Living room Theater takes the Fringe Festival by storm.

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Living room Theater has 13 performances at this year’s Orlando International Fringe Festival. As the title suggests, they happen in a living room at 1314 Chichester St, Orlando, FL, a few blocks north of all the main action at Lock Haven Park. When I arrived, there were a few people waiting on the porch. Matt Palm who writes for the Orlando Sentinel pointed out that the paper’s obit section is usually a couple of columns long, but for the past few weeks it has run on for several pages. He guessed that perhaps people just couldn’t face another hot Orlando summer. Another person joked that perhaps they just couldn’t face yet another Fringe festival.

The living room is large and spacious. It had once been used as a ballroom in the homes early days. Banks Helfrich walked back to the green room with a cup of water. His wife wondered why they weren’t out socializing with people like they usually do. Perhaps since this was Fringe, they wanted to maintain the theatrical fourth wall. I have sketched several Living room theater performances in people’s homes and every performance has always been different. Tisse Mallon, Banks Helfrich and Jack Graham have created an immersive theater experience that fosters community while focusing on fun, connection and authenticity. The show consists of a series of short vignettes that are both serious and absurd.

Banks came out holding an orange checkered shirt and he handed it to a woman seated in the front row. Matt Palm tapped me on my shoulder and whispered to me, that’s my shirt. Sure enough, he was wearing the exact same shirt. Was this theatrical magic, or just coincidence? Jack performed a solo on his acoustic guitar. After his performance, birds chirped to mark the transition to the next scene. This chirping gave the scenes a sense of being part of a timeless ongoing tapestry of human interaction. The next scene had Banks and Tisse both texting on their phones. They sat down beside each other, both focused on their phones and it gradually became apparent that they were texting each other. Tisse leaned against Banks and they intertwined while the text conversation grew tense. Tisse finally just decided to call, But, Banks couldn’t bring himself to pick up. This hilarious scene pointed out how we grow further apart as we embrace technology rather than each other. Since every performance is different, you r experience will be unique. I can say that you can expect surprise, wonder and honesty of emotions as the cast interests. Each scene is just a sentence written on a sheet of paper.  The scene then unfolds, being mostly improvised.

Tickets are $10

Remaining Living room theater performances:

May 22,  5pm – 6:10pm and 8pm to 9:10pm

May 26,  7:30pm – 8:40pm

May 27,  6:30pm – 7:40pm and 8:30pm – 9:40pm

May 28,  5pm – 6:10pm and 8pm – 9:10pm

Phantasmagoria brings horrific tales to the Orlando Fringe.

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Phantasmagoria: Wicked Little Tales fills the Fringe Orange venue at the John and Rita Lowndes Shakespeare Center, (812 E Rollins St, Orlando, FL) with horrific whimsical tales of horror, Phantastical dance, music, stage combat, large scale puppetry and storytelling. Before a complete run through of the show, actors practiced a sword fight that they had just learned the day before. The swords were real, so there was a true there a of danger as they parried.  Other actors on the stage had to be warned to stand clear. Though rehearsed at quarter speed, the adrenaline still pumps an they had to b coached to slow down.

The show commence with a grand flair. The whole acting troop crouched around the ring master as he enticed the audience to listen in with a grand flourish. Once a story begins it must be told until it is finished. The tales come to life and the horrors pose a real threat to the tellers. The first tale was one of my favorites, The Tell Tale Heart, by Edgar Allen Poe. To recreate the hideous beating heart, the entire (2 beat their palms on the stage floor creating a deafening thump.

Another memory tale was of the Headless Horseman of Sleepy Hollow. Two dancers acted as the horse with grace and style. Actors and actresses would more into the audience during the telling of a tale, and you never knew if a sinister laugh might ring behind you, sending chills down your spine.

Mary Shelly’s Frankenstein brought to life a giant skeletal figure that threatened it’s creator. The creature demanded a bride and when that hope was gone the monster turned on his creator and master. Love lost is the most horrific motivator for murder.

It was good to see this at in troupe in such a large venue. With so many act of and actresses, they easily utilize every inch of the deep space. If you have a taste for the macabre then Phantasmagoria is the show for you.

Phantasmagoria shows are on May 21, 22, 28 and 29.

Tickets are $11.

A Long Time Ago: The Eighties Strike Back.

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It is time to Fringe! The 2015 24nd Annual Orlando Fringe Theatre Festival
takes place May 13th-25th in Orlando’s Loch Haven Park. Venue locations
are within Lowndes Shakespeare Center, Orlando Rep (corner of Princeton
and Mills)-812 East Rollins Street, The Venue (Virginia Dr.), and
several site-specific location in the area. Kid’s Fringe is located at
the Menello Museum (across Princeton from Loch Haven).

100% UNCENSORED

100% UNJURIED

100% ACCESSIBLE

100% of $ from ticket sales go directly to the ARTISTS

There are more productions than can be seen, so pick your poisons wisely. Of the productions I saw in the first few days, the Star Wars music at parody written and co directed by Simon MacDonald called A Long Time Ago: The Eighties Strike Back, was my laugh out loud favorite. The classic Star War characters are re-imagined as 1980’s pop stars, and movie stars. For instance Artoo (Melina Smart) is portrayed as Olivia Newton John in Xanadu and Threepio (Lauren Anne Anderson) is portrayed as Madonna with her golden ice cream cone bra.

Singing performances by Lauren Culver as princess Leia and Melinda Smart as Artoo were particularly outstanding. The Chewbacca themed song Was hilarious and Joseph Fabian did an amazing job replicating the throaty roar. If you are a fan of the original two Star Wars movies, and you old enough to have lived through the 1980’s you will love this show. I still have “Hoth is a Battle Field” running through m head, set to y music of “Love is a Battle Field” by Pat Benatar.

The plot and characters are deeply en-grained in our minds, but this musical parody is absolutely hilarious. Don’t miss it!

Orange Venue – Orlando Shakespeare Theater 812 E. Rollins Street, Orlando, FL 32803.Shows are on May 20, 22, 24, 26, 27, and 28. Tickets are $10.

  • No Button = No show entry (no exceptions). The button costs $10 and is a one-time purchase. Button proceeds go to support Orlando Fringe.
  • No Late Entry to shows (no exceptions).
  • No refunds given for any reason other than show cancellation (no exceptions).
  • No ticket exchanges made (no exceptions).
  • No outside food or beverage is allowed inside any venue.
  • Alcoholic beverage purchased in the Green Lawn may not leave the fenced lawn area.
  • No food or drink allowed inside the Orlando REP (GREEN, SILVER, and TEEN Venues).
  • Beverages are allowed in our Lowndes Shakespeare Center venues
    (PINK, BROWN, RED, PURPLE, YELLOW, ORANGE, and BLUE) and may be
    purchased in the Darden Courtyard. Beverages are sold and allowed at the
    Venue (BLACK) and many other BYOV locations.

Bikini Ad Space turned heads at Fringe.

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Katie Thayer, an attractive local actress and comedian, came up with the idea of Bikini Ad Space at the Orlando International Fringe Festival several years ago. The idea is pure genius and simple. She wears a sexy bikini and you can body paint your message on any of her prime body parts. Her lower shins, and her upper or lower arms, front and back go for $5 each. $10 gets prime exposure on her upper calves, front and back, and her belly. You can “get cheeky” by purchasing ad space on both butt cheeks for $15. Of course the most expensive ad space is the $20 chest ad which can nestle in her cleavage.

We bumped into Katie on the first day of the Fringe Sketch Tour and arranged to sketch her the next day. She works inside the Shakespeare Theater lobby which is always crowded with people buying tickets and waiting for shows. She had her leg propped up on a table covered with show flyer’s. The layer of flyer’s was an inch thick which meant you often had to dig down to find a flyer for the show you were interested in. Usually clients had the opportunity to paint their ad on Katy’s flesh. In this rare instance Katy was painting her own ad to get people to vote for Bikini Ad Space as the best “Bring Your Own Venue” in The Daily City Audience Choice Awards. I don’t know if she won that honor.

Cootie Catcher in the red venue had purchased the prime cleavage ad space while Valence had invested in belly ad space. I saw valance, an introspective dance performance that inspected touch in human interactions, but I never saw Cootie Catcher. My sketch protege sketched me sketching Katy and I’m sure photos were shot which made it a very “Meta” performance. The day before, Katy had left her kit of brushed behind and it vanished. Luckily she found a loose brush in the bottom of her bag, but it was a rather blunt brush which meant she couldn’t add any refined touches. I offered her one of my brushes but she was too proud to take it. I hope that the ads she sold will help pay for a new set of brushes because quality brushes are expensive. Her palette was a clear plastic plate. Friends stopped to ask her advice on the best shows to see. Katy had seen tons of shows, so she was a great resource.

Tears of a Tyrant performed on the outdoor stage at Fringe.

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On the Fringe Sketch Tour we stopped to sketch Tears of a Tyrant on the outdoor stage. They had a colorful tie-die banner as a backdrop. Danielle Dart was the lead singer with a purple floral garland in her hair. She had a dreamy way of closing her eyes as she sang that was quite endearing. Jester Cordell accompanied her on acoustic guitar. There are usually two other members in the band, but I guess they couldn’t make it out to this pro bono gig. They classify their music as Groovy  Classic Rock and Southern Rock.

To me this adorable couple personified the young Central Florida hipster           . ideal with their flip flops and ultra casual attire.  This casual attire is something I love about Orlando. No matter what event you go to in O-town there will be people in tee shirts and flip flops. If you went to a similar event in NYC, everyone would be dressed in black and wearing designer names in an effort to impress. Orlando has plenty of raw care free talent.

Well perhaps not care free. It is hard to make a living as an artist in Orlando. There is a constant exodus out of this town to other cities that are more supportive of the arts. As the 2015 Tallahassee Legislative Special Session came to a close, the film, TV
and digital media industry was excluded from the budget again this
year. This marks 3 straight years this program has gone without funding.
Additionally the proposed budget includes a staff and budget reduction
to the State Office of Film and Entertainment. This is why many actors and film makers go out of state to create films.

Grim and Fisher was part mime, part puppetry and pure magic.

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Grim and Fisher produced by Wonderheads from Portland Oregon was in the Silver Venue at this years Orlando International Fringe Festival. They were the creators of last years Fringe hit Loon, so my expectations were high.

Grim and Fisher was an epic showdown between a dour faced Grim Reaper and a lively and determined granny. The set consisted of a simple rocking chair and a side table with a tiny box on top of it. Much of the first act consisted of the Granny messing with a repairman who came to her apartment to repair her TV. When he needed to use the bathroom, he was surprised because every time he touched the door, loud farts would emanate from inside. I guess this established the granny as an “old fart” but when she came out holding a whoopee cushion is also established her as having a sense of humor.

When Grim comes for the old lady, she doesn’t go willingly. When she gives him the tiny box, he is won over when he discovers it is a music box. He forgets his job and shows his more human side for a moment. It reminded me of the food critic’s scene when he tastes the rats sumptuous food for the first time. The granny puts her former husband’s coat on Grim and they dance.

When Grim realizes he has a job to do, the old lady battles for her life. In the end she does walk towards the light perhaps finally reunited with her long lost husband. The show for me wasn’t as magical as Loon. I knew from the start that death always wins. It made the battle to live a little sad.

Serafina’s belly dance at Fringe.

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Although Phantasmagoria didn’t have a stage show, they were listed in the Fringe program as Bring Your Own Venue. On the first day of my Sketch Tour they seemed to be everywhere at once. While we were waiting in line for Grim and Fisher at the Rep Theater, Phantasmagoria swept into the lobby to entertain everyone waiting in line. For those who don’t know, (where have you been) Phantasmagoria is a Gothic Steampunk storytelling group that blends dance, aerial work, fire performance and combat into the mix as they weave their horrific tales.

Serafina Schiano began an exotic belly dance. I agonized about how much time I might need to catch the dance. The line started to inch forward and I kept adding watercolor washes to the sketch as we moved towards the entrance. When Serafina was done, I followed her with my eyes to try and catch details of her costume. This is why some sketches can seem rushed and unfinished, because life and performance rushes by. It is a challenge to catch the flash of a moment. That is what makes sketching on location fun, exciting and challenging. Even if unfinished in my mind, I have to accept what I can accomplish in the time that I have and move on. That is a fair analogy to life in general.

The lobby of the Rep is always full of art by school children during Fringe. Most of the work is tight and struggling towards realism. None of the art seems rushed or hurried. This is the problem I have when painting digitally. Since it is all new to me I’m far to cautious and what results has too much polish. I’ve started carrying my tablet out on location with me but it is seldom used. In a dark theater, its glow would distract others and outside in the Florida sun the screen isn’t bright enough.  I wish the screen were larger but the market trend it towards smaller tablets. It is like carrying a hot brick.

Of course the Kids Fringe had a Unicorn Bounce House.

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On each morning of the Fringe Sketch Tour, we would start at Kids Fringe, warming up by sketching the kids stretching under the supervision of a Voci Dancer. After that, we would start the hunt for another subject. This Unicorn Bounce House was in the shade of a huge Live Oak Tree. There was always a line of parents escorting their children to the entrance. Oddly the Unicorn had a sand bag on her head. At first I thought it might be an icepack since the Unicorn might have partied too hard the night before. If that was the case, then having those children bouncing inside couldn’t have helped her unsettled stomach.

I did this sketch to demonstrate the idea of covering the sketch with as few large washes as possible. The Unicorn and all of the foreground was covered with a blue wash for shadows and the local color of the bounce house.  I encouraged Gay to leave the lightest areas at the window where you see a child bouncing and around the Unicorn’s head. The eye is attracted to the areas where there is the most contrast. I put a yellow band across the middle of the sketch to symbolize bright sunlight. Distant trees were treated with the lightest blue-green wash to imply aerial perspective. I also taught Gay to remove objects that over complicated the scene. For instance there were branches and moss directly behind the unicorn’s head, but I removed those in the sketch to give the Unicorn head a clean silhouette.

Mr. Harley entertained at Kids Fringe.

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On May 23rd, Mr. Harley was the first act at the Kid’s Fringe tent at the Mennello Museum. My mural, “Whose line is it anyway?” was at my back as I sketched. It offered a colorful backdrop and it was nice to see it with so much vibrant activity around it.

Mr. Harley played light hearted music for the kids. This sketch was a quick demo for my student on how to use a few quick blocks of color to cover the whole sketch. The Kids Fringe tent was the perfect spot to start each day’s Sketch Tour since the kids would do early morning stretches to start their morning. While they were stretching it made sense to get sketching. The green lawn of fabulousness in Lock Haven park is very quiet in the morning. This is probably because it rocked so hard the night before.

 Since I was hosting the Sketch Tour, I was able to do far more Fringe Sketches than I usually would. I’ve trained myself to just get one sketch a day at any event I go to so that I can have some kind of home life as well. There are so many free acts at the outdoor stages so you could spend a whole day at the Fringe without paying to go to a theatrical production. The Shakes, Rep,Orlando Museum of Art and the Venue all have air conditioning however, so the temptation to sit inside a cool theater eventually takes hold.

As part of the Sketch Tour package, I offered Fringe buttons so it made sense to eventually introduce the idea of sketching the shows themselves. Sketching in a theater has it’s challenges and I pointed out my tips and tricks to get a sketch even when the house lights go black.

The 11 O’Clock Number presented an Improvised Musical at this year’s Fringe.

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Grindstone Theater from Edmonton Canada presented The 11 O’clock Number at this year’s Orlando International Fringe Festival. They managed to stage a fully improvised musical built around a prompt from the audience. From our audience they decided to use an entertainment lawyer who liked working from the beach. What made it even more funny is that the actress playing the part of the entertainment lawyer really had no idea what an entertainment lawyer actually did. It became an ongoing joke as she guessed about her role.

The plot centered around a spoiled child star and her sister who felt she could be a star as well if she were only given a chance. The villain was a scheming producer who wanted to have the kid sign her life away.  Every song was heart felt and yet hilarious. There is some major talent involved in making up lyrics on the fly. The music must have been established in rehearsals with the piano accompaniment, but the new lyrics were amazing. The result was a solid hour of laughter. This was entertaining improv at it’s best.