Love Out Loud

Posted on by Thor

I went to a tech rehearsal for “Love Out Loud” a DiDonna Productions new multi media dance performance choreographed by McClaine Timmerman. It  takes an intimate look into the world of dating, relationships, and love today. The multi-talented cast explores the struggles, opinions, feelings, hopes, fears, and doubts that we all experience at one point or another. McClaine uses an amalgam of modern dance, projection, and live music to express the topics under investigation.

Showing their commitment to original music, Timmerman and DiDonna utilize all original music throughout “Love Out Loud” including works by Scott Hall, Nigel John, a collaboration between Keifer Curtis, Aurelio Guimaraes and Jeremy Studinksi, and features original live music by Paige Keiner. Paige was at the rehearsal. She explored social media on her phone before the rehearsal started and then performed a solo acoustic piece on her guitar as the cast performed. I had never seen her perform before and I was impressed by her silky confident voice. One of her songs, “What Good is a Throne When You’re All Alone?“, featured an incredible dance performance with McClaine and a male dancer. McClaine was in a black night gown and the male dancer in PJ’s. They danced intimately before bed but their differences and inner turmoil erupted as they performed. This wasn’t a peaceful loving couple but a couple who never seemed to connect. Their bodies rippled in angst as they resigned themselves to the inevitability of being at war yet sharing the same bed. As the lights slowly faded, they lay down together and then their touching arms rose up and their fingers laced together.

McClaine accomplishes something I’ve never seen before. The show is part documentary, part drama and part modern dance. Interviews are projected during the performance that have people sharing their raw honest feelings about what it is like to love in a digital age.  Have the words “I love you” lost their meaning? Social media brings people together in a hive mentality and yet separates us behind computer and cell phone screens. Interpersonal, one on one conversation, is becoming a lost art form.  Is it possible to find a long term relationship while voyeristically following everyone else’s relationships? Is there such a thing as a soul mate?

One dance piece had a male and female dancer circling each other as they fingered their cell phones firing off texts. The flirtatious texts were projected on the back wall of the stage. Through the whole dance they only occasionally glanced at each other. It is easy to fall in love with an illusion through text. The next couple on stage fired off an accelerated angry barrage of bitter texts at each other. They bumped into each other like football players forcefully and immaturely jockeying for dominance.

A dance number about “selfies” had all the dancers lined against the wall as they shot iPhone photos of themselves alone and in small groups. The photos were projected above them in accelerating frequency. They all arched their backs raising the phone high above them in a graceful chorus line. They pouted and puckered their lips and smiled and over acted for each shot. Any individuality became lost in the sea of self absorption. McClaine brings humor and fun to each piece while exploring raw emotions. I found myself laughing often with delight. The show offers dance with a deep personal and insightful twist.

The cast includes choreographer McClaine Timmerman, along with her troupe including Andres Avila, Alina Gavrilov, Aurelio Guimaraes, Felipe Vasques, and Nagi Wakisaka. Dancer Dion Leonhard was at the rehearsal to offer notes to McClaine. As McClaine warmed up, stretching a leg above her head, Dion said, “I’d like to have a relationship with your extension McClaine.” “Whatever, you’ve got your own extension.” McClaine fired back. I could feel the love and respect these talented performers had for each other.

Mark your calendar! “Love Out Loud” will be presented for four performances only, at the Santos Dantin Theater in the John and Rita Lowndes Shakespeare Center (Loch Haven Park, Corner of 1792 and Princeton Street Orlando FL.) Performances are 8pm on Thursday May 1st, Friday May 2nd, and Saturday May 3rd, with a 2pm matinee on Sunday May 4th. Tickets are $15.00 general admission, and $10.00 student admission, and are available at the door cash only, or by reservation (will call cash only at the door) by calling 407-721-3617.

iDentify

Posted on by Thor

John DiDonna Productions in collaboration with choreographers McClaine Timmerman and Jill Lockhart presents
“IDentify”
An original dance experience. I went to a rehearsal at The Venue, (511 Virginia Drive, Orlando, Florida). There were just two dancers there when I arrived, Darcy Ricciardi and Elise Frost. Brittany Wine entered and began organizing the chairs. It became obvious that this was the first time the show was being performed at The Venue. Blue Star, who owns The Venue, came in and welcomed everyone. I decided I wanted a high vantage point, so I asked Helen, The Venue’s stage manager, if I could climb up into the Tech booth. She was fine with that and even found me a stool.

The show fused elements of hip hop and modern dance, It presented a multimedia exploration of how we as individuals and as a society find, lose, transform, and express our identities as we progress through life. The performance, offered a synthesis of dance, videography, music, spoken word, and photography. It was both a lighthearted and somber commentary on the human experience. It delved deep into the question we all seek to answer:
“Who am I?”

Before the full run through of the show, McClain addressed the cast, “You should give everything you got tonight. I’ll be the only one in the audience and I am your biggest fan. I love you all and support your every effort.”  That love, support and camaraderie was felt as the cast stretched and interacted together, and it flowed through the whole show. One of the dancers, Kim Matovina, looked exactly like McClain. I kept looking back and forth doing double takes. It made me wonder, what makes McClain unique? How is it I could misidentify her?

The show began with three females in tight black dresses putting on red high heeled shoes. They read fashion magazines and a narrator explained to them how dress to catch a man. Caffeine was out and they should drink eight cups of water a day.  When they held the magazines up over their faces, it was like a mask showing the fashion model’s face replacing their own. That would be the image I’d want to catch for the show’s poster. Elise gave a hilarious hyper monologue talking to the audience at 90 miles an hour. She would try and calm herself down with quick bouts of yoga breathing. She was laugh out loud funny!

Video presented scenes of the dancer’s everyday lives, jobs, friends warmth and angst. In one clip, McClain danced freely on a foot bridge and her dog padded up to her with curiosity. Lovers lay side by side watching as the other slept. It became clear that the dancers were sharing everything, their doubts and convictions. It was heart warming to watch, even as I battled with line and color upstairs. They drew me in and warmed me.

WHEN: Only three performances remain…
Tonight, Friday April 26th- 7:30pm,
Saturday April 27th- 7:30pm,
and Sunday April 28th- 2:30pm

WHERE: The Venue, Orlando
511 Virginia Drive, Orlando, FL 32803
Ivanhoe Village
www.thevenueorlando.com

TICKETS: $15.00 general / $12.00 student and senior
For reservations please call (407) 721-3617 beginning March 2013 – cash only at door
For credit card pre-orders please use www.redchairproject.com beginning in April 2013

Alice in Azalia Dickson Park

Posted on by Thor

On performance day I went to Dickson Azalea Park (100 Rosegarden Dr) to see “Alice Takes Wonderland.” This production featured mostly middle school aged girls dancing and performing parts from Alice in Wonderland. Nao dance staged the production with Linda Eve Elchak the company’s founder and choreographer and Kim Matovina as the assistant director. When I left the rehearsal several days before, I was attracted to this view from a hill overlooking the action under the bridge.

Behind me to my right, the caterpillar was doing her contorted languid dance. I could just make her out through the trees. A crowd of mothers and children were being lead from one staging area to the next. They came to the Cheshire cat who was in a web entangled bridge. The white rabbit carrying her luggage crossed the creek quickly. She then waited near this larger bridge that I was drawing. Tweedledee and Tweedledum were up on wooden planks covered with pegs. They lounged inverted until Alice approached. Alice said good bye to the Cheshire Cat and all the children followed. There was quite a crowd, perhaps 20 to 30 people.

When they got to the large cement bridge, Alice asked all the children to stop at a line just short of the bridge because it would be dangerous to go any further. Alice coached the children to shout out, “Come on everybody!” to encourage stragglers to catch up. Tweedledee and Tweedledum got down off their pegboards and merrily sprayed the children with silly string. Alice shouted out, “Oh, I’m so sorry!” It was fun to see the children’s unrestrained reactions. Soon, Alice, the White Rabbit and Tweedledee an dum were doing an energetic chorus line dance under the bridge. Then everyone followed Alice and the White Rabbit further down the trail.

Later Linda walked back towards the start of the show. She shouted up to me, “One show down!” There were four more to go every hour. Tweedledee and Tweedledum collected all the silly string and made a bright line in the trail so the children knew where to stop for the next show. I finished the sketch as the second group made their way under the bridge. McClaine Timmerman and Daniel Joyce had just seen the show. McClaine is a choreographer and I had just sketched one of her Limit (ed/less) rehearsals. They walked up the hill and said hello. The dance community is a tight knit crowd, they all support each others productions.

Limit (ed/less)

Posted on by Thor

I made my way to an industrial complex in Pinecastle where Limit (ed/less), Directed by McClaine Timmerman, was holding a rehearsal. This show will include modern dance, multi media, and spoken word exploring the limitations and limitless realities of our daily lives. What a perfect way to bring in the new year brushing away past regrets and striving towards a limitless future.

It was after dark when I arrived, and the building looked ominous and deserted. I searched for the “A” unit where the rehearsal was to take place. A black truck was running, parked in front of the entrance. As I walked around it, the brake lights went on and I was afraid it might back up into me. As I walked past the passenger door, I heard someone say my name. Brittany Wine was in the drivers seat. She let me know that McClaine hadn’t arrived yet. I sat in my artists seat, leaned against the building and took a phone call. McClaine and all the dancers seemed to arrive all at once. Inside was a typical office building. Rehearsal was held in a large empty conference room.

The show has a cast of eight with Jimmy being the only guy. The women dancers warmed up and stretched behind four movable panels of bars. What followed was a quick walk through of the show. Scenes weren’t acted out, they all were just piecing the show together paying attention to the overall flow. Then dancers changed and they began a full run of the show. This was the first time all the dancers were together. At first everyone walked on stage, questioning to themselves their lot in life. They froze in shapes of thoughtful contemplation, searching for memories. As each dancer in turn stood center stage and spoke of hope or questioned courage. Dale moved swiftly, a space eater. Two dancers performed a pained piece where they mused that perhaps, “It didn’t happen.” They didn’t ask for it to happen. The dance expressed deep regret and pain. I welled up, my mind shifting to a horrible incident that I had heard about.

I was thankful when humor flooded the next scene. The four panels enclosed the cast in a tight elevator and each persons inner dialogue played on a sound track as you could read their subtle expressions. They were uncomfortably close. Kim grimaced when Jimmy brushed her hand. Had someone not bathed? Who farted? A romantic solo dance in a blue dress with tons of tool was charming. The dancer just wanted to be wanted. There was humor in the way she expressed that she would be missed. Would she be remembered?

McClaine and Jimmy Moore sat center stage as an established couple. Tall white letters spelled “LOVE” on her black T-shirt. She wanted him to express his inner feelings to her and quite simply he didn’t get it. She felt like she was having a conversation alone. How often have I been there. They both read. She asked him to massage her knee. As he did, a tall leggy dancer in a form fitting black dress asked him for a light. She flirted and his head turned to watch her walk away. Again and again, beautiful dancers in leopard print got his attention. Looking up from her magazine McClaine asked, “Why are you sweating?”

McClaine Timmerman is a master at being able to express a universal inner yearning using modern dance and spoken word. A solo dance she performed in which she struggled against the constraints of a corset seemed to me to be the signature dance of the show. In a struggle, laces were loosened and in spoken word she mused about freedom to change and yet wanting to keep the unfailing consistency of her identity. In dance, she reached out in supplication. She threw off her period high heals but in the end, sitting like a rag doll, she reached behind her and tightened the corset back up. This is a raw honest show that pushes the limits of what can be expressed through dance.

Performance Dates:
January 13th 8pm
January 14th 8pm
January 15th 2pm

Location:
Orlando Rep Theater (The Black Box)
1001 East Princeton St
Orlando Fl 32803

Tickets:
$15 cash or check only
call or email McClaine for reservations (not required)
407-721-3617 mrougemac@me.com