I helped Stella Arbeláez Tascón, a fellow artist and friend, when she got a commission from the Orlando Museum of Art (OMA) to create tablecloths for a fundraiser event. Her idea was to eco-print leaves on the tablecloths along with woodblock prints. The fundraiser concept was built around the 1979 art installation by Judy Chicago called The Dinner Party. With that installation there were 39 elaborate place settings on a triangular table arrangement for 39 mythical and historical famous women. Including Kali, Sacajawea, Virginia Wolf, Susan B. Anthony and Georgia O’Keefe to name a few. The messaging goal of the Dinner Party was to end the ongoing cycle of omission in which women were written out of the historical record.
Stella had never eco-printed before, but she researched the process voraciously. After the fabric bolts were cut and hemmed, they were soaked in fresh water, dried, folded and stacked on a table set up outside. The next step was to boil water and soak the fabrics in chemicals that would allow the natural leaves to make impressions on the fabric. Since there were so many table clothes there were many boiling sessions.
I went with Stella when she purchased the old rusty butane stove for a song on Facebook Marketplace. When we picked it up there was a whole corrugated warehouse full of old abandoned equipment. A cow from the nearby field managed to get over the fence and had to be chased down to be put back in her field. That was all a sketch opportunity, but we were in and out rather fast to pick up the stove.
The water and fabrics frothed up in the huge metal pot and bubbled over the edge. When Stella finished stirring the pot, she went off to complete another task, and I sat and watched the pot while I sketched. I lowered the fuel nozzle a few times to keep the mix from boiling over. Once the boil was complete all the fabric was taken out and hung on outdoor clothes lines to dry in the breeze. Having this outdoor space to work on the project was critical since this was a messy process. The whole point of the eco-printing process was to celebrate the natural beauty of the outdoors.
In the background of this sketch is a hydroponics tower that was absolutely thriving. The edible lettuce was growing so fast that the tower was getting top heavy. The lettuce at the top was getting the most sunlight and it grew to the point that it broke the plastic tower in which the plant pots had been positioned. I patched the broken tower with plastic wrap because the water was leaking out of the tower and onto the ground. My fast, sloppy engineering fix seemed to work at least for the short term. I harvested the plants which were then drooping down unsupported and put them in bags in the refrigerator. The root system inside the tower was so huge that it would have to be cut out when all the plants were harvested. The greens lasted a long time in the refrigerator. I do believe some of them were eco-printed.


While teaching my Crealde School of Art, Travel Sketching Course on Sunday morning, one of my students mentioned that she would be going to the World Cup Final at Point Orlando on International Drive. This was clearly an awesome sketch opportunity so I suggested that any students that were up to the challenge should sketch the World Cup. No one including myself, was really looking forward to going to International Drive but I suggested they document the game wherever they were.
the Crisis Collection from Orlando Florida presented Haunting Co. A Live Ghost Investigation. Ed and Liz (Andrew Sandoval and Lex Bentley) from a small local paranormal company introduced themselves with video promotional materials. They had built a name for themselves on a popular YouTube channel. The footage was shot around Lock Haven Park where the Fringe is located. At one
Sista Steph Productions from Orlando Florida presented Once Upon a Traitor: Faithfully Ever After at the Orlando International Fringe Festival. Mirror, Mirror on the wall, who’s a traitor after all? Co-written by Derick Taylor-White and Danielle Ziss, this show featured classic Disney animated heroes and villains who competed against one another for a grand prize of pressed pennies.
Opera Del Sol from Orlando Florida presented Heated Ribaldry: An Opera of Musical Proportions at the Orlando International Fringe Festival. The director of the show, Eric Pinder was seated in my row, so I got to see his reactions to the hilarious moments on stage. The opera was introduced by a playful video of Eric who introduced the premise as if he was enticing us all to an exotic vacation retreat.
Andrea Barello from Los Angeles California presented Fool of Grace a the Orlando International Fringe Festival. The premise was pretty straight forward, Fringe patrons could enter this sanctuary for a less than traditional religious experience.
Bad Santa and the Angry Elves have been performing their rebellious, punk-rock twist on Christmas tunes around Orlando for some time. These shows were short high octane sets. Bad Santa has been expanded into a 90 minute show that builds on the premise that this Santa aka, Kris Kringle IV, is the son of THE Santa and he is trying to win his fathers respect by promoting the idea that Christmas should not be one day a year but should be celebrated every day of the year with small acts of kindness generosity, joy and giving. This radical idea caused a family rift.
Kerry Ipema from Brooklyn New York presented We Got Got at the Orlando International Fringe Festival. Kerry Ipema and KK Apple with their black ties and red white and blue business attire opened the show with a peppy business pitch where they pushed every corporate buzz word in their thirst to bring profit to their theatrical endeavors. With so much enthusiasm how could they go wrong? As a matter of fact they were well on their way to achieving their corporate goals but then their accountant stepped in and ripped them off.