A Christmas Carol: Final Poster

Posted on by Thor

For the final A Christmas Carol poster for the Orlando Shakespeare Theater had to revise Mrs. Cratchit and I think she turned out well. Tiny Tim was updated and I paid particular attention to how the leg braces were assembled. I pumped up the light shining from behind Tiny Tim to get him to pop out from the background better. Ebenezer Scrooge just needed a top hat. Cratchit was revised several times. He isn’t holding Tiny Tim as solidly so I think his intention is a little lost but overall the poster is working solidly.

If I were to assemble all the Christmas Carol posters together, both approved and not, it would make a fun collection. Many feature this dark snow filled gas lit street scene. For some reason A Christmas Carol for me is dark and brooding with bright sparks of light and hope.

I have been doing write ups for all these posters because I realized that I didn’t have time to do write ups at the time the shows were being performed. I am thinking there should be a category on this site for process images that show the evolution of any given concept. Illustration is seldom a one and done approval process. Changes are very much a part of the creative process. I am always searching for a way to express the idea behind a show as boldly as possible. Each poster has it’s own challenges. I started doing these posers after doing a painting every day during the height of the pandemic. I gather my thoughts and assemble the ideas in very much the same way I did then. Working digitally is a blessing. Changes can easily be made, especially if I plan ahead. If a character must be removed or replaced. I can often just turn off a layer in the painting program to make that happen at the flick of a switch. Another advantage is that the previous version remains in memory if I should want to refer back to it.

A Christmas Carol ran at the Orlando Shakes from November 26-December 24, 2025.

The Hound of the Baskervilles: Third Pass

Posted on by admin

Each time I work on a poster the image evolves. Changes are all part of the artistic process. The first pass at the poser was rather menacing. I decided with this pass to hav Sherlock and Watson sitting in easy chairs contemplating the mystery they had to solve. I gave Sherlock a quizzical look as if he were one step away from solving the crime. Watson on the other hand just looks a bit flummoxed.

I kept the misty forest in the painting of the hound between them. I considered putting them in Sherlock’s apartment but decided they too needed to be seated in the forest. I later changed my idea about the setting. The dog is rather lanky and sinister still. I remembered that picture frames played a role in the stage production, so framing the hound made sense to me.

The feedback I got to this pass was as expected. There wasn’t enough information to let the audience know they were going to see a comedy. I needed to push the expressions more for comedic effect and the hound was still too scary. I needed to push for a little more Scooby doo without getting cartoony. The new creative challenges kept the poster evolving.

Having seen a staging of a similar production, I a say that you will have a blast if you go to see this show. I was laughing out loud as I sketched.