Alice Takes Wonderland Rehearsal

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Linda Elchak of NAO Dance choreographed Alice Takes Wonderland in 2010. The production was staged in a warehouse on Hanging Moss Road in Winter Park. It was clear that the curtains had just been hung from the rafters. This was a playful production with bright costumes and props. The production encouraged improvisational dance, so every rehearsal and production was unique. Dancers could break away from any structured mold to express themselves in the moment.

The rehearsal involved a complete run through of the show. The stage was barely elevated which meant that people sitting in the front row were right on top of the action. There was less of a performer to audience disconnect. Props were simple, direct and fun. like rabbit ears, a clock, and suitcase. The magic came from the performances which were playful and fun.

With dance, I like to get the sketches done and then relax and simply enjoy the movement on stage. The front entry foyer was converted into the Mad Hatter’s tea party and guests got to be part of the immersive experience. Since this production I’ve never heard about this space being used again. The space must have returned to its industrial origins.

Psycadelic Spirals at Alice Takes Wonderland

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Lewis Carroll‘s Alice In Wonderland has infused its way into so many productions in Orlando. At this rehearsal, Tisse Mellon and dancers were busy painting spirals onto cardboard disks. They were all hung in the entry as people entered the venue which was on Hanging Moss Drive right near Full Sail University. The black box theater was a nice big warehouse space and unfortunately this is the only production I ever saw staged there. Linda Eve Elchak of  NAO Dance choreographed this playful production.

A whimsical, playful post show environment was created with a minimal budget using little more than cardboard paint and fabrics. The theme as audience members entered was the Mad Hatter’s Tea Party. These spiral disks were suspended to create a dizzying perspective. Actors arms jutted out from behind black curtains holding trays of sumptuous treats. The dance performance itself was incredibly playful, incorporating dancers improvisational contributions as well as crisp choreography.

NAO Dances mission, is to explore honest perspectives in the human condition through movement that inspires, enlightens, and entertains. When you dance only from your ego or your conscious mind you are just
skimming the surface. Develop your voice and imagine what is really
possible when you dance from your authentic person. The Nao Dance Collective is not interested in programming individuals, instead they let every dancer have their own voice and allow them to
develop themselves through self-discovery.

Nao Dance Collective, pronounced “now” came from the word Tao which is
“the way of life”. Ancient Chinese considered Tao as the highest,
omnipresent order of universe. A life following Tao implies a life with
the highest fulfillment. Nao Dance Collective company members are bold, intuitive, risk-takers with a strong base of technical training. Linda offers classes in the NAO technique on Friday, Saturday, and Sunday’s .  Classes are located at different Dance
Studios every Sunday from 5pm to 630pm $10.00 drop in rate.

Alice in Azalia Dickson Park

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On performance day I went to Dickson Azalea Park (100 Rosegarden Dr) to see “Alice Takes Wonderland.” This production featured mostly middle school aged girls dancing and performing parts from Alice in Wonderland. Nao dance staged the production with Linda Eve Elchak the company’s founder and choreographer and Kim Matovina as the assistant director. When I left the rehearsal several days before, I was attracted to this view from a hill overlooking the action under the bridge.

Behind me to my right, the caterpillar was doing her contorted languid dance. I could just make her out through the trees. A crowd of mothers and children were being lead from one staging area to the next. They came to the Cheshire cat who was in a web entangled bridge. The white rabbit carrying her luggage crossed the creek quickly. She then waited near this larger bridge that I was drawing. Tweedledee and Tweedledum were up on wooden planks covered with pegs. They lounged inverted until Alice approached. Alice said good bye to the Cheshire Cat and all the children followed. There was quite a crowd, perhaps 20 to 30 people.

When they got to the large cement bridge, Alice asked all the children to stop at a line just short of the bridge because it would be dangerous to go any further. Alice coached the children to shout out, “Come on everybody!” to encourage stragglers to catch up. Tweedledee and Tweedledum got down off their pegboards and merrily sprayed the children with silly string. Alice shouted out, “Oh, I’m so sorry!” It was fun to see the children’s unrestrained reactions. Soon, Alice, the White Rabbit and Tweedledee an dum were doing an energetic chorus line dance under the bridge. Then everyone followed Alice and the White Rabbit further down the trail.

Later Linda walked back towards the start of the show. She shouted up to me, “One show down!” There were four more to go every hour. Tweedledee and Tweedledum collected all the silly string and made a bright line in the trail so the children knew where to stop for the next show. I finished the sketch as the second group made their way under the bridge. McClaine Timmerman and Daniel Joyce had just seen the show. McClaine is a choreographer and I had just sketched one of her Limit (ed/less) rehearsals. They walked up the hill and said hello. The dance community is a tight knit crowd, they all support each others productions.

Alice Takes Wonderland

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Alice Takes Wonderland is being presented by NAO Dance Collective at Dickson Azalea Park (100 Rosegarden Dr) on January 13th. I had never been to the park before. It is gorgeous with a stream meandering down its length and dirt trails over small hills and under a bridge. Tr3 Harris an Urban Artist designed and painted this backdrop. When I arrived, people were crowded around a U-Haul truck. Linda Eve Elchak the company’s founder and choreographer, was standing next to the drivers door and she jumped, squatted and stretched. She shouted, “Getting pumped up! Getting ready! This is the fun part, watching it all fall together!”

They unloaded Tr3’s panels and dancers and choreographers walked the parks narrow paths to get the set in place. Linda shouted, “Look at us, Navy Seals!”When the panels and red bench were in place, Tr3 spoke with me about the panels. This is the largest panels he has worked on to date. The white markings on the black ground were inspired by Mayan, Egyptian and Urban graffiti roots. He mentioned the work of an LA graffiti artist called LA II. When I mentioned Keth Haring’s work Tr3 pointed out that LA2 was responsible for much of the sort of numeric letter imagery Haring adopted. Hidden in Tre’s panels are words which are hard to find. LINDA is on the right side. There is a reverse square root sign and the word LOVE on the lower left. Letters are broken apart and sometimes reversed. When I blurred my eyes then the word would magically appear. He sketched in my notebook showing how certain letters were reversed in an old English style.

With my sketch finished, I decided to follow along as they did a full run through of the show. Micihael Sloan had a portable backpack sound system on his chest. He worked it using an iPhone. Each scene along the trail would have its own soundtrack. The test audience of stage moms and me waited at a small footbridge that gave access to the park. Alice, played by Catlin leafed through a book dreaming of what might lie on the opposite side of the bridge. Megan as the white rabbit hurried in frantically out of time. Reluctantly Alice followed. She turned to us and said, “Come on kids!” How wonderful, I thought, I’m a kid! Kim Matovina the assistant director of Nao took notes as we walked along following the performers..

Alice and the rabbit did an inverted mirroring of each others performance in front of Tr3’s wall. I was really impressed by the sinewy, fluid contorted dance of the caterpillar metamorphosis by another Catlin. She arched her back and twisted in an amazing series of moves all while delivering lines. Most of the dancers in the show were young girls. Evelyn Reynoso who played the Mad Hatter was most seasoned and experienced dancer. She is also working with Drip Dance on International Drive. She wore a sporty blue beret and had blue lipstick to match. Her costume had fun quirky colored patches. She told me she would be pushing for a touch of French affectation because of the beret. In her performance she would freeze any time Alice wasn’t touching her.

Megan as the Cheshire Cat straddled a small foot bridge which was trans-versed by a series of webs. Alice then met Tweedledee and Tweedledum under a large arching overpass. This scene offered some of the most energetic and humerus choreography. The show had a playful innocence to it with improvised dialogue and well rehearsed dance. Alice Takes Wonderland explores what it means to ‘grow up’ by taking a sentimental look at the value of childhood. Though geared for children it is suitable for all ages.

January 13th Show Times:
first show walk thru:
10:00a.m.-10:45 a.m.
11:00a.m.-11:45a.m.
12:00am-12:45p.m.
1:00p.m.-1:45p.m.
2:00p.m-2:45p.m (last show of the day)