Phantasmagoria V “Death Comes for All” in Orlando

Posted on by Thor

This is the fifth year that creator and director John DiDonna has brought classic tales of horror to Orlando in the form of a Victorian Steam punk Circus troupe called Phantasmagoria. Each year has progressed the story of this troupe’s back story and interpersonal drama. For many millennia they have had to tell the stories as a matter of life and death. Once a story is started it must be finished. This year in the John and Rita Lowndes Shakespeare Center‘s Mandell theater, platformed walkways are set up behind the audience seating. This allows the cast to circulate around and behind audience members. It is a theater in the round and you have a front row seat to experience the horror first hand.

 Since this was a rehearsal, there was a fight call that went over the fight direction by Bill Warriner. There is one spectacular sword fight that features three combatants. Even at quarter speed, the fight seemed dangerous as the three blades flashed in the stage lights. Being so close to the action you might find yourself leaning back in your chair for fear of being slashed. Megan who was juggling all the sound and lighting cues was able to act out all the staging so the lighting designer by Hatem Habashi could set the lighting cues. She playfully stomped on projected beetles that scurried on the floor.

Phantasmagoria presets tales of terror from diverse authors such as Lewis Carroll’s “Hunting of the Snark”, Charles Dickens “Captain Murderer” and many others including horrific folk tales, legends and myths from around the world!

In the tight intimate space, you will find the cast often inches from you.  During one tale, Mercury (Kaitlin Elizabeth Baxter) was behind me laughing maniacally and then gasping in horror. Having the cast so close ensures that even a sketch artist can get sucked into the drama that unfolds. The classic Edgar Allen Poe story, “The Pit and the Pendulum” had Leon (Joseph Josh Geoghagan) lying in the grasp of much of the cast. They held him aloft and then embraced him as the straps held him down in the story. Dana Mott had created wonderful projections that had rats scurrying on the floor while the shadow of the pendulum arched gracefully downward. Poe was also represented in an abridged telling of “The Tell Tale Heart” which is one of my favorite stories of horror insanity and suspense.

An Indian horror story had  Seraphina (Serafina Schiano) return from the dead as a demonic creature with multiple arms and flowing red drapery as she took vengeance on her three self centered brothers. Exotic Indian dances were beautifully choreographed by Mila Makarova and Dion Leonhard.  This show is a great way to gear up for Halloween.

Mark Your Calendar!

WHAT: “PHANTASMAGORIA V–“Death Comes for All” 

WHEN:  Oct 10th – 31st 2014

Friday, Saturday and Sunday evening performances.

Special Monday performances Oct 20th and 27th.

Halloween performance October 31st.

All evening performances at 8:30pm (Box opens at 7:50pm/Doors at 8:15pm)

WHERE: The Mandell Theatre, John and Rita Lowndes Shakespeare Center

Loch Haven Park, Orlando, FL (Corner of 1792 and Princeton)

TICKETS: General Admission $20.00 / Student and Senior $15.00

(VIP Tickets available – $25 for all performances leading up to Halloween / $30 Halloween night. Includes drink/special gift/photo op with cast/reserved seating/Post show performance)

Psycadelic Spirals at Alice Takes Wonderland

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Lewis Carroll‘s Alice In Wonderland has infused its way into so many productions in Orlando. At this rehearsal, Tisse Mellon and dancers were busy painting spirals onto cardboard disks. They were all hung in the entry as people entered the venue which was on Hanging Moss Drive right near Full Sail University. The black box theater was a nice big warehouse space and unfortunately this is the only production I ever saw staged there. Linda Eve Elchak of  NAO Dance choreographed this playful production.

A whimsical, playful post show environment was created with a minimal budget using little more than cardboard paint and fabrics. The theme as audience members entered was the Mad Hatter’s Tea Party. These spiral disks were suspended to create a dizzying perspective. Actors arms jutted out from behind black curtains holding trays of sumptuous treats. The dance performance itself was incredibly playful, incorporating dancers improvisational contributions as well as crisp choreography.

NAO Dances mission, is to explore honest perspectives in the human condition through movement that inspires, enlightens, and entertains. When you dance only from your ego or your conscious mind you are just
skimming the surface. Develop your voice and imagine what is really
possible when you dance from your authentic person. The Nao Dance Collective is not interested in programming individuals, instead they let every dancer have their own voice and allow them to
develop themselves through self-discovery.

Nao Dance Collective, pronounced “now” came from the word Tao which is
“the way of life”. Ancient Chinese considered Tao as the highest,
omnipresent order of universe. A life following Tao implies a life with
the highest fulfillment. Nao Dance Collective company members are bold, intuitive, risk-takers with a strong base of technical training. Linda offers classes in the NAO technique on Friday, Saturday, and Sunday’s .  Classes are located at different Dance
Studios every Sunday from 5pm to 630pm $10.00 drop in rate.

Alice Lost in Wonderland Dress Rehearsal

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Alice Lost in Wonderland written and directed by Rob Winn Anderson had its original world premiere at the Garden Theatre (160 West Plant Street, Winter Garden FL.). The show marks Beth Marshall Presents’ 9th production in partnership with The Garden Theatre. The first thing that struck me was the wonderful Steam punk mental asylum set by Tom Mangieri. It was vaguely reminiscent of the set for Wicked.

Actors gathered for a group photo and then ran through a fight sequence choreographed by Bill Warriner. Becky Eck, who played Jane stood on stage alone as other actors got into place.  I assumed from the title that I should look to sketch Alice, but it became quite clear that Jane was the lead character. I had sketched auditions and heard several dozen actresses read for the part of Jane. When I saw the monologue performed by Becky in the context of the play, I was floored, astonished at the meaning and implied emotion in her performance.

  Alice Lost in Wonderland, uses Lewis Carroll’s classic book to inspire
the story of Jane’s frantic search for what she has lost. Years
of falling in and out of mental institutions have broken her and now she
finds herself in a terrifying situation where chances are final and
journeys into dark places are both wonderful and haunting. This
whimsical psychological thriller steps out of reality and into a
shattered mind to create a classically creepy and intriguingly creative
journey through wonderland.

In one compelling moment Jane is stripped of her cheerful childhood clothes by grey institution patients. She stands bare for a moment in her bra and panties and then the patients slip the dingy grey institution uniform over her head. It becomes clear that her Wonderland quest makes her one of them. I was delighted to see Tod Caviness as the Caterpillar. He gave the character a hip 60’s flair that only a poet could perform.

Jane’s search for Alice in Wonderland is actually a way for her to avoid horrible memories from her past. As these memories surface, the play takes a dark sinister turn to face the worst in human nature. This is NOT a kids show. Issues and horrors faced are all too real. The show is quick witted and light when in the Wonderland fantasy then grey and sinister when facing the realities of doctors who consider electroshock therapy an enlightened practical approach to mental health. This show is a perfect addition to the Halloween season.

Mark Your Calendar! This show runs through November 3rd. Show times are Fridays at 8pm, Saturdays at 2pm and 8pm, and Sundays at 2pm. Tickets are $25 for adults ($21 for seniors/students). There will also be an Industry Night on Monday, October 28 at 8pm. This show is open to the public with $15 tickets for those in the theatre industry. Pilars Bar next door will be open and offering drink specials for patrons on Industry Nite Monday Oct. 28th.

Get your tickets now at BethMarshallPresents.com or GardenTheatre.org!