Weekend Top 6 Picks for August 25 and 26, 2018

Saturday August 25, 2018

10 a.m. to Noon. Free. FusionFest Open House, Preview and Sign-up. City Beautiful, 1220 Alden Road, Orlando, FL 32803. Do you like to share the culture of your heritage, or perhaps you know
someone who does? Or perhaps you would like to be inspired to create a
song or dance or prepare a new dish using elements from different
influences? Or maybe you would like to volunteer for an exciting new
festival designed to bring people together?

We are hosting a
FusionFest Open House, Preview and Sign-up event on Saturday, August
25, from 10 a.m.-noon. Please stop by to learn more about FusionFest,
and then pass this invitation on to anyone else who might be curious
about this celebration of diversity planned for November 24 and 25 in
downtown Orlando.

7 p.m. to 9 p.m. Free. New Musical Discovery Series – The United States of Us. The MEZZ 100 S Eola Dr Ste 200, Orlando, Florida 32801. Florida Theatrical Association presents a workshop of THE UNITED STATE
OF US, one of the winners selected from more than 40 entries in the
Second Annual New Musical Discovery Series.

Book & Lyrics by Alan Gordon

Music by Joy Son

Staged Reading Directed by Michael Wanzie

Synopsis:
Set in Brooklyn in 1998, Ken, a single gay man, agrees to marry Esme, a
Colombian student, when she finds herself pregnant and on the verge of
deportation. When the prospect of same-sex marriage comes to New York, a
surprising threat is presented to this unusual family unit.

10:30 p.m. to Midnight. Free but get food and drink. Son Flamenco. Ceviche Tapas Orlando, 125 W Church St, Orlando, FL. Hot blooded flamenco dancing set to acoustic guitar.

Sunday August 26, 2018

9:30 a.m. to 12:30 p.m. $255 members, $275 non-members. Urban Sketching Course. First of 6 weekly sessions. Crealde 600 St. Andrews Blvd Winter Park FL Class 1B. Beginning of each class involves classroom sketch assignments followed by a session of sketching outside the classroom in the neighborhood. Goal at the end of 6 weeks is to produce finished sketched within two hours.

10 a.m.to Noon. Free. Heartfulness Relaxation and Meditation Class. University, 5200 Vineland Rd, Orlando, FL 32811. The Method of Heartfulness A simple and practical way to experience the heart’s unlimited resources.

7:30 p.m. to 9:30 p.m. $10-$20 suggested donation. Helena. Helena is an ensemble of Central Florida’s most dauntless singers. The
group made their debut at Timucua in 2016 and quickly established
themselves by performing adventurous and ambitious repertoire by and
about women. Don’t miss this Orlando treasure. Please bring food or wine to share.

Composers Salon Concert – Celebrating Central Florida Composers.

The Central Florida Composer’s Salon Concert was held at the Timucua White House (2000 S Summerlin Ave Orlando, FL 32806.) The annual composer’s salon concert celebrated new music written by local composers in the Central Florida area.

There was food and wine before and after the concert in the entry foyer. I decided to sketch from the upper balcony. An entire orchestra filled the stage to start and I was quickly blocking in the performers. However when they were finished performing their one piece, they all exited the stage. My digital eraser got a good work out.

Marla E. Artist had a Plexiglass canvas set up so that the audience could watch as she worked on the transparent surface lit up by white Christmas lights. She painted a saxophone to the beat of the music. It is always a pleasure to watch other artists at work.

The Central Florida Composers Forum is an organization of composers
dedicated to engaging the creative and larger community of Central
Florida through the promotion of original and innovative music
programming.They strive to be part of a larger cultural conversation where the musical,
visual and other performing arts connect with audiences, foster vital
collaborations, and produce multidisciplinary performances. They are cultivating
an audience for new music through education, workshops and outreach
programs that create memorable artistic experiences for youth and
community members are also central to their mission.

Sam Rivers Tribute Band at the White House.

The Sam Rivers Tribute Band gathered once again after years of being apart at the Timucua Arts Foundation White House (2000 S Summerlin Ave, Orlando, Florida 32806.) this concert was thrown together at the last minute.  The band had not performed together for years. 

Sam Rivers is one of the greatest jazz legends of our
time, performing for over 70 years. In the 1970’s he was the first
artist to open a jazz cultural arts center in Greenwich New York, which
was used as a venue to help artist exhibit their talents and gain
recognition.

The one of a kind, intensely original compositions of Sam Rivers came to life once again in a rare performance of his 16 piece Rejuvenation Orchestra. (formally known as the Rivbea Orchestra. I sketched Sam Rivers as he performed at the Enzian Florida Film Festival wrap party in 2009.   He was a joy to watch and fun to sketch.   Sam Rivers died on December 26, 2010 at the age of 88 from Pneumonia.

I was excited to see if his magic still infused the Orchestra he had formed when he moved to Central Florida in the early 1990 with his wife Beatrice.  Several platforms were set up on stage for all the horns and saxophones.  Sam performed on bass clarinet, flute, harmonica and piano, but I loved watching him perform on the soprano and tenor saxophones.

I sketched as the orchestra took to the stage.  I recognized the string players but some of the sax players looked like they were still in college.  The performance was aggressively loud, as if each performer was trying to play louder that everyone else.  At times various performers stood for solos.  Rivers derived his music from bebop, but he was an adventurous player, adept at free jazz. He was also an adept composer and it was his sheet music that sat before every performer.  I hope this orchestra performs together more often.  In time they could bring back the polish that helps support the inspiration.  Sam’s parting words at many of his concerts was, “Tell them what they missed.”

Coldharts at the Timucua White House.

The Timicua White House (2000 South Summerlin, Orlando, FL 32806) is usually host to musicians.  The evening before the home hosted a Composer’s salon.  However on this rare, dark and sinister night this became a place to stage some intimate theater, in a two person show titled, The
Coldharts:
Edger Allen
” created and performed by The
Coldharts, Katie Hartman and Nick Ryan, two theatre artists based in
Brooklyn, New York. They create American Gothic-inspired, devised,
music-theatre.

The actors are US and Canada Fringe Festival audience favorites bringing this modern classic piece of theater to the Timucua stage immediately after a four-day run of “The Legend of White Woman Creek” at the Orlando Fringe Winter MiniFest. This was a two­-person, darkly comic musical inspired by the childhood and short stories of Edgar Allan Poe.  This is an astounding piece of intimate theater that can generate laughter in one second and a gasp of shock in another.

Katie began the evening performing on ukulele.  She played the part of a young Edger Allan who bragged of his dominance at an all boys school.  His supremacy was challenged when another boy entered the school and started answering questions intended for him.  The new boy spoke is a loud whisper.  The two discover in the school courtyard that they share the exact same name.  The young Edgar Allen gives every conversation a dark and brooding hidden meaning.  Rather than stay mortal enemies, the new Edgar Allen proposed they become friends.  After much deliberation Edgar Allen agrees.  However the best of intentions takes a twisted turn for the worst.

The scenes play out with exaggerated gestures worthy of a vaudeville act.  The inner working of a young boys mind are clearly sinister.  Children can be cruel but this takes misguided intentions to a new level.  The simple brick walls of the White House were a perfect backdrop to the drama that unfolded and bricks played an important part in the final act.

This piece was a stark reminder that amazing things were happening over at the Shakes at the Winter Fringe MiniFest.  I am a bit sad that I missed what were likely some amazing sketch opportunities.  Katie and Nick will return to Orlando in May for the Orlando International Fringe Festival with another Poe inspired piece, and I want to see what they come up with next. 

Chris Corsano and Bill Orcutt performed at Avalon Island.

The Civic Minded 5, Timucua Arts Foundation
and Gallery at Avalon Island presented
a Chris Corsano and Bill Orcutt  concert at the Gallery at Avalon Island (37 S Magnolia Ave, Orlando, Florida 32801).

The evening consisted of solo mini-sets by Corsano and Orcutt followed by a duet set.

Guitarist Bill Orcutt could be described as a raw, outsider Country Blues guitarist or a radical, Post-Minimalist composer. Or he could be a Noise or No Wave musician gone acoustic to play chestnuts of American Vernacular Music. Checking all these boxes would also lead to a fairly functional description. It’s also fair to say that Bill’s international appeal in the last half a dozen years comes from his singular, dynamic approach with a partly de-stringed and re-tuned acoustic guitar.

Chris Corsano is a drummer who has been at the intersections of free improvisation, noise, and avant-rock musics since the late 1990’s. He has worked with saxophonists like Paul Flaherty, Joe McPhee and Evan Parker; guitarists such as Sir Richard Bishop, Heather Leigh Murray, and Jim O’Rourke; and one-of-a-kind artists like Björk and Jandek.

The moody lighting and improvisational music was inspiring to sketch to leading me to let go of my tried and true methods to get an image on the page.

Form Structure and Interactions at the White House.

The Timucua White House (2001 Hamilton Ln, Orlando, FL 32806) hosts weekly concerts in their spacious living room that rivals some concert halls. Benoit Glazer built his home around this pitch perfect sound proofed space. This concert featured original compositions for trumpet and electronics. Most of the composers were in the audience. Besides the main performance, an artist usually creates on stage as well. On this evening, a sculptor named Diego Inkusual worked on a life sized bust of a young poised dancer named Megan Crawford. I’m pretty sure I sketched Megan at some dance rehearsal, because I recognized her. I decided to sit down at a back patio table, and my chair tumbled over backwards, thankfully with out me in it. As we all waited to get into the concert hall, Diego kissed Megan’s neck and she smiled at the distraction.

Benoit’s wife Elaine Corriveu, Wendy Wallenberg and others bustled in the kitchen. Guests usually bring a bottle of wine or a side dish, turning the evening into a community potluck. Strange, the program doesn’t list the Trumpet player’s name. That is a strange oversight. Anyway, he was quite good as was the sculptor, also not listed.

Diego had several life sized sculpture on stage, and another in The entry-potluck area. Fabrics flowed from their semi nude bodies. It was impressive work. Diego was quite active as was his model, Megan. He would often ask her to rotate in her seat so he could sculpt her from a different angle. He would often stand and he would gouge deep grooves in the sculpted hair. The facial features had been delicately refined back at his studio. He was feeling the music and it influenced his movements. Megan kept perfect still.

One composer wasn’t in the audience. He was at an inspirational seminar. The concert was being shared with him and another audience with him at the seminar. Most composers got on stage to introduce their original music, he called in to talk to us all. Charles Griffin composed Between Islands this year. He told both audiences, that when he moved to Orlando, his creative urge dried up. He tried to work through it, but he was stuck. He had never experienced this before. The support and contact with other creative people finally reversed the stagnancy. This composition was the first he wrote as he got back on track. He spoke about his mother’s death, loss and the need to remember. It is a theme that has hit home with me many times as I sketch people affected by Pulse. I try to remain in business mode, but often it sinks in. Charles used the sounds of ocean bells clanging quietly on the waves. the somber music hit a chord with me and the pencil stopped dancing on the page, so I could stop to close my eyes and truly listen.

The next White House concert is, Tonight 10/16/16 at 7:30 pm. It is Contemporary Classical, featuring Elizabeth Baker, Toy Piano and electronics, Art is by Gladiola Sotomayor.

The Timucua White House is granted a Conditional Use Permit.

Benoit Glazer and The Timucua Arts Foundation has been providing world class art and music to the Orlando community free of charge for a long while. In 2007 Benoit built a custom home that was built around an acoustically perfect music hall with two levels of balconies overlooking the stage. The living room concert venue is completely soundproof so that neighbors never hear the music. Dozens of performances happen each year, most of them free of charge. Guests bring wine and food to the venue for each concert which cultivates a true sense of a community potluck. The Timucua Arts Foundation, is a benefactor to cutting edge music organizations like the Accidental Music Festival and the Civic Minded 5. The White House has established itself as a culture beacon for the Central Florida Music scene.

The home is in an area zoned for residential use, so the Orlando Municipal Planning Board demanded that Benoit apply for a conditional use permit. That type of permit is typically issued when the city wants to allow an
activity beneficial to the community despite zoning restrictions. Without the permit, one of the
most enlightened cultural lights in Orlando
would be be extinguished. An online petition was established to try and save the White House. Over one hundred people signed it in the first hour. In all 832 people signed the petition.

At 8:30am on April 19th, Benoit and his wife Elaine Corrivev, sat in the City Counsel Chambers to hear the Planning Board’s verdict. The Chambers were packed full of supporters for this home spun cultural institution. Jeremy Seghers sat in the row in front of me and Diana Rodriguez Portillo sat next to me to chat. There were so many friends of the arts in the room. The chair, Jason Searl, said he had to abstain from the vote since his little daughter takes piano lessons at the Benoit’s house. He clearly couldn’t be impartial. With in a matter of minutes, the Conditional Use Permit was granted. There was an audible sigh of relief and then most of the people in the room got up to leave. Exited conversations began and the celebration continued just outside the chamber doors. The concerts will continue with some conditions: Glazer will have to
formalize a parking agreement with the city for use of nearby spaces at
Wadeview Park, limit attendance to 99 guests and guarantee events end by
10:30 p.m. In some small measure, the bureaucrats won, but music and art will continue to shine at the White House. 

This, we believe:

Art and music belong to everyone.

Art and music are the highest manifestation of our humanity.

Art and music should be enjoyed in the most intimate venue: the living room.

Every community is better when art and music are performed and nurtured within it.

Kattya Graham performed in Blue Box #5.

27 Blue Boxes are painted on sidewalks in Downtown Orlando. These boxes
are for panhandlers and buskers. Busking is possible only during day
light hours. Although set up for panhandlers, police often insist street
performers must use the blue boxes. If a police officer receives a complaint or witnesses a street
performer asking for money, that officer can “take the appropriate
action related to that issue, a warning is an option, but so is arrest.” said Sgt. Barb Jones of the Orlando Police Department. Performing outside the boxes can
result in 60 days in jail and a $500 fine. In 2002, former Orlando Mayor Glenda Hood killed a proposal to allow
street performers in downtown Orlando, saying that would be
“inconsistent” with the city’s ordinances that ban panhandling.

Kattya Graham volunteered to perform in Blue Box #5 on the Corner of Amelia Street and Orange Avenue. This corner is near the Court House parking garage. As I arrived on foot, I searched for the now familiar blue dotted lines that delineate a box about 5 by 15 feet. For the first time the were no blue lines. There were red lines and orange lines that surveyors put down as they plan where to dig for electric and plumbing pipes. I checked the City Hall issued Blue Box map and this it was the right spot. The blue lines must have been power spray washed away. There was a small blue plate above the street drainage. It said, “No dumping, all water drains into lakes.”  The spray washed blue paint must now be in Lake Eola.  The blue plate became our Blue Box.

Kattya arrived and unpacked her guitar and set up her music stand. At first she put her collection pan right on the blue plate and then she decided it made more sense to put it out behind her for pedestrians to see. As a joke she stood on her tip toes on top of the blue plate. There weren’t many pedestrians, at most three people walked by in the two hours we were on that street corner. There were however plenty of cars that had to stop at the stoplight as they waited to drive West across Orange Avenue. Kattya got to watch drivers reactions. Many drivers smiled through their closed car windows. Three women rolled down their windows to listen better while men did the opposite, by rolling up their windows. Perhaps they feared she would rush up to them and squeegee clean their windows and demand money. Only one pedestrian glanced over his shoulder at Kattya as he was waiting to cross over Orange Avenue. No one ever dropped an money in her tip pan. She has just recorded a new album of original songs and several covers at the Timucua White House. Benoit Glasier is now polishing the sound mix.

Kattya grew up in Mexico City which is the largest city in the world. She started busked in Mexico City when she was 18 years old. Crime was rampant, but she never had an incident as she performed. Here in Orlando for the past 15 years, she feels safe, but performing on a city street corner didn’t, seem appropriate. She performed beautiful Mexican ballads in Spanish. After one song, she said me, “I’m glad most people don’t understand the lyrics, the last song was about being a drunk.” I laughed. The music was soothing and lyrical, at times being drowned out by honking horns, or the sound of the Sun Rail train roaring by a block away. Her brightly embroidered blouse was the only bright note of color on the otherwise grey street corner. Had she performed on block south, closer to the entrance to the court house, there would have been a constant stream of lawyers and jurors who would pass her on their way to find lunch. There is no blue box one block south however.

Marty Morell and Michiko

On Sunday June 2nd, Marty Morell and Michiko performed a free Jazz concert at the White House (2000 South Summerlin Avenue, Orlando FL), with many special guests and a little Latin music.

The guest visual artist was Lorraine Turner. Lorraine didn’t paint live on stage because there were so many musicians. There just wasn’t enough room. Steve Rodney was shooting a documentary, so Benoit Glazer in his introduction advised us all to look enthralled. Richard Drexler was at the piano, Carlo Garcia was on the drums, Jeff Rupert on saxophone, Benoit Glazer stepped in on trumpet, and Ben Cramer was on Bass.

Marty met Michiko at a jazz festival in Japan and they have been performing together ever since. Michiko sang several of the songs. It was an up beat concert with plenty of energy. I tapped my toes and bobbed my head as I sketched. I was perched on the third floor balcony. I like getting this bird’s eye view, but it means standing for the duration as I sketch so I can see over the railings. By the end of the concert my legs were aching. I’m always afraid that I might drop my palette on someones head, so I step back a bit as I’m painting. Having to sketch in so many people and instruments means I’m working right up to the last note in the concert.

It seems like the number of concerts held at the White House keeps accelerating. It is one of my favorite places to listen to music and let the lines dance on the page.

Chris Belt

Christopher Belt, the creator of the Accidental Music Festival, performed on classical guitar, with Nathan Selikoff showing his artwork on April 21st at the Timucua White House (2000 South Summerlin Avenue, Orlando FL). It was a very crowded concert, but I managed to find a front row seat. Prior to Christopher taking the stage, Benoit Glazer’s daughter performed on violin along with a first chair violinist whose name I didn’t catch. They performed one piece, so I knew that my time was limited to sketch them.

A large flat screen TV was set up behind the stage. As Chris performed, Nathan Selikoff sat with his hands suspended over a laptop. Nathan interacted with and manipulated an abstract pulsating form on the screen with the movement of his hands using a new motion capture device that was reminiscent of user interfaces as used in Science Fiction films like the Minority Report or Iron Man.

On piece Chris performed was by composer J.S. Adams who was in the audience. The piece was written for guitar and tape. Much of the music had a new age flair. Much of the music was so quiet and intimate that I could hear people breathing beside me. It was a pleasant way to sketch away a Sunday afternoon.