Corsets and Cuties 5 Year Anniversary.

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Corsets and Cuties a Burlesque Caberet will be celebrating their 5 year anniversary in Sanford at Theater West End (115 West 1st St., Sanford, Florida 32771) on Sunday August 4th from 8 PM to 10 PM. This sketch was done at a birthday celebration fort the founding mistress Lady Jaimz. Blue Star will be joining the cast as a featured Guest for this blow out celebration. Risa Risque and Jenn Thibedeau are joining Lady Jaimz in a number from their first burlesque fringe show from 7 years ago called Redlight.

You can expect a unique blend of laughs and some amazing cabaret singing along with the sensual disrobing. Each performer bring their own unique blend to the show. Corsets and Cuties heating up the night! A little song, a little dance, maybe a Cutie in your lap. Unexpected fun and surprises await!

Lovely ladies and some not-so-gentle men sing, dance, and tastefully strip down for your entertainment pleasure! Whether you’re celebrating with the one you love or out on the prowl, the Cuties are ready for ya! You can be sure of a fantastic night out!

NOTE: The show is intended for adult audiences, as it contains adult content and nudity.

Corsets and Cuties- 5 Year Anniversary, Sanford

Sunday August 25, 2019 8 PM to 10 PM

Theater West End

115 West 1st St., Sanford, Florida 32771

Tickets are  $18

Truth or Dare with Pepe!

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As part of the Fringe Theater Festival, Pepe is performing at the Black Venue, known as The Venue (511 Virginia Drive Orlando, FL) owned by Blue Star. Pepe, played by Rob Ward, is a Fringe regular. He speaks with a gregarious, affected Miami accent and does everything with a flair. No expense was spared on the set which consisted of a bubble lamp and his signature red high heeled chair. Pepe always has guest performers and for the first show I saw, they were, Logan Donahoo, Paul Strickland, Adam McCabe, Blue Star and Lady Raptastic who was remote on Skipe.. The guests were shown slides of celebrities and asked to provide cutting commentary. Blue despises Miley Cyrus who was shown with her legs spread wide.  Logan did a hilarious job roasting Madonna.

“Yellow Shots” were offered to the entire audience. His “Shot Boy” only had his underwear on which showcased his large bulge. Pepe came up with the idea of starting a restaurant chain called “Bulges” which would be like a Hooters for gay men. It is a million dollar idea. The jello shots were actually orange but Pepe’s pronunciation changed their color. We all raised the shots as a toast and then the room went silent as everyone sucked down the shots. Consuming one of Pepe’s jello shots is a bit suggestive. You have to stick your tongue out as far as you can, and then slit the tip of your tongue all around the edge of the tiny cup to dislodge the jello from the cup. Then you have to wedge your tongue under the jello to dislodge it from the cup completely. If your tongue is long enough and your licking was thorough enough, the entire mass cap pop into your mouth. I grew self conscious half way into the process and tried to suck the jello down prematurely. The loud sucking noise that resulted was more embarrassing than if I had continues exercising my tongue. The many chunks left behind had to be dislodged with further tongue explorations anyway.

A guest from the audience was asked onto the stage and given the choice of Truth, or Dare. He chose a dare. Pepe had a stack of playing cards and the guest was asked to pick a card. The number on the card would result in the guest having to remove that number of items of clothing. He picked a card with a high number and soon he was standing buck naked with his tight cheeks facing the audience. Everyone went wild. When he turned around, Pepe put the jello shot tray over his privates.

Another performance had Fringe comedians doing improve on stage with Pepe as the MC. As one of the straight performers, Chase Padgett was offered a makeover. He stood behind a small table covered in cosmetics and Chris Dinger stood behind him to act as Chases arms. Chase put his hands in his pockets and Chris slipped his arms under Chases pits. They began by applying a powder which Pepe noted is usually the last step in a makeup regimen. Powder got on Chases T shirt and everywhere else. Red lipstick followed which resulted in a huge Bozo ring of red around Chase’s mouth and on his left nostril. The lipstick went everywhere but on his lips. Eyeliner and mascara followed which resulted in black and blue raccoon eyes. By the end of the session, he looked very much like Judy Garland minus the black gloves and high heels. Everyone was laughing so hard they were crying.

La Mia Danza

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After sketching a rehearsal at The Venue, I decided to stay and sketch La Mia Danza. This improvisational dance performance featured Michelina Wingerter along with live music by Tacatantán Record’s Abdias Ernesto Garcia. Various lamps were set up on stage. Michelina wished she had a lounge chair so the set would feel like the comfy intimate room she improve dances in at home. Helen, the tech said there was a lounge chair up in the tech booth. The trouble was the only way up there was via a wooden ladder. Several techs and dancers gathered around the ladder. The chair was huge. As several people lowered it from above, the people below reached up. I got up and went over just in case it toppled and more hands were needed.

With the chair onstage, Michelina immediately did a headstand on it. She walked on it’s arms and found creative ways to slither out of it. She loved the chair because it was so stable. She could do anything on it and it wouldn’t topple over. There was a full house for the performance. Abdias began playing his mix of music. Michelina’s performance began as she sat still in the chair. Her movement gained momentum as she danced on stage. She turned lights on or off as needed.

At times she jumped off the stage moving into the audience. She even sat in the front row for a moment to catch her breath. She moved with wild abandon. Movements became more angular and angry. She began to shout as she danced. She looked at me and shouted, “You want to draw me? Why?!”  She eventually removed her top with a flourish and black pasties covered her nipples. It was hard not to watch those twin black holes as they moved on the universe of the stage. She later put on a loose flannel shirt that flowed around her petite frame as she danced. She danced on the razor’s edge shouting in anger and rage. The loud brash performance expressed existential doubts while hinting that the Phoenix could still rise from the ashes.

At the end, Michelina sat center stage completely spent and in tears. The whole audience stood and the applause was thunderous. Michelina bowed with tears still falling. Abdias joined her on stage and they both raised their hands to the tech’s upstairs. Blue Star addressed the audience, inviting them to get their party on after that one of a kind performance.

Hammers and Lambs

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On June 12, I went to The Venue, (511 Virginia Drive Orlando, FL) to watch the set up for an improvisational dance performance by called “La Mia Danza“. This was going to be a one time collaboration of improvised Dance and Music starring the captivating
dancer Michelina Wingerter along with live music by Tacatantán Record’s
Abdias Ernesto Garcia.

When I arrived, Abdias greeted me. A rehearsal was still in progress for another show opening the following week. Dancer Michelina was in this production as well, along with Megan Bueto, Tymisha Harris and Blue Star. Called “Hammers and Lambs” this show is produced by Blue Star and is inspired by the paintings of Patrick Fatica. The dance number I saw rehearsed involved plenty of hammers, or croquet mallets.

Hammers and Lambs will begin each evening at The Hammered Lamb (1235 N. Orange Ave.) with a preview of Patric’s newest paintings. There will be complimentary wine and food. Then patrons will be whisked to The Venue by O-cart for the dance performance inspired by Patrick’s work. I love the idea of one art form inspiring another art form.

There are four more performances. The evening begins at 7pm sharp.

June 22, 24, 28, 29

Tickets are $40 in advance or $50 on the day of the show. Tickets are available at the Hammered Lamb or The Venue, or call (407) 412-6895

iDentify

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John DiDonna Productions in collaboration with choreographers McClaine Timmerman and Jill Lockhart presents
“IDentify”
An original dance experience. I went to a rehearsal at The Venue, (511 Virginia Drive, Orlando, Florida). There were just two dancers there when I arrived, Darcy Ricciardi and Elise Frost. Brittany Wine entered and began organizing the chairs. It became obvious that this was the first time the show was being performed at The Venue. Blue Star, who owns The Venue, came in and welcomed everyone. I decided I wanted a high vantage point, so I asked Helen, The Venue’s stage manager, if I could climb up into the Tech booth. She was fine with that and even found me a stool.

The show fused elements of hip hop and modern dance, It presented a multimedia exploration of how we as individuals and as a society find, lose, transform, and express our identities as we progress through life. The performance, offered a synthesis of dance, videography, music, spoken word, and photography. It was both a lighthearted and somber commentary on the human experience. It delved deep into the question we all seek to answer:
“Who am I?”

Before the full run through of the show, McClain addressed the cast, “You should give everything you got tonight. I’ll be the only one in the audience and I am your biggest fan. I love you all and support your every effort.”  That love, support and camaraderie was felt as the cast stretched and interacted together, and it flowed through the whole show. One of the dancers, Kim Matovina, looked exactly like McClain. I kept looking back and forth doing double takes. It made me wonder, what makes McClain unique? How is it I could misidentify her?

The show began with three females in tight black dresses putting on red high heeled shoes. They read fashion magazines and a narrator explained to them how dress to catch a man. Caffeine was out and they should drink eight cups of water a day.  When they held the magazines up over their faces, it was like a mask showing the fashion model’s face replacing their own. That would be the image I’d want to catch for the show’s poster. Elise gave a hilarious hyper monologue talking to the audience at 90 miles an hour. She would try and calm herself down with quick bouts of yoga breathing. She was laugh out loud funny!

Video presented scenes of the dancer’s everyday lives, jobs, friends warmth and angst. In one clip, McClain danced freely on a foot bridge and her dog padded up to her with curiosity. Lovers lay side by side watching as the other slept. It became clear that the dancers were sharing everything, their doubts and convictions. It was heart warming to watch, even as I battled with line and color upstairs. They drew me in and warmed me.

WHEN: Only three performances remain…
Tonight, Friday April 26th- 7:30pm,
Saturday April 27th- 7:30pm,
and Sunday April 28th- 2:30pm

WHERE: The Venue, Orlando
511 Virginia Drive, Orlando, FL 32803
Ivanhoe Village
www.thevenueorlando.com

TICKETS: $15.00 general / $12.00 student and senior
For reservations please call (407) 721-3617 beginning March 2013 – cash only at door
For credit card pre-orders please use www.redchairproject.com beginning in April 2013

Truth or Dare with Pepe

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Terry and I went to The Peacock Room to catch Pepe. We entered and paid the five dollar cover to Mike Maples who had on a very stylish fedora. At the bar we sat next to Devin Dominguez and Shannon Lacek who was just getting up to leave. Devin and Terry talked about the various boards they work for. Rob Ward was greeting people up and down the bar. I ordered a Corona and relaxed.

I decided not to sketch until the show started so I sat back and enjoyed the social interactions firing up all around me. We waited for quite a while since some of the guests for Pepe’s show hadn’t arrived yet. Aradhana Tiwari breezed up to the bar and ordered a cosmo. The bartender wouldn’t accept any of her credit cards so she had to go out to her car to get cash.

Terry and I were some of the first people to enter the backroom performance space. I collapsed into a beanbag chair at Terry’s feet. The set had gotten much more elaborate since I had been on the show many months ago. A gorgeous red patterned couch filled the stage along with Pepe’s giant red pump chair. Pepe’s co-star for the night was Blue Star from VarieTEASE Dance Company. Megan Boetto dressed in a tight red corset was the evenings Jello shot girl. Guests of the show were Beth Marshall and Mark Baratelli.

Mark arrived late and sober so he started sucking down jello shots one after the other. When asked by Pepe if he wanted to pick Truth (gasp from crowd) or dare. Mark picked Truth. Everyone was very disappointed. He related a story about someone who stole a show idea intending to use it as a fundraiser for a cause but then the individual pocked the money. It was a true arts community scandal. Beth Marshall was asked to pick someone from the audience to some on stage and she picked Air who had to be just about dragged up on the stage. She complained, “I have been up since 7:30 this morning, this isn’t fair.” She was offered the truth or dare challenge and she picked dare. Pepe explained, “I have a privacy screen behind this chair and I will allow you to sit behind it and then verbalize your best orgasm.” She asked, “Do you want the whole thing or just the ending?” He pulled the screen out and set it up in front of her. She gave a performance worthy of that deli scene in “When Harry Met Sally.” I was shocked and amazed. Directors are mighty fine actors.

Two men were pulled from the audience and one was told to do a lap dance for the other. Mark kept shouting out, “Take off the shirt!” When the shirt finally came off the crowd went wild. The two men were then given a slip Jim meet stick and told to chew from either end until their lips met in the middle. his was another hilarious moment. At the same time Beth and  Blue Star were doing something involving a banana on the other end of the couch. A woman at the back of the room started to dance to the song, “Put a ring on it.” She shouted out that her name was Snipples. Megan started doing the dance on stage with plenty of hip action. When jello shots were thrown out to the crowd again, Pepe offed a toast, saying, “To the arts community in Orlando, may it thrive!” I raised my shot high in the air and sucked it down by shoving my tongue all around the rim dislodging the tasty jiggling mass.