Snow Globe: Blower Exchange

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In this shot from Snow Globe, Big Birdie (Carrie Lauren) stood in her driveway and Guy (Neil Parren) had parked in the street, smugly leaning against his car. The couple had separated or were divorced.

At first Gregory Mohn, behind the camera considered having the red car parked diagonally in the driveway, but when it was backed up into the street to be repositioned, he decided it made sense for Guy to not even bother to use the driveway. I liked the look of the circular cul-de-sac, the definition of which is: a route or course leading nowhere. It was fitting.

Birdie offered to give guy the leaf  blower. She after all was civilized and would not need such a loud obnoxious device. The closest they got to one another is when she handed it to him, extended at arms length. There is a painful moment that happens when you realize that you are never going to see a person who you spent decades of your life with. There had been some good times. But Guy’s girlfriend, Her (Crystal Hanley) was in the passenger seat. He had already started building a life together with someone new. When he put the blower in the back seat of his car he realized he had something to return to Birdie. It was the snow globe. He casually threw it to her. They were about 12 feet apart. Now, keep in mind, this is the only snow globe prop available. To keep it safe multiple shot were done where he acted like he was throwing it but kept it in his hand. Similar shots were done of Birdie acting like she was catching it.

Then the critical shot had to be done where Birdie actually caught the snow globe and reacted. She was moved onto the grass and someone with serious baseball experience stood a few feet from her to lobe the snow globe to her. He coached her saying she should use her body to catch the globe and just cradle it with her hands. Multiple shots were done and I gasped every time. Then the fatal toss happened. The globe slipped through her hands and fell to the ground. There was absolute silence on the set. In slow motion, the globe bounced multiple times and settled between the Saint Augustine blades, unharmed. There was one toss which was a bit too high and Crystal reacted in absolute terror that the globe might fall again. I am certain that will be the shot that ends up in the final cut of the film.

In the next shot the hatchback of the red car was opened and cameraman Gregory sat looking back at Birdie. I had to quickly pack up my art supplies since I would have been visible in the long dolly shot. I hid in the garage with director, Tracey Jane and the mechanical garage door rolled shut. As the car slowly pulled away Birdie got small in the distance. The monitor was set up in the garage and the shot looked beautiful. Tracey was glowing.

There was another scene that was to be shot this day in the pool area after lunch, but I had to drive back to Yalaha to teach virtual classes. There were delicious empanadas for the crew. I slipped one into a napkin for the road. This was the moment where I got to share my sketches with Tracey. Her excitement left me overjoyed. She called members of the crew over to look. Gregory kept saying he could not understand how I did what I do. But I have just as much respect for the entire crews mad skills.

This would be the final sketch of the three day short film shooting marathon. It was certainly an adventure for me and I am so grateful I was allowed into the creative fold. When the film premiers I plan to sketch the red carpet while cleaned up in a fresh tuxedo.

Snow Globe: Dolly Shot

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The fireplace was removed to make way for a small track for a dolly shot. The fireplace flames are a sort of projection. It was discovered that the fireplace also makes sound so it was turned off since the flames were not visible in the shot.

Since there was no fireplace in the home of my last roommate situation, we used to turn on the large screen TV and run a 12 hour fireplace video during the winter as we worked on family history research on the couch. There is something soothing about watching the flames and listening to the snapping and crackling. That fire burnt itself out. I now set a fire each evening in a fire pit in the back yard of the Yalaha Studio. I am still burning roots and branches from the Hurricane Milton storm damage. Watching the flames is my way to relax and reflect after a day of sketching, painting and teaching. The TV has never been used except on New Year’s Eve.

On set, the mother, or Big Birdie (Carrie Lauren) and daughter, Claire (Miya Montague) sat uncomfortably on the couch as far apart as was possible. The camera moved slowly forward as they stared into the imagined flames.

As cameraman, Gregory Mohn was setting up for this shot, he shouted out that anything in the kitchen that shouldn’t be seen had to be moved since it was visible in the shot. All the crew snacks and drinks were on the counters. Writer, Director, Tracey Jane was in the kitchen and I noticed her trying to move some things with her one good hand. Her other hand was in a cast. I dropped my sketch to help her out.  We moved some sort of fondue or crock pot set out into the garage and other items went up on the refrigerator out of sight. Several spiky dog balls were moved into her bedroom, which was now the actors dressing room.

Her pup, Luigi was all muscle and energy and would play with anyone who would grab his octopus. Since my artist stool it pretty low, I played with him quite a bit to get some of the energy out of him. That plan seemed to backfire since playing with him just amped him up even more. He had to go out in the back pool area when shooting began, but he just pawed at the sliding glass doors and whined to get back inside. A neighbor had to be called to give him a walk so the scenes could be shot.

Tracey watched the scene on a James Bond style black case that had a monitor. The stool she sat on squeaked, so she had to remain perfectly still. If I needed to grab a new pen or brush, I made sure to move in slow motion so as not to make a sound as well. This was a quiet somber moment between mother and daughter and a moment when they would truly connect. The conversation between mother and daughter was soft and muted. I am so used to actors shouting to the rafters in theater productions. The boom mic held my Arturo, and a hidden mic in the couch must have caught it all.

Snow Globe: The Monitor

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In this scene being shot for Snow Globe, Claire, (Miya Montague) and her mom Big Birdie, (Carrie Lauren), sat on a couch staring at a fire in the fireplace after returning from a funeral. This shoot had been delayed a week because Carrie had been horribly sick.

When I  arrived and was walking towards the house, Miya and her mom Brandi had also just parked. I thought Brandi might be the actress but her daughter was going to be the star for the day. As the room was being prepared for the shoot Brandi volunteered to vacuum the set. I helped by moving furniture, since I wasn’t sure where to set up to sketch yet.

This scene took most of the morning to shoot. In it, Claire stood up and walked to the mantle of the fireplace to pick up the Snow Globe. A message from her now deceased Grandmother was taped to the bottom. There was an obvious somber attitude to the scene but director Tracey Jane wanted a contrast between the two characters. Mom, or Big Birdie was to be emotionally distraught, but Claire who was clever and a problem solver, was supposed to offer hope and insight at this darkest hour. Maya was having difficulty finding that balance. Each take of the scene she projected a somber attitude. Tracey kept coaching her to lighten her mood and someone suggested that Miya needed to do some jumping jacks just to boost her energy level.

The dialogue was so soft that I couldn’t hear very well from where I sat. The boom operator kept the mic right on top of Maya as she spoke. Carrie’s mic was right near her hidden in the couch.  Eventually a shot was done which captured the exact mood and energy that Tracey was hoping for.

Manny Plaza-Fernandez sat looking at the monitor. It was his job to be sure each shot was in perfect focus. In one two shot, the mom had some dialogue and then the camera had to rack focus on to her daughter Claire. Tracey wanted that rack focus to happen on a particular line of dialogue and Manny made it work. Gregory Mohn behind the camera often consulted Manny because he was almost always right. Collaboration made each shot work.

Snow Globe: Young Birdie

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This was the first day of shooting of Snow Globe in the home of writer, Director Tracey Jane. This scene was to be shot in the den right off of the entry hall. I liked the painting of an angel with golden wings above the piano. A portrait of a classical quilled scribe had to be replaced with a more generic 1970s abstract in muted izod colors.

GregoryMohn was behind the camera and he wanted these shots to be a worms eye view looking up at the giant piano. The piano itself had been moved from another room, but that task was complete by the time I got to the set. Arturo worked the boom to record sound.

In this shot Little Birdie (Addison Sanders) pushed a small footstool close to the piano so she could reach up for the snow globe. Her mother Grace (Audra Darbyshire) was up on a stairway landing and saw what their daughter was up to and she ran down the stairs to stop her. Addison’s true parents were in the hallway to coach and offer support. It was so cute watching the young actress accomplish each task in turn and then freeze in embarrassment. Tracey was wonderful in keeping the young girl’s energy up. Audra, was quite believable as Addison’s mom. She got on her knees and interacted playfully. There was a warmth to every playful shot.

There were so many close ups to be shot, of the young girls feet padding across the floor, of her pushing the stool, and the moments as she reached for the globe. There was only 1 snow globe, so it was treated like a golden talisman. It could not, and must not be broken.

What would be an instant in the final edited film, took hours to shoot. I was asked several times, how I could sketch so fast, and yet each sketch took several hours to complete. Artists function in slow motion recording an instant in a world of ever evolving, fast paced chaos.

Tracey Jane has a habit of telling stories that reach in and grab me by the heart. There is wonder and aspiration followed by sorrow and then hope. In my mind she was directing this film with one hand tied behind her back, because she had injured her left hand and it was still in a cast. This short is told in a nine page script but the emotional resonance spans decades. I respect and admire any artist who can strum my heart strings so effortlessly.

Snow Globe: Director’s Chair

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The film shoot for Snow Globe at the Semoran Skateway was going until late in the night. It would be past 5am before equipment would be packed back up.

At this point in the shoot, the two actresses, Grace Violla as Teen Birdie and Payton Hubert as Liv, Birdie’s best friend, were being shot skating around the rink.

Writer and director Tracey Jane was in the concessions area watching the shots on a monitor. Rather than a luxurious directors seat with a megaphone, she sat on  a humble packing crate. Most of the extras were also seated in the concessions area. These were die hard skaters who were itching to get back out on the rink. The rink house music was no longer playing and they just sat chatting at the tables. Interest waned since they couldn’t sit passively, and they started heading for the door. Each walked over the Step Down warning tape and past the Power Roll machine on their way to the exit. Tracey realized she was loosing her extras who wanted music and the rush of skating. There were other shots that required skaters in the background. There was no way stop the exodus.

The next shot that required extras had teen birdie fall and skaters rolled past her as if she didn’t exist. To accomplish this shot the few remaining extras simply roller skated in a tight circle around birdie and the camera. This kept the few remaining extras in the tight shots on birdie. The rink felt crowded on the monitor. That is movie magic right there.

Tracey Jane had two of her other short films at the Love Your Shorts Film Festival in Sanford, Florida. Those films are Life is Torture ( A Simply Medieval Musical) and The Heatbreak.  This was the Florida Premiere for both of those films. It seems to me Tracey Jane is on fire, and I am so happy I got to witness some of the creative magic first hand. I loved making my animated short film, but that was a solitary effort. Tracey works with a creative army and manages to keep all the demands and emotions of everyone involved in check. That is no small task.

Snow Globe: Consessions

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I was sketching on the set of an independent film shoot at Semoran Skateway (2670 Cassel Creek Blvd Casselberry FL.) The short film being shot was called  Snow Globe written and directed by Tracey Jane.

I was sketching the rink from the concessions area and once that sketch was finished I simply turned around to sketch as lighting was being set up. A lighting tech had just set up a large flood light to illuminate that far end of the concessions stand. That is where the scene being shot played out. I could watch what was being shot on the monitor beside me.

I tried to sketch the lighting tech several times but he was in constant motion. Instead I sketched the young skater behind him. At this point I had no idea who was in the cast and who was an extra. A group of die hard skaters were seated at the table beside me so they were most likely extras. The skater I was sketching turned out to be Teen Birdie or Grace Violla. She was the lead for many of the scenes shot at the rink. She had a crush on a handsome boy but he ended up writing the number of her best friend on his hand. Tracey Jane who was seated in front of me explained that this was Grace’s first time acting for film. I was happy I had caught Grace in the sketch even if by mistake.

A Halloween Carol Workshop

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I was honored to sketch at the world premiere of A Halloween Carol musical written and composed by local playwright Tracey Jane. I had sketched at a prior rehearsal so I knew several songs from this unique spooky musical but this would be the first time I could experience the whole tale. I arrive at the artist’s call time at the stage door. I helped the musical director (Billy Williams)  move a few folding chairs into the theater and then considered what my best angle might be to sketch the circular stage.

Tracey suggested I sketch from a wooden balcony that had been set up and that was indeed the best vantage point. At first all the actors sat on the circular stage but then the musical director asked for all the actors who were not wearing a mic to stand in front of the stage. This was how they rehearsed until the house opened. However for the final performance they all returned to the stage. This made for a challenging sketch opportunity.

The show as a delightful retelling of Charles Dickens Christmas Story. This story however took place in the present in a high school. Carol Cratchit (Alessia Preda) was visited by her BFF Marley Jacobs who had left for Idaho. As a song put it, she didn’t die, you know; she moved to I-DA-HO!” The show is about facing ones fears and indeed Carol is visited by 3 ghosts, the Ghost of Halloween Past, The Ghost of Halloween Present, and in a tense verb twist, The Ghost of Halloween Past Perfect.

Past Perfect (Carson Holly) gave a particularly memorable performance that left the audience stunned for a moment. Another amazing performance was by Alessia Preda as she sang “Electricity” about her crush Evan Neezer (Jacob Steele). Barnaby (Stephen Lewis) had everyone including Alessia in stitches as he performed as a happy hamster who loved life but unexpectedly passed away. In the talk back after the show, Tracey explained that her family got a hamster during the pandemic but hamsters only live 2 years, so he did not live to see the possible end of the pandemic. He lay on his back with his feet in the air and the cast sang “Barnaby’s Eulogy”. His foot twitched ever so slightly from the effort. Tracy gave him wings and a halo and he hilariously walked his way up the blood soaked staircase, disappearing into the greenroom.

I don’t think I will unveil the ghoulish plot twist that is at the core of this macabre tale. This workshop which showcased the 26 or so songs, is just the beginning of this show’s evolution. The rich orchestrations by Christopher Robinason were pared down for this workshop to just piano and percussion. The music will truly shine when performed by a full orchestra. The soundtrack will be available for sale and the hope is to raise enough through patrons and sales to fully stage the production in 2023.

 

A Dinner Conversation: Best Show

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Pepe (Rob Ward) acted at the MC for the evening for Play in a Day. The auditorium was packed but I found a good spot on the sidelines to sketch from. Nine plays were presented all with the common theme of “Men”. Playwrights had 12 hours to write their plays and the actors and production team had 12 hours to polish and produce the plays. I followed the play written by Tracey Jane, titled The Dinner Conversation. I knew from sketching the rehearsals all day that this was a warm hearted romantic and very funny production. I was of course rooting for them to pull together and create magic on stage.

Pepe introduced each ply in turn and a bongo player accompanied him at one point. Genevieve Bernard choreographed a beautiful dance piece titled, Our Bodies Our Choice. Four woman dancers and on man performed a dance the told a story of abuse followed by a woman’s empowerment. It was bold and left me thinking. They won as the best ensemble for the evening.

Jac LeDoux and Ken Preuss were on a date at the Family Pizza Corral. The set simply consisted of a long red table on which were a series of trays where custom pizzas could be made. I was rooting for their happiness after starting life afresh after divorce. Tracey Jane made the script super easy for the actors because the characters were simply named after the actors playing the part. There were no new names to memorize. When Bennet Preuss and Melanie Leon entered things heated up. Melanie was hilarious with her sexual innuendos and double meanings behind everything she said. She just loved poking fun at her mom and embarrassing her. Melanie’s hilarious performance won her an award as Best Actress. 

While Mel was poking fun, her brother Ben was sullen and resentful.  His mom got divorced while he was away at college and now that he was back she was starting a new relationship with another man.  Jac was loving and caring at every turn and wove an analogy between personal pizzas and individual tastes. However when Ken considered putting pineapple on his pizza, the family had to unite against his pure insanity. He was a food critic and should have known better. Food and family drama were perfectly combined. For this performance I just sat as an audience member to soak it in without the struggle of sketching to distract me. I was delighted and laughed out loud.  I knew where the rough spots in the production might be, but everything flowed smoothly. 

This show directed by Kaitlyn Harrington, and with Destiny Sam as the stage manager won the top honor as the Best Show of the night. I felt so proud, because I knew the blood sweat and tears over 24 hours that went into the magic that happened that night. “Don’t count the days, make the days count.” -Mohamed Ali

Play in a Day Running Lines

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At Play in a Day, the pressure started to build in the afternoon as the actors started running lines to memorize the script of The Dinner Conversation by Tracey Jane. At times they would go through the script at breakneck speed and other times they would run through at pace. Sometimes actors would pare off and work together in another room to help each other in cementing the lines into memory. Some actors knew their lines forward and backwards right from the start while others had to work hard to commit the lines to memory. The drama of these artist supporting each other grew more pitched as the opening curtain loomed around 7pm that night.

On the fence outside there were inspirational sayings from celebrities written on the fence. One was, “I can accept failure, but I can not accept not trying.” –Michael Jordon. Another was “Do not pray for an easy life, pray for the strength to endure a difficult one.” –Bruce Lee. Each saying seemed directed towards the actors as they pulled together to produce a play in just 24 hours. The script had heart, sincerity and humor. I knew I was watching some amazing theater magic. They might stumble through lines in rehearsal but on stage some undefinable force would pull everything together.

“Mistakes are proof you are trying.” -Unknown. Every sketch I do feels like a series of mistakes. It is reassuring and inspiring that live theater is as human an art.

Play in a Day Tech

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After lunch the cast of The Dinner Conversation had a chance to walk through the production on stage for lighting and sound cues. Tracey Jane wrote a magnificently simple everyday family drama set in a Family Pizza Corral where you can build your own pizza. Because of this there were no complex lighting cues, making Blue Estrella‘s job fairly straight forward.

At the end of the show Jac (Jac LeDoux) and Ken (Ken Preuss) are working on a slice of pizza together. It was decided that a reference to the potter’s wheel scene in Ghost would be funny at that moment. In that scene in the movie Demi Moore it turning a pot and Patrick Swayze snuggles up  behind her and together they sensually finger the clay together. The same sensual moment was recreated only with pizza. I can’t imagine a more sensual moment. In my sketch I put Mel, (Melanie Leon) on house left. Her hilarious stage presence lit up every scene.

Tech was quick and efficient, leaving the rest of the afternoon for the actors memorize their lines before the curtain went up at 7pm.