Nerd Nite Orlando XIII

On March 13th, I went to Stardust Video and Coffee (1842 E. Winter Park Road, Orlando, Fl.) to experience Nerd Nite Orlando XIII.  I arrived early, ordered a Humus plate and a Coke and found a table with a sweeping view of the room. As people arrived, I populated the sketch. Nerd Nite Orlando is an evening of entertaining yet thought-provoking
talks across many disciplines – all while the audience drinks along in a
casual bar atmosphere. Speakers present for 20-25 minutes each on a
fascinating subject of their choice, often in an uncanny and
unconventional way.

It’s like the Discovery Channel – with beer!

Josh Manning, the founder and “Nerdboss” of Nerd Nite Orlando was the first speaker. His presentation was about “Chindogu: Unuseless Inventions” which translates to “really weird” (chin) “tool” (dōgu). This is the noble Japanese art of eccentric invention. Often causing more problems than they solve, chindogu ultimately serve no real purpose. Neither useful nor useless, they are therefore “unuseless” (similar to how “undead” means not dead and not alive). So what’s the point then? Unbridled creativity, of course! Chindogu are like anarchists that have broken free from the pragmatism of traditional invention. Come discover the wonderful world of unuseless creations that include baby mopsa tissue dispenser cap, and umbrella ties! Josh is always interested in new ways to think differently, he also co-organizes a group of employees at Kennedy Space Center called the “Spaceport Innovators.” In the 2nd grade he even entered an invention contest by submitting his “fishing backpack” creation, which was just his school backpack outfitted with a car air freshener so that he could carry around all the fish he caught minus the stink. He didn’t win any prizes, not even an honorable mention.

The second presentation was “Digital Heroes: How Video Games Can Save The World” by Carlos Donze  A growing body of evidence suggests that video games play (pun totally intended!) a larger role in brain development than previously thought. In this talk, he discussed their role in tackling some of the world’s seemingly insurmountable problems, such as personal happiness, poverty, and helping the terminally ill. Let Carlos show you how playing video games can translate in to real life power-ups!

Emily Empel presented,

Cards Against the Future: Generating Possibilities Instead of Predictions” Talking about the FUTURE is old school. All around us, societal “squares” are sanitizing our conversations about the future. These politicians, business leaders and academics rely on forecast models that reduce uncertainty. Some people like to think things progress along a straight linear path, but progress and change happens in sudden unpredictable surges. Let’s be real: the world is getting weirder. Forecasts that discount mystical, immeasurable,  elements limit our ability to fundamentally explore what’s ahead. In other words, exploring the future is a job for societal misfits, and total nerds. In the spirit of Chindogu, Emily showed a hilarious clip of a robotic ketchup dispenser. Obsessing over the FUTURE(S) is where it’s at.  She explores the present and the future according to a new set of rules. She is a trend spotter, marketing disciple, and corporate futurist. She provides executive management with strategic insights to identify emerging developments. Emily earned a Master of Science degree in Future Studies from the University of Houston. Her research has been featured by organizations such as The World Future Society and AlterNet. A former nomad, she’s slowly realizing, thanks to fellow Orlandoans and a lot of imagination, that Orlando doesn’t suck.

Emily wanted to talk after the presentations to brainstorm about a creative project she has brewing. Her pink haired friend Natalie Chandler kept me company as Emily discussed, and sometimes argued the future with people after her talk. Natalie confided that Emily is super busy yet she wants to layer this intricate creative project into her schedule over the next several months. Emily outlined the project that she and others are brain storming. The World Future Society Conference is coming to Orlando this July and she wants to put together a show for that conference. Tentatively titled, “Near Now” the project is aimed at
bringing together intellectuals and creatives who are interested in
exploring how the future of Orlando can unfold in 2030. I agreed to help bring together creative people that could help bring this vision to light. The seed is planted. So far, progress is slow but if it is meant to bloom, it will. The possibilities are limitless.

Orlando Folk Festival

On Sunday February 9th, I went to the 12th Annual Orlando Folk Festival at The Mennello Museum of American Art 900 East Princeton Street, Orlando, Fl. The had rained the previous day so everyone was happy for the sunshine. After talking with Tod Caviness and his wife Christin for a moment, I immediately focused on the kids painting a fence Tom Sawyer style. Of course Tom Sawyer only had white paint while these kids had their pick of the rainbow. Some kids would focus on a small area with laser beam attention to fine detail while others used the brush with bold bravado. I believe this fence is re-used every year and the paint is growing as thick as the continental crust. A volunteer would fill plastic cups with paint and put an artist’s smock on each child. Don’t mock the smock. Parents stood guard to be sure that the paint went on the wall rather than on other children.

The two stages for folk singers were behind me, so I got to relax to their gentle harmonies. People set up blankets and lawn chairs in the shade to listen. A family on a blanket near me had a bunch of kids who were getting antsy. I boy threw a stick that hit me in the back. The mom said, “Say your sorry Bobby.” He remained silent. “He really is sorry” she said. The kids started playing tag and I began to feel I was in the middle of a war zone. One little girl tripped over my art bag. They really weren’t looking where they were going. With the sketch done, I retreated to a quieter neutral zone.

I spotted Emily Empel and her friends and I sat to chat with them for the last set. Emily had been a presenter at Pecha Kucha on the same evening I had presented. It was interesting to hear her take about how the evening went. From my perspective Emily’s presentation had been flawless. But she confided that she had been very nervous that night. I think I had been to committed to what I had written and Emily felt the same. Other presenters memorized their talks while others just knew key points that they wanted to cover. Becky Lane, a speech coach at Full Sail had encouraged me to just have key points but I was already too committed to the exact words I had written. Regardless, looking back at the video, the presentation went pretty well. I’m glad I stepped outside my comfort zone. I need to do that more often.

When the band finished playing I headed home. l bumped into Carl Knickerbocker who had his “Art Car” at the festival. He used large magnetic sheets to cover a car with his bold Suburban folk images. He has a short film in this year’s Florida Film Festival titled “The Last Orange Grove in Middle Florida.” I can’t wait to see it.

Post PechaKucha Blues

Pecha Kucha, pronounced (petsha  kutcha) means chit chat in Japanese. Eddie Selover organizes Petcha Kucha events here in Orlando. I had sketched several of these events in the past and I decided to do a presentation myself. The evening consists of Power Point presentations by about 9 presenters. The catch is that each Power Point slide is on the screen for only 20 seconds and there is no way for the presenter to pause or talk for too long. 20 slides for 20 seconds results in a concise six minute presentation. The original organizers came up with the format because they realized that if you give some people a microphone they might never stop talking about the first slide.

There were just two rehearsals held at the Orange Studio, 1121 N. Mills Avenue Orlando FL, in the weeks before the presentations. I simple picked 20 sketches and then wrote copy about my artistic journey since starting the blog. In theory it sounds easy right? WRONG! Being able to time the talk and knowing the slide is about to change any minute is nerve wracking. I have never given a talk in front of 300 people so this was a big step outside my comfort zone. The same week I had to lecture to a room full of students for the first time as well. When it rains it pours. With the writing in hand I felt comfortable but it is hard to slow down and sometimes pause, so there is time for the slide to change. It is much like driving 100 miles an hour down a highway and then having a traffic light every mile. In the first rehearsal I realized that when nervous, I speed ahead and then the slides never have a chance to catch up. Rehearsals were a supportive, safe atmosphere since we were all walking the same tight rope.

The theme for Pecha Kucha V12 was “Love” in honor of Valentines Day so many of the presentations were intensely personal. Going through this experience, I got to learn quit a bit about each of the presenters.  Our presentations got better at each rehearsal. The group as a whole grew stronger as we gave each other suggestions and feedback.  Becky Lane who teaches public speaking at Full Sail, actually took the time to coach me and give me pointers right before the last rehearsal. Based on her suggestions, I removed titles from each slide and instead added a sentence about the person or place pictured. I was writing these notes on the script only minutes before doing my rehearsal run through. I tripped up on a couple of notes that literally made no sense.

On presentation day, February 7th, I rehearsed in my studio all day till the timing clicked into place. I kept adding words or deleting them till the flow was just right. I felt confident but nervous. I had to get to the Orange Studio two hours before show time. I  ran out of the studio and drove several miles in the rain before I realized that I forgot my script which was sitting on the desk at home! I quickly did a 180 in a panic. David Russell of Sac Comedy Lab had us do warm up exercises. We stood in a circle and threw Zip, Zaps, and Zoops at each other. It was a good way to get us to bind together and laugh.

I was the eighth presenter being sandwiched between Carolyn Moor and Kristen Manieri. Each of us got up to the mic for a sound check before the audience arrived. There was a computer monitor about three rows back in the center isle that would show the slides. My voice echoed and bounced around the room. Before me was a sea of white empty folding chairs. Since it was raining, I hoped no one would show. We had to be sure to stay right on top of the mic. I adjusted the mic and it slipped free of the stand and crashed to the floor with a loud thud. Well, that is what rehearsal is for. It better not happen again. One more thing to worry about.

The event was sold out. 300 people crowded into the folding chairs. Emily Empel gave an inspiring talk about how Orlando needs to find a quirky, creative and inspired future. Max Jackson talked about love and the human brain. He spoke with a machine gun fast delivery offering so much information that it was almost hard to keep up. He had memorized his entire talk. It was impressive and daunting. I was strictly “on book.” I had to read what I had written on 8 1/2 by 11 sheets that were stapled in the corner. Being visual, I needed to see each sketch beside my words. Carolyn delivered an incredibly honest and emotional roller coaster with her story of love, loss and strength found in supporting others. I had to wipe away tears, and I heard Kristen equally moved beside me. In the end, her story was uplifting and showed how people become stronger when they care about each other. It was a hero’s journey.

I was still choked up when I stepped up to the mic. “I love to draw,” I began. I started off on a good footing but after several slides, I glanced up at the monitor and instead saw a young woman  three rows back who looked a bit like Caroline, but with jet black hair and straight bangs. I realized after a moment that it was Carolyn’s daughter. I wondered what she thought of her mom’s presentation. As these thoughts rattled through my head, I flipped forward in the script by mistake. I was not in the moment. I improvised a bit as I re-found my spot. I was getting close to panic mode. I might crash and burn. Then I spotted a woman seated in front of Carolyn’s daughter. She smiled at me reassuringly. That smile saved me. Everyone seated in the room wanted me to present this material well. Back on track, I delivered the rest of the talk with confidence.

Kristen Maneri’s presentation seemed flawless. She had so much on the line letting the crowd know how she and her husband saved their sex lives by marking Tuesdays and Saturdays on the calender for evenings of intimacy. Her advice to also schedule romantic date nights to nice restaurants is being worked into my own calendar. My wife Terry wasn’t able to go to the presentation. She was seeing a client down in Miami. She did see a rehearsal and on that evening I finished the talk with, “I couldn’t do what I do without the love and support of my wife Terry.” It is very true. But, partly because of the lost time in my stumble, I left the final line off.

I have never stood in the front of a room full of people clapping. That kind of validation is usually for the performers I sketch. When I stood in line with all the presenters, for the final bow, I felt so proud and happy. It was a euphoric feeling. Then, as the crowd dispersed, people kept coming up to shake my hand and tell me about creative projects that might interest me. Caley Burke spoke about a NASA Tweetup event I should document, Roger Gregor told me about a children’s book he wrote that needs an illustrator, Carynn Jackson offered an opportunity to document the Winter Park Paint out. I had put business cards and posters on a table and only a few cards were left behind. Emily told me that her goal, in being a presenter was to find one new friend. That thought made me happy. That should be my goal anytime I try something new.

The first two rows were full of friends and family of Carolyn’s. They enveloped her in loving support. Kristen’s husband held her close. I suddenly felt alone. Swami World Traveler asked where Terry was. When I told him, he said, “That’s kind of ironic considering the evening’s theme.”  He suggested I join him and a friend at a new restaurant a few blocks away on Virginia. I needed to go out and sketch to clear my buzzing head. My calender showed an event by Kitchy Kittens at the Caboose in Ivanhoe Village. It was drizzling as I drove over to look. The Caboose is a real smoke filled dive bar and nothing was happening inside so I decided instead to go to Washburn Imports, 1800 N Orange Ave, Orlando, FL. In the back of the huge antiques shop is a bar called “The Imperial“. I ordered a raspberry flavored beer and sat at a round table with two other men who didn’t mind me joining them.

They talked about the one in a million chance that a friend of theirs had found the perfect girl. I felt hollow as I sketched. This sketch outing was a self inflicted exile. The road less traveled. I identified with the guy standing in the middle of the room, sipping his beer and wanting some human connection while I hoped for some sketchable drama.

The two guys at my table left and they were replaced with a birthday party of three couples. The birthday girl wanted to see what I was up to and she complimented the sketch. One guy said to me, “Hey, I recognize your sketches, I’ve seen them online. Great work.” We introduced ourselves and then he returned to the ongoing conversations and I returned to the sketch. Is this what my life would be like, quick exchanges with people who know OF me, but who aren’t really friends? Working alone in a crowd usually doesn’t bother me. But I had just rubbed shoulders with some of the most brave, honest and inspiring people I have ever met in Orlando. This is what actors must feel like every time a show ends. When I got ready to leave the Imperial, I used the men’s room. When I came out, I noticed a couple kissing passionately on an antique couch removed from all the bustle near the bar. That could be such a good sketch, I thought, but no, I have my sketch already and I have to work in the morning.” When I got home, I couldn’t sleep.