Recovery

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Recovery is an interactive theatrical presentation of Phoenix Tear Productions. Zoom is the online platform where we got to meet the performers. Attendees were informed that they are new recruits in a firm called Posthumous whose job is to help the recently deceased find their way into an afterlife which is crafted by the company. Beatrice with her bright pink hair and round glasses was our guide, introducing us to the task at hand. Over the course of the evening it became clear that she was rather new to the job as well.

As I sketched, I was not sure if I was sketching audience members or one of the cast. The couple who had recently died were disoriented having lost many of their memories from their past life. They were referred to as “Blank Slates” and the audience could ask them questions and speak to them. We were split up into two online meeting groups and I was assigned to the group who got tot talk to the boyfriend. A partial memory played back with Melanie Leon defending her friend. If an audience member asked questions Melanie would think the question came from the boyfriend and she responded appropriately. This was a primary way to learn what had happened in the boyfriend’s life leading up to his death. Mel as the Memory  had known him since they were seven years old and she threatened consequences if his heart were broken.

The other group got to speak to the girlfriend, who apparently was a talented singer. I wish I had seen some of that performance. Slowly the truth unraveled with each question asked. Our primary goal however was to convince the boyfriend to be prepared for an eternal afterlife sponsored  by Posthumous. We kind of dropped the ball. I blame myself since I didn’t ask any questions since I was focused on sketching as fast as I could. Maybe I could have convinced the boyfriend that he deserved eternal happiness even if he didn’t find it before his death in this life.

This was a fun interactive experience and the talk back after the show was as fun as the performance. Audiences are limited to only 20 people so that each person can experience unique interactions with the performers. The show has multiple endings and different tracks to follow. Show tickets have been selling out and the run has been extended to September 6, 2020.

 

A Dinner Conversation: Best Show

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Pepe (Rob Ward) acted at the MC for the evening for Play in a Day. The auditorium was packed but I found a good spot on the sidelines to sketch from. Nine plays were presented all with the common theme of “Men”. Playwrights had 12 hours to write their plays and the actors and production team had 12 hours to polish and produce the plays. I followed the play written by Tracey Jane, titled The Dinner Conversation. I knew from sketching the rehearsals all day that this was a warm hearted romantic and very funny production. I was of course rooting for them to pull together and create magic on stage.

Pepe introduced each ply in turn and a bongo player accompanied him at one point. Genevieve Bernard choreographed a beautiful dance piece titled, Our Bodies Our Choice. Four woman dancers and on man performed a dance the told a story of abuse followed by a woman’s empowerment. It was bold and left me thinking. They won as the best ensemble for the evening.

Jac LeDoux and Ken Preuss were on a date at the Family Pizza Corral. The set simply consisted of a long red table on which were a series of trays where custom pizzas could be made. I was rooting for their happiness after starting life afresh after divorce. Tracey Jane made the script super easy for the actors because the characters were simply named after the actors playing the part. There were no new names to memorize. When Bennet Preuss and Melanie Leon entered things heated up. Melanie was hilarious with her sexual innuendos and double meanings behind everything she said. She just loved poking fun at her mom and embarrassing her. Melanie’s hilarious performance won her an award as Best Actress. 

While Mel was poking fun, her brother Ben was sullen and resentful.  His mom got divorced while he was away at college and now that he was back she was starting a new relationship with another man.  Jac was loving and caring at every turn and wove an analogy between personal pizzas and individual tastes. However when Ken considered putting pineapple on his pizza, the family had to unite against his pure insanity. He was a food critic and should have known better. Food and family drama were perfectly combined. For this performance I just sat as an audience member to soak it in without the struggle of sketching to distract me. I was delighted and laughed out loud.  I knew where the rough spots in the production might be, but everything flowed smoothly. 

This show directed by Kaitlyn Harrington, and with Destiny Sam as the stage manager won the top honor as the Best Show of the night. I felt so proud, because I knew the blood sweat and tears over 24 hours that went into the magic that happened that night. “Don’t count the days, make the days count.” -Mohamed Ali

Play in a Day Tech

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After lunch the cast of The Dinner Conversation had a chance to walk through the production on stage for lighting and sound cues. Tracey Jane wrote a magnificently simple everyday family drama set in a Family Pizza Corral where you can build your own pizza. Because of this there were no complex lighting cues, making Blue Estrella‘s job fairly straight forward.

At the end of the show Jac (Jac LeDoux) and Ken (Ken Preuss) are working on a slice of pizza together. It was decided that a reference to the potter’s wheel scene in Ghost would be funny at that moment. In that scene in the movie Demi Moore it turning a pot and Patrick Swayze snuggles up  behind her and together they sensually finger the clay together. The same sensual moment was recreated only with pizza. I can’t imagine a more sensual moment. In my sketch I put Mel, (Melanie Leon) on house left. Her hilarious stage presence lit up every scene.

Tech was quick and efficient, leaving the rest of the afternoon for the actors memorize their lines before the curtain went up at 7pm.

Pineapple Pizza Deviant

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 At the Play in a Day rehearsal for The Dinner Conversation written by Tracey Jane, Jac (Jac LeDoux) and Ken (Ken Preuss) are on a date at Family Pizza Corral. Jac was opening herself to the possibility of a new relationship after being divorced for a year. The date was interrupted by the sudden unexpected arrival of Jac’s two children, Mel (Melanie Leon) and Ben (Ben Preuss).

At the Family Pizza Corral, you get to make your own custom pizza. In this sketch Ben is mashing his dough with far more brute force that is needed. He is angry to find his mom with another man. He went to college and while he was gone she got divorced. The restaurant used to be a place that the family went to, representing some of the happier memories with his father and mother together.

Mel was a bit more playful, choosing to tease her mom about her “needs.” Jac is between a rock and a hard place in hoping her children can accept Ken. Ken can’t win. When he offers Ben some sausage, Ben angrily shoots back that he is a vegetarian. When Jac defends him to her son, she explains that Ken is a good man and that they should give him a chance. Then Ken hold out a tray of Pineapple.

This is a bridge too far. Melanie shouts out PINEAPPLE does NOT belong on pizza! Jac has to agree this is one thing that everyone in the family can agree on. Jac tries to smooth over the situation by trying to get Ken to just pick another topping. She is sure that people are watching. This is a pure comic relief. All the pent up family drama dissipates as the family rallies behind this strange and unexpected pizza deviant. It was the contrast between sweet and savory. I’ve been known to want a burst of sweet even on a slice.

As Jac tries to explain that everyone has their own personal tastes, Ben suddenly shouts out that he is gay. After a pause to take in the information, Jac is caring and accepting. She then goes on to say she is proud of him because at that moment he was a man in her eyes.  It was a heart warming family moment which Ken missed as he obsessed over his very strange pie.  The warmth of the message was so powerful because is was proceeded by so many laughs. The pain of growing up was welcomed with open arms.

The Dinner Conversation

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At Play in a Day, I spend the entire day sketching the rehearsals for The Dinner Conversation by Tracey Jane. After the cold reading at the blue round table the cast moved to the main staging area, a long red table with a series of trays lined up. I loved that the long table and the round table visually created an exclamation point. Everyone still had the script in hand but director Kaitlyn Harrington stood on the opposite side of the table guiding the actors for the staging. The setting was a Family Pizza Corral. All-You-Care-to-Create Buffet. “You Make It. We Bake It!” Jac, (Jac LeDoux) was on a date with her “Special Someone” Ken (Ken Preuss). She was a recently divorced mom of two college kids who were returning home, on the brink of consummating her first new relationship after

the end of a long marriage.

Every line of their playful exchange hinted at sexual innuendo. Ken was a food critic but had never been in the Pizza Corral. He and Jac had spent time getting to know each other but this was the first night out with the possibility of desert. However Jac wanted her kids to meet Ken before “going there.” She wanted her kids to meet Ken the following night. Being a gentleman, he was fine with waiting. As they snuggle close, pressing their fingers in the dough, Jac’s kids, Ben (Bennet Preuss) and Melanie (Melanie Leon) entered the restaurant.

Melanie brought a delightful level of comedy to the awkward exchange. Woman to woman, she spoke of enjoying toppings and of courser some sausage. Melanie had learned all about men with some healthy experimentation in college. While Melanie was playful and teasing her mom, Ben was sullen and angry that his mom was out with another man a year after the divorce. At one point he shouted, “That man is definitely NOT my dad.” The irony in that statement is that Ken, in real life, off the stage, IS Ben’s father. There were so many multi layered meanings and insider jokes in this 10 minute production that made it such a delight to discover. I watched the play performed over and over all day long as they rehearsed and it never grew old. I just loved the characters more as they were fleshed out. I was lucky to have encamped myself with this clever and fun script and cast.

Play in a Day

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Play in a Day is as its name implies a fast paced day where the the plays are written and produced in just one day. The nine writers were given the theme and their individual ‘twist’ at
the beginning of a 12-hour period of their own choosing and that was their
window for creating the script for their original 10 minute play. The directors and performers knew nothing of their script until it was unveiled to them bright-and-early Saturday morning, they then had one day to produce the work by that evening’s opening curtain at 7pm.

Play in a Day 2019 had 107 participating artists, 82 of them, including every playwright, director and stage manager, were women. In addition, each production team was assigned a title under the umbrella theme “Men”. The #MeToo movement inspired a female empowered cast and crew since women are a powerful force in the Orlando theater community.

When I arrived all the actors and crew were gathered in the Lake Howell High School (4200 Dike Rd, Winter Park, FL 3279) cafeteria. There were donuts, beagles and other breakfast items. I sipped some caffeine to get my drawing hand twitching. Each production crew already seemed to be grouped together and I wondered which production team I should sketch. Since I had sketched actress Melanie Leon before in various shows around town, I asked if she could talk to her director about having an artist shadow their rehearsals for the day. The director agreed and soon I was sketching them as they performed the first reading of the play at a small round table.

The table was already a perfect setting since the play written by Tracey Jane was titled “The Dinner Conversation.” Tracy had worked remotely and couldn’t be at the rehearsals but her humor and heart felt writing, affected every scene and interaction between the characters. Around the table sat director Kaitlyn Harrington, who was open to suggestions as the actors became familiar with their parts, yet she guided them deftly. The stage manager was Destiny Sam. The actors were Ken Preuss, his son, Bennet Preuss, Melanie Leon, and Jac LeDoux. Over the course of the day I got to see the challenges overcome as the cast committed lines to memory and transformed into their characters. The tight deadline created a level of team work and support among artists that was absolutely inspiring.

100% of the proceeds from Play in a Day went
directly to the BMP Theatre Scholarship Fund and TOP TEENS. This money
allows teens to attend master class intensives on all areas of theatre,
film/TV, arts administration, activism, acting, directing, play writing,
tech, education and leadership. The artists get to study for the month
of June and then present a showcase. Scholarships are given to the
artists to use to pursue their respective areas in the arts as they
wish.

Visual Fringe

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The Orlando Fringe Winter Mini-Fest is January 9-12, 2020 inside the Lowndes Shakespeare Center at Orlando’s Loch Haven Park.  I saw several Facebook posts about the Visual Fringe tent and had to head out to see it for myself. The Visual Fringe is headed up by the incomparable actress, Melanie Leon whose comedic prowess has livened up several of the shows I have sketched at Fringe and around town. In front of the Visual Fringe tent were about a dozen orange lawn chairs so that an audience could sit of they liked to watch all the at happening.  I was happy to sit in a chair (theater seat) and started sketching. Melanie and George Cudo were seated in front of me. She joked with me and made me feel very much welcome.

I sketched Warren Hart (Famous After Death) who was working on a bold robotic image painted on a board covered in newspaper clippings. I loved the Famous After Death tag an wish I had thought of it. Also working was Osha Awesome who was doing a mixed media piece with melted crayons. Famed beside her were several framed Yin and Yang symbols with rainbows of melted wax.

After sketching Famous After Death, I checked out his portfolio on the table. It was a thick book full of gorgeous bold poster imaged from movies and other themes. I heard that he produces the work in Illustrator but he also explained that the iPad and Procreate have changed the way he works. He is desperately hoping that Procreate eventually gets vector based features which means images created could be blown up to any size. Since I have fallen in love with the program as well, we had much in common. It was awesome to meet another artist who is embracing technology in their everyday creative process.

Tonight is the last night of the Fringe Winter Mini Fest. To see a show you need to buy a $3 Mini Fest Button. Show tickets are separate and prices vary. Some shows I had sketched before during the 2019 Fringe.

The remaining shows…

12:45am Staged Reading Series: Gertrude Stein’s Do Let Us Go Away, a play.

12:45am Staged Reading Series: Spider Queen.

2:15pm Winnie’s Roch Cauldron Cabaret.

2:30pm 90 Lies an Hour.

2:45pm The Myrtle Sisters – Out of Time.

4:00pm St Kilda

4:20pm Danny Darkly’s California Screaming.

4:30pm The Dissection of a Mixed Heritage Woman.

5:45pm Six Chick Flicks. (SOLD OUT)

6:15pm Eddie Poe.

6:15pm The Lightweight.

7:30pm How to Really, Really, Really Love a Woman.

8:00pm Larry.

8:00 My Left Tit.

9:15pm Becoming Magic Mike: An Action Adventure Comedy.

9:45pm Flori-DUH.

Black Wood at Fringe

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Pam and I happen to have been binge watching Dark Shadows, a goth 1960s live TV show. The show ran for an incredible 1,225 episodes. We are still watching the first season, though it seems like it has been forever. Black Wood, written by Steve Schneider and directed by David Russell, recreated what it might be like for the cast of that tradition of live TV. I have a rather personal memory of watching Dark Shadows as a child. My mother was diagnosed with cancer and she spent most of her time in a NYC hospital away from our suburban New Jersey home. Towards the end, she came home and I would sit in bed with her watching Dark Shadows each day. To me the show seemed dark and sinister, often dealing with people struggling to stay alive after having their blood sucked away by Barnabas Collins… a VAMPIRE! This was one of the last memories I had of being close to my mom. I was 10 years old.

Black Wood featured a young method-acting student, Caroline (Melanie Leon) landing a prize role right after graduating from acting school. Her excitement and enthusiasm was thrilling. The long time cast of the show, however, was jaded, just trying to get through each episode without stumbling. To open her first appearance, Caroline read an opening monologue into the mic. Her throaty, reflective, and dreamy performance was perfectly in line with every intro that proceeded the actual on-air drama. In her monologue, she dreamed of how her life would change once she was finally confronted by Black Wood. The intern on the program, William (Hannibal Callens), was black and he tried to hold back a giggle. This was an ongoing joke.

The cast were professional actors faced with having to go live before the cameras for each show with only a brief rehearsal and script rundown. The sinister vampire of the series was Peter, playing Victor (J.D. Sutton.) He had a magnificently chiseled face, reminiscent of Vincent Price. One constant when watching the TV show live is that actors often stumbled horrifically over their lines. In this stage comedy, Victor as an aging actor was the one who would forget his, leaving the cast stunned as they tried to redirect him on the live broadcast. It left room for plenty of comedy and dark terrified stares off into the scary unknown.

This is my favorite Fringe show so far. I have the advantage of being in the midst of watching Dark Shadows. If you have never seen the goth 1960s drama, then some of the subtle jokes might be missed. But I had a blast. When Caroline let it slip that she was proud to be working on a soap opera, the whole cast gasped. They didn’t like referring to their show as a soap opera. They preferred to call it a daytime drama. Soap operas suck, but reality bites. I am certain that Barnabas Collins would approve.

Tickets are $12 plus a $10 Fringe Button. Show dates are:

Thursday May 16, 2019 at 8:45 PM to 9:45 PM

Saturday May 18, 2019 at 3 PM to 4 PM

Wednesday May 22, 2019 at 1:45 PM to 2:45 PM

Saturday May 25, 2019 at 1:45 PM to 2:45 PM

Sunday May 26, 2019 at 10:45 PM to 11:45 PM

Buggin Out: A Small Musical

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This was a small musical for kids at the 2018 Fringe. The premise is simple enough, Mitch (Austin Palmer) is a shy Monarch Butterfly who has just molted and he is concerned about his new look. Tina the toothless termite (Melanie Leon) offers him some solace.

The show’s original songs are composed and performed by SAK keyboardist Ryan Goodwin, house left. The rhymes were playful and light-hearted. A large storm swept into Bugville and Mitch and his friends needed to bond together to ride it out. This high stakes scene had the actors crouched down together center stage behind chicken wire. The moral that kids, and perhaps parents, might take from the show is that friendship helps ride out any storm. In a time when divisiveness seems to be the daily norm, it is nice to hear a message that encourages kids to work together rather than fight.

The Complete History of America (Abridged)

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CFCArts is presenting The Complete History of America (Abridged) at the CFCArts Black Box Theatre, (250 SW Ivanhoe Blvd. Orlando, FL 32804). It was a bit tricky to find at Central Christian Church on Lake Concord. Parking was in back behind the church.

The show is a tongue in cheek roller coaster covering the history of America from Columbus to the modern day. I had seem actress Melanie Leon at Fringe in a musical called Buggin’ Out. She has an expressive way of using every nuance of a gesture to convey her thoughts,  and so I knew she would be very funny in the show. She sat in the audience several times and each time she got the audience members to interact with the cast on stage. Justin Hughes and James Blaisdell also kept the energy high in this fast paced show. There were fast paced costume changes galore, and a mysterious bullet kept sneaking into each period of history.

From the moment the actors took to the stage the lights flashed and they performed with over the top vaudevillian zeal. The trenchers of World War I were represented by several overturned chairs. The weapons they carried turned out to be high powered water guns and they sprayed the audience. I leaned forward and then closed the sketchbook to protect my sketch from the ravaged of war.

The final number was going to be either a high spirited Broadway musical number or a Film Noir mystery. A vote was put to the audience and we clearly wanted the Broadway number but at the last second it was decided that the Broadway number might have had the popular vote, but the Noir won based on the electoral college. The audience moaned.

The evening was a fun flippant and interactive experience which is perfect for the July 4th holiday. If you want a laugh with your fireworks, go see The Complete History of America (Abridged).

The remaining show dates are:

July 5, 2018 at 7:30pm

July 6, 2018 at 7:30pm

July 7, 2018 at 7:30pm

July 8, 2018 at 7:30pm

Tickets are $15 to $18.