Broadway for Orlando at Dr. Phillips.

Posted on by Thor

I heard that tickets for this Broadway benefit concert sold out in less than 15 minutes’ It was possible to check in on). be for the tickets were officially be sold and these people, in a virtual line had the first picks. Broadway performers came to the Dr. Phillips Center for Performing Arts to raise money for the Pulse victim families and survivors. It was a Star studded cabaret. The local dance company Varietease gave a mesmerizing dance performance full of playful whimsy. My favorite song was “I will Survive” performed as if sung be Eartha Kitt complete with purrs. Most performances featured uplifting themes of hope.

The idea for the benefit [a when a perform heard the horrible new from Orlando. Rather than eat comfort food, he decided to go for a bike ride to clear his head. He played “What the World Needs Now” on a continuous loop as he biked through the city. He knew by the end of the ride, that he needed to record Broadway performers singing 1 song for Orlando. He mentioned the idea to a friend and it snowballed from there be coming a reality. The grand finale had the entire cast singing “What the World needs now is Love Sweet Love“. A viral You Tube video had been recorded as an homage to Orlando’s loss, so this was a much awaited performance. Actors raised their hands a bore their heads creating a heart shape with their fingertips.

Beatnik brings flower power to the Venue.

Posted on by Thor

This is the third year that Beth Marshall Productions has brought Beatnik to The Venue, 511 Virginia Dr, Orlando, Florida. This year the title was, Beatnik Cubed: A 60’s Flashback. This was the 3rd and final installment of the unique, audience
interactive speak-easy 60’s theme one-night only event. Whether attending
for the first time or returning, all audience members will get into the
groove of enjoying a flashback of the 60’s. Many of the regular beats,
poets, freaks, geeks and gypsy artisans of every kind will be returning
along with some new acts and surprises. Fully immersive and interactive
theatrical experience. The pre-show was full of both entertainment, and
information about past installments.

 The premise of the show is that the cast is celebrating the birthday of  the fictional proprietor of the Venue, Adrian LePeltier. In the pre-show, the black clad Beatnik chicks stood on the stairway where they read a poem. A Varie Tease dancer,  Michelina Wingerter, performed an improvised interpretive dance to the poem. In this small living room area the cast mingles with the audience. There was also a performance in front of the Venue, but I returned to the theater to finish up the sketch I had started. 

 This sweeping variety show has everything. The Beat King Host, Samuel Butcher, was a cynical but rather funny drunk whose dark insights speak to artistic integrity above all else. The cast is divided into the colorful and carefree hippies and the dark brooding beats. All of Them have a love for the Venue and what it represents. 

One of my favorite performances in the show came from the husband and wife team of Tod and Christen Caviness as the Poet Guru and his Muse. Tod recited a poem about Jack Kerouac and the striving of his generation in the late 50’s and early 60’s. Christen performed a sensual dance that perfectly expressed the longing of a generation. Since this was a rehearsal and they didn’t have a baby sitter, their young son Carlin was part of the  performance. Tod held his grinning son in his arms as he belted out the epic poem. Carlin watched his mom dance in amazement. When she danced to the far side of the stage however, she was too far away. His face crinkled and he began to cry, softly at first, and then all out. In a pause in her dance Christen’s face reflected her heart felt concern. Tod lost track the poem in 1961 but then got right back in the groove, shouting over his sons tears. later in the show, as the whole cast danced on stage to “Let the Sun Shine”, Carlin was on Christen’s hip and smiled with joy as the cast danced around him. Unfortunately Carlin will not par for in the actual show, but his moments on stage were pure unrehearsed magic. 

Brett Carson performed the Bongo Beat. Dramatic moments were often accompanied by a bongo beat followed by the snapping of fingers rather than clapping. The audience becomes part of the action when note cards are handed out. Each member of the audience with a card was asked to shout out their word when the host pointed to them. Scrawled on my card was a word that rhymes with truck. “Should I really shout this out?” I thought. Perhaps I should just make up my own word.  The host pointed to me and I shouted “F*ck!” “Oh come on!” he shouted. “F*ck me like you mean it.” “F*ck!” I yelled. Other words included Woman, War, hate, and many others. Shouted in sequence they almost made sense.  That’s beat. Or is it? Snap, sap, snap.

  

Andy Haynes read a story about breaking up with cynicism and choosing vulnerability instead. When he got off stage, he kissed Julie Snyder. The spontaneous evening came to a screeching halt when everyone learns that their beloved Venue has been sold to an Ivanhoe Development company. Julie somehow managed to secure herself a job in the new venue which features an exercise gym. She was hilarious as she struggled do push ups and do jumping jacks. In a break, she asked me to give her big muscles in the sketch, but I sadly missed that sketch opportunity. It was hard to separate the affection felt for the real cast as opposed to the drama of the fictional cast. Billy Manes as Andy Warhol entered the Venue snapping photos of the audience in the final scene. Billy is famous for reporting on the twisted inner workings of local government. Perhaps this however was his 15 minutes of fame.

Beth Marshall Opens Her Next Theatrical Season

Posted on by Thor

This sketch of Beth Marshall was done in 2010 while she presented a “Yapinar” which basically educated Directors and Producers on how to promote their shows for the Orlando Fringe Festival. At that time Beth and her husband were recovering from a car accident. Thankfully they both made a full recovery. This year Beth has begun a healthy lifestyle and she is sharing her progress on Facebook. I’m fascinated by her progress and updates.

On August 20th, she got
all her measurements from her costume designer and trainer. The Total
inches on my body lost equaled 48″ in 20 weeks. Biggest body area loss is a tie
for 7″ each on her waist and chest. She was pleased with these results so far. She has
have more energy, and feels physically stronger. She is now working out
3-6 times a week. She didn’t even think she would work out at all
until I was under 300 lbs. This summer, she had relatively moderate to light work load which
allowed her time to put extra focus on her health and hang around juice
bars, farmers markets, whole foods and gyms. This week the new theater season starts
and this means that a full work load and chaos will be in full force. Still her health
goals remain her top priority. She has the entire month of Sept. scheduled
with  personal trainings and boot camp. She hopes to maintain her
hardcore training as the work load triples. Sharing her health goals and achievements is inspiring me to try and improve my own health.

Mark Your Calendars! The 7th Beth Marshall Presents season is about to kick off with Play in a Day which will be staged September 6th at Lake Howell High School (4200 Dike Road, Winter Park Florida).  6:30pm will be a silent Auction and the shows followed by a talk back. Play in a Day has 100 artists write and produce 9 plays with the same theme within a 24 hour time frame. This year a musical is in the works and I hope to sketch the production from inception to birth.

On November 7th Beth will be presenting Beatnik Squared. This is a unique, audience interactive speak-easy 60’s theme One-Night ONLY
event. Whether attending for the first time or returning for seconds,
all audience members will get into the groove of enjoying a flashback of
the 60’s. Many of our usual beats, poets, freaks, geeks and artisans of
every kind will be returning along with some new acts and surprises.
This event is once again in partnership with Blue Star and VarieTEASE taking place at The Venue (511 Virginia Dr., Orlando, Fl).

I am intrigued by THE TRAYVON MARTIN PROJECT because I did a number of sketches of demonstrators at the time.  Part 1, A Tribute will be staged (Oct. 3rd-5th 2014).

This year long socio-political theatrical collaboration and exploration in partnership with Penguin Point Productions, and Valencia College East begins with the World Premiere
of 6 short plays and a poem inspired by the tragic loss of
Trayvon Martin. The works carefully explore race relations and equality
issues within our culture and specifically within the Central Florida
community. Playwrights include: Dennis Neal, Rob Winn Anderson, Janine Klein, James Brendlinger, Paris Crayton lll, Steve Schneider, and poet Rob Gee. Directed by Beth Marshall, Paul Castaneda, and John DiDonna. Each performance will hold a post-show talk back with the audience. Performances will take place at Valencia College Black Box Theatre (701 North Econlockhatchee Trail, Orlando, Fl). Partial proceeds from this event benefit The Travyon Martin Foundation. This production will be presented at Valencia College East Campus
as part of their build up to the world premiere of their own original
devised play centering around the inciting incidents of Trayvon Martin
and Jordan Davis, the 17 year old killed in a Jacksonville gas station
parking lot.  Researched and created by a class led by John DiDonna, this event will premier in Valencia College Theater’s February 2015 slot. Part 2 will be staged in February and Part 3 is yet to be determined.

VarieTEASE

Posted on by Thor

Terry and I went to The Venue (511 Virginia Dr, Orlando, FL), to see VarieTEASE on the first day I could get out to Fringe. Terry sat front and center while I sketched from a high top table. Smoke filled the space and a long prologue scrolled up the back wall of the stage. The dance followed the male protagonist who was dealing with a deranged ex-wife, his wife and a mistress. The performance began at a train station which was simply created with a projection of a fast moving train roaring by.

There is a playful mystical magic to VarieTEASE. The choreography was at times angular and hard and at other times soft and flowing. At all times life was depicted as a circus or carnivale act. The white face make up made every performer look like a mime or china doll. The protagonist was confronted by each woman in turn. They danced at times with sexual abandon to the point of exhaustion. There was one moment of female frontal nudity with polite pasties, so the show verged on burlesque.

Large free standing door frame shaped structures had rubbery vertical bars. These functioned at times as a prison and in one instance as harps. The man eventually was overcome by heart break and despair. The women returned in flowing light dresses to look over him. I suspect that he truly had cancer and all the drugs and needles were an attempt to slow the tide of the ravaging disease. Credits at the end of the show indicated that the cast was behind dear friends who were fighting for their lives. The show expressed a roller coaster of emotions from anger, despair, loneliness and absolute joy. Life is a dance, and this show captures that life and mysterious magic. This is a must see Fringe favorite.

Mark your Calendar!

Monday May 19, 10:30pm to 11:30pm

Wednesday May 21, 9pm to 10pm

Friday May 23, 9pm to 10pm

Saturday May 24, 4:20pm to 5:20pm

Fringemas

Posted on by Thor

Fringe is pulled out all the stops for the December First Monday Happy Hour. In the round Patron’s Room in the Lowndes Shakespeare Center there were tables set up with silent bidding items. George Fringe Wallace directed me to the Margeson Theatre, (orange venue) where the various performers were working on last minute tech issues. Laney Jones and Matt Tonner set to play guitar and ukulele. I had seen Laney perform twice before, both times in parking lots, so it was nice to see her on the stage. She has a sweet voice and her original folk tunes are humerus and heart warming. She sang a song about how she loves her therapist since he always listens and he has been her longest relationship. It was hilarious.

The announcers, Santa and Mrs. Claus (Michael Wanzie and Mitzi Morris) introduced each act. Joan Crawford offered a raspy and funny rendition of the 12 days of Christmas. The PB&J Theater Factory performed a crazy skit in which Brandon Roberts came out as a Gumbyesque foam Christmas Tree. The first time he appeared, he looked like a sad phallic shaped tree. Everyone laughed as he did an unenthusiastic dance. The tree costumes eventually got fuller and his enthusiasm, livelier.

A Varietease dancer performed a subdued strip tease, but a wardrobe malfunction had everyone in tears laughing. Pepe acted as a guest announcer and he kept the irreverent proceedings quite lively. The set was for “The Farndale Avenue Housing Estate Townswomen’s Guild Dramatic Society’s Production of ‘A Christmas Carol”. Try and say that five times fast! The audience was full of performers who will have shows in this year’s Fringe. Joe Rosier sat in the front row making a rather believable Santa with his real beard.

Truth or Dare with Pepe

Posted on by Thor

Terry and I went to The Peacock Room to catch Pepe. We entered and paid the five dollar cover to Mike Maples who had on a very stylish fedora. At the bar we sat next to Devin Dominguez and Shannon Lacek who was just getting up to leave. Devin and Terry talked about the various boards they work for. Rob Ward was greeting people up and down the bar. I ordered a Corona and relaxed.

I decided not to sketch until the show started so I sat back and enjoyed the social interactions firing up all around me. We waited for quite a while since some of the guests for Pepe’s show hadn’t arrived yet. Aradhana Tiwari breezed up to the bar and ordered a cosmo. The bartender wouldn’t accept any of her credit cards so she had to go out to her car to get cash.

Terry and I were some of the first people to enter the backroom performance space. I collapsed into a beanbag chair at Terry’s feet. The set had gotten much more elaborate since I had been on the show many months ago. A gorgeous red patterned couch filled the stage along with Pepe’s giant red pump chair. Pepe’s co-star for the night was Blue Star from VarieTEASE Dance Company. Megan Boetto dressed in a tight red corset was the evenings Jello shot girl. Guests of the show were Beth Marshall and Mark Baratelli.

Mark arrived late and sober so he started sucking down jello shots one after the other. When asked by Pepe if he wanted to pick Truth (gasp from crowd) or dare. Mark picked Truth. Everyone was very disappointed. He related a story about someone who stole a show idea intending to use it as a fundraiser for a cause but then the individual pocked the money. It was a true arts community scandal. Beth Marshall was asked to pick someone from the audience to some on stage and she picked Air who had to be just about dragged up on the stage. She complained, “I have been up since 7:30 this morning, this isn’t fair.” She was offered the truth or dare challenge and she picked dare. Pepe explained, “I have a privacy screen behind this chair and I will allow you to sit behind it and then verbalize your best orgasm.” She asked, “Do you want the whole thing or just the ending?” He pulled the screen out and set it up in front of her. She gave a performance worthy of that deli scene in “When Harry Met Sally.” I was shocked and amazed. Directors are mighty fine actors.

Two men were pulled from the audience and one was told to do a lap dance for the other. Mark kept shouting out, “Take off the shirt!” When the shirt finally came off the crowd went wild. The two men were then given a slip Jim meet stick and told to chew from either end until their lips met in the middle. his was another hilarious moment. At the same time Beth and  Blue Star were doing something involving a banana on the other end of the couch. A woman at the back of the room started to dance to the song, “Put a ring on it.” She shouted out that her name was Snipples. Megan started doing the dance on stage with plenty of hip action. When jello shots were thrown out to the crowd again, Pepe offed a toast, saying, “To the arts community in Orlando, may it thrive!” I raised my shot high in the air and sucked it down by shoving my tongue all around the rim dislodging the tasty jiggling mass.