and having a great time.

Lake Eola Nutcrackers

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After the start of the new year I drove down to Lake Eola to see what remained of the Christmas decorations. Orlando goes hog wild with Christmas light displays around the lake. The lights offer plenty of selfie photo opportunities. It seem that the lighting displays get more complex each year. Sketching Christmas lights is a challenge so I decided to see what was in the park in the daylight.

I made my way to Lake Eola from the Orange County Regional History Center. When I got to the lake, the Nutcrackers were the very first thing I saw, and I simply got my art stool out, sat down and got to work. The large artificial Christmas tree was also still up.

Several people met in the courtyard area amidst the nutcrackers. I soon found out that they were a religious group. A woman started shouting out that we were all destined for hell unless we embraced Jesus. An AI meme was posted by the President of the United States where he depicted himself as Jesus healing a sick man that looked like Jeffery Epstein. I wonder if the woman shouting in the streets wanted me to embrace that vision of Jesus? Was she promoting a MAGA fever dream?

I had enough things to think about while I was sketching, so what she was shouting got filtered out as I relaxed into the sketch process. I had to find vanishing points, I had to consider size relationships, and I needed to figure out how much of the scene I could squeeze on the page.

The Nutcrackers must be 12 feet high. It would be quite fun if they were articulated being able to move their arms and open their wide crushing mouths. It would be nice if every Nutcracker in the nation were to animate and march down the streets to find despots, fascists and and drive them from the nation. Unfortunately, they can only stand at attention.

Romeo and Juliet

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Because I have been working on my website, I noticed that I did not share the poster design for Romeo and Juliet here. The Site went down for a day and I spent 8 hours with techs at Bluehost trying to find out why the servers was scrambling all the elements of the site. Some tech scan had to be done over another 6 hours and I was so glad the when I woke up this morning everything had fallen back into place. Anything digital is mysterious and delicate. Anything not printed on paper will someday be lost.

The poster I designed for Romeo and Juliet pretty much hit the mark with the first pass. I had to work on refining the faces but otherwise my concept of an embrace that vaguely resembles a heart was accepted as is. As I painted Juliet grew younger and Romeo receded into the dark.

In part I was thinking of the scene from Titanic in which the young artist Jack held Rose from behind on the bow of the ship.

The challenge as always was that I did not know who would be cast in the parts. I covered most of Juliet’s face with the hilt of the sword. A previous version showed the sword stabbing flesh and I completely understand that needed to be implied not stated visually.

I had romeo reseed into the darkness and his face is partly hidden by the letter J.

Red shattered glass hints at the tragedy to come. Much of my time was spent making Juliet’s hand feminine and Romeo’s hands more masculine. The abstract nature of the hug makes understanding whose hands are whose a challenge. Had I depicted their bodies the arms might have made more sense but that would have detracted from the heart shape that their embrace creates at least in my mind.

The multi racial casting for the show resulted in some racist remarks on social media and I love that the Shakes stands up for absolute inclusivity. Whoever had the best audition was best for the part. That is the way any show should be cast.

Since I was working on the next season’s posters I didn’t get a chance to sketch the show. I need to get better about getting out of the studio when such an amazing sketch opportunity presents itself.

Urologist Waiting Room

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At the end of my trip through Europe, following in the footsteps of my father, 1st Lieutenant Arthur Thorspecken, I discovered that a double hernia had developed at the base of my pelvis. All the hiking I had been doing should have been good for my health, and it was. I lost plenty of weight but perhaps the weight loss revealed the hernia which may have already been developing. In my mind the hernia happened overnight. The Airbnb I was staying in had free coffee. I never drink coffee, but I decided to try a cup that night. It tasted good, so I had another cup.

In the morning, as I was getting dressed, I noticed the two rather large bulges at my pelvis. I panicked. My health insurance had been canceled because of my travels. I scoured the interned to self diagnose the situation. It was not life threatening as I at first thought. I was fine with it unless I had to lift something heavy.  My heaviest object was my backpack full of sketchbooks. I decided I could live with it and then I would get it fixed once I got back to the United States.

This trip to the Urologist was a check up on a previous operation I had which was to remove my prostate. For that operation a laser had been shoved up my flag pole and the prostate was burned away with the laser beam. It was a high tech solution. I wondered if a laser bean blast had ricocheted and caused the hernias. One internet article confirmed that was a possibility.

At this visit with the doctor’s assistant, she denied that the previous operation could be the cause. She gave me a referral to a doctor who handled hernia repairs. I had the prostate removed so that I would not need to urinate as often as I did. Traveling in Europe I found that I still had to urinate far too often. I took a pee in just about every German landmark that I sketched. A sketch takes about two hours to complete and by that time I would have to pee like a race horse. A side effect to the double hernia is a constant need to pee. The doctor’s assistant prescribed a pill that helps reduce the urgency, but my Ambetter Insurance refused to fill the prescription.

My sister in Punta Gorda Florida had the double hernia repair surgery. Her case was much worse than mine. She had to have the surgery done multiple times because the doctors botched the repair. One doctor finally fixed all the botched operations and she has been fine ever since. I started looking for information about that doctor online.

My primary goal, and the reason I was staying in Florida was to get this operation done. I would have to face sketching a series of doctor’s office waiting rooms. This wait wasn’t very long. I only had enough time to put some lines on the page and add three washes to cover the page.

Charlotte’s Web

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I have been updating my website and getting more work loaded into the galleries. When I load an image I need to search for it based on it being shared here on AADW first. I was surprised that I had not shared the Orlando Shakespeare Theater poster for Charlotte’s Web. At the time the show was being performed, I had my back against the wall with lots of illustration work. I did not take the time to see and sketch the show. I am certain that it was an adorable children’s show. I have read the book and know it is a heart wrenching and beautiful story. I did do another version of the poster which was more of a cartoon rather than an illustration. I will share that tomorrow.

My website was in limbo for quite some time because all the page links started to fail. I spent an entire day last weekend calling Bluehost to try and figure out what needed to be done. Something had happened on their end and an 8 hour scan had to be done which ultimately fixed the issue. The problem was with the server. At first an agent thought it might be a malware attack and he scanned for that. Thankfully it was not a virus. The fear with that is that everything could just evaporate and disappear. I am very aware now that n=anything digital is temporary. At some point the internet will cease to exist and any information stored there will disappear.

Most of the silent era films no longer exist. That is because film is a delicate medium and prone to first degrade and then ignite on fire. An estimated 75% to 90% of all American silent films are permanently lost, largely because they were burned, allowed to decompose, or destroyed. Major causes included the high volatility of silver nitrate film stock, which caused massive, spontaneous studio vault fires.

Thomas Edison made the earliest silent films. His films still exist because he printed every frame on paper as well as film and thus his early films can be recreated whereas other films went up in smoke. I suspect that digital will have a similar issue. That which is not put on paper will in the end be lost.

Henry VI Part 3: The Rise of Richard

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I was excited to sketch a performance of Henry VI: The Rise of Richard at the Orlando Shakespeare Theater (812 E Rollins St, Orlando, FL). I sat in row  Z. Ushers were confused, they didn’t realize there was a row Z.  I found a spot in the back and scooted to a ¾ view of the stage just before the show opened when I was sure that there was an open spot for me. Where I was seated was perfect because there was no one behind me who might be distracted as I threw lines o the page.

The sketch is a composite rather than a specific moment in the play. I sketched Richard Duke of York (Timothy Williams) when he claimed his seat at the throne. Beside him is The Earl of Warwick Richard Nevelle “the King Maker”, (Benjamin Reigel). Standing in front of them both is the twisted and hunched  Richard III, Duke of Gloucester (Mark McClain Wilson).

The drama unfolded between the House of York (White Rose) and the House of Lancaster (Red Rose). The crown changed hands multiple times. Ascending to claim the crown was often a murderous affair. King Henry VI of the House of Lancaster (Trevor Spence) was a rather weak and pious ruler. He rose to power as a child. He was ultimately captured imprisoned and then murdered. Murder seems to be a sure way to rise to the claim the crown and sit on the throne.

The hunchback Richard III played supporting roles when his brothers rose in power to claim the crown. However he despised the happiness of his brother Edward (Walter Kmiec) who married  the beautiful Lady Grey (Rachel Comeau). The couple had a child and that child would have a claim to the throne someday. If Richard could not experience happiness and romance, then he would instead scheme and find a murderous way to rise to claim the throne. When Edward died, Richard realized the infant would have to be murdered. That would open his path to claiming the crown. As a king in 1450s England you would always have to watch your back.

There are only 2 more performances of Henry VI The Rise of Richard! Be sure to get your tickets to see who claims the throne.

Gouache Video Workshop

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Stella Arbelàez and I painted along with a gouache and color theory workshop video. It is fun learning new painting skills with another artist. Only 3 tubes of gouache along with white were needed for the workshop. Since I was borrowing the dabs of gouache from Stella, I was very conservative about how much paint I used. On a few occasions I used some of my watercolors when the gouache ran low. The colors used were Red, Yellow and Blue which are the primary colors. Any other color can be mixed from those three colors. There was no use of black on the palette. Instead, the instructor focused on how to best mix warm blacks and cool blacks. All the variations were so subtle.

The gouache colors used are very pure and thus very dark and full of pigment. Very often white would need to be mixed into the color to differentiate one color from another. Being able to paint a light color on top of a dark color was a thrilling change for me, since I have only worked with thin washes of watercolor for years.

The instructor had us mix a gradation between two complimentary colors. He picked yellow and purple. In the middle of the mixture the colors neutralize or become muddy. This is important since most colors seen in nature are not pure and vibrant, they have to be muddied up a bit. My everyday palette is organized so that complimentary colors are opposite one another. I often will find myself mixing complimentary colors to make them less vibrant.

We all worked from the same reference which was a scene of a market in Flushing or Queens New York under the elevated subway tracks. Having lived in NYC for 10 years I was very familiar with the scene. It reminded me of the early morning fish market I used to sketch at the southern tip of New York City. It would be great to return to the fish market again since I know I could capture the scene so much better than I did way back in the late 1980s.

I love finding colors while mixing. That is why I used to love to paint in oils. I stopped using oils simply because I never want to leave any trace of paint behind when working on location. I work fast and sloppy so the change of oils getting on my hands and then on a carpet of cushion are pretty high. Working gouache into my everyday kit seems like a good compromise. I can keep part of the sketch fluid with thin washes and them add opaque paint in areas where it is most needed.

If I were to use thick paint as I did in this workshop then it would become necessary to start working smaller. For me the biggest challenge is to always try to keep the brush clean. I might be painting in the darks and then decide to try and paint a bright and light color. The darker color always seems to find a way to hide deep inside the bristles and then muddy up the light color I was hoping to paint. Plenty of experimentation is going to be needed.

I purchased a small landscape hardbound sketchbook that I will try and use at the Orlando International Fringe Festival in May. That is where I will experiment with using gouache for the first time extensively. There are so many other supplies I would like to get, but I am living out of a backpack right now and don’t want to carry too much weight.