Kattya Graham performed in Blue Box #5.

27 Blue Boxes are painted on sidewalks in Downtown Orlando. These boxes
are for panhandlers and buskers. Busking is possible only during day
light hours. Although set up for panhandlers, police often insist street
performers must use the blue boxes. If a police officer receives a complaint or witnesses a street
performer asking for money, that officer can “take the appropriate
action related to that issue, a warning is an option, but so is arrest.” said Sgt. Barb Jones of the Orlando Police Department. Performing outside the boxes can
result in 60 days in jail and a $500 fine. In 2002, former Orlando Mayor Glenda Hood killed a proposal to allow
street performers in downtown Orlando, saying that would be
“inconsistent” with the city’s ordinances that ban panhandling.

Kattya Graham volunteered to perform in Blue Box #5 on the Corner of Amelia Street and Orange Avenue. This corner is near the Court House parking garage. As I arrived on foot, I searched for the now familiar blue dotted lines that delineate a box about 5 by 15 feet. For the first time the were no blue lines. There were red lines and orange lines that surveyors put down as they plan where to dig for electric and plumbing pipes. I checked the City Hall issued Blue Box map and this it was the right spot. The blue lines must have been power spray washed away. There was a small blue plate above the street drainage. It said, “No dumping, all water drains into lakes.”  The spray washed blue paint must now be in Lake Eola.  The blue plate became our Blue Box.

Kattya arrived and unpacked her guitar and set up her music stand. At first she put her collection pan right on the blue plate and then she decided it made more sense to put it out behind her for pedestrians to see. As a joke she stood on her tip toes on top of the blue plate. There weren’t many pedestrians, at most three people walked by in the two hours we were on that street corner. There were however plenty of cars that had to stop at the stoplight as they waited to drive West across Orange Avenue. Kattya got to watch drivers reactions. Many drivers smiled through their closed car windows. Three women rolled down their windows to listen better while men did the opposite, by rolling up their windows. Perhaps they feared she would rush up to them and squeegee clean their windows and demand money. Only one pedestrian glanced over his shoulder at Kattya as he was waiting to cross over Orange Avenue. No one ever dropped an money in her tip pan. She has just recorded a new album of original songs and several covers at the Timucua White House. Benoit Glasier is now polishing the sound mix.

Kattya grew up in Mexico City which is the largest city in the world. She started busked in Mexico City when she was 18 years old. Crime was rampant, but she never had an incident as she performed. Here in Orlando for the past 15 years, she feels safe, but performing on a city street corner didn’t, seem appropriate. She performed beautiful Mexican ballads in Spanish. After one song, she said me, “I’m glad most people don’t understand the lyrics, the last song was about being a drunk.” I laughed. The music was soothing and lyrical, at times being drowned out by honking horns, or the sound of the Sun Rail train roaring by a block away. Her brightly embroidered blouse was the only bright note of color on the otherwise grey street corner. Had she performed on block south, closer to the entrance to the court house, there would have been a constant stream of lawyers and jurors who would pass her on their way to find lunch. There is no blue box one block south however.

St. Augustine at 450: A Crealdé Documentary Project

Hannibal Square Heritage Center, (642 West New England Avenue, Winter Park, FL) held an opening for Crealdé‘s newest photo documentary project, which  celebrates the oldest city in the United States, Saint Augustine, on the occasion of the 450th anniversary of its founding.

Ten photographers captured the city’s past, its preservation efforts and its place as a tourist destination, college town and home to a diverse population.The photos showcased the city’s historic sights. Had this been an exhibition of pie in air paintings and or sketches it would have been a different story. The historic city of Saint Augustine has a law on the books which makes the creation of art in the city’s most historic areas illegal. Artists found guilty of painting or sketching are subject to 60 days in jail and a $500 fine.

The city of Winter Park decided to copy this insane ordinance which is being contested in the supreme court for being unconstitutional. It is non illegal to create art in Winter Park’s Park Avenue, New England Avenue and Heritage Square. Largely drafted to prohibit performance art, visual art’s are included in the law. If I were to return to Heritage Square Center, where this sketch was done and I tried to sketch the building exterior, I could face jail time today. The ordinance went into effect on December 14, 2015.

The Musical group in this sketch is Ka Malinalli which performed traditional Mexican tunes and original music. The violinist is 16 year old Ariah DeasonKattya Graham, who founded the group has since decided to perform solo. Kattya gave me a CD and I enjoy the music in my car on long drives. A large Day of the Dead skull and a small sculpture of a face breaking free of a mask pointed back to the mystical Mexican roots behind the music. 

Would I return to Hannibal Square to sketch now that Winter Park considers my actions criminal? Only time will tell.  But Winter Park has certainly taken a step back to the dark ages by limiting and criminalizing freedom of expression.  Were Ka Malinalli to perform outside the Heritage Center today they too could face jail time.

Sugar Skull Decorating Workshop

Carolina Suarez-Garcia held a Sugar Skull Decorating Workshop in CityArts Factory (29 S. Orange Ave, Orlando FL). The dozen or so attendees learned how to make sugar skulls using sugar and then how to decorate the skulls using colored icings. Kattya Graham performed traditional songs on guitar as everyone worked on their skulls.

All the skulls decorated All were eligible to be exhibited in the 4th Annual Dia de los Muertos and Monster Factory Exhibit on October 17th. Carolina explained that sugar Skulls are decorated in a relatives memory. The relatives name is often written on the back of the skull. It is believed that the gates of heaven are opened at
midnight on October 31, and the spirits of all deceased
children (angelitos) are allowed to reunite with their families
for 24 hours. On November 2, the spirits of the adults
come down to enjoy the festivities that are prepared for them.

In most villages, beautiful altars (ofrendas) are made
in each home. They are decorated with candles, buckets of wild marigolds mounds of fruit, peanuts, plates of turkey mole,
stacks of tortillas and big Day-of-the-Dead breads called pan de muerto. The altar needs to have lots of food, bottles of soda,
hot cocoa and water for the weary spirits. The living feast on the alter at the end of the evening.

Sugar art was brought to the New World by Italian missionaries in the
17th century. The first Church mention of sugar art was from Palermo at
Easter time when little sugar lambs and angels were made to adorn the
side altars in the Catholic Church.

Mark your calendar! The 4th Annual Dia de los Muertos and Monster Factory Exhibit and Block Party starting at 6pm to 11pm on October 17th promises to be Bigger and better than ever. The award winning block party
and exhibit will have Live Music by Tacatantan Records featuring Los Nadie,
Kattya Graham, Doomino and Kevin Stever, Live Art Performances by ME
Dance
, Salvador Live and Phantasmagoria, Giant Mojiganga Puppet
Procession and Exhibit, Artist and Vendors, delicious food by Wako
Taco
and The Vegan Hot Dog Cart, a Costume contest – Win a Prize Pack
which includes 2 tickets to Spooky Empire Weekend of Horror!!!, Kids Craft Area from 6pm-8pm sponsored by the Young Artist’s Group, Face Painting, and much more!