Black Wood at Fringe

Pam and I happen to have been binge watching Dark Shadows, a goth 1960s live TV show. The show ran for an incredible 1,225 episodes. We are still watching the first season, though it seems like it has been forever. Black Wood, written by Steve Schneider and directed by David Russell, recreated what it might be like for the cast of that tradition of live TV. I have a rather personal memory of watching Dark Shadows as a child. My mother was diagnosed with cancer and she spent most of her time in a NYC hospital away from our suburban New Jersey home. Towards the end, she came home and I would sit in bed with her watching Dark Shadows each day. To me the show seemed dark and sinister, often dealing with people struggling to stay alive after having their blood sucked away by Barnabas Collins… a VAMPIRE! This was one of the last memories I had of being close to my mom. I was 10 years old.

Black Wood featured a young method-acting student, Caroline (Melanie Leon) landing a prize role right after graduating from acting school. Her excitement and enthusiasm was thrilling. The long time cast of the show, however, was jaded, just trying to get through each episode without stumbling. To open her first appearance, Caroline read an opening monologue into the mic. Her throaty, reflective, and dreamy performance was perfectly in line with every intro that proceeded the actual on-air drama. In her monologue, she dreamed of how her life would change once she was finally confronted by Black Wood. The intern on the program, William (Hannibal Callens), was black and he tried to hold back a giggle. This was an ongoing joke.

The cast were professional actors faced with having to go live before the cameras for each show with only a brief rehearsal and script rundown. The sinister vampire of the series was Peter, playing Victor (J.D. Sutton.) He had a magnificently chiseled face, reminiscent of Vincent Price. One constant when watching the TV show live is that actors often stumbled horrifically over their lines. In this stage comedy, Victor as an aging actor was the one who would forget his, leaving the cast stunned as they tried to redirect him on the live broadcast. It left room for plenty of comedy and dark terrified stares off into the scary unknown.

This is my favorite Fringe show so far. I have the advantage of being in the midst of watching Dark Shadows. If you have never seen the goth 1960s drama, then some of the subtle jokes might be missed. But I had a blast. When Caroline let it slip that she was proud to be working on a soap opera, the whole cast gasped. They didn’t like referring to their show as a soap opera. They preferred to call it a daytime drama. Soap operas suck, but reality bites. I am certain that Barnabas Collins would approve.

Tickets are $12 plus a $10 Fringe Button. Show dates are:

Thursday May 16, 2019 at 8:45 PM to 9:45 PM

Saturday May 18, 2019 at 3 PM to 4 PM

Wednesday May 22, 2019 at 1:45 PM to 2:45 PM

Saturday May 25, 2019 at 1:45 PM to 2:45 PM

Sunday May 26, 2019 at 10:45 PM to 11:45 PM

The Explorer’s Club sweeps into the Mad Cow with hilarity.

While walking downtown to go to The Explorer’s Club dress rehearsal at the Mad Cow Theatre, I saw a fun run poster that announced, “We bring the hilarity to charity.” This predicted the tone for the entire evening. Perhaps a dozen people sat in the audience for the dress rehearsal. Written by Nell Benjamin the show runs from January 22 through February 22.  The comedic farce debuted in NYC’s off-Broadway in 2013.

It’s a crisis in 1879 London when the members of the prestigious Explorers Club are threatened by the potential membership of…a woman! Eric Pinder as botanist Lucius Fertway is responsible for nominating the woman, who is the accomplished explorer, prim and proper Phyllida Spotte-Hume played by Heather Leonardi . She’s made an in-depth study, “NaKong Tribe of the Lost City of Pahatlabong,”.  “They have hunted nearly all the animals to extinction,” she reports,
“and are forced to subsist on a jerky made of toad. The toad is
poisonous. But most of the poison boils off when the toad is poached in
urine.”she explained. The club members are all quite impressed, but Professor Sloane (Glenn Gover), a religious fanatic, sticks his nose in the air proclaiming her discoveries are fine but she is a woman and there has never been a woman in the Explorer’s Club. When the men retire for cigars and sherry she is told she would have to wait outside.

Glen Glover, Simon Needham and Eric Pinder were all members of the cast at Walt Disney World’s Adventurers Club. This was one of my favorite spots to visit when I used to work for Disney Feature Animation. The club was crowded with objects that were found from around the world. One huge mask on the wall used to make comments about patrons at the bar. Unfortunately, the Club was closed in 2008, along with all the other nightclubs in favor of retail stores
and restaurants. When I saw the set in the Mad Cow by William Elliott, memories flooded back. The gazelles and masks in this club however remained sadly mute.

It turns out that Lucius has nominated the petite Phyllida because he has a crush on her. He went so far as to name an exotic flower after her. That attraction is mutual, but Club President Harry Percy (Simon Needham) decides that he is the brainless hulk of a man that Phyllida deserves. Although Phyllida confides in Lucius, Harry is sure that his swagger will win her over. She has brought back a member of the lost tribe who she has named Luigi (Ryan Gigliotti). He is covered in blue paint and has the annoying habit of slapping people in the face as a form of introduction. When he is brought before the queen of England, all hell breaks loose when he slaps her as well. Hilarity ensues as the intrepid explorers try to return God and country to normalcy. In their eyes, science will always win.

The director David Russell was seated a few rows behind me with his laptop. After the show he encouraged the cast to push the envelope in exploring the quirky lunacy of their parts. He seemed a bit disappointed that there wasn’t more laughter from the audience. Since there were only a few people in the test audience, the sparse laughter was understandable. When there is a full house the story could be quite different. As a disguise, Luigi posed as the club’s bartender. He mixed drinks using liquored of every imaginable color with no regard to a recipe. To serve the drink, he would shout, “Your drink sah!” and slide it quickly off the bar top. Club members had to dive to keep the drinks from crashing to the floor. David encouraged the players to avoid playing it safe. It a drink crashed to the floor it wouldn’t be the end of the world. I was seated in the front row and there were moments when I thought I might be in the splash zone.

The Explorers Club”

What: A comedy by Nell Benjamin

Where: Mad Cow Theatre, 54 W. Church St., Orlando

When: Opens Friday, Jan. 23; 7:30 p.m. Thursdays-Saturdays and two Mondays, Feb. 2 and 9; 2:30 p.m. Sundays; through Feb. 22

Cost: $24.25-$36.75; $17 on Mondays

Call: 407-297-8788

Online: madcowtheatre.com

Post PechaKucha Blues

Pecha Kucha, pronounced (petsha  kutcha) means chit chat in Japanese. Eddie Selover organizes Petcha Kucha events here in Orlando. I had sketched several of these events in the past and I decided to do a presentation myself. The evening consists of Power Point presentations by about 9 presenters. The catch is that each Power Point slide is on the screen for only 20 seconds and there is no way for the presenter to pause or talk for too long. 20 slides for 20 seconds results in a concise six minute presentation. The original organizers came up with the format because they realized that if you give some people a microphone they might never stop talking about the first slide.

There were just two rehearsals held at the Orange Studio, 1121 N. Mills Avenue Orlando FL, in the weeks before the presentations. I simple picked 20 sketches and then wrote copy about my artistic journey since starting the blog. In theory it sounds easy right? WRONG! Being able to time the talk and knowing the slide is about to change any minute is nerve wracking. I have never given a talk in front of 300 people so this was a big step outside my comfort zone. The same week I had to lecture to a room full of students for the first time as well. When it rains it pours. With the writing in hand I felt comfortable but it is hard to slow down and sometimes pause, so there is time for the slide to change. It is much like driving 100 miles an hour down a highway and then having a traffic light every mile. In the first rehearsal I realized that when nervous, I speed ahead and then the slides never have a chance to catch up. Rehearsals were a supportive, safe atmosphere since we were all walking the same tight rope.

The theme for Pecha Kucha V12 was “Love” in honor of Valentines Day so many of the presentations were intensely personal. Going through this experience, I got to learn quit a bit about each of the presenters.  Our presentations got better at each rehearsal. The group as a whole grew stronger as we gave each other suggestions and feedback.  Becky Lane who teaches public speaking at Full Sail, actually took the time to coach me and give me pointers right before the last rehearsal. Based on her suggestions, I removed titles from each slide and instead added a sentence about the person or place pictured. I was writing these notes on the script only minutes before doing my rehearsal run through. I tripped up on a couple of notes that literally made no sense.

On presentation day, February 7th, I rehearsed in my studio all day till the timing clicked into place. I kept adding words or deleting them till the flow was just right. I felt confident but nervous. I had to get to the Orange Studio two hours before show time. I  ran out of the studio and drove several miles in the rain before I realized that I forgot my script which was sitting on the desk at home! I quickly did a 180 in a panic. David Russell of Sac Comedy Lab had us do warm up exercises. We stood in a circle and threw Zip, Zaps, and Zoops at each other. It was a good way to get us to bind together and laugh.

I was the eighth presenter being sandwiched between Carolyn Moor and Kristen Manieri. Each of us got up to the mic for a sound check before the audience arrived. There was a computer monitor about three rows back in the center isle that would show the slides. My voice echoed and bounced around the room. Before me was a sea of white empty folding chairs. Since it was raining, I hoped no one would show. We had to be sure to stay right on top of the mic. I adjusted the mic and it slipped free of the stand and crashed to the floor with a loud thud. Well, that is what rehearsal is for. It better not happen again. One more thing to worry about.

The event was sold out. 300 people crowded into the folding chairs. Emily Empel gave an inspiring talk about how Orlando needs to find a quirky, creative and inspired future. Max Jackson talked about love and the human brain. He spoke with a machine gun fast delivery offering so much information that it was almost hard to keep up. He had memorized his entire talk. It was impressive and daunting. I was strictly “on book.” I had to read what I had written on 8 1/2 by 11 sheets that were stapled in the corner. Being visual, I needed to see each sketch beside my words. Carolyn delivered an incredibly honest and emotional roller coaster with her story of love, loss and strength found in supporting others. I had to wipe away tears, and I heard Kristen equally moved beside me. In the end, her story was uplifting and showed how people become stronger when they care about each other. It was a hero’s journey.

I was still choked up when I stepped up to the mic. “I love to draw,” I began. I started off on a good footing but after several slides, I glanced up at the monitor and instead saw a young woman  three rows back who looked a bit like Caroline, but with jet black hair and straight bangs. I realized after a moment that it was Carolyn’s daughter. I wondered what she thought of her mom’s presentation. As these thoughts rattled through my head, I flipped forward in the script by mistake. I was not in the moment. I improvised a bit as I re-found my spot. I was getting close to panic mode. I might crash and burn. Then I spotted a woman seated in front of Carolyn’s daughter. She smiled at me reassuringly. That smile saved me. Everyone seated in the room wanted me to present this material well. Back on track, I delivered the rest of the talk with confidence.

Kristen Maneri’s presentation seemed flawless. She had so much on the line letting the crowd know how she and her husband saved their sex lives by marking Tuesdays and Saturdays on the calender for evenings of intimacy. Her advice to also schedule romantic date nights to nice restaurants is being worked into my own calendar. My wife Terry wasn’t able to go to the presentation. She was seeing a client down in Miami. She did see a rehearsal and on that evening I finished the talk with, “I couldn’t do what I do without the love and support of my wife Terry.” It is very true. But, partly because of the lost time in my stumble, I left the final line off.

I have never stood in the front of a room full of people clapping. That kind of validation is usually for the performers I sketch. When I stood in line with all the presenters, for the final bow, I felt so proud and happy. It was a euphoric feeling. Then, as the crowd dispersed, people kept coming up to shake my hand and tell me about creative projects that might interest me. Caley Burke spoke about a NASA Tweetup event I should document, Roger Gregor told me about a children’s book he wrote that needs an illustrator, Carynn Jackson offered an opportunity to document the Winter Park Paint out. I had put business cards and posters on a table and only a few cards were left behind. Emily told me that her goal, in being a presenter was to find one new friend. That thought made me happy. That should be my goal anytime I try something new.

The first two rows were full of friends and family of Carolyn’s. They enveloped her in loving support. Kristen’s husband held her close. I suddenly felt alone. Swami World Traveler asked where Terry was. When I told him, he said, “That’s kind of ironic considering the evening’s theme.”  He suggested I join him and a friend at a new restaurant a few blocks away on Virginia. I needed to go out and sketch to clear my buzzing head. My calender showed an event by Kitchy Kittens at the Caboose in Ivanhoe Village. It was drizzling as I drove over to look. The Caboose is a real smoke filled dive bar and nothing was happening inside so I decided instead to go to Washburn Imports, 1800 N Orange Ave, Orlando, FL. In the back of the huge antiques shop is a bar called “The Imperial“. I ordered a raspberry flavored beer and sat at a round table with two other men who didn’t mind me joining them.

They talked about the one in a million chance that a friend of theirs had found the perfect girl. I felt hollow as I sketched. This sketch outing was a self inflicted exile. The road less traveled. I identified with the guy standing in the middle of the room, sipping his beer and wanting some human connection while I hoped for some sketchable drama.

The two guys at my table left and they were replaced with a birthday party of three couples. The birthday girl wanted to see what I was up to and she complimented the sketch. One guy said to me, “Hey, I recognize your sketches, I’ve seen them online. Great work.” We introduced ourselves and then he returned to the ongoing conversations and I returned to the sketch. Is this what my life would be like, quick exchanges with people who know OF me, but who aren’t really friends? Working alone in a crowd usually doesn’t bother me. But I had just rubbed shoulders with some of the most brave, honest and inspiring people I have ever met in Orlando. This is what actors must feel like every time a show ends. When I got ready to leave the Imperial, I used the men’s room. When I came out, I noticed a couple kissing passionately on an antique couch removed from all the bustle near the bar. That could be such a good sketch, I thought, but no, I have my sketch already and I have to work in the morning.” When I got home, I couldn’t sleep.