La Mia Danza

After sketching a rehearsal at The Venue, I decided to stay and sketch La Mia Danza. This improvisational dance performance featured Michelina Wingerter along with live music by Tacatantán Record’s Abdias Ernesto Garcia. Various lamps were set up on stage. Michelina wished she had a lounge chair so the set would feel like the comfy intimate room she improve dances in at home. Helen, the tech said there was a lounge chair up in the tech booth. The trouble was the only way up there was via a wooden ladder. Several techs and dancers gathered around the ladder. The chair was huge. As several people lowered it from above, the people below reached up. I got up and went over just in case it toppled and more hands were needed.

With the chair onstage, Michelina immediately did a headstand on it. She walked on it’s arms and found creative ways to slither out of it. She loved the chair because it was so stable. She could do anything on it and it wouldn’t topple over. There was a full house for the performance. Abdias began playing his mix of music. Michelina’s performance began as she sat still in the chair. Her movement gained momentum as she danced on stage. She turned lights on or off as needed.

At times she jumped off the stage moving into the audience. She even sat in the front row for a moment to catch her breath. She moved with wild abandon. Movements became more angular and angry. She began to shout as she danced. She looked at me and shouted, “You want to draw me? Why?!”  She eventually removed her top with a flourish and black pasties covered her nipples. It was hard not to watch those twin black holes as they moved on the universe of the stage. She later put on a loose flannel shirt that flowed around her petite frame as she danced. She danced on the razor’s edge shouting in anger and rage. The loud brash performance expressed existential doubts while hinting that the Phoenix could still rise from the ashes.

At the end, Michelina sat center stage completely spent and in tears. The whole audience stood and the applause was thunderous. Michelina bowed with tears still falling. Abdias joined her on stage and they both raised their hands to the tech’s upstairs. Blue Star addressed the audience, inviting them to get their party on after that one of a kind performance.

Hammers and Lambs

On June 12, I went to The Venue, (511 Virginia Drive Orlando, FL) to watch the set up for an improvisational dance performance by called “La Mia Danza“. This was going to be a one time collaboration of improvised Dance and Music starring the captivating
dancer Michelina Wingerter along with live music by Tacatantán Record’s
Abdias Ernesto Garcia.

When I arrived, Abdias greeted me. A rehearsal was still in progress for another show opening the following week. Dancer Michelina was in this production as well, along with Megan Bueto, Tymisha Harris and Blue Star. Called “Hammers and Lambs” this show is produced by Blue Star and is inspired by the paintings of Patrick Fatica. The dance number I saw rehearsed involved plenty of hammers, or croquet mallets.

Hammers and Lambs will begin each evening at The Hammered Lamb (1235 N. Orange Ave.) with a preview of Patric’s newest paintings. There will be complimentary wine and food. Then patrons will be whisked to The Venue by O-cart for the dance performance inspired by Patrick’s work. I love the idea of one art form inspiring another art form.

There are four more performances. The evening begins at 7pm sharp.

June 22, 24, 28, 29

Tickets are $40 in advance or $50 on the day of the show. Tickets are available at the Hammered Lamb or The Venue, or call (407) 412-6895