Lucia Di Lammermoor


I attended a final dress rehearsal for Donizetti’s bel canto masterpiece Lucia Di Lammermoor in the Steinmetz Theater in the Dr. Phillips Center for the Preforming Arts. (445 S. Magnolia Avenue
Orlando, FL). Presented by Opera Orlando, this was an impressive production.

Music is by Gaetano Donizetti with libretto by Salvadore Cammarano. The opera is Sung in Italian with English and Spanish super-titles. Since I was sketching I didn’t have time to read the super-titles.

What is particularly interesting about the show is that they styled it to resemble Game of Thrones. It is a tale of love, betrayal, and madness, Lucia is torn between allegiance to her family and her love for Edgardo–her brother Enrico’s sworn enemy. A forced marriage leads to tragic ends for all involved in this gorgeous operatic treatment of Sir Walter Scott’s gothic romance The Bride of Lammermoor.

Particularly impressive were the large celebrations with crowds of guests in gothic attire. At one such celebration the partners turned and gasped when they saw Lucia stumble down the steps in a white dress holding knife covered in blood. Her disruption took center stage as she sang her sorrowful aria. Again I didn’t read the translation, but read the meaning in every guests reaction of horror and bewilderment.

I started a second sketch towards the end of the production. Time was short, this was the final moments of the opera. Singers stood around a funeral pyre.

I was among several dozen people who were in the second tier of the theater. The rest of the theater was empty. In the pit were members of the Orlando Philharmonic Orchestra. choreographer Mila Makarova, had dancers from the Orlando Ballet performing some sinister dance moves around Lucia as she went mad.

Next time I sketch a production from so far away, I plan to bring opera glasses. I used them in the courtroom for the Pulse Nightclub shooting case, but realize now I need them when seeing a theater production from afar.

Performances are on Friday | April 19 at 7:30 p.m. and  Sunday | April 21 at 2 p.m. Tickets start at $29.

Phantasmagoria presents: A Christmas Carol & The Canterville Ghost

If you are looking to kick off the Holiday season with a taste for the macabre, then join Phantasmagoria as they present  “Ghost Stories” this Christmas season. They will bring to life and the bitter sweet taste of death to not one but TWO whimsical classics. The well-loved A Christmas Carol, A Ghost Story of Christmas by Charles Dickens, followed by Oscar Wilde’s rollicking The Canterville Ghost.

I sat in on a dress rehearsal for the show at the Dr. Phillips Center for the Performing Arts. The set felt like an abandoned attic with carousel horses flanking the stage. Projections on a large screen behind the set changed the settings with ease. I fell in love with the faint flickering candle light that illuminated the various corners of the stage.  That meant I needed to keep the scene dark so the candles could shine.

A Christmas Carol is a well loved and very familiar classic. Phantasmagoria added its dark and vaudevillian steampunk styled flair to the story. John DiDonna as Scrooge lived in the old man’s skin. I have seen him perform this roll many times over the years. Daniel Cooksley as Marley, draped in chains did an amazing job filling the stage with his his twisted and agonized self. Of the three ghosts, the ghost of Christmas future was magnificently designed. Much larger that life, the dark draped figure gestured with gnarly black branches for hands.

The Canterville Ghost offered a much lighter tale full of light hearted dance. It was the yin to Dickens dark and foreboding Yang. There are two more performances December 3–4, 2022 at the Alexis & Jim Pugh Theater, in the Dr. Phillips Center for the Performing Arts, 8 p.m. and 2 p.m. Tickets are about $35.

After Pulse: Joe Saunders

Advisory: Please note that this post is about the Pulse nightclub massacre on June 12, 2016. It contains sensitive and difficult to read content.

Joe Saunders is a former State Representative and a senior political director at Equality Florida and formerly staff at the Human Rights Campaign. He is an Orlando LGBT activist. Pulse opened while Joe was a student at UCF. The club anchored it’s outreach around college students. His roommate became a bartender at Pulse. His first apartment was just a few blocks from Pulse.

Joe was in North Carolina doing political response work. He had worked crazy hours like 15 hours a day. At 2AM his phone lit up with a text chat thread from a group of friends in Orlando. He was till working at 2AM. People were saying something is happening at Pulse. One friend was in an apartment within view of the club.  He kept hearing bangs which could be multiple gun shots.

The text thread search began, who was out and where they safe. After waking the next morning by 10AM he had to return home to Orlando. After a quick plane flight be got to the gay and lesbian center for a press conference held there. The Center is not a huge space. A huge bouncer was a the door directing people. The windows had fogged up. You had to carve your way through all the reporters and cameras that were packed into the room. The space was full to capacity. Equality Florida announced at the press conference that they wanted to do a vigil at Lake Eola.

Plans began for the vigil began right away. The city of Orlando was concerned about security. Could a copycat shooter show up at the vigil? The city ultimately decided the Dr. Phillips Center for the Performing Arts would be a safer option and easier for police to defend. Police snipers were on the roof of the Methodist Church and City hall just in case anything went down. Joe was the MC for the vigil. The vigil became one of the most important visual moments of the Orlando community response to Pulse and it came together in 6 hours.

Air Play

Air Play presented by Orlando Health is set up in Senef Arts Plaza in front for the Dr. Phillips Center for the Performing Arts through October 30, 2022. I went to sketch with my advanced Urban Sketching student and we found that everything was deflated on Sunday afternoon. It was like a large lawn of sad deflated Santas and snowmen that people have on their front lawns around Christmas time. We decided to sketch these large eyes of Sauron in the corner of the lawn since they were the only things that remained inflated.

Between the eyes is a large green generator. As we sketched a guy came out with a cart that had 10 to 15 gallons of gas to power the generator. When it roared to life all the structured on the lawn slowly began to inflate. The large structures were covered with brown tarps and those tarps had to be rolled back much like you might see at a baseball game after it rains.

Penis shaped mushrooms sprouted up behind one of the eyes along with a large red ant. Bright red and yellow flowers covered a hillside which was probably a kid’s slide. Someone then rolled the eyes away to the opposite side of the lawn. It turns out you can roll these eyeballs around and play a distorted game of eyeball soccer. Also on the lawn was a large 15 foot tall heart, lungs and what looked like human intestines. It was a bright, Gulliver sized recreation of Normandy beach on D-Day.

A young teen girl and her boyfriend rode by on those scooters they have downtown. She circled back and wanted to see our sketched. She didn’t know how to use the scooter, and when she stepped off, it did a wheelie and flipped over onto the lawn. They rode by a second time to check on our progress. As we sketched the theaters let out and a huge crowd pressed past us. I masked up as they all walked by talking about the shows.

As of March 7, 2022, The Dr. Phillips Center for the Performing Arts lifted for all indoor shows and events both public and private. I saw maybe 2 masks in the crowd of hundreds who walked by. Orlando is done with the pandemic but the pandemic is not done with Orlando. The Orlando Sentinel reported that there were 22,592 new coronavirus cases recorded over the past two weeks among Florida residents, bringing the cumulative total to 7,129,245. There were 522 more COVID-19 deaths, bringing Florida’s total to 81,661 dead. When the Pulse nightclub shooting happened, people rushed to give blood. Now people are happy to ignore s literally hundreds of people die every week from COVID in Florida. The death baseline has shifted.

Phantasmagoria Dress Rehearsal

Phantasmagoria is presenting, Phantasmagoria XIII: Poe, Through the Tales Darkly at the Dr. Phillips Center for the Performing Arts. I went to sketch the final dress rehearsal. I unfortunately was running late but managed to get there for the final two scenes. The sketch therefor was a bit of a rush to complete since I usually pace myself to finish during the full run of a show. Regardless, I got something down.

Victorian Horror Troupe Phantasmagoria thunders onto the stage with the newest entry in their long running Halloween main stage series. They bring to life the tales and poetry of Edgar Allan Poe through their evocative storytelling, Phantastical dance, explosive stage combat, puppetry, projections, original music and MUCH more!

From the haunted stirrings of The Raven to the sheer terror of The Tell Tale Heart. . . and from the grim tolling of The Bells to the bittersweet grieving of Anabelle Lee along with a selection of other whimsical, macabre, and terrifying stories and poems, you are invited to celebrate an evening of Poe’s works. The perfect way to usher in the Halloween season!

The show runs October 6-8  at the Alexis and Pugh theater. Tickets are $35.

Romeo Y Julieta: Flamenco Smolders in Verona

Flamenco del Sol presents Romeo Y Julieta at the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL 32801). A little girl in the row in front of us was dressed with a rose in her hair and a flowing flamenco dress. Later a woman who might have been her aunt also showed up in a customary flamenco gown. The show tells the story of Romeo and Juliet through dance. No words were spoken every story point and emotion was strictly delivered through dance. 

The star crossed couple met at an energetic dance party with everyone dancing as well as the children. Romeo spotted Juliet from across the crowded dance floor. They were instantly attracted not knowing at the time that they were from two families who were sworn enemies, the Montagues and the Capulets. In the next scene two gangs faced off, much like the gangs in West Side Story which is also based on the Romeo and Juliet saga. Instead of snapping fingers as they faced off they clapped and stomped threateningly. it was a highly effective was to show the animosity between the families.

Friar Lawrence (Carlos Rodriguez Gonzalez) offers to heal the rift between the families secretly married the couple. However tensions remained high and a push turned to a shove and Juliet’s cousin killed romeo’s friend. Romeo is beyond grief and instantly turns on Juliets cousin stabbing him. Romeo was banished. 

Nothing ends well in this sad tale, but the passionate flamenco dancing moved the action with amazing and ruthless sincerity. The story of Romeo and Juliet is well known by most theater goers so it was reassuring to rediscover this story just through dance and mime. The strong lighting and amazing dance numbers made very moment thrilling. The part of Julieta was performed by Tammy Weber De Millar who is the passionate director of Flamenco Del Sol. Gabriel Garcia the company drama coach clued me in about this amazing production.

Tonight February 9, 2020 at 7pm is the final performance. If you have never experienced Flamenco de Sol before you should get out and see this show. It is amazing. Tickets are $47.63. A portion of the proceeds will be donated to Ronald McDonald House Charities.

The Future of Arts and Culture in Orange County: Mayoral Candidate Forum

I went to a Mayoral Candidate Forum at the Dr. Phillips Center for the Performing Arts (445 South Magnolia Avenue Orlando, FL).

The Citizens for Cultural Vitality hosted the evening with the candidates for Orange County Mayor.

Arts leaders and those who care about the future of Central Florida’s arts and culture were invited to attend.

Conversation with the Candidates took  place in the Alexis and Jim Pugh Theater.

The Citizens for Cultural Vitality are an informal group of arts leaders and organizations who are committed to cultivating a thriving arts community in Orange County, the State of Florida, and beyond.

This forum was well organized because members of the arts community seated in the audience each had questions that had been carefully thought out before hand ready to ask each candidate. The candidates were Pete Clarke, Jerry Demings and Rob Panapinto.

I sketched candidate Jerry Demings who went on to become the Orange County Mayor. Since Jerry is our mayor I will print his responses to each question posed hoping that he stays true to his word.

Question: Will you support the creation of a public sector, ongoing dedicated funding stream for the arts that generates at minimum, an additional $5 million per year in funding for arts and culture beyond existing sources?

Demings:  In committing to a dedicated funding source for the arts, I would assemble arts and cultural groups along with the business community to discuss the best return on investment strategy for taxpayers. It is important to note that this is not my sole decision and there would need to be broader conversation with the Orange County Board of Commissioners. However, I support the continuance of the current rate of 3% of the first 4 cents (2% of the total) revenues from Tourist Development Taxes (TDT) currently collected and I would commit to increasing funding for the arts by $5 million from other revenue sources within my discretion as mayor. 

Question: In past years,the county dedicated $1 per capita from the General Fund for arts and culture in Orange County. That has dwindled to nearly .50 per capita in the past decade. Would you support the reinstatement of the $1 per capita in 2019 from the General Fund for arts support?

Demings: Yes, I would commit to funding a total of $1 per capita from any combination of County revenue sources.

Question: Orange County has invested excess TDT funding to recruit and support sporting events. The fund was seeded with $5 million and will be funded annually with an additional $2 million. Would you support an equivalent fund for arts and culture events?

Demings: As you are aware, the Mayor and Board of County Commissioners appointed a Review Committee that will meet this summer during the Budget Work Sessions to make recommendations on a spending plan for excess fees collected through TDT. Monies will be eligible for capital projects. If collections continue to outpace budgeted projections, I would support equivalency funds for the Arts with the Sports Commission.

Demings said that if arts groups can raise money on
their own, then he feels they should get tourism dollars to go with it.
Demings wants to give the arts and cultural affairs $2 million more
tourism tax dollars on top of the $5.6 million it already gets. Demings
said $500,000 of it would go to a facility rental and event fund. In May of 2019 he earmarking $42 million for arts and cultural projects.

Paint the Trail after Pulse

At heart Jeff Sonsken is an instigator. He creates art to ruffle feathers and make people think. He always loved painting and artwork growing up. It was something he always did on his own ever since he was a kid. He would get inspired and draw using colored pencils, he got into airbrushing. In college he was taking photography classes but he was doing airbrushing in his spare time.

After college he moved from Iowa to Orlando settling in Longwood. Painting the trail began sort of accidentally. During the 2008 housing bubble he was a carpenter working in million dollar homes building custom bookcases, offices, bars. Before the bubble bust everyone was living high on the hog. After the crash he started fixing kitchens. He painted a big sign on fence pickets and he was going to hang it on the trail where his parents lived to advertise his services. He decided against hanging it because he wanted time with his family. He felt disappointed since the sign was already painted but he kept driving. When he got home he picked up some pickets and battened them together base coated them and painted Einstein on them just so he had something to hang up. After Einstein he painted Yoda, and he put them up.

He thought people would be irritated but they weren’t. He was clearing out a spot for several panels and some guy on his bike stopped and asked if he was the guy that put the paintings up. He said, “Yea” expecting a possible argument. But the guy said, “I love it.” Soon a mom and daughter walked up and a small crowd gathered. The biker wanted him to paint Jack Lemon, the little girl asked him to paint Alfred Hitchcock. So when he left he had 5 more names for panels to be painted. He had a mission. He wasn’t getting paid, but he had something to do. When he finished the Jack Lemon piece the guy on the bike who requested it was riding by on the trail and he just rode past. He shouted out to him, “It’s Jack Lemon!” The jerk didn’t even stop. Every time he went out he would get more requests. After 6 months he started getting requests on the Paint the Trail Facebook page.

People wanted him to donate art to help cancer research or autism, he never said no. He found himself helping people who needed help. He realized he could have a positive impact even if it was just a drip in the bucket. He has done he would draw up someone’s family member and let them fill in the paint much as he did for Pulse families. That helped a lot of people. He has gone through a bit of a metamorphosis himself. He is going to do what he is doing for as long as he can.

Though many of the trail paintings are pop cultural references there will once in a while be a memorial portrait in the mix. On the third fence he was painting, there was a woman who lost her 15 year old to leukemia and he painted the portrait. He went to meet the. Out on the trail one day, and they were already waiting. They were maybe 100 years down the trail and he walked down the trail towards them. There were two little girls and the dad, and the mom. Dad was holding flowers. So he flipped the painting around when he was about 60 feet from her and the mom just dropped. He has done many painting like that where that is what he was left with. He knows he is doing something good for them but it felt like he was inflicting pain on them. When he gets them to do the painting themselves, he is left with a more uplifting feeling about the experience. They might cry while doing the painting but when they get back to him they relate that it was an amazing experience.

 After Pulse he knew he needed to do something but he didn’t want to do something right away. Though it has been close to 2 years since the shooting it feet like yesterday while in other respects it felt like 10 years ago. The memories aren’t fresh but he remembered wrestling with it. He had a hard time with it. It happened like 18 miles from his home while he was sleeping. The rainbows don’t sink in anymore. Those were his neighbors. We all share the same community, they were brothers and sons. He spent a couple of weeks just pissed off. This happens all the time. You can’t even feel safe in your own town. It doesn’t matter where you go this could happen anywhere, a shopping mall a movie theater. We lost our mind as a civilization.

He did paint the skyline of Orlando in reference to Pulse. On Facebook he came across a video of people dancing. It didn’t make him feel happy. It tore him up. After that video he felt compelled to paint every face. He wanted people to see all their faces in one shot. As he completed each portrait he shared them on his Facebook page and families would share thoughts on his page. Once it was finished he took it to the Dr Phillips Center Memorial. Now any time there is another mass shooting people ask him to paint the number of people. No artist can keep up with those demands. He needs to think about his kids, and himself. At any moment you could be at the wrong place at the wrong time. Life was never like this before. It is crazy now. Middle school kids an high school kids are used to this new reality. Who knows what the answer is.

The trail is basically paint on wood so it can not last forever. He was doing some repairs and realized he can’t keep up with it. The more he creates the more maintenance there is. It is impossible to add up all the money he has invested. It is an expensive hobby. At some point people will have to swap out their fences when the wood rots. He creates a separate panel of fence and screws it right on to the back of an existing fence making it sturdier. When a hurricane blows through he has to think about taking sections down. Art might not last but it can help us anchor our thoughts and memories.

Jessica Domingo Going Away Party

Jessica Domingo joined the Orange County Regional History Center in the aftermath of the Pulse nightclub shooting.She specifically joined the staff to help in cataloguing and preserving all of the memorial items collected from the Dr Phillips Center of the Performing Arts, Lake Eola and Pulse. This was a monumental task  since there were so many memorial items left and and the constant Florida rains, humidity and bugs made preserving the collection a challenge. She spent most of her time at the museum’s offsite storage facility which is in a huge warehouse.

When Hurricane Irma hit Orlando in 2017 as a category 2 storm, the warehouse roof was damaged when a rooftop access portal the size of a manhole cover was blown free and the heavy cover ripped holes in the flat roof. Unfortunate some Pulse memorial items were on the floor as they were being triaged for conservation and cataloging. Ceiling panels from the interior ceiling soaked up water leaking from the roof and fell to the floor exploding like wet bombs. Items on the floor got soaked. Pam Schwartz the museum head curator was on the scene shortly after the storm passed and assessed the damage. The staff was quickly called in to help clean up the damage. I was on site to help by making a pile of all the ceiling panels and debris  while leaving the artifacts for the museum staff to recover.

Water caused mold to build up inside the off site facilities walls and dehumidifiers were moved in and all the interior walls had to be replaced while protecting the collection with floor to ceiling plastic tarps. All of that is to say that Jessica’s job became all the more important after hurricane Irma. Conservation of memorial items did not include trying to flatten paper documents from water damage. The everyday Florida rains had already soaked and wrinkled any papers left at memorial sites. However mold could not be allowed to spread. Which reminds me I have a small pile of paintings and sketches which were also damaged by hurricane Irma. Water blew its way in through my downtown studio apartment windows soaking a small stack of art I had left near the window. I am sill debating if that work will end up in a landfill since it is damaged with black mold.

Jessica has family out west and her grandmother needed care so she decided she had to leave Orlando. A party was held at Pam Schwartz’s home. I sketched briefly between food and games. Whitney Broadaway‘s child had a game that everyone played, it involved a maze that kept moving making it a challenge for players to collect the items needed to win. I played a round after the sketch was put a side and it was a fun game.

After Hurricane Irma Jessica allowed Pam and myself to come over her place for a shower and a bit to eat.  It is when there is an emergency when true friend step up. Since moving Jessica had had a child herself. It is a shame that really good and talented friends keep getting pulled away from Orlando.

Call Responders Audrey Davidson and Evalyn Casper

This post discusses the shooting that took place at the Pulse
Nightclub on June 12, 2016. It contains difficult content, so please do
not read on if you feel you may be effected. 

This article and sketch have been posted with the express written
permission of the interviewees. Analog Artist Digital World takes the
privacy and wishes of individuals very seriously.
 

Audrey Davidson stated that, training to become a 911 operator took five weeks followed with on the floor training for three months. Over 1000 hours of training were involved. She was a 911 operator when Pulse happened. Evalyn Casper used to watch Rescue 911 as a child religiously so growing up she thought 911 operators were pretty cool. She knew someone at the sheriffs office and they suggested she apply. Milestones in her career always seem to surrounded big events. She was hired at the sheriffs office on September 11, 2002 one year after the attack on the World Trade Center. She liked that this job allowed her to really apply herself and work her way up. All the training was offered on a platter. She was hungry for everything taking every course offered. She started training others. On June 12, 2017 she was promoted as supervisor on year after the Pulse shooting.

Being a 911operator is a stressful job. The highest stress comes when operators are inundated with a high volume of calls.  Everyone has cell phones now, so that even a back up on I-4 can generate a huge number of calls that can shut them down. An operator is supposed to systematically treat each call the same. When there are so many calls rolling it it becomes difficult. Even if you had 300 calls about the same incident you still have to process it like it is a new call. The next call might be the one that saves a life.

The day before Pulse they worked a similar overnight shift from about, 6:30pm to 6:30am. Evalyn was training a guy, it was his third day, so she was on the 911 desk. She let her trainee know that Saturday nights can get a little crazy. She advised her trainee that if things got fast paced she would move him over so she could process the calls faster. Everyone has a cell phone, and everybody is a witness so they could get flooded with calls. Most calls are verbal arguments and batteries.

Typically with a shooting there is a spurt of calls and usually the police are there within minutes. People see the lights and sirens and the calls stop. Most who call haven’t seen the incident as it happened. A 911 Operators questioning is very limited. First get the address, get the suspect description, see if the suspect is still there. The police make sure the scene is clear for fire and rescue to come in.

Audrey said that on June 12, 2016, the phones were ringing off the hook.  The fist call she got was from a guy that said, “There was a shooting at Pulse.” Pulse is not in Orange County Sheriff‘s jurisdiction, it is in Orlando Police Department‘s jurisdiction. So she transferred him over to Orlando Police. While she was waiting for Orlando Police to pick up, she thought to herself, “Pulse is a really weird place for a shooting. Pulse is just not the kind of place where a shooting would happen.” The call rang back into their com center. When OPDs phones get overwhelmed their calls all roll over to the Sheriffs call center. Their lines were overwhelmed so calls sent to them just bounced back with other another Sheriff’s operator picking up. The first time she realized it was an active shooter was when a supervisor stood up and told everyone, “There is an active shooter at Pulse.” Information needed to be picked up for every call, then move on to the next call. All the calls blurred together, “Do you have any information you can tell us? Can you tell where he is? Can you tell me what he looks like? If they said, no, the caller would be told that Sheriffs were on the way and the operator had to move on to the next call.

One call stood out for Audrey.  A woman was calling from a 7-11 in the heart of OPD jurisdiction. She was calling about a man who was drunk outside of her store. Obviously the operators had bigger problems at the time. Her information was gathered, what he looked like what he was doing. Audrey had to inform her that they were responding to a very large scale incident at the time. She told the woman to lock the door if he was outside. The very next call was from someone inside the bathroom at Pulse. Operators were informed to collect information and then hang up the phone, but she couldn’t hang up the phone on someone who was dying in a bathroom. He was someone she could have known. That could have been her, she had been to that nightclub. While talking to him, she started crying. She told him, “I’m sorry this happened to you.” She just wanted him to know that someone cared about what happened to him. She couldn’t get his name because he was whispering and the shooter was in the bathroom. It was hard. She stayed on the phone until it went silent. The call was maybe a couple off minutes but it felt like an eternity.

911 operators talk to people all the time who are very hysterical and have been in horrible situations, who have been shot, but the reality is they never speak to someone who is dying. Usually it is other people calling in. That call from the Pulse bathroom was difficult. She is glad she got a chance to let him know she cared. But it was the worst day of her life. It was the worst day for many people. It was hard.  Many family members were calling in wanting to know about their loved ones. A list was started of family names and phone numbers so families could be contacted if needed.  But they still didn’t know how many people were in the nightclub. About 4am the calls started dying off. On a short break, Evelyn called some friends to make sure they were OK. On the beak it all seemed surreal. It was so big, it was hard to process what had just happened. They were still in this limbo of not knowing the official count. They had to go back to their desks and start taking other calls until the shift was over at 6am.

Evalyn remembered that for two solid hours, no one took a break. There are 15 lines. Nobody got off the phones, no one broke down and left. It was upsetting, but everyone kept processing the calls. Usually when an operator takes a difficult call they can walk off the floor for a bit and regain their composure, but there just wasn’t time. All the calls were coming from a particular cell tower on Esther Street. So they all knew that all the calls were related. Evalyn took over for her trainee. The first call was from Duncan Donuts, They claimed that a shot came through their glass or they were hearing shooting. That call was transferred to OPD. All the circuits were busy. The next call was a mom, who was hysterical, wanting to know where her son was. She could not help her. She just wanted to stay on the phone and cry, but she couldn’t. The next call was a guy hiding in a closet inside Pulse, he kept saying, “Where are you? Where are you? Where are you?”  The guy Evalyn was speaking to was whispering. He was in
the upstairs closet. She told him “Just stay were you are. Don’t move,
don’t move, don’t move.” What else could she tell him? There is no
script.

Many were worried it would take some time to get inside. In reality compared to normal it took them very little time. Afterwards they found out what happened. At the time they didn’t have any information to give people. All they could say was, “We are there, we are coming, we are going to help you.” There had never been a active shooter in Orlando on that scale.  There is no protocol. Hang ups were not called back which they usually do. There were too many calls. They had to change their gears and triage things themselves. 400 hours of training stipulate that operators should stay on a call in an emergency situation until deputies arrive and are with the caller. But no call that night could be completed in that way. That left operators having to hang up the phone.

While Audrey cried, Evalyn remembered shaking uncontrollably. The adrenaline was running through her. She tried to make herself stop shaking but that made it worse. Despite this, she kept typing, and talking. She was on auto pilot. After their shift was over they had a debriefing. The critical incident stress management team came in and everyone talked about what just happened. It was quiet and surreal. Everyone felt numb. They stressed that it was alright open up to the feelings that would come. They shouldn’t mask anything or hide anything. There were people crying. Management also advised them to not watch the news.

When Evalyn got home she texted her mom who was asleep. “You are going to see something on the news, we worked this call, we are OK.” Around 7am they fell asleep. When they got up the next day for the next shift, they found out that a
lot more people than they thought had been killed in the club. Evalyn woke up to about 27 missed calls. They didn’t go in to work the next day. They started seeing just how many people had been shot and the reality sank in. They were angry.

They went to the vigil at Dr Phillips Center for the Performing Arts. It felt good to be out in the community. It was somber, but also it was good to see that everyone was together. There was a feeling of collective support. The shooting directly affected everyone in that we are all Orange County citizens, not everyone was from the LGBT community but they were still there. Muslims, Hispanics, Pastors, all gathered together. It seemed that everyone came and converged into Orlando from other parts of the country. Then the church bells rang 49 times. That was brutal. That was probably the worst feeling listening to that. They went back to work the following Thursday still feeling a bit angry.

There was a lot of pomp and circumstance. It was like a circus. Many wanted to reach out and congratulate them, thank them for their service. Politician, Rick Scott, went to their com center walking around while they were taking calls. Audrey couldn’t shake his hand, she was so mad. There was no sense of normalcy. For the longest time they were getting recognition. It felt like they were getting too much attention. While they shook Rick Scott’s hand, HR was telling them that they would have to have therapy. They were required to go to 3 sessions of therapy with a psychologist. Its not just about the trauma of the shooting but everything else bubbled to the surface. They gave different ways of coping, like grounding yourself. Mainly they said, “Don’t beat yourself up for feeling the way you do.”

At the one year remembrance at Lake Eola, they got to hug the Sisters of Perpetual Indulgence. They saw the Mural that was painted. They sang and then the angels came out and then they announced the names again. It was cool to see the families cheering when their loved one’s name was called. They recently stopped by the Pulse temporary memorial and walked around. They cried when they saw the breech in the wall, from the swat team, it was surreal to see how they it was showcased. It suggested that this how lives were saved but this is also how it all ended.