Pre-Pandemic: Dickson Azalia Park

Posted on by Thor

Prior to the Pandemic I was doing a series of sketches of Orlando’s Significant Trees. This was the final series f sketches I was doing before the sate wide lock down. Dickson Azalea Park (100 Rose Garden Drive) is a rare gem in Orlando. Of note in this scene are the Long Leaf Pine trees which are about 100 years old. They are extremely tall because they had to compete for light against the Oak trees which grow along the upper edge of the ravine.

The paths in this park follow a stream and the entire park is sunk because of erosion, sort of like a mini grand canyon only less orange. I have become infatuated with the pattern that tree branches make against the sky. Working with the complexity of natural forms I also have an excuse to just play with the paint, sometimes just splattering the page for pattern.

I have just 3 of these locations yet to visit, but I stopped after the stay at home order. I have no need to have my work labeled #floridamoron because I risk my life for the sake of any one painting. Instead, I stay in and paint the nightmare that is modern politics that first didn’t recognize the problem and then does as little as possible to resolve it.

On March 3, 2020 the day this sketch was done, California Governor Gavin Newsom released millions of N-95 face masks to be used in low emergency health settings. That state was mobilizing every level of government to address the impending threat of the virus. On March 3, the third case of Covid-19 was diagnosed in Florida. One was a 29-year-old Hillsborough County woman who had recently traveled
to Italy and the second was a 63-year-old Manatee County man who had
contact with someone who tested positive. The third patient, was a 22-year-old California woman, who was the sister of the
29-year-old Hillsborough County woman who was diagnosed after traveling
to Italy. On this day the Florida Department of Health first set up a Covid-19 hotline. On the day after this sketch was done Florida Governor Ron DeSantis informed Orlando residents, “that the risk of contracting the coronavirus is low for Floridians.” He was clearly WRONG, and should have been preparing for what was to come.

A few people have complained about my dark pandemic illustration series, so periodically I will just post a pretty tree for contrast with the harsh realities we face. There is good reason to someday, somehow return to a new normal. But this can not happen until our country gets serious about testing and tracing to isolate those that are infected. People are protesting the stay at home orders, but they are risking their own lives and the lives of others because anyone carrying a picket sign could be infected.

Today over 27,000 people are infected in Florida and 800 have died. The numbers don’t begin to hint at the precious lives lost and the creative potential of every person who died needlessly. One of my favorite artists, Egon Schile died in the pandemic of 1918. Who knows what he might have created had he survived.

Dickson Azalea Park

Posted on by Thor


Dickson Azalea Park (100 Rosegarden Drive) is in full bloom. I couldn’t resist sketching on a sunny afternoon sitting in the dappled shade. Church bells in the distance clanged incessantly. The park was full of Azalea bushes blooming vibrant magenta, pink, red and white. When it came time to sketch however, I became fascinated with the huge moss covered roots of a live oak tree. The roots were exposed because a stream had washed away the dirt. Roots clutched and twisted, trying to reach out for new found ground. Fresh green shoots burst vibrant green on the opposite bank in direct sunlight.

I seldom do intimate studies like this. I’m usually preoccupied with sketching quick glimpses of events around town. Yet sitting and observing nature has its place. This cropped in vantage point began to feel abstract as I worried less about what I was painting and I got lost in how I was painting. I could learn much from slowing down more often and focusing on subtle intimate details instead of events.

Alice in Azalia Dickson Park

Posted on by Thor

On performance day I went to Dickson Azalea Park (100 Rosegarden Dr) to see “Alice Takes Wonderland.” This production featured mostly middle school aged girls dancing and performing parts from Alice in Wonderland. Nao dance staged the production with Linda Eve Elchak the company’s founder and choreographer and Kim Matovina as the assistant director. When I left the rehearsal several days before, I was attracted to this view from a hill overlooking the action under the bridge.

Behind me to my right, the caterpillar was doing her contorted languid dance. I could just make her out through the trees. A crowd of mothers and children were being lead from one staging area to the next. They came to the Cheshire cat who was in a web entangled bridge. The white rabbit carrying her luggage crossed the creek quickly. She then waited near this larger bridge that I was drawing. Tweedledee and Tweedledum were up on wooden planks covered with pegs. They lounged inverted until Alice approached. Alice said good bye to the Cheshire Cat and all the children followed. There was quite a crowd, perhaps 20 to 30 people.

When they got to the large cement bridge, Alice asked all the children to stop at a line just short of the bridge because it would be dangerous to go any further. Alice coached the children to shout out, “Come on everybody!” to encourage stragglers to catch up. Tweedledee and Tweedledum got down off their pegboards and merrily sprayed the children with silly string. Alice shouted out, “Oh, I’m so sorry!” It was fun to see the children’s unrestrained reactions. Soon, Alice, the White Rabbit and Tweedledee an dum were doing an energetic chorus line dance under the bridge. Then everyone followed Alice and the White Rabbit further down the trail.

Later Linda walked back towards the start of the show. She shouted up to me, “One show down!” There were four more to go every hour. Tweedledee and Tweedledum collected all the silly string and made a bright line in the trail so the children knew where to stop for the next show. I finished the sketch as the second group made their way under the bridge. McClaine Timmerman and Daniel Joyce had just seen the show. McClaine is a choreographer and I had just sketched one of her Limit (ed/less) rehearsals. They walked up the hill and said hello. The dance community is a tight knit crowd, they all support each others productions.