Generic Male: Just What We Need, Another Show About Men

This two man show at the Orlando International Fringe Festival was quite hilarious. The show features Ashley Jones and Darren Stevenson using acrobatics, clowning, and physical theater to deconstruct and skewer outdated stereotypes of manhood. To start they asked all the men to stand in the audience. In one point in the play there was to be a call and response, and the men of the audience had to grunt out their response as loudly as they could. The second acrobat was pulled out of the audience making it seem like he was your average man.

One particularly funny routine had the two men pulling long johns high up over their shoulders and then their hands were held down near their crotch acting as sock puppets. The from inside the crotch. There were were many costume changes and some more racy numbers where clothing was just an afterthought. These acrobats were ripped.

One intriguing routine had one of the duo having an in-depth manly conversation as he used the other man as a chair. He then crawled over, around and upside down between the legs of the other man, using him in a delicate balancing act. I resisted sketching these more precarious moments since I knew it would be a problem to make them believable since they would only last qonly fraction of a moment.

I chose to sketch a rather still moment in the action where one actor stole a chair from the other. The heated discussion for the other actor to be permitted to sit dug much deeper into hidden resentments, where minor concessions would not appease a pattern if taking while offering little in return.

I find that describing the action is difficult since what the two would do often defied gravity. What is more important is that I was laughing out loud throughout. This was a wild fun show presented by Push Physical Theater of Rochester New York.

Fringe: Hyde

Push Physical Theater of Rochester New York presents Hyde at the Orlando International Fringe Festival. Hyde is being staged at the large Peach venue in the Orlando Family Theater.

As the performer was introducing the show he got a phone call from his mom who was late to the performance. He held a finger up to put the audience on hold and tried to convince his mom that she should be able to use google maps to find the venue. Visibly shaken he handed off his phone to someone in the audience and told them to get on stage and hand it back the phone should it ring.

A dynamic immersive physical performance began where he was tumbling with another performer. At the height of the piece, the phone rang and the audience member ran on stage to hand the phone back. The mom on the phone wanted to turn back, she had already missed too much of the show. The performer was crushed. He asked if there were any mothers in the audience and needed to know if there love for their child was unconditional. What would Hyde’s mother be like?

In the recesses of the stage, illuminated in a green light, a mother sat opposite her son who looked sunken and devastated. She slowly got up and walked behind him and put her hand on his shoulder and leaned over to rest her forehead on his head. Cut to black.

The PUSH Company engages with undeserved populations in areas of some of the highest  poverty rates and little access to the arts. The show abstractly addressed an underlying cause gun violence in America. Americans seem content to ignore gun violence until it happens in their back yard, even then thoughts an prayers are offered and nothing is done. Physical theater is being used to try and wrap its arms around the root causes of violence. If people have a creative outlet, they might not need a gun.

Hyde is rated 13 and up. The show is one hour long and tickets are $15.

Remaining show times:

  • Wednesday May 22, 6:00pm
  • Friday May 24, 7:10pm
  • Saturday May 25, 2:10pm
  • Sunday May 26, 8:00pm