Valentines Day Sketch Tour notes.

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These are thumbnail studies made at the Valentines Day Sketch Tour. Kelly Medford from Rome was offering advice on making simple value studies. I used a blunt black colored pencil to quickly fog in some grey valves and line work. Although the exercise wasn’t about color, I couldn’t resist adding a few watercolor washes. The color swatches were added to show the colors available with the palette we gave each student. First a thick swatch us added with plenty of pigment. Then the color was thinned with to of water to show how light values cool be achieved. Our lakeside classroom felt a be in like a Colosseum with the gentle arch of the shoreline.

After all the mornings sketches, we all took a lunch break an found food from vendors in the Mennello Museum’s Folk Festival. After lunch it was my turn to inspire artists to try and populate their sketches. I posed and the had several students pose to give everyone an idea of how to quickly block in a figure. Then I explained one and 2 point perspective and had student create a for grid plane. They then took the figure studies the Did and added them to the grid plane. Large figures were is the foreground and small figures were is the background. Then we all explored the crowded Folk Festival, with the objective to incorporate as mane figures in one sketch as was possible. We agreed to return to our quiet lakeside classroom to share the results.

Orlando Folk Festival

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On Sunday February 9th, I went to the 12th Annual Orlando Folk Festival at The Mennello Museum of American Art 900 East Princeton Street, Orlando, Fl. The had rained the previous day so everyone was happy for the sunshine. After talking with Tod Caviness and his wife Christin for a moment, I immediately focused on the kids painting a fence Tom Sawyer style. Of course Tom Sawyer only had white paint while these kids had their pick of the rainbow. Some kids would focus on a small area with laser beam attention to fine detail while others used the brush with bold bravado. I believe this fence is re-used every year and the paint is growing as thick as the continental crust. A volunteer would fill plastic cups with paint and put an artist’s smock on each child. Don’t mock the smock. Parents stood guard to be sure that the paint went on the wall rather than on other children.

The two stages for folk singers were behind me, so I got to relax to their gentle harmonies. People set up blankets and lawn chairs in the shade to listen. A family on a blanket near me had a bunch of kids who were getting antsy. I boy threw a stick that hit me in the back. The mom said, “Say your sorry Bobby.” He remained silent. “He really is sorry” she said. The kids started playing tag and I began to feel I was in the middle of a war zone. One little girl tripped over my art bag. They really weren’t looking where they were going. With the sketch done, I retreated to a quieter neutral zone.

I spotted Emily Empel and her friends and I sat to chat with them for the last set. Emily had been a presenter at Pecha Kucha on the same evening I had presented. It was interesting to hear her take about how the evening went. From my perspective Emily’s presentation had been flawless. But she confided that she had been very nervous that night. I think I had been to committed to what I had written and Emily felt the same. Other presenters memorized their talks while others just knew key points that they wanted to cover. Becky Lane, a speech coach at Full Sail had encouraged me to just have key points but I was already too committed to the exact words I had written. Regardless, looking back at the video, the presentation went pretty well. I’m glad I stepped outside my comfort zone. I need to do that more often.

When the band finished playing I headed home. l bumped into Carl Knickerbocker who had his “Art Car” at the festival. He used large magnetic sheets to cover a car with his bold Suburban folk images. He has a short film in this year’s Florida Film Festival titled “The Last Orange Grove in Middle Florida.” I can’t wait to see it.

Folk Festival

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On Saturday February 9th I went to the Mennello Museum Folk Festival to do a sketch before I went to work. When I arrived bright and early, vendors were still setting up. Two large dog sculptures by Dale Rogers were standing nose to nose in the center of the lawn. Twenty 8-foot-tall, 10-foot-long dog
sculptures made of rusty steel are found all around the museum. The red collars with nametags on the
sculptures indicate those dogs that have been “adopted” to benefit local
animal charities. The Sculpture Garden is always open and dogs on
leashes are welcome. The dogs remain on exhibit through March 3, 2013

Dan Savage at the Sabal Palm Press table was busy selling the Florida environmental books on display. He had a natural knack for small talk and he made a sale as I was sketching.  Highwaymen painters had several tents set up behind me. I noticed a woman starting to do intricate lace work and wished she had been working earlier. She would have made a good sketch. Gordon Spears was walking tent to tent trying to find out which vendors vehicle was blocking traffic in the museum parking lot.

The sound stage had it’s first performers doing children’s songs. As soon as I finished my sketch I had to head off to work. Children in Indian costumes started dancing to a drum beat. They were doing a butterfly dance. The Mennello Museum sent out a heart felt “Thank You” to all the talented people that made the festival possible.

Lace Makers

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Terry and I returned to the Mennello Museum of American Art for the second day of the Folk Festival. Our first order of business was to go in the museum since admission was free for the day. On display was “Style & Grace, which was a magnificent collection of paintings from the Michael & Marilyn Mennello collection. There was a large golden statue of Marilyn in a gorgeous long flowing dress in the room to the left of the entry. I felt a bit sad since she had passed away, yet this sculpture was beautiful as was all the art she collected. There were so many paintings from artists whose work I love and respect. There was a whole wall full of John Sloan landscape paintings and a Robert Henri portrait right in the entry. Robert Henri was a fantastic teacher as well as a painter. I studied his color theories in detail and he is still teaching me today.

On display in the gallery to the right of the reception desk was, William H. Johnson: An American Modern on loan from the Smithsonian Institution. Arranged chronologically, the paintings begin when he was a student in France as he experimented in different styles. His later work, started in Harlem, New York, showed his hard edged maturity. As Terry and I walked around, I pointed out how some of the paintings focused on important details in certain spots while letting bold brushwork fill the remaining canvas. This is something I’m just beginning to learn with my sketches. A lesson learned over hundreds and hundreds of sketches. She let me know that it is this kind of insight into the process that she appreciated me sharing. I need to learn to share my thoughts verbally more often.

Before going to the Mennello, I brought Terry to Avalon for a couples Valentine Tarot Card reading. My aura was bright yellow with a candle flame flickering. Terry’s aura was filled with presidential figures. Between us stood a totem pole. Two column of Tarot cards were dealt out with one card between at the top. Terry picked the column of cards closest to her. She was blown away by her reading. Things said about her mother were spot on. My column had the death card in the mix. That implied change is coming my way. The common card between us was a heart pierced by three swords.

In college, I copied a painting of a Lacemaker by Vermeer in the first painting class I took as a freshman. Perhaps for this reason I decided to sketch Peggy and Anne as they clicked their small wooden bobbins, creating intricate lace patterns. A small lace pattern was started on a red pillow on a card table and occasionally Peggy would coach someone on the intricacies of the craft. A young Spanish man sat down and tried his hand at the Mundillo process, Peggy coached him calmly. She said, “I’ve been doing this longer than you have been on this Earth.” When she saw my sketch she said, “I’ve never been sketched before doing what I love to do.”

Crooked Road

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At the Mennello Museum Folk Festival music stage, Crooked Road played its blend of Celtic folk music. Natalie Doyle was on piano, Kathleen Cavanagh on pipes, Vicki Gish on fiddle and Scott Vocca on banjo. A slender wisp of a girl did Irish dances to the music, kicking her feet up with her arms straight at her sides. Mothers and their children played in the grass. It was a cool and very windy day. The large mobile sculpture in bright reds, yellow and blue moved slightly in the breeze. Children clamored up on Its cement base and tried to crawl through the hole in a blue shaped pyramid. One of the artists tents started to take flight and people rushed in to help keep it grounded. As I walked past the artist was ripping off the tent panels until only the skeletal structure remained.

When the band finished playing, Kathleen told me that I had to add the bands new byline, “We prevent murders.” Vicki explained. A woman had gone to their concert and she had been having a really bad day. She approached the band after and said, “I was ready to murder someone, but after listening to your music, I feel great!”

The Ashley Gang

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I started this sketch knowing I only had 20 minutes to work before this final act finished. I sketched with the hope that they might do an en chore but I had no such luck. The fellow in the wheel chair right in front of us was very enthusiastic. After each song he would shout out “You guys are great!” When The Ashley Gang lead singer told the audience that CD’s were available afterwords, the guy in the wheel chair shouted out “I want 5!”. The performer behind the mic then told the audience “You all can learn something from this fellow up front. He is our answer to a folk musicians bailout package”.

Folk Festival

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This presidents day weekend the Mennello Museum of American Folk Art hosted the 7th annual Orlando Folk Festival. Admission was free. There was a stage with live music and a collection of tents with folk art and local crafts artists. The tent just right of center in this sketch was set up for the Kerouac Project. When Terry and I walked up to say hello to Kim and Summer, who were manning the booth, a woman named Helen, was looking at a photo of a Jack Kerouac residence in Orlando on Yates Street. She thought she recognized the house and called her brother in law who she thought might live there. The brother in law confirmed the address over the phone. Jack Kerouacs mysterious influence seems to be working to this day bringing people together.
While doing this sketch an artist approached me because he was curious about the Niji water brush I was using. I explained where he could get one without ever stopping work on the sketch. When he was leaving and saying goodbye, we glanced at each other for the first time. It turns out he is Brian who was my first supervisor when I started working at Disney over a dozen years ago. Brian works for Disney Merchandising to this day. He had many story’s to tell me of how the Animation Building had been taken over by management after the executives closed the Florida studio. Apparently every square inch of space is now cut up into cubicles and the only hint that for over 10 years the building was at the forefront of a golden age of animation is an animators jacket which has been encased in glass and hung near the bathrooms.