A Dinner Conversation: Best Show

Pepe (Rob Ward) acted at the MC for the evening for Play in a Day. The auditorium was packed but I found a good spot on the sidelines to sketch from. Nine plays were presented all with the common theme of “Men”. Playwrights had 12 hours to write their plays and the actors and production team had 12 hours to polish and produce the plays. I followed the play written by Tracey Jane, titled The Dinner Conversation. I knew from sketching the rehearsals all day that this was a warm hearted romantic and very funny production. I was of course rooting for them to pull together and create magic on stage.

Pepe introduced each ply in turn and a bongo player accompanied him at one point. Genevieve Bernard choreographed a beautiful dance piece titled, Our Bodies Our Choice. Four woman dancers and on man performed a dance the told a story of abuse followed by a woman’s empowerment. It was bold and left me thinking. They won as the best ensemble for the evening.

Jac LeDoux and Ken Preuss were on a date at the Family Pizza Corral. The set simply consisted of a long red table on which were a series of trays where custom pizzas could be made. I was rooting for their happiness after starting life afresh after divorce. Tracey Jane made the script super easy for the actors because the characters were simply named after the actors playing the part. There were no new names to memorize. When Bennet Preuss and Melanie Leon entered things heated up. Melanie was hilarious with her sexual innuendos and double meanings behind everything she said. She just loved poking fun at her mom and embarrassing her. Melanie’s hilarious performance won her an award as Best Actress. 

While Mel was poking fun, her brother Ben was sullen and resentful.  His mom got divorced while he was away at college and now that he was back she was starting a new relationship with another man.  Jac was loving and caring at every turn and wove an analogy between personal pizzas and individual tastes. However when Ken considered putting pineapple on his pizza, the family had to unite against his pure insanity. He was a food critic and should have known better. Food and family drama were perfectly combined. For this performance I just sat as an audience member to soak it in without the struggle of sketching to distract me. I was delighted and laughed out loud.  I knew where the rough spots in the production might be, but everything flowed smoothly. 

This show directed by Kaitlyn Harrington, and with Destiny Sam as the stage manager won the top honor as the Best Show of the night. I felt so proud, because I knew the blood sweat and tears over 24 hours that went into the magic that happened that night. “Don’t count the days, make the days count.” -Mohamed Ali

Play in a Day Running Lines

At Play in a Day, the pressure started to build in the afternoon as the actors started running lines to memorize the script of The Dinner Conversation by Tracey Jane. At times they would go through the script at breakneck speed and other times they would run through at pace. Sometimes actors would pare off and work together in another room to help each other in cementing the lines into memory. Some actors knew their lines forward and backwards right from the start while others had to work hard to commit the lines to memory. The drama of these artist supporting each other grew more pitched as the opening curtain loomed around 7pm that night.

On the fence outside there were inspirational sayings from celebrities written on the fence. One was, “I can accept failure, but I can not accept not trying.” –Michael Jordon. Another was “Do not pray for an easy life, pray for the strength to endure a difficult one.” –Bruce Lee. Each saying seemed directed towards the actors as they pulled together to produce a play in just 24 hours. The script had heart, sincerity and humor. I knew I was watching some amazing theater magic. They might stumble through lines in rehearsal but on stage some undefinable force would pull everything together.

“Mistakes are proof you are trying.” -Unknown. Every sketch I do feels like a series of mistakes. It is reassuring and inspiring that live theater is as human an art.

Pineapple Pizza Deviant

 At the Play in a Day rehearsal for The Dinner Conversation written by Tracey Jane, Jac (Jac LeDoux) and Ken (Ken Preuss) are on a date at Family Pizza Corral. Jac was opening herself to the possibility of a new relationship after being divorced for a year. The date was interrupted by the sudden unexpected arrival of Jac’s two children, Mel (Melanie Leon) and Ben (Ben Preuss).

At the Family Pizza Corral, you get to make your own custom pizza. In this sketch Ben is mashing his dough with far more brute force that is needed. He is angry to find his mom with another man. He went to college and while he was gone she got divorced. The restaurant used to be a place that the family went to, representing some of the happier memories with his father and mother together.

Mel was a bit more playful, choosing to tease her mom about her “needs.” Jac is between a rock and a hard place in hoping her children can accept Ken. Ken can’t win. When he offers Ben some sausage, Ben angrily shoots back that he is a vegetarian. When Jac defends him to her son, she explains that Ken is a good man and that they should give him a chance. Then Ken hold out a tray of Pineapple.

This is a bridge too far. Melanie shouts out PINEAPPLE does NOT belong on pizza! Jac has to agree this is one thing that everyone in the family can agree on. Jac tries to smooth over the situation by trying to get Ken to just pick another topping. She is sure that people are watching. This is a pure comic relief. All the pent up family drama dissipates as the family rallies behind this strange and unexpected pizza deviant. It was the contrast between sweet and savory. I’ve been known to want a burst of sweet even on a slice.

As Jac tries to explain that everyone has their own personal tastes, Ben suddenly shouts out that he is gay. After a pause to take in the information, Jac is caring and accepting. She then goes on to say she is proud of him because at that moment he was a man in her eyes.  It was a heart warming family moment which Ken missed as he obsessed over his very strange pie.  The warmth of the message was so powerful because is was proceeded by so many laughs. The pain of growing up was welcomed with open arms.

The Dinner Conversation

At Play in a Day, I spend the entire day sketching the rehearsals for The Dinner Conversation by Tracey Jane. After the cold reading at the blue round table the cast moved to the main staging area, a long red table with a series of trays lined up. I loved that the long table and the round table visually created an exclamation point. Everyone still had the script in hand but director Kaitlyn Harrington stood on the opposite side of the table guiding the actors for the staging. The setting was a Family Pizza Corral. All-You-Care-to-Create Buffet. “You Make It. We Bake It!” Jac, (Jac LeDoux) was on a date with her “Special Someone” Ken (Ken Preuss). She was a recently divorced mom of two college kids who were returning home, on the brink of consummating her first new relationship after

the end of a long marriage.

Every line of their playful exchange hinted at sexual innuendo. Ken was a food critic but had never been in the Pizza Corral. He and Jac had spent time getting to know each other but this was the first night out with the possibility of desert. However Jac wanted her kids to meet Ken before “going there.” She wanted her kids to meet Ken the following night. Being a gentleman, he was fine with waiting. As they snuggle close, pressing their fingers in the dough, Jac’s kids, Ben (Bennet Preuss) and Melanie (Melanie Leon) entered the restaurant.

Melanie brought a delightful level of comedy to the awkward exchange. Woman to woman, she spoke of enjoying toppings and of courser some sausage. Melanie had learned all about men with some healthy experimentation in college. While Melanie was playful and teasing her mom, Ben was sullen and angry that his mom was out with another man a year after the divorce. At one point he shouted, “That man is definitely NOT my dad.” The irony in that statement is that Ken, in real life, off the stage, IS Ben’s father. There were so many multi layered meanings and insider jokes in this 10 minute production that made it such a delight to discover. I watched the play performed over and over all day long as they rehearsed and it never grew old. I just loved the characters more as they were fleshed out. I was lucky to have encamped myself with this clever and fun script and cast.

Play in a Day

Play in a Day is as its name implies a fast paced day where the the plays are written and produced in just one day. The nine writers were given the theme and their individual ‘twist’ at
the beginning of a 12-hour period of their own choosing and that was their
window for creating the script for their original 10 minute play. The directors and performers knew nothing of their script until it was unveiled to them bright-and-early Saturday morning, they then had one day to produce the work by that evening’s opening curtain at 7pm.

Play in a Day 2019 had 107 participating artists, 82 of them, including every playwright, director and stage manager, were women. In addition, each production team was assigned a title under the umbrella theme “Men”. The #MeToo movement inspired a female empowered cast and crew since women are a powerful force in the Orlando theater community.

When I arrived all the actors and crew were gathered in the Lake Howell High School (4200 Dike Rd, Winter Park, FL 3279) cafeteria. There were donuts, beagles and other breakfast items. I sipped some caffeine to get my drawing hand twitching. Each production crew already seemed to be grouped together and I wondered which production team I should sketch. Since I had sketched actress Melanie Leon before in various shows around town, I asked if she could talk to her director about having an artist shadow their rehearsals for the day. The director agreed and soon I was sketching them as they performed the first reading of the play at a small round table.

The table was already a perfect setting since the play written by Tracey Jane was titled “The Dinner Conversation.” Tracy had worked remotely and couldn’t be at the rehearsals but her humor and heart felt writing, affected every scene and interaction between the characters. Around the table sat director Kaitlyn Harrington, who was open to suggestions as the actors became familiar with their parts, yet she guided them deftly. The stage manager was Destiny Sam. The actors were Ken Preuss, his son, Bennet Preuss, Melanie Leon, and Jac LeDoux. Over the course of the day I got to see the challenges overcome as the cast committed lines to memory and transformed into their characters. The tight deadline created a level of team work and support among artists that was absolutely inspiring.

100% of the proceeds from Play in a Day went
directly to the BMP Theatre Scholarship Fund and TOP TEENS. This money
allows teens to attend master class intensives on all areas of theatre,
film/TV, arts administration, activism, acting, directing, play writing,
tech, education and leadership. The artists get to study for the month
of June and then present a showcase. Scholarships are given to the
artists to use to pursue their respective areas in the arts as they
wish.

Weekend Top 6 Picks for June 8 and 9, 2019

Saturday June 8, 2019

11:30am to 1pm Free. Firelei Báez Artist Talk and Book Signing.  The Mennello Museum of American Art 900 E Princeton St, Orlando, Florida 32803. Artist
Firelei Báez will present a FREE talk, on the occasion of the Mennello
Museum of American Art’s new exhibit IMMERSION INTO COMPOUNDED TIME AND
THE PAINTINGS OF FIRELEI BÁEZ.
Please RSVP at bit.ly/fireleiartisttalk
Báez
is best known through her extraordinary paintings of lush
landscaped-figures, intricately patterned tignons, and otherworldly
bodies with striking eyes. Here, she considers the reality of ones
current social and the historic construction of cultural self in
America. These complex, inter sectional bodies and symbols alongside
large-scale portraits are painted in vibrant, swirling colors, which
intermingle time and character. For Báez, “identity is malleable,
negotiated,” and given strength by the female body and mythology of her
being.
IMMERSION INTO COMPOUNDED TIME AND THE PAINTINGS OF
FIRELEI BÁEZ is curated by Katherine Navarro, Mennello Museum of
American Art. A fully illustrated bilingual catalog on the exhibition
has been published, and will be available for purchase and artist
signing.
Firelei Báez was born in Santiago de los Caballeros,
Dominican Republic. She earned her BFA at The Cooper Union School of Art
in 2004, participated in The Skowhegan School of Painting and Sculpture
in 2008, and later earned her MFA at Hunter College in 2010. Báez
currently lives and works in New York City. She has held residencies at
The Lower Manhattan Cultural Council Workspace, The Lower East Side
Print Shop and The Bronx Museum’s Artist in the Marketplace. Báez has
had solo exhibitions at Contemporary Arts Center, Cincinnati, Pérez Art
Museum Miami, The Andy Warhol Museum, Pittsburgh, and the Kemper Museum
of Contemporary Art, Kansas City, among others. Báez was included in the
2018 Berlin Biennial, the United States Biennial Prospect.3, New
Orleans, the Getty’s Pacific Standard Time’s LA>LA exhibition at the
Museum of Latin American Art, Los Angeles and at the 2017 Venice
Biennale with the Pinchuk Art Foundation’s Future Generation’s Art Prize
exhibition. Her work is in the collections of the BNY Mellon Art
Collection, Pittsburgh, Cleveland Clinic, Cleveland, Pérez Art Museum,
Miami, Sindika Dokolo Foundation Collection, Luanda, Angola, San Jose
Museum of Art, San Jose, The Studio Museum in Harlem, New York, and
Tiroche DeLeon Collection, Jaffa, Isreal. She is currently represented
by Kavi Gupta, Chicago and James Cohan, New York.

6:30 Silent Auction, 7pm Show. $20 General Admission. Play in a Day. Lake Howell High School 4200 Dike Road, Winter Park, Florida 32792.

Beth Marshall Presents PIAD 2019
This year’s PIAD features all women writers, directors and stage managers.
100 artists
78 women/22 Men
All proceeds benefit the BMP Theatre Scholarship Fund & TOP TEENS!
Sponsored by Pom Pom’s Tea House and Sandwicheria and Penguin Point Productions
Cost: VIP $25 (Front Two Rows/ Advance Seating/Raffle Tickets/First Dibs on Silent Auction)
General Audience-$20
Students-$10
*This show is asterisks for everything, so if this offends you, please take the time to leave now.
Tickets on Sale Now at BethMarshallPresents.com
PIAD PRODUCTION LEADERSHIP TEAM
Producing Artistic Direction – Beth Marshall
Production Stage Manager – Blue Estrella
Assistant Producer – Clark Levi
Assistant Production Manager – Gabriel Neil Barnert
Technical Director/Light Design – Jordan Laica
Assistant Technical Director – Dylan Molitor
Program/Logo/Projection Design – Ben Lowe
Box Office Manager – Chris Foster
Front of House/Silent Auction Manager – Jacyln Thomas
Assistant Front of House/Raffle Manger – Theresa Rogers
Website Manager – Winona Wiley
HOST
PEPE’ (In Drag as a Woman)
JUDGES
Kristen Neander
Andy Haynes
George Wallace
WRITERS/DIRECTORS/STAGE MANAGERS/ACTORS
TEAM 1
Writer: Irene L. Pynn
Director: Ashley Sox
Stage Manager: Kendall Myers
Actors: Josh Lefkowitz, Robert Cuhna, Jacoline Frank, Caiti Fallon, Alexa Carroll
TEAM 2
Writer: Katie Thayer
Director: Christine Robison-Laurence
Stage Manager: Emerson Short
Actors: Sharon Barnert, Sierra Vennes, Brenna Arden, Katie Stokes, Peri Goldberg
TEAM 3
Writer: Grace Trotta
Director: Veronica Nia Kelly
Assistant Director/Stage Manager: Kaitlyn Harrington
Actors: Alicia Salgado, Avis-Marie Barnes, Jazzlyn Whiddon, Matthew Gray
TEAM 4
Writer: Tracey Jane
Director: Roberta Emerson
Stage Manager: Olivia Winslow
Actors: Bennet Preuss, Ken Preuss, Melanie Leon, Jac Ledoux
TEAM 5
VOCI DANCE
Choreographer/Director: Genevieve Bernard
Dancers: Sarah Lockard, Katrina Soricelli, David Gabriel, Katherine Fabian
TEAM 6
Writer: Chanel Gomaa
Director: Jessica Hoehn
Stage Manager: Caitlin Eriser
Actors: Joshua Huff, Laura Powalisz, Anthony Morehead, Sarah Isola
TEAM 7
Writer: Vanessa Carmona
Director: Gail Chase
Stage Manager: Madisen Mckenzie
Actors: BeeJay Aubertin-Clinton, Noel Gates, Michelle Kurtiak, Tiffany Marie Ortiz
TEAM 8
Writer: Rose Helsinger
Director: Mackenzie Borglum
Assistant Director/Mentor: Paige Gober
Actors: Jackson Chase, Hanna Swindler, Vangeli Tsompanidis, Camryn Chiriboga
TEAM 9
Writer: Ciara Hannon
Director: Tara Kromer
Assistant Director/Stage Manager: Shonda L. Thurman
Actors: Eislinn Gracen, Bella Crider, Chloe Shaw, Delaney Polk
PRODUCTION CREWS

Stage Crew:
Leah Klasing
Dana Huss
Brooke Adragna
Justin Daniels
Quinn Hoeck
Jade Pryor
Props Crew:
David Brinkley
Meg Quiroga
Costume Crew:
Abby Lamarre
Meridith Clure
Ariana De Jesus
Isis Gonzalez
Emma Johnson
Allison Smith
Lindsea Loughlin
House Crew:
Concessions Manager/SM Swing – Destiny Sam
Usher/Raffle – Emillie Scheetz
Usher/Raffle – Faith Ridgeway
Silent Auction – Stella Maria Rodriguez-Fernandez
Silent Auction – Destiny Gonzalez
House – Nikolaj Thankski
House – Lindsea Loughlin

7:30pm to 11:30pm Welcome Potluck for Deirdre Coyle. Kerouac House 1418 Clouser Ave, Orlando, Florida 32804.

You
are invited to join us in welcoming Kerouac House Summer resident
Deirdre Coyle. This event is a potluck dinner, so please bring something
to eat and/or drink and share.
Deirdre Coyle is a writer living
in Brooklyn. Her fiction and essays have appeared in The New Republic,
Electric Literature, Literary Hub, Hobart, Joyland, and elsewhere. She
is a columnist at Unwinnable Monthly. Her website is DeirdreCoyle.com.

Sunday June 9, 2019

12:30pm to 2:30pm Free. Love and Kindness on the Lawn.  Dr. Phillips Center for the Performing Arts 445 S Magnolia Ave, Orlando, Florida 32801.

Join the
One Orlando Alliance at the Seneff Plaza in downtown Orlando as we gather in gratitude
to celebrate community and the spirit of #OrlandoUnited!
This
free event is a time to enjoy local music, food trucks, share some hugs
and create happy memories while remembering those who continue to need
our love and support.
At 1:30 p.m., we will host our special
giant “human heart” photo opportunity, and at the close of the event,
attendees can participate in a group Loving Kindness Meditation, led by
Puja Madan of The Mindfulness Map.
Additionally, we will have
plenty of #ActLoveGive signs to fill out and take with you to help
continue spreading the message of love and kindness.
Love and
Kindness on the Lawn is part of the Orlando United: Acts of Love and
Kindness movement. Visit ActLoveGive.org for more information.

1pm to 4pm $5. Dog Day Afternoon Pup Crawl. Ten 10 Brewing 1010 Virginia Drive Orlando FL.

Pups
are welcome at the Dog Day Afternoon Pup Crawl! Adults purchase a
wristband for $5 at Ten 10 Brewing Company and receive drink specials at
11 participating bars and businesses – Conrad’s Shanty, GB’s Bottle
Shop and Tasting Bar, Green House Realty, Gotkarma, Grape and The
Grain, Nora’s Sugar Shack, Ten 10 Brewing Company, The Brass Tap – Mills
50, The Guesthouse, The Thirsty Topher and Will’s Pub! The first 100
pups accompanied by an adult will receive a complimentary bandana! All
pups will receive a few treats! 50% of the wristband sales will be
donated to Pet Alliance of Greater Orlando! Pet Alliance will be at Ten
10 Brewing Company and The Brass Tap – Mills 50 with adoptable pups!
Many thanks to our sponsor Tito’s Handmade Vodka!

1pm to 4:30pm Free. Free Family Day on the Second Sunday. The Mennello Museum of American Art, 900 East Princeton Street, Orlando, FL 32803. The
make-and-take craft table is open from noon-2:30 p.m., and docents are
available to give mini-tours of the museum. Then it’s open house in the
galleries until 4:30 p.m.

Beth Marshall Opens Her Next Theatrical Season

This sketch of Beth Marshall was done in 2010 while she presented a “Yapinar” which basically educated Directors and Producers on how to promote their shows for the Orlando Fringe Festival. At that time Beth and her husband were recovering from a car accident. Thankfully they both made a full recovery. This year Beth has begun a healthy lifestyle and she is sharing her progress on Facebook. I’m fascinated by her progress and updates.

On August 20th, she got
all her measurements from her costume designer and trainer. The Total
inches on my body lost equaled 48″ in 20 weeks. Biggest body area loss is a tie
for 7″ each on her waist and chest. She was pleased with these results so far. She has
have more energy, and feels physically stronger. She is now working out
3-6 times a week. She didn’t even think she would work out at all
until I was under 300 lbs. This summer, she had relatively moderate to light work load which
allowed her time to put extra focus on her health and hang around juice
bars, farmers markets, whole foods and gyms. This week the new theater season starts
and this means that a full work load and chaos will be in full force. Still her health
goals remain her top priority. She has the entire month of Sept. scheduled
with  personal trainings and boot camp. She hopes to maintain her
hardcore training as the work load triples. Sharing her health goals and achievements is inspiring me to try and improve my own health.

Mark Your Calendars! The 7th Beth Marshall Presents season is about to kick off with Play in a Day which will be staged September 6th at Lake Howell High School (4200 Dike Road, Winter Park Florida).  6:30pm will be a silent Auction and the shows followed by a talk back. Play in a Day has 100 artists write and produce 9 plays with the same theme within a 24 hour time frame. This year a musical is in the works and I hope to sketch the production from inception to birth.

On November 7th Beth will be presenting Beatnik Squared. This is a unique, audience interactive speak-easy 60’s theme One-Night ONLY
event. Whether attending for the first time or returning for seconds,
all audience members will get into the groove of enjoying a flashback of
the 60’s. Many of our usual beats, poets, freaks, geeks and artisans of
every kind will be returning along with some new acts and surprises.
This event is once again in partnership with Blue Star and VarieTEASE taking place at The Venue (511 Virginia Dr., Orlando, Fl).

I am intrigued by THE TRAYVON MARTIN PROJECT because I did a number of sketches of demonstrators at the time.  Part 1, A Tribute will be staged (Oct. 3rd-5th 2014).

This year long socio-political theatrical collaboration and exploration in partnership with Penguin Point Productions, and Valencia College East begins with the World Premiere
of 6 short plays and a poem inspired by the tragic loss of
Trayvon Martin. The works carefully explore race relations and equality
issues within our culture and specifically within the Central Florida
community. Playwrights include: Dennis Neal, Rob Winn Anderson, Janine Klein, James Brendlinger, Paris Crayton lll, Steve Schneider, and poet Rob Gee. Directed by Beth Marshall, Paul Castaneda, and John DiDonna. Each performance will hold a post-show talk back with the audience. Performances will take place at Valencia College Black Box Theatre (701 North Econlockhatchee Trail, Orlando, Fl). Partial proceeds from this event benefit The Travyon Martin Foundation. This production will be presented at Valencia College East Campus
as part of their build up to the world premiere of their own original
devised play centering around the inciting incidents of Trayvon Martin
and Jordan Davis, the 17 year old killed in a Jacksonville gas station
parking lot.  Researched and created by a class led by John DiDonna, this event will premier in Valencia College Theater’s February 2015 slot. Part 2 will be staged in February and Part 3 is yet to be determined.

Auditions

Beth Marshall Presents held auditions for the 2013-2014 season at the Garden Theater in Winter Garden on Saturday June 22nd. Productions she was holding audition for included…

The 2013 Play-in-a-Day 2013 Season kickoff in partnership with Lake Howell High School and Penguin Point Productions September 7th.

Alice Lost in Wonderland (a world premiere) written by Rob Winn Anderson and Beth Marshall, October 18-November 3 at the Garden Theater.

Beatnik, a multi-media art evening of poetry music and dance in collaboration with VarieTEASE. December 3rd at the Venue.

33 Variations by Moises Kaufman, directed by Aradhana Tiwari, March 13-30 at the Garden Theater.

Touring shows include,

Commencement written by Clay McCleod Chapman, directed by Brenna Nicely, Starring Beth Marshall at Fringe, or  The Venue.

The Books, written by Michael Edison Haydon, directed by Beth Marshall for Fringe or The Venue.

Actors gathered in the lobby of the theater and they entered the theater in groups of four or five. Actors read monologues and occasionally sang. I sketched actress Becky Lane since I knew her from some incredible performances in the past. Some actors read beat poetry but it just didn’t have the swaggering flow of 50’s beat angst.

That changed when writer, Tod Caviness and his new bride, dancer, Christin Caviness took to the stage. He recited a poem completely off book with the furious confidence of a generation reaching for a new understanding of what it is to live. Christin danced with sweaty abandon rising and receding with the tide of the poem. Garments were tossed aside as needless encumbrances to the need to move. I was swept along enthralled. I stood and applauded. This could be the corner stone for an amazing evening of Beat madness. What an incredible collaboration, a true marriage of two art forms.

A thunderstorm sent loud rain hammering down on the theater’s metal
roof. Beth considered it good since it would force actors to project. As
one actor was on stage giving a monologue, the lights of the theater
went black. The huge empty theater went silent. In the darkness he muttered, “Well I guess that’s a sign
that I didn’t get the part.”

Play in a Day, Tech

A flock of 50 artists awake and together at 7AM at the Lake Howell High School Auditorium to start rehearsing for Play in a Day. I got there around 11:30AM or so. I asked Beth where I could find Aradhana’s Cast. She didn’t know where that cast was rehearsing. Different casts had staked out different class rooms. I asked everyone I met where I could find the cast. I had arrived at an inopportune time to sketch because everyone was about to break for lunch. During lunch I found the female actress from Aradhana’s play named Gwendolyn Equality Boniface. She let me know that they were rehearsing in the boys dressing rooms. Of course! Why didn’t I think of that! After lunch she explained that they would be doing tech on the main stage.

Beth Marshall was being interviewed by a new video blogger who was asking her questions about Play in a Day. She pointed out that the high school venue had the advantage of offering young aspiring actors the chance to work beside and learn from seasoned actors. The first play on stage for Tech was a CSI themed play that showed a manic, stupefied playwright seated behind a computer with Mountain Dew cans strewn all over the stage. A female officer examined a can by picking it up with a pen. The playwright shouts out “They want me to write another play!” His face twitched. Another officer explained the horrifying specifics of the crime but it could best be summed up as play in a day. A prisoner in a jumpsuit whispered, “No one should try and produce a play in a day, it isn’t humanly possible!”

Aradhana’s five minute play was the next play on stage. Chelsea Adams Locklear directed the piece. A high school girl, played by Gwendolyn, was doing pleas to stretch before a dance rehearsal with her flamboyant boyfriend played by Cory Price.  She muttered “Owe” after each squat. The boy teased her until she admitted that she shaved herself. He said, “I hope you don’t catch a cold.” and he made sneezing gestures with his hand pointing at her crotch. “A chew! A chew!” She wanted to go home but he was depending on her. A teacher tried to find out what was wrong and he reassured her saying “It is only natural.”  Her friend laughed, saying, “He thinks your having your period!” She was mortified. I liked how the short play resolved itself with the two friends on the edge of the stage blowing bubbles. She had shaved to feel more like an adult but as a result she felt more childish than ever. The two friends playfully chased each other off stage. There was an innocence despite the uncomfortable subject. I was glad I got to see what had been typed out the night before as I sketched the playwright Aradhana Tiwari. I couldn’t stay for the show because I had to do a live projected sketch performance at a concert. I packed up to leave once the actors took their bows.

Money raised from Play in a Day went towards first annual Beth Marshall Presents, District 3 Thespian “Wild Card” Scholarship, which will be awarded to an emerging theater student.  Aradhana won the voter choice award for Revolution which was her one minute production at Play in a Day.

Play in a Day

Play in a Day involved 12 plays written, rehearsed, and then performed in front of a live audience in less than 24 hours! At 6PM on Friday November 9th playwrights met at Lake Howell where themes are announced and logistics discussed. Producer Beth Marshall announced that the five minute theme would be “High School” and the one minute theme would be “The Aftermath”. Then all the playwrights left to start writing. They needed to finish a one minute and five minute play by 6:30AM the following morning.
Then all the directors and actors would meet up Saturday Novovember10th at Lake Howell for solid day of rehearsal. In the past, Play in a Day was produced at the Orlando Shakespeare Theater, but this year it would use the much larger stage of Lake Howell High School‘s auditorium. Since authors are often the unsung heroes in this 24 hour production marathon, I asked Beth if I could sketch a writer at work and I was assigned to sketch Aradhana Tiwari. 

I was late to the writers meeting on November 9th. Aradhana texted to let me know she was doing research for her high school themed piece. The parking lot at Lake Howell High School was jammed. I thought to myself, “There can’t be that many playwrights in Orlando.” Then I heard the piercing screech of a whistle. Aradhana was getting her research and inspiration from a high school football game.  After several texts, I found her in the home team bleachers. She was eaves dropping on a group of four teenagers seated in the bleachers behind her. Then she interviewed the kids, asking them about their teachers, friends and relationships. It was a cold night for Orlando and she had on sandals so at half time she let me know she was ready to start writing. Actually the one minute piece was written in her head as soon as Beth announced the “Aftermath” theme. A character sat at a table devouring Chick-fil-A chicken nuggets as another character glowered at him. This piece turned into a political debate the next morning because Beth refused to allow Chick-fil-A chicken on her stage. She is boycotting the restaurant chain because of their anti-gay stance. Aradhana had to scramble for some other processed chicken sandwiches the morning of the show.

Five minutes may seem like a short time, but for a writer, it is an eternity until the pieces all fall in place. I met Aradhana at a Olive Garden Restaurant on Colonial Drive which is where she began to write. She ordered a bowl of black olives and a red wine. She put ear buds in her ears so she could listen to music as she worked, drowning out the clatter of all the bustling tables around her. At times she smiled and laughed to herself as she wrote. Shattered fragments of dialogue began to form. Most authors write comedy for Play in a Day, but her work tends to be more dramatic. She read to me some of what she had written. “This is either really good or really bad.” She said. As in viewpoints, there would be no safe middle ground. The title of the play took me by surprise. A high school girl  stretched for a dance performance, she was very uncomfortable in her leotards. She was rehearsing with a flamboyant boyfriend who teased her until she admitted she had shaved. He teased her about her prickly situation.

Aradhana left to continue writing at home. I lingered, continuing to work on the sketch. I always need to finish what I start, even as life rushes by. At 2AM in the morning, Aradhana panicked and threw out everything she had written. The deadline was just four hours away and she began all over again from scratch. She finished the play with just minutes to spare and rushed the script to the theater. She was awake for 37 or so hours straight. As a student said in the bleachers, “We are fire breathing dragons!