Fringe: Sin: A Modern Musical

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At this year’s Orlando International Fringe Festival, SIN: A Modern Musical featured Jesus Christ (JC’s) return to a world that worships branding and social media relevance over faith. JC had to choose between building a fan base or finding love with a disciple named Judas. The actor playing Judas was particularly memorable in how he belted out his songs.

Rather than celebrating the return of JC, the internet blew up with rumors and innuendo that condemned his return. Inflammatory misinformation and rumors overplayed JCs simple message of loving thy neighbor. Love and acceptance is not a message that generated enough click bait.

Angels worshiped their iPhones and the dance choreography was fun to watch. Musical numbers were inspired by Lady Gaga songs. I knew that any musical with this much dancing would be a challenge to sketch. Despite the challenges, I enjoyed every moment of this production. I was pleased to see Kaylka Fischl performing in this show. She has been fringing hard this year always arriving at each show holding a sign with her show poster with marquee lights. She was dancing in SIN and at one point almost upstaged God performed by The Ginger Minj (Joshua Eads).

Towards the end of the show. JC and Judas had a passionate kiss which had the audience hooting and hollering. Any time and audience is that impassioned by characters finding love I am fully on board.

SIN: A Modern Musical” (produced by Unseen Images Theatre) was a standout hit at the 2026 Orlando Fringe Festival. While it did not take home the top Best Musical in the Critics’ Choice Awards (which went to Ozma), the highly acclaimed, queer-friendly production won several other honors.

It won Patron’s Pick: The show’s popularity earned it a coveted Patron’s Pick slot, adding an extra performance.

It won the Clean Sweep Award: The production sold out all of its original shows, earning this performance-milestone award.

Fringe: Awaken

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Cindy Heen is the Founder and Artistic Director of Emergence Dance based in Orlando Florida. Having sketched Emergence Dance rehearsals in the past, I knew that Awaken at this year’s Orlando International Fringe show could be an emotional roller coaster. Ed Anthony, one of DEM Guys, had given me a fountain pen to experiment with to do this sketch. The line work was fluid, and I was having a blast catching the dancers gestures while being inspired by the story line and choreography.

Awaken had a circus act announcer with a top hat and formal attire. She performed her spoken word introductions with verve and aplomb. The dances followed the stages of grief. It is a story that has weaved it way through my life and every creative soul’s life. Early dance routines expressed loss and pain and over time that dark chaos was replaced with healing and acceptance.

The line sketch I was working on felt lively and fluid. I loved the fountain pen I was playing with. Then I started adding watercolor to the page. I placed a few flesh-colored splashed o the page. The lines exploded and every wash I put on the page turned dark black. I realized eventually that the ink in the fountain pen I had borrowed was not waterproof. If I were to put a large watercolor wash on the whole page every line would bleed turning the whole sketch black. The darkness of grief was winning the battle to dominate the sketch. Delicate details I had sketched were being washed away. I had to work hard to keep light and hope in the sketch. Working in the dark theater I was not sure what the final result would be.

The dancer who was overcome with grief was helped on her journey to recovery by other dancers who refused to let her waste away. It is a story of hope and being able to rise from the ashes. Eventually her fractured and distorted movements became fluid and joyfully graceful. Pain turned to sharing and pleasure.

As I was sketching, I was afraid that I would lose every line I had put down on the page, but then I accepted the chaos and started to enjoy the uncertainty. There was so much more beauty than darkness but fate insisted that darkness should dominate the sketch.

This captivating show had 5 performances at this year’s Orlando International Fringe Festival.

Fringe: The Black Jack Show

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The Scarlet venue at the Orlando International Fringe Festival seemed too large for The Black Jack Show. I suspect the puppeteer is used to performing for one or two people at a time. Jack and Black are two hand puppets that host a variety show that included torch songs, shadow puppets, a dog, a vampire comedian, a lion dance and two white gloves that performed between acts.

The white gloves were in my mind that stars of the show. They were entertaining and played off one another magnificently. After a puppy marionette pranced around the audience one of the white gloves popped up with puppy ears on. There was something magical about the simplicity of those two gloves. They had a humerus shtick that played off of every other act.

A COVID-19 puppet came out 3 separate times to sing cabaret numbers. Since I animated a film about COVID-19, I know that audiences are not that receptive to being reminded about how humanity, and America in particular, is ill equipped to handle an outbreak. As the COVID puppet performed her songs, I could see people in the front row begin to shut down. One person was literally nodding off. Since people during the height of the pandemic refused to accept reality by saying the virus was a hoax and vaccines carry microchips, they certainly don’t want to be reminded that COVID is now endemic and will always pose a threat to our immune systems. I was rooting for the singing COVID puppet, but her performance was accepted like a lead balloon. She left the stage saying, “I’ll be back.”

The little puppy marionette was cute, but it really didn’t have any performance potential other than sitting on its hind legs and panting. The puppeteer, who looked suspiciously like Rasputin paraded the puppy up and down the aisles of the audience. Very few people could see the puppet, so they sat wondering what was going on. It would have been nice if there was a much higher, eye level stage the puppy could have performed on.

There was a shadow box with white frosted Plexiglas on the front of it. A flashlight and shadow puppets were moved around behind the Plexiglas. The light from the shadow box illuminated about 5 people in the audience. From where I was sitting, I could not see what was being shown. From my vantage point, I was watching the puppeteer struggling to find the silhouette figures and juggling the flashlight. The flashlight kept falling as he searched for the next shadow puppet.

The lion dance puppet was much like the little puppy. Few people could see it since it was on the floor rather than up on a stage. The lion dance marionette just jumped up and down. I was just left wondering why?

Overall, this puppet variety show left me confused rather than entertained. A few drinks consumed at the beer tent before the performance could make the puppetry more palatable.

Remaining show times for The Black Jack Show by the St. Vetus Theater Company Orlando Florida. The show can be found in the Scarlet Theater in the Orlando Family Stage (1001 E Princeton St, Orlando, FL 32803.) It is rated for 13 and up since there were some mature themes but no puppet sex. The show ran for an agonizing 60 minutes. Tickets are $12 and be sure you have a Fringe button.

Friday May 22, 7:15pm

Saturday May 23, 1:15pm

Fringe: Queer!

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Queer! Celebrates Latinx Queer resilience at the Orlando International Fringe Festival. The cast, each in turn, tells stories if growing up and feeling different that those around them. One female even conformed and lived the life of a mom. Deep down she knew she was stifling who she really was. Some stories were told through music, movement and projections. Some were spoken word which often resonates with me.

The stories were all tied together with a common thread of courage in being able to remain unique in a world that often the violently demands conformity. With some story tellers I would stop sketching, transfixed and wanting to quietly take in all I was being told. Some stories demand moments of quiet reflection.

Two big screens acted as bookends on either side of the stage. When the cast was speaking Spanish, the screens would project English translations. When the cast spoke English the screens projected Spanish. I loved that touch of inclusion.

America has turned dark by making war on our Latin neighbors with ICE raids. Florida leads the nation for ICE detentions and is home to Alligator Alcatraz, a concentration camp set up in the swamps southern Florida. This show is a reminder that Orlando remains a bubble of acceptance in a country that has gone mad.

The stories in the show, however, were not about politics or mistreating neighbors. The stories resonate with strength, determination and love. That is a message we need to hear in these times. No matter what your ethnicity or sexuality is, you will love this cast.

Remaining show times for Queer! Presented by Descolonizarte Tearo, Inc. Orlando Florida. Silver Venue. Rated for 13 and up. 70 Minutes. Tickets are $15.

Wednesday May 20,9:50pm

Thursday May 21, 6:30pm

Friday May 22, 6:30pm

Sunday May 24, 5:35pm

Apartment Hunt: Lake Formosa

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I have been moving from AirBnB to AirBnB in downtown Orlando to get a feel for where I might set up my art studio again. I have been living out of my backpack ever since returning from Europe. I loved Thornton Park. I stayed in two places in Thornton Park, and my favorite was above a barber shop a few blocks from Lake Eola and right across the street from the Falcon Bar.  From the studio window I could look over Lake Eola toward the skyline in the west to see gorgeous sunsets.

Last week I stayed in Azalea Park. I thought Azalea Park was the neighborhood around Dickson Azalea Park which is lovely. I was wrong, Azalea Park is directly under flight path of planes landing at the Orlando Executive airport and the noise is overwhelming. Since that nightmare, I made a map that includes the noise levels from planes.

Today I moved to Livingston Street for several weeks. The place has a back yard with a fire pit and is just a several block walk to Lake Eola. It is so peaceful and quiet here. I am waiting for the shoe to drop, something unsettling is about to transpire. There are some flights that can be hears but they seem to be little prop planes. Honestly if this place had a long-term rental option or was for sale I would consider this a perfect studio location. Unfortunately, it is just an expensive AirBnB and I will need to move out at the end of May.

While sketching today, a woman mentioned that she had a place available in the house right next to the Maitland Art Center. She explained that the place was very small. She didn’t mention square footage. I wonder how small it is? I declined, but now I am thinking I should have at least looked at the place. The location would have been amazing.

Every day I wake up and wonder where I should call home. Should I stay in Orlando where I am familiar with the arts scene, or should I explore some new place? With no roots, I could go anywhere.

The sketch is from a duplex on Lake Formosa that I visited yesterday. It is just 700 square feet with a bedroom and living room which would be my studio. The view out of the sliding glass doors looks out over Lake Formosa. The car port is a plus. I drew a floor plan to see if my studio flat files and Disney desk could fit. It is tight but I can fit in the space. The duplex neighbor has a fiberglass Lizard in the front lawn which I rather like.

Whenever I am serious about a property I tend to sketch after viewing the interior. I find sketching helps me think and consider what it might be like to live in the place. People walked by with their dogs and quite a few bicyclists buzzed past. Several medical helicopters flew over the lake and the train tracks that run along the west bank of the lake are loud. I am trying to decide if the train horn blasts are endearing or annoying.

The location is amazing. A bike path begins right at the end of the street and I could walk to the Fringe, Shakes, OMA and the Mennello. I have been walking up and down Mills Avenue this week and all those restaurant choices and music venues would be walking distance from this spot.

Part of me wants to find a place right in downtown Orlando, but I don’t think those cramped high-rise apartments are for me. I was also walking through Eola Heights each evening and found quite a few homes for sale. I looked online and discovered that every one of them was well over a million dollars (WTF?!)  So, I shifted my gaze to rentals further north. That brought me to Lake Formosa.

I agonized for several days about this property and finally filled out an application form.  My application was denied because someone else snatched up the rental while I was debating. Back to square one.

FRINGE: Naked at My Age

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Naked at My Age was a one woman show featuring  Charla Hathaway about sensual pleasure at every age. She recounted an early affair with a French Soldier and then an open marriage where she was free to meet and explore other partners.

It was inspiring to listen to a woman who is my age or maybe a little older discussing her sensuality. Americans seem to feel pleasure is only for the young. Every audience member was given a peacock’s feather and at one point in the performance, we were encouraged to caress our skin with it’s gently tip. I did so, but kept my sketching hand moving, an act which also gives me pleasure.

There were several original musical numbers where Charla strummed her guitar and sang about, well, sex of course. A song related to free sex of the 60s and later in life finding a partner who could not get erect. With patience and caring she learned how to give and receive pleasure. Chala openly talked about having to get an abortion before it was legal. Later in life She felt she had given all she could as a school teacher and she answered an ad as a senior sex worker.

What started part time after teaching school children developed into a Ph.D from Florida University, an online sex advice site and several books which she wrote on sexuality. Today Florida University is cutting any mention of women in Diversity, Equity, and Inclusion (DEI) initiatives and related language. UF has removed women’s studies courses.

A sign on stage was a quote from May West which was, “If my panties aren’t wet, they don’t come off”. Young boys used to try to force themselves on Charla but she learned to set boundaries until she knew she was moist and ready.  She pointed out that most people are so concerned with giving pleasure that they never relax enough to receive pleasure. Sexual partners might come and go but her advice was to, “leave your partners better than you find them”. It is advice that everyone should take to heart. It was beautiful to see that as we age, our sexuality continues to bloom when we find the right partner.

FRINGE: The Wit and Wisdom of Abraham Lincoln

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When Abraham Lincoln delivered the now famous speech at Gettysburg, there was a photographer on hand who was scrambling to get his camera and flash set up. When he finally took the photo, the president was already in the process of sitting down. The image of the president was a blur. It is a shame there wasn’t an artist on hand.

Historical performer, Tom Leahy stood in as the former president and I had plenty of time to sketch him as he read from the script.

Besides reading the Gettysburg Address, he talked about his relationship with Mary Todd Lincoln and the death of his son which devastated them both.

Abraham discussed his launch into politics and read his acceptance speech. With the Civil War being such a gut wrenching dramatic time, I wish more of that drama had made its way onto the production.

Next door a huge audience was going wild for one of the opening shows of the Fringe. The muffled cheers made their way through the thin walls, marking a start contrast between the boisterous flavor of the Fringe and the stark historical monologue being read aloud.

A woman who had seen me start the sketch wanted to see the finished result. As she was looking at it, Lincoln wandered over to look. “Why did you lean me forward?” he asked. If I sketched him standing upright, he would not have fit on the page.

FRINGE: Dead Pets

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The Orlando International Fringe Festival show, To All Our Dead Pets was a heart tugging open therapy session at the Rainbow Bridge Support Group for 11 strangers who were grieving for the loss of a pet. The loss of a pet tends to be even more devastating than the loss of a friend or relative.

In the lobby, each audience member was given a name tag and we were asked to write the name of a pet we had lost. I wrote Timmy. Timmy was the beagle our family had as I was growing up. After my mother died, we had to take Timmy to the vet. I sat in the back seat with him. He had developed worms, and the worms literally were wiggling out of his belly and fur and dropping onto the seat as we drove to the vet. It is a vivid terrifying childhood memory of mortality that is hard to wipe away. Timmy was put down at the vet.

As the theater filled the pianist swayed to the beat of the house music. I am a fan of anyone who have to move enthusiastically when the music plays. As the accompanist she did an amazing job holding this musical together.

The folding chairs were arranged in a circle as the audience filled the theater, but once the play started, the actors set themselves up in a line. Each actor had am monologue and a solo performance.

The woman seated in the center acted as the moderator at first but others stated a mutiny, questioning why she was putting a positive feel good spin one peoples grief.

One girl only had her pet for a day but her grief was as intense and everyone else’s. One woman became so overwhelmed that she stormed out of the back door of the theater. One macho actor tried to make a jokes at the expense of others. There was an author, a matronly grandmother, and a woman who felt she was above it all until she to broke down. The lyrics didn’t grip me but the feelings expressed held me firmly to my seat.

FRINGE: The Lobby

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Between shows at the Fringe, patrons search their digital devices to find what shows they would like to go to next. Fringe has a well designed flipbook PDF that I use to search for show information.

I am however a rather analog artist, so at home I write the shows I plan to see on a slip of paper and I carry all that information in my art bag. I circle the next show with a pencil and head over to the next theater. In the Fringe Club room the Fringe dinosaur mascot head was on on top pf a storage case. The mascot is often found at kids Fringe.

The purple tables in the middle of this sketch are set up to be the indoor bar for Fringe Patrons. It had not been sett up completely yet when I did this sketch. Someone was searching around for an outlet and could not find one. A long extension chord would be needed.

While doing this sketch I got to catch up with several Fringe regulars. One was selling $5 raffle tickets for the Florida Council of the Blind. First Prize was $1000. Second prize was $100. I passes on the raffle ticket at first but then decided I needed to get some caffeine in my system to get my hand twitching. There is a soda machine at the Shakes and I went to give it a try. I left my artist chair behind and one of my friends joked that they planed to sell it while I was gone.

The soda machine would not take my $5 bill. It kept spitting it back out with a mechanical whine. When I got back to my seat, the woman who was selling the raffle tickets told me she had change for a 5. I decided that I should buy one of her raffle tickets for the kindness of giving me change. The machine took her dollar bill and spit out my much needed liquid death. It was an expensive drink but much needed. When doing all these sketches I would start in the morning and end late a t night. I never took time to get out and order food or drink. Was the can of soda worth the $6? Absolutely. I sucked it down in several gulps and started to feel like a humming bird.

The drawing for the $1000 prize was on May 17, 2025. I didn’t win. I never do.

FRINGE: Paco Erhard, Live Forever

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Paco Erhard: Live Forever was in the Silver venue at the Orlando International Fringe Festival. The show was presented by German Comedy International from New York City presented the show.

Paco’s show was part stand up and part heart wrenching drama. Paco’s Russian accent added to the international flair.  Hard times were mixed with plenty of laughter.

Paco wanted to live the care free life of a beat generation writer like Jack Kerouac. Since Jack Kerouac wrote several books in Orlando My ears perked up. The Karouac Project in Orlando offers residencies for writers and I have had the honer of sketching many of these creatives as they write in the old College Park bungalow that Jack used to live in with his mom.

Paco’s description of taking LSD was intriguing since it is an experience I have never had.

I sat at the back of the theater since I had to sneak out early to teach a virtual class from my car in the theater parking lot. This was my first time using a phone hot spot to teach a class and thankfully it worked.

I can’t give a full review since I had to sneak out, but I was certainly laughing and had a great time at this one man show.