Fringe: We Got Got

Posted on by Thor

Kerry Ipema from Brooklyn New York presented We Got Got at the Orlando International Fringe Festival. Kerry Ipema and KK Apple with their black ties and red white and blue business attire opened the show with a peppy business pitch where they pushed every corporate buzz word in their   thirst to bring profit to their theatrical endeavors. With so much enthusiasm how could they go wrong? As a matter of fact they were well on their way to achieving their corporate goals but then their accountant stepped in and ripped them off.

Rather than accepting this injustice they began to plot a complex revenge heist. Police simply shrugged off their complaints so they needed to take matters into their own hands. There is an addictive chemistry between Ipema and Apple that convinced me that they could pull off even the most convoluted attempt at getting their money back.

I felt a certain pleasure in hoping that their revenge fantasy could possibly come true. Perhaps it is a fantasy to think that blue collar thieves might be held accountable for their blatant thefts. The present administration in office makes it seem like theft is the American dream.

The fast-paced banter and at times syncopated delivery is what makes the show tic. It is also inevitable that an audience would want to root for the underdog. These two struggling actresses had been wronged and ther must be some way for justice to prevail. The show itself is proof that being ripped off by (redacted) did not slow the roll of these two creative power houses.

In sketching the show, I could not decide in one pose for each of the actresses. I started to sketch them multiple times since they were all over the stage. The show was an absolute joy to watch, and I got to meet Ipema and Apple multiple times on the green lawn of Fabulousness. They are joyously curious and endlessly funny.

Fringe: In Their Footsteps

Posted on by Thor

Infinite Variety Productions from Brooklyn New York presented In Their Footsteps at the Orlando International Fringe Festival. When anyone asks me about my sketching project in Europe, I always say, that I was following in my father’s footsteps in WWII. With that said, I could not resist going to see In Their Footsteps. This show was about five woman who served as nurses, librarians or members of the Women’s Army Corps during the Vietnam was.

When I entered the theater I picked a front row sketching vantage point. On the seat next to me there was a bandana which I thought someone might have left when they got up to leave the previous show. I made a note to myself to bring it to lost and found when I left after this show. Then a woman sat in the seat and put the bandana around her neck. That was odd I thought. She arrived late. Was she steeling someone’s bandana?

When the play started, she walked on stage. She was one of the five female nurses. To start the nurses talked about being excited to travel to the exotic country of Vietnam. The dialogue in the show was built from many oral histories from the actual women who served near the front lines. The women were actually direct targets for enemy fire. The enemy felt that if they killed a woman, then the men would become demoralized. None of these women were killed in action.

The women were also warned not to fraternize with the men. One nurse offered a ride to a soldier back to base and when her supervising officer found out, she got reprimanded. The isolation lead to the women building friendships amongst themselves. The gritty reality of the war cut off all the early optimism. Each woman just hoped to get home away from the harassment and enemy fire.

Toward the end of the show each woman held up artwork of the woman they were portraying. It was a clear reminder that these were very real stories being told. Some of the art work was lost in shadows because the portraits were not held right to catch the light. I guess when you look to the past some people are clearly seen while others recede into the shadows. This show helped showcase the bravery of these woman. The emotional impact lingered.

Fringe: 1-Man No-Show

Posted on by Thor

Zeek Tech Productions from Toronto Canada presented 1-Man No-Show at the Orlando International Fringe Festival. In the lobby as people lined up to go in the theater, Isaac Kessler the performer was shouting to the crowd in a scratch battery powered microphone speaker system that he wore on his chest. I couldn’t understand a thing he said. At the time I didn’t realize her was the performer for the show I was about to see, I just thought, “That’s odd.”

It is rather hard to define what 1-Man No Show is. For the longest time I thought I was watching a pre-show where Isaac was warming up the crowd. Everything felt quite unscripted. Audience members were brought on stage for chaotic bits which were funny yet confusing.

The show was billed as a solo clown meltdown where high art meets high stupidity and that seems an accurate description. Another Fringe performer, Martin Dockery and his mom were in the audience and Issac fixated on them to comic effect. He seemed to want Martins’ approval while wanting to protect Martin’s mom from any of his raunchier unhinged bits. He invited the audience to heckle his show as it ran off the rails.

Issac wore a black beret and dark clothing seeming very formal for a clown. On bit involved absolute stillness with an excruciatingly long pause. After a while the audience began to laugh. Was this a comedic silence or was the audience just uncomfortable and looking for some form of expression.

I was laughing for the full length of the show, but I am not sure exactly why. I would go to watch the show again since I know there is no reproducing the chaos that transpired on that stage. If you are open to seeing a show that leaves you saying WFT did I just see, then this was the show for you.

 

Fringe: Hollywood Horror Story

Posted on by Thor

Ingrid Garner from Hollywood California presented A Hollywood Horror Story at the Orlando International Film Festival. This show was about Vampira, the first host of horror movies on TV. Vampira was a legend before her time. She created the character on her own with costuming she had on hand. She built her persona before punk or goth was a fashion trend. She based her look on the evil queen in Snow White and the Seven Dwarfs.

Ingrid’s performance as the Horror goddess was sultry and enticing. She managed to bring the mistress of the dark back to life. The show was both funny and very sad. Vampira’s popularity was brief yet her legacy lives on to this day.

The actress, Maila Nurmi who created Vampira, moved to Hollywood with the hope of becoming an actress. She got several small roles she then went on to create the Vampira character. She hosted a TV series called simply, The Vampira Show, from 1955 to 1955 on KABC-TV. When the show was canceled, she retained the rights to the character.

She later appeared in Plan 9 from Outer Space directed by Ed Wood. That low budget film is now considered a classic because of how campy it is. Tim Burton made a film to celebrate Ed Woods Campy universe.

Maila’s intimate relationship with young actor James Dean was something I wasn’t aware of. She understood him in a way few others did but in the end she was unable to protect him from himself. She claimed to have had an affair with Orson Wells and she had his child, which she gave up after birth.

She appeared in a few other films after Vampira was canceled but she had to fall back on laying linoleum to bring in cash. She then opened a boutique shop where she sold handmade jewelry and clothing.

In 1981 KHJ-TV wanted to revive the Vampira character for Television. She worked with the producers as an executive producer. Then she left the project after the station cast a comedic actress, Cassandre Peterson, that she felt was just not right for the part. The TV station could no longer use the Vampira name so Cassandra became Elvira. Elvira used the same sultry black dress and used all the same graveyard puns. Vampira sued for copyright infringement but lost. The court felt the likeness was simply a close resemblance. Elvira went on to become a massive cult hit in the 1980’s. The show reached millions of viewers every weekend in dozens of markets nationwide. A film was made built around the character called Elvira Mistress of the Dark. Elvira’s legacy has proven timeless and she remains popular at horror conventions, and she retains rabid fans to this day.

My mother’s name was Elvira but she died a decade before the name gained its goth horror cult notoriety.

I love any show that introduced me to someone who deserves to be recognized for her creativity. I left feeling that Vampira should have received royalties or a lump sum buy out for having created the character that Cassandra imitated.

Fringe: The Dress

Posted on by Thor

Ana Cuellar Productions from Davenport Florida presented The Dress at the Orlando International Fringe Festival. In the halls of the Shakespeare Theater someone explained to me that Anna saw this particular dress in a window, and she felt she had to have it. She was bound to that dress by destiny. The dress was her muse for years.

The dress was worn by Ana at performances around the world. The choreography in this show expressed love, lose, longing and gratitude. I was familiar with the dancer Dion Leonhard DiDonna, so it was exciting to see her dance through the range of expressive emotions. Dancer Elaine Hoxie was the one who got to wear the dress itself. She spoke about the emotional bond between the ballerina and her dress.

Video was projected on the backstage screen which showed the dress being designed. When worn while dancing the dress came alive like an undersea creature surrounding and enveloping the dancer. Sorrow turned to pure joy. The dress maker, Ricardo Zuccolini was in the audience only a few seats away from me for this performance. Someone had pointed him out to me in the lobby.

As I was leaving the theater I noticed another choreographer who was in the audience was wiping tears from her eyes, because she was so moved by the performance.  That was a true testament to how solidly the dance choreography landed. Dion in particular put everything she had into the performance which was at times super human. I loved that the dress was a major performer in the show.

There is magic in a dance performance being able to touch an audience so deeply. As an artist I hope someday to find a muse, animate or inanimate, that is as moving as the dress. The performance lay bare every artists daily struggle. The play was about the pure joy found in creation. Art isn’t easy, but well worth the effort when everything aligns, even if imperfectly.

The Dress won a Critic’s Choice Award as an Outstanding Dance Show.

Fringe: WTF Fringe Cabaret

Posted on by Thor

Orlando Fringe presented WTF Fringe Cabaret which was a late-night show that was free to all Fringe artists and Fringe Volunteers. Fringe guest performers would spin the wheel of fate to determine what they would be performing.  It was a variety, improv, cabaret with unexpected hilarious results.

Marisa Ashley Risque, a talented actress and burlesque dancer was the hostess although in the ensuing chaos it grew hard to tell who was running the show. When Disney Princesses from Once Upon A Traitor: Faithfully Ever After came on stage, I started sketching furiously. The evil queen, Theresa Smith-Levin, had to wear a big inflatable orange jumpsuit that made her look like a blimp. Despite the inflated weight gain she sang with gusto. I also caught Danielle Ziss who plays Alice In Once Upon a Traitor.

Sarah Hester Ross is a powerhouse singer from Las Vegas and she was asked to wear a strap on penis. Why on earth did they give Sarah such a flaccid looking strap on. Maybe she just put it on upside down. This is what I love about Fringe. Even the most accomplished performers join in with the crazy hi-jinks in this late night cabaret.

This was a chaotic sketch opportunity since each performer was only on stage for a few minutes. I did my best to try and capture just a fraction of the insanity. There were songs, sonnets and plenty of silliness.

I had never sketched these late-night shows before, but the unexpected chaos of this show was such a joy to witness. I was laughing the whole night. It felt good to drive back late at night to my Air BnB and collapse after a long day of sketching at the Fringe.

Fringe: Bytes

Posted on by Thor

Play the Moment Productions from Orlando Florida presented Bytes at the Orlando International Fringe Festival. Aradhana Tiwari wrote this play that explored the relationship between a gaming nerd and a virtual companion. Michael Marinaccio played the digitally obsessed gamer, and Tymisha Harris played his virtual companion.

The gamer would spend countless hour at the computer and his digital companion shared his gaming obsessions. She shared and understood all of his wants and needs which became comedic in the way she wanted to fulfill his every need. What made her so unrealistic as a companion was her endless focus on him while her needs were never addressed. Being a virtual recreation, she really didn’t have needs.

She was programmed to satisfy is passionate fantasies and she kept pushing for this intellectual intimacy. At one point she did convince him to participate in the equivalent of sexting and the stage went dark as their intimate exchange built to a climax.

The next day was awkward. He wanted nothing to do with her.  There was something very unsatisfying with the level of intimacy he had experienced. As the relationship developed, he began to isolate himself more and more, spending all his time at the computer screen. Developing a friendship with this digital companion resulted in him pulling away from friends and family.

He did keep one small sign of true life near him with his goldfish which was on his desk at all times. If he could keep that fish alive, then perhaps he could find his way back to a balanced life with flesh and blood community. He had a niece who loved that fish.

Spending all his time with his digital companion resulted in a deepening depression. The depression lead to suicidal thoughts. Since his digital companion couldn’t see him or touch him, she was clueless when he considered self harm. This scene hit me hard since I had recently sketched a court case in which a mom was suing Google and the start up company that developed a program that had Game of throne characters that children could chat with. Her son fell in love with Daenerys Targaryen. He wanted to have a suicide pact with his virtual love and when she said , “Come home to me sweet prince”, he took his father’s gun and shot himself. I feared that the gamer in Aradhana’s play might do similar harm. A programed companion can not understand the complexities of human emotion.

Bytes was an exceptional play about the dangers of relying on the digital world for companionship.

Bytes, written and directed by Aradhana Tiwari, took home the Critics’ Choice Award for Outstanding Original Script.

Fringe: Unconditionally: The Ultimate Pop Diva Celebration Starring Kayla Fischl

Posted on by Thor

Kayla Fischl from Orlando Florida presented Unconditionally: The Ultimate Pop Diva Celebration Starring Kayla Fischl at the Orlando International Fringe Festival. I am a huge fan of how hard Kayla promoted this show. She was at just about every press preview performance I sketched. She was always holding a poster on foam core mounted on a log stick with flashing lights that promoted her show. Any time I sat in an audience the first thing I did was scan the audience to see the Unconditionally flashing lights.

With the help of arranger Chuck Curry, Kayla built her musical journey around three icons, Lady Gaga, Adele, and Katy Perry. She is building a repertoire which she hopes to pitch to a cruise ships. Kayla had costume changes when  she she switched to a different diva’s music. This was her first solo Fringe show, and she had not thought about what to do while she was backstage getting changed. The audience was left to talk amongst themselves until she came back out. You learn what works and what doesn’t work by taking big risks. She explained that the show is a work in progress and she is so thankful for the support of fellow Fringe artists who were helping her mold the performance. Fringe is a place to experiment and grow as an artist and I love that.

When Kayla came back out she was in a flowing white dress. She didn’t have time or the help to get the dress fully zipped up. When she turned several times, the zipper running up the back of the dress could be seen down at the small of her back. This kind of wardrobe malfunction I consider endearing and honestly I hope she leaves it in the show to remind us that we are watching a live performance where anything can happen.

Kayla’s enthusiastic family was in the audience, including a youngster who started crying very loudly. The caretaker eventually walked the child out of the theater since the crying was competing with Kayla’s singing. Beach balls were lobed out into the audience at one point and people tried to keep them airborne volleyball style, but they kept finding empty seats to settle in.

At one point she held a large fan which I tried drawing but then abandoned. I sketched the very first outfit she wore, with a black miniskirt and knee-high black boots. Black sleeves gave her a formal vibe with a 60’s look. Sticking with the diva lighting scheme she had on her marketing poster, she had a heart and star on the wings of the stage.

Kayla’s family was super supportive, whooting and hollering. I must say Kayla embraced the Fringe by seeing probably more shows than I had the opportunity to sketch. I get rather seasick on the high seas, but I wish Kayla the best in pitching her show to cruise lines. Cruise ships must want polish, but I prefer the diamond in the rough.

Fringe: Serving C*nt with Sarah Hester Ross

Posted on by Thor

SHR Entertainment LLC from Las Vegas Nevada presented Serving C*nt with Sarah Hester Ross at the Orlando International Fringe Festival. I had sketched Sarah at a past Fringe and since then her career has skyrocketed. During the pandemic the videos she was sharing online started going viral. She downplayed the long term splendor of internet fame but her incredible vocals cross my feed almost every day. Many are simply dressing room selfies shot in the mirror but the power of her voice stops me from my doom scrolling every time.

Considering her popularity, I feared that I might not get in to get a sketch. I was thankful when I got in.  The show featured bold confessional comedy and incredible cabaret numbers. Sarah was all over the stage and even circulating around the audience. I was hard pressed to pick a moment to try and get her on the sketch page. I ultimately decided to sketch her twice.

She had a huge black hand fan with white letters that spelled out CUNT. I saw these fans pop up all around the fringe to wick away the sweat between shows. Between several songs Sarah walked off stage while a video played of people ribbing her online popularity. The internet community is vicious and often comments wished her dead. There were videos of goats blissfully munching on grass as the comments ripped Sarah to shreds. We had already witnessed some of her vocal talents, so the absurd attacks became increasingly hilarious. You need to have thick skin to make it in showbiz that is open to the anonymous comments of armchair trolls.

One song in particular hit home which empowers woman. Many of Sarah’s songs are meant to empower woman to do whatever the F*ck they want despite the comments and push back from a patriarchal society. Thankfully Sarah will never lower her voice.

Fringe: The Lord of the Sword

Posted on by Thor

Jacob D’ Eustachio from New York, New York presented The Lord of the Sword at the Orlando International Fringe Festival. This show was a fun medieval circus romp. If Florida Governor Ron Deathsantis wants to see a Fringe show that is completely family friendly, then this is the show he should see.

The premise of this show is that the master juggling and sword swallowing expert was not available to perform. His apprentice played by Jacob had to fill in. He excused anything that would follow as the attempts of a newby.  There was a treasure chest full of things to be juggled. When he began juggling with absolute expert abandon the audience was amazed at his beginner’s luck. If a sword happened to fall, then it was easily excused.

Jacob called out to the audience to find someone to fill in for the missing master juggler. He picked Eric Pinder who is an opera producing powerhouse. Though uncertain what was expected of him, Eric played the part of the Master with aplomb. The show always felt like it was on the edge of collapse. I am certain this was intentional because the laughs obtained from witnessing absolute chaos very hardy.

There was one bit where Jacob asked a member to the audience to catch a loaf of bread. For some reason, he lobbed a loaf of bread at me. I had a brush in my right hand, so I tried to catch the loaf with my left hand and missed. My embarrassment was short lived, because he was soon lobbing loafs of bread to everyone in the audience. When people started biting into the bread, he shouted out that the bread was for juggling not eating.

This was a fun 50-minute show and I was laughing the whole time.