Phantasmagoria

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This was to be Phantasmagoria‘s first live performance in about 2 years. John DiDonna the company’s founder took every imaginable precaution to keep his cast safe during rehearsals. A custom build HEPA filter with a large fan recirculated air in the rehearsal space and all the cast was vaccinated.

Performances were scheduled on a train and they were told that everyone would be masked on board. When the cast arrived they found that few were masked among the train crew and audience, so the performers had to walk.

John let me know that the theater they were performing at in Orlando required vaccination cards and photo IDs. Therefor I felt relatively safe to venture out and experience live theater again.

I knew the Shakespeare Theater required vaccination cards since I had just sketched Every Brilliant Thing. For some reason I figured Phantasmagoria was at the Shakes. When I got there the folks in the ticket booth were confused. Phantasmagoria was not at the Shakes, it was downtown at the Dr Phillips Performing Arts Center. We still had about half an hour before curtain time so Pam drove like a New York taxi driver to try and get us there on time. Downtown traffic near the Arts Center slowed to a crawl. Pam realized that it was Pride weekend and some event must be slowing things down. A car broke down in front of us and I decided to hop out into traffic and run to the theater to pick up the tickets. She managed to valet park and we met in the lobby.

I have had my vaccination card in my wallet for the past 6 months assuming someone would ask for it eventually. I gave it and my drivers license to the security in the lobby. The government in their wisdom used cheap disappearing ink on the vaccination card. It was more that a challenge to read the faint ghostly lettering. My intrepid guards checked it under a flash light and managed to pick out my name and some dates. One joked that she got to put o her Nancy Drew hat. Panting, we got to the theater entrance with moments to spare.

An usher pointed out our seats which were in the center of a row with everyone pressed shoulder to shoulder. A guy had his mask off in his lap and when asked by the usher to put it on he pointed at his drink. I suddenly realized that I wasn’t comfortable shoving my way into those seats, even if these folks were vaccinated. We stood in the aisle and debated. There was an empty row behind the one the usher wanted us to press into, so we decided to wait until the lights went down and then we sat behind the masses. We were still only a few feet from the couples in front of us but at least we were breathing down their necks rather than the other way around. Behind us was an open row. We caught our breaths behind our KN95 masks. The house was dark, so I could not see the marks I put on the page.

The performance was awesome. I was impressed by the projections that played with each macabre story. The idea behind Phantasmagoria is simple. They are a troupe of Victorian storytellers whose stories become all too real, and once a story is begun, it must be finished, regardless of the consequences. I think my favorite story was Edgar Allen Poe‘s the Fall of the House of Usher. Between stories there was dance and fire choreography. John performed as a fabulous demon barber with his outlandish outbursts of laughter. Puppetry played a part as the cast battled a huge 10 foot high Golem.

It was inspiring to see live theater again. It was so nice to get lost in the Victorian horrors to forget for a moment the everyday horrors of this pandemic.

Coldharts at the Timucua White House.

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The Timicua White House (2000 South Summerlin, Orlando, FL 32806) is usually host to musicians.  The evening before the home hosted a Composer’s salon.  However on this rare, dark and sinister night this became a place to stage some intimate theater, in a two person show titled, “The
Coldharts: Edger Allen” created and performed by The
Coldharts, Katie Hartman and Nick Ryan, two theatre artists based in
Brooklyn, New York. They create American Gothic-inspired, devised,
music-theatre.

The actors are US and Canada Fringe Festival audience favorites bringing this modern classic piece of theater to the Timucua stage immediately after a four-day run of “The Legend of White Woman Creek” at the Orlando Fringe Winter MiniFest. This was a two­-person, darkly comic musical inspired by the childhood and short stories of Edgar Allan Poe.  This is an astounding piece of intimate theater that can generate laughter in one second and a gasp of shock in another.

Katie began the evening performing on ukulele.  She played the part of a young Edger Allan who bragged of his dominance at an all boys school.  His supremacy was challenged when another boy entered the school and started answering questions intended for him.  The new boy spoke is a loud whisper.  The two discover in the school courtyard that they share the exact same name.  The young Edgar Allen gives every conversation a dark and brooding hidden meaning.  Rather than stay mortal enemies, the new Edgar Allen proposed they become friends.  After much deliberation Edgar Allen agrees.  However the best of intentions takes a twisted turn for the worst.

The scenes play out with exaggerated gestures worthy of a vaudeville act.  The inner working of a young boys mind are clearly sinister.  Children can be cruel but this takes misguided intentions to a new level.  The simple brick walls of the White House were a perfect backdrop to the drama that unfolded and bricks played an important part in the final act.

This piece was a stark reminder that amazing things were happening over at the Shakes at the Winter Fringe MiniFest.  I am a bit sad that I missed what were likely some amazing sketch opportunities.  Katie and Nick will return to Orlando in May for the Orlando International Fringe Festival with another Poe inspired piece, and I want to see what they come up with next. 

Phantasmagoria VIII “The Chains of Fire” at the Shakes.

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Phantasmagoria
Orlando and DiDonna Productions is proud to present the eighth all new installment in their critically acclaimed “Whimsically Macabre”
Halloween Celebration at the John and Rita Lowndes Shakespeare Center
(812 E. Rollins St, Orlando, Florida 32803). 

The brand new PHANTASMAGORIA VIII “Chains of Fire” thunders on to the Mandell Theater with all new stories of
terror! Live performers, “Phantastical” dance, explosive stage combat,
large scale puppetry, aerial performance, and haunting storytelling
combine to create a tapestry of macabre and whimsical horror!

Phantasmagoria’s evocative troupe of storytellers, dancers, and
chorus embark on their newest, and perhaps darkest journeys yet ,
through literary tales of terror, and horrific folk stories, legends,
and myths. Enter with us into dark tales from the likes of Edgar Allan
Poe, H.G. Wells, Robert Browning, Lord Byron, and Charlotte Perkins Gilman
among many others – all to set the tone for a truly Phantasmagorical
Halloween season!

I went to a dress rehearsal which had a fairly clean run thru of the show. Using the iPad meant I could see what I was working on throughout the performance. I am really enjoying the ability to zoom in when sketching performers. The digital sketchbook is becoming my preferred medium when sketching in a dark theater. This was indeed a darker and more sinister show. Strangulation and death haunted the cast though most every story. Once they begin a tale it must be told to completion. The hitch is that they live the tale intimately to the point of near death. The cast seems immortal however having told the stories for centuries. 

One of my favorite moments came after the run thru. John DiDonna was giving a note on how to dramatically stage a strangulation. He said, “Here allow me to show you by strangling my wife.” He grabbed Dion Leonhard DiDonna by the neck and arched her backwards as he leaned over her. Being a ballerina, she made even the gruesome moment look graceful.

After the run thru, the cast did a whimsical and comically relaxed rendition of the story, “Captain Murderer”. The cast ran out into the audience often getting face to face with the audience as they told the tale with absolute delight. They are at their best when mixing the macabre with the whimsical.
 

Special VIP Experience – Arrive by 7:20 on Select Nights

New this year, the VIP show will occur BEFORE the main stage show on select nights only
(Fri/Sat nights and Halloween) as they introduce their “Phantasticaly
Phantabulous Sideshow Extravaganza!” Specialty acts, special guests, and
appearances by members of the Phantasmagoria troupe weave together to
start the evening off in the best and darkest of ways! This year all VIP
seating can be RESERVED (for the first time) upon coming to the door to
ensure prime seating for all our VIP guests. At the end of the show,
the VIP audience member will also be treated to a final encore
especially designed for them! VIP also includes a glass of wine or soft
drink, a take home gift and more!

Information and Ticketing can be found beginning in September on the website or on their Facebook page.
 

WHO:
Phantasmagoria/DiDonna Productions
WHAT:
Phantasmagoria VIII “The Chains of Fire”
WHEN:
Oct 13th – Nov 4th 2017
All evening performances at 8:00pm (Box opens at 7:00pm/
VIP Show experience at 7:20 / VIP Theater Entrance at 7:50 followed by General Admission seating)
Oct 13, 14, 20, 21, 22, 23, 27. 28. 29. 30. 31, Nov 3, 4
Special MONDAY Performance on October 30th @ 9:00pm only
NOTE: VIP Show Experience only available Friday/Saturday nights and Halloween MUST arrive early for 7:20-ish start
General Admission and Student/Senior/Military available on all nights.
WHERE:
The Mandell Theatre, John and Rita Lowndes Shakespeare Center – Loch Haven Park, Orlando, FL
PARKING:
Lot on site, additional lots and street parking in close proximity
TICKETS:
Student/Senior/Military Admission – $15.00 / General admission – $25.00
Student/Senior/Military VIP Admission – $30.00 / General VIP Admission – $40.00

(VIP Admission includes Pre Reserved Seating, VIP SideShow performance,
wine or soft drink, a take home surprise, and more! – Available only
Friday/Saturday and Halloween nights)
TO PURCHASE TICKETS:
WILL CALL/CASH ONLY AT DOOR reserve by calling our hotline at 407-476-5121

(Leave name/number/date of performance and number in party – you will
be called back only if there is a problem with your reservation)
CREDIT CARD PREPURCHASE

Phantasmagoria brings horrific tales to the Orlando Fringe.

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Phantasmagoria: Wicked Little Tales fills the Fringe Orange venue at the John and Rita Lowndes Shakespeare Center, (812 E Rollins St, Orlando, FL) with horrific whimsical tales of horror, Phantastical dance, music, stage combat, large scale puppetry and storytelling. Before a complete run through of the show, actors practiced a sword fight that they had just learned the day before. The swords were real, so there was a true there a of danger as they parried.  Other actors on the stage had to be warned to stand clear. Though rehearsed at quarter speed, the adrenaline still pumps an they had to b coached to slow down.

The show commence with a grand flair. The whole acting troop crouched around the ring master as he enticed the audience to listen in with a grand flourish. Once a story begins it must be told until it is finished. The tales come to life and the horrors pose a real threat to the tellers. The first tale was one of my favorites, The Tell Tale Heart, by Edgar Allen Poe. To recreate the hideous beating heart, the entire (2 beat their palms on the stage floor creating a deafening thump.

Another memory tale was of the Headless Horseman of Sleepy Hollow. Two dancers acted as the horse with grace and style. Actors and actresses would more into the audience during the telling of a tale, and you never knew if a sinister laugh might ring behind you, sending chills down your spine.

Mary Shelly’s Frankenstein brought to life a giant skeletal figure that threatened it’s creator. The creature demanded a bride and when that hope was gone the monster turned on his creator and master. Love lost is the most horrific motivator for murder.

It was good to see this at in troupe in such a large venue. With so many act of and actresses, they easily utilize every inch of the deep space. If you have a taste for the macabre then Phantasmagoria is the show for you.

Phantasmagoria shows are on May 21, 22, 28 and 29.

Tickets are $11.

Phantasmagoria gets even better with age.

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Phantasmagoria Orlando and DiDonna Productions, present the first ever “Tour Version” of the Critically Acclaimed Victorian Horror Troupe, featuring the “BEST of” the Last Five Years of Phantasmagoria.

Phantasmagoria “Wicked Little Tales” will have a limited engagement
weekend of only 3 performances at the Mandell Theater of the John and
Rita Lowndes Shakespeare Center, July 24th, 25th, and 26th before
leaving for its first ever Atlanta Performances. Performances are
Friday, Saturday and Sunday evenings at 8:00pm.

I went to a dress rehearsal in the Mandell Theater. John told me that the theater had sat quiet for several months with only the ghost light illuminating center stage. A popular theater superstition, every theater has a ghost, and a ghost light is meant to appease the ghosts. The theater had been struck by lightning and the theater was black when Phantasmagoria arrived. At that first rehearsal, the speakers died for no apparent reason. As the actors warmed up on stage, one said, “That ghost is a jerk.” Another replied, “Yes, especially with the speakers.”

At this dress rehearsal the ghosts gave the performers free reign. During the pre-show the entire cast stood on stage frozen while video of past performances was projected behind them. Each character was introduced in turn in mysterious oozing credits. Two macabre clowns performed among the frozen cast until one was stabbed by accident which animated the troupe as they moved towards the blood.. The ring master standing on a box shouted out with glorious aplomb that the show had begun.  In the opening tale, the cast moved towards the audience menacingly, even climbing over chairs to get face to face. The fourth wall was broken and I was unnerved as the beautiful Aurora (Kim Hough) almost touched my neck as if she were ready to take my life.

Edger Allen Poe‘s “The Raven” started off the tales of horror. A beautiful animation of black wings in flight made a perfect back drop for an actress whose out stretched arms and bird like mannerisms complimented the motion. Another tale from a far continent had haunting hints of voodoo and impending death. “Captain Murderer” was told with a fiendish sense of humor. John DiDonna, playing the Captain played the part over the top which offered much needed laughter. This delightful humor saturated the entire show. The actors are so seasoned that they understand that there is a tongue in cheek humor in even the darkest tale. Other tales included “Varney the Vampire” and “The Feast of Blood”.

The young Pandora (Gina Markarova) naively asked to hear the tale of Lewis Carroll’s “Jabberwocky”. One a tale is begun it must be finished. Alice (Sara Costello) had to be protected from the beast and then she defended herself with a shield and sword. As in Jumangi, the fierce Jabberwocky burst to life threatening the lives of everyone in the cast. Puppetry brought the creature to life and everyone defended themselves with knives and swords. At this rehearsal the fight was run at a quarter speed and still the sharp blades seemed to fly far too close to flesh. This touring edition of Phantasmagoria combines humor and horror in a steampunk, goth production that shines.

Ticket prices are $15.00 for
students and $20.00 for general admission with a $5.00 per ticket add on for VIP guests. Phantasmagoria “Wicked Little Tales” remaining shows are July 25-26 at the John and Rita Lowndes Shakespeare Center (812 E Rollins St, Orlando, Florida) it then goes to Atlanta Georgia on July 31 to August 2.

Ravenwood is a quaint Bed and Breakfast perched high up a hill in Lorne Australia.

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The day started out with a leisurely walk on the beach with Josie and her sheep herding dog. Large sheets of volcanic rock  on the beach had solidified with the positive and negative shapes of un-popped lava bubbles. The inverted cups filled with ocean water as the tide went out and became mini aquariums. All forms of life from algae to crabs thrived in the tide pools. Ever since I was a child, I’ve been fascinated by tide pools. I love any kind of self contained ecosystem.

Half way up the hill to Josie Browne‘s house, I stopped to sketch Ravenwood. First, I liked the name of this Bed and Breakfast thinking it might be occupied by Edgar Allan Poe, but also the building reminded me of paintings done by Edward Hopper. As I sketched, Terry and Josie continued walking up the hill. I remember as I walked up this steep hill alone once, I saw an old man coming down the hill. I thought to myself that I should control my breath a bit so I wasn’t huffing and puffing as we passed each other. He remarked, “Darn, I’m more winded than you just going downhill.” I laughed and began huffing and puffing again.

There is so much of this old Victorian architecture in Australia. I wondered if there was a way up to the widow’s nest. Metal roofs reflect the sun like mirrors. And the front yard of this home had a vibrant garden filled with pink roses.

Phantasmagoria V “Death Comes for All” in Orlando

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This is the fifth year that creator and director John DiDonna has brought classic tales of horror to Orlando in the form of a Victorian Steam punk Circus troupe called Phantasmagoria. Each year has progressed the story of this troupe’s back story and interpersonal drama. For many millennia they have had to tell the stories as a matter of life and death. Once a story is started it must be finished. This year in the John and Rita Lowndes Shakespeare Center‘s Mandell theater, platformed walkways are set up behind the audience seating. This allows the cast to circulate around and behind audience members. It is a theater in the round and you have a front row seat to experience the horror first hand.

 Since this was a rehearsal, there was a fight call that went over the fight direction by Bill Warriner. There is one spectacular sword fight that features three combatants. Even at quarter speed, the fight seemed dangerous as the three blades flashed in the stage lights. Being so close to the action you might find yourself leaning back in your chair for fear of being slashed. Megan who was juggling all the sound and lighting cues was able to act out all the staging so the lighting designer by Hatem Habashi could set the lighting cues. She playfully stomped on projected beetles that scurried on the floor.

Phantasmagoria presets tales of terror from diverse authors such as Lewis Carroll’s “Hunting of the Snark”, Charles Dickens “Captain Murderer” and many others including horrific folk tales, legends and myths from around the world!

In the tight intimate space, you will find the cast often inches from you.  During one tale, Mercury (Kaitlin Elizabeth Baxter) was behind me laughing maniacally and then gasping in horror. Having the cast so close ensures that even a sketch artist can get sucked into the drama that unfolds. The classic Edgar Allen Poe story, “The Pit and the Pendulum” had Leon (Joseph Josh Geoghagan) lying in the grasp of much of the cast. They held him aloft and then embraced him as the straps held him down in the story. Dana Mott had created wonderful projections that had rats scurrying on the floor while the shadow of the pendulum arched gracefully downward. Poe was also represented in an abridged telling of “The Tell Tale Heart” which is one of my favorite stories of horror insanity and suspense.

An Indian horror story had  Seraphina (Serafina Schiano) return from the dead as a demonic creature with multiple arms and flowing red drapery as she took vengeance on her three self centered brothers. Exotic Indian dances were beautifully choreographed by Mila Makarova and Dion Leonhard.  This show is a great way to gear up for Halloween.

Mark Your Calendar!

WHAT: “PHANTASMAGORIA V–“Death Comes for All” 

WHEN:  Oct 10th – 31st 2014

Friday, Saturday and Sunday evening performances.

Special Monday performances Oct 20th and 27th.

Halloween performance October 31st.

All evening performances at 8:30pm (Box opens at 7:50pm/Doors at 8:15pm)

WHERE: The Mandell Theatre, John and Rita Lowndes Shakespeare Center

Loch Haven Park, Orlando, FL (Corner of 1792 and Princeton)

TICKETS: General Admission $20.00 / Student and Senior $15.00

(VIP Tickets available – $25 for all performances leading up to Halloween / $30 Halloween night. Includes drink/special gift/photo op with cast/reserved seating/Post show performance)

Poe & Mathews

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Grumble Productions from Los Angeles presented “Poe and Mathews: A Misadventure in the Middle of Nowhere” in the Gold Venue at this years Fringe. The premise was that Edgar Allen Poe was deserted on a desert island with a bungling fool. This comedy of errors was hung on stages of grief, like denial, anger and acceptance. In the preview, the over weight fool ate an apple as Poe tried to concentrate. Poe lost his patience and yelled at Mathews to eat quieter. Mathews tried taking delicate baby bites but even that pushed Poe over the edge. The production reminded me quite a bit of “Waiting for Godot”, with physical comedy thrown into the mix.

These actors worked the lines of other shows incessantly. They won an award at the Fringe for being the most diligent marketers.  I was surprised to find out that Poe was a female actor. The production was pleasant enough, but I began loosing patience, wishing the story would take me somewhere else.

All the Patron’s Picks are now in, so be sure to get out and see your favorite shows!

Black – Blue and Tod: In the Black

Blue – Fetish

Brown – TJ and Mr. Oaksite

Gold – Macbeth

Green – Loon

Orange – Celebrity Match Game: The Musical (5/28, 9:30pm)

Pink – The Boxer: A Silent Movie Onstage (5/28, 8pm)

Purple (tie) – Pillow Talk ((5/27, 10am) / A Field Guide to the Gays (5/28, 6:30pm)

Red – Eating Pasta Off the Floor

Silver – Piranha the Musical!

Yellow – God is a Scottish Drag Queen

Phantasmagoria

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I went to a dress rehearsal for Empty Space Theater Company’s, Phantasmagoria III in the Patron’s Room at the Lowndes Shakespeare Center. The circular room was magically transformed into a circus ring. Suspended below the circular dome was a circular screen which was used for projections. The rehearsal began with a 7PM fight choreography session. Even rehearsed at 1/4 speed, the sword fight was strangely menacing in the small space.

John DiDona, the director, then circled up all the actors to hold hands before a complete run through of the show. He told the cast, “Every story is important. We are dangerous, we have seen to much.” Someone shouted, “Merde!”, or was it “Murder? The room went dark as actors took their places. Two clowns in simple black suits began wrestling with boxes in the ring to comic effect. John let me know that this was the 13 minute pre-show that went on as the audience filtered in.

The Phantasmagoria cast tells some of the classic horror stories incorporating music, dance, puppetry and drama to sinister effect. The Tell Tale Heart, by Edgar Allan Poe made great use of projections on the overhead screen with chipped wall paint patterns and then  giant eye as the narrator discussed the cold blooded, highly thought out plot to kill his neighbor, an old man. The whole cast recreated the sound of the heart with guttural verbalization. It was creepy. The Cold Embrace told the tale off an artist who fell in and out of love with a cousin. Heart broken, the cousin died and then returned to haunt the fickle artist, embracing him with her invisible cold fingers.

The dark show was filled with dancing skeletons, a giant bloodthirsty wolf and beings in the darkness that were hard to identify. The ringmaster was barefooted, because corpses are barefooted in the morgue, Brittany Wine explained. Characters at times stood behind me as they whispered their lines sending a chill down my spine. The circular room is intimate, small, with no room to escape. These were classic tales told with drama and effect. Now in it’s third year, the show keeps growing and evolving along with it’s characters, each of whom had a dark painful back-story.

When: October 12-31st,  8:30 p.m.

Venue: Lowndes Shakespeare Center, Patron’s Room

Address: 812 E. Rollins St.

Phone: (407) 328-9005

Web Site: http://www.redchairproject.com

Price: $20