UCF Woodwind Ensembles

UCF Celebrates the Arts presented UCF Woodwind Ensembles in the Alexis and Jim Pugh Theater inside the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL 32801). The stage is referred to as the Pegasus Stage. The evening began with an Oboe Trio. As they performed I was busy sketching the audience around me.

The UCF Flute Knights performed Pegasus Gallop and March of the Trolls which I rather enjoyed. The UCF Clarinet Choir performed The Tournament which had four movements, The Entry of the Knights, The joust, Lament for the Wounded and Triumph of the Victors. I always like compositions that follow linear story lines.

The Centaurus Woodwind Quintet was followed by UCF Saxophone Ensemble. 17 saxophone players crowded the stage with every shape and size of saxophone. They performed Colonial Song and Molly on the Shore both composed by Percy Granger.The final performance was excerpts from Carmen by Georges Bizet. The stage was filled with every form of woodwind. One instrument I had never seen before it looked like a six foot tall paperclip. It was a contra bass flute and gave off a deep resonant sound.

The Black Inflatable Monolith of Seneff Plaza

I am sketching as many events from UCF Celebrates the Arts as possible. The events happen between April 5-14, 2019. Each event  is ticketed. I was issued a ticket to see the Creative City Project’s Immersive Projection Installation happening Sunday April 7 between 4pm and 7pm. The projections were to happen in a large black inflatable room set up on the Seneff Plaza in front of the Dr. Phillips Center for the Performing Arts.

As Pam and I approached the black monolith we got the definite impression that the area was deserted. We got to the entrance and looked inside to find there was nothing inside but one screen. We double checked our ticket and we were in the right place at the right time. I had sketched Creative City Projections in the past, so I knew what was to be expecting. It was also insanely hot inside what was essentially a black bounce house, minus the bouncing. Had  it been a bonce house it would have been more fun. A guard approached and let us know that the monolith would be deflated in a couple of hours. He was nice enough to let us walk around inside to assure us that there was nothing happening. He confided that they don’t let him know anything about scheduling. Being kept out of the loop made his job a bit harder. Clearly the left hand doesn’t know what the right hand is doing with these event organizers.

Rather than claim complete defeat, I decided to sketch the black monolith sitting in the plaza. It was fairly cool under one of the many sun umbrellas. Construction cranes loomed overhead since construction had stopped for the weekend on the northern theater being added to the Dr. Phillips.  As I sketched Pam worked on some editing. A few families started to arrive for what seemed to be a children’s play area to the right of the monolith. One performer waved some colorful silks and another tapped his tambourine. The monolith remained a bust.

Six foot tall panels were being assembled for Creative Clash which was scheduled to happen later that day. One panel had a UCF Knight riding in one of the Lake Eola swan boats. Teams of artists were going to compete against each other armed with black markers racing against a clock. The theme would be announced right before competition began. Having just sketched at a No Borders Art Competition which is essentially the same thing, we decided to head home satisfied too have sketched the empty black monolith which remained as a testament to the strange inefficiency of the Orlando visual arts scene.

UCF Brass Ensembles Concert

The UCF Brass Ensembles Concert as held in the Alexis and Jim Pugh Theater in the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL 32801) as part of UCF Celebrates the Arts. Getting through security with art supplies was it’s usual adventure. I also brought along opera glasses but since we were seated so close I really didn’t use them.

The evening consisted of 6 different Ensembles which meant I  had to work  fast since all the music stands and any chairs would move for each ensemble. The first ensemble was for the UCF Trombone Choir directed by Dr. Luis Fred. I managed to sketch two trombone players before they were done playing.

The UCF Tuba and Euphonium Ensemble was next and I dashed off one tuba player before they left the stage. There was a world premier of a composition called Avalanche by Thomas Harrison.  I tried to envision how the music evoked an avalanche but the music left me cold. Another horn ensemble was then followed by the Colbourn Brass Quintet. Their performance was the highlight of the evening for me. They performed Wachet auf, Ruft uns die Stimme by Johann Sebastian Bach. Translated the title is Awake the Voice is Calling Us. The performance was dedicated to a present day performer of Bach’s works who had recently died.

A final fanfare was followed by the stage filling with all the performers from that evening as they performed a combined ensemble. Though i didn’t count the stage was filled with horn players shoulder to shoulder. The strength in numbers filled the hall. I grew up playing coronet which is like a small  trumpet. It was my earliest passion in the arts, so I love the sound of horns.

El Wiz

UCF Celebrates the Arts presented El Wiz as a staged reading at The Dr. Phillips Center for the Performing Arts. Based on a book by Paul Castañeda, the show was  originally conceived by Juan Cantu and Paul Castañeda. Paul sat house right reading stage directions for the staged reading.

The show was based on the Wizard of Oz but set in Puerto Rico just before Hurricane Maria hit the island. The Narrator, (Josh Ceballos) introduced the familiar cast of characters on the island. Chico, the scarecrow (Emile Doles) was a quiet and socially awkward man who had an eye for details no one else would notice.  Juanito, the tin man (Eric Parafan) had loved a man but had his heart broken. He felt he could never love again. Eddie, the lion, (Joe Llorens) just wanted some cajones. Dorothy (Crystal Lizardo) fell into a deep sleep before the hurricane hit. She woke or so she thought in a strange new place.

In this new world she was given a very blingy pair of Nike sneakers with red white and blue sequins. Her dog Toto was a puppet who came alive when she held him in her arms. From the start she wanted to return home to her Mami and Papi but she was instructed to go to the Emerald city for advice on how to get back home. The journey was fraught with dangers.

For me the most powerful number in the show was Vas A Ver, or You’ll See in  English. Sung by Esperanza, (Paul Padilla) the song was about how the strength of family can overcome any hardship. He performed with just the right amount of resolve and throaty growl. His face grew so red as he sang that I was concerned he might burst a blood vessel. It was an amazing performance.

The joy of this show is that it takes itself lightly. There were many references to  Lin Manuel Miranda since the playwrights clearly were inspired by his musicals. The plot moved effortlessly and the actors playfully joked and teased one another. I have only studied Spanish in a cursory fashion on Duolingo, but I was able to follow every bit of the show.

When Dorothy finally got back to her home island it has been destroyed. She took the lessons learned in her dreams to gain strength in the belief that family can endure any difficulty. The cast and creative team deserved a standing ovation.

Titanic the Musical

Titanic the Musical based on the story and book by Peter Stone, and music a lyrics by Maury Yeston, was staged at the Walt Disney Theater in the Dr. Phillips Center for the Performing Arts as part of UCF Celebrates the Arts. I entered the theater under the impression  that i would be seeing a quaint college production with excited parents in the audience shooting shaky iPhone footage of their child on stage. The stage itself quickly dismissed that false notion. The set was huge consisting of three tiers with stairways and gang planks. An orchestra was under the second tier providing live musical accompaniment. Silky banners were suspended from the rafters, and at the overture, photos were projected of the people who would  play a part in the tragedy to follow. As the projection glowed bright a spotlight wold illuminate the tiny actor on stage playing the part.

This wasn’t based on the James Cameron movie in which Kate Winslet let her artist lover, Jack, slip off the floating door which she needed to survive, and watched him sink into the cold ocean depths. The play introduced a whole new cast of characters, many immigrants hoping for a better life in America and others rich and famous. Three women from Ireland discovered they all had the same first name of Kate as they entered the floating palace destined for a new life. Below deck third class passengers ate at humble wooden tables excited for what might come while the rich smoked cigars and drank brandy as they played cards up in the Grand Salon. The excited songs below deck were tinged with an underlying sadness since we all knew their true destiny to come.

Captain Smith was on his final voyage before he retired and he allowed himself to be pressured into accelerating the speeds ship beyond his usual safety precautions. Titanic after all was unsinkable. At the end of the first act a spotlight illuminated Fleet, who was high above the audience on a an upper balcony in the theater. He was the look out and he sang a song lamenting no moon and no wind as he shivered on his post. Then he spotted an iceberg. The sound of ice ripping through metal was followed by the blackness of the curtain falling.

Another particularly powerful scene came when perhaps 20 of the cast appeared above the audience on the lower balcony. Watery reflections shimmered around them as they sang. Perhaps they were ghosts. As the first and second class passengers gathered in the grand salon they were told to put on their life jackets. Vanity kept the rich from covering their expensive robes. As they argued a coffee cart began rolling across the stage. All the bickering stopped and suddenly everyone was in a rush to get the jackets on.

I had never heard the music before but by the second act I would myself predicting what word would follow on the next line to rhyme. With so many intertwining human stories, some stronger lyrics might have added a finer polish to the show.

The Titanic carried 20 lifeboats, enough for 1178 people. That was only a third of the passengers and crew. Women and children entered boats leaving the men behind to die. As one surviving woman described it, “It was as if a while football stadium entered the sea and the screaming was overwhelming. A half hour later, all the screaming stopped.”

This was a stellar production, far exceeding my expectations. The theater was packed. It is a shame there were only two chances to catch this amazing show. There were over 50 performers in the cast and all of them were UCF students with a few guest artists and faculty in the mix.

Night of Percussion

Night of Percussion was a free concert that was part of UCF Celebrates the Arts held at the Walt Disney Theater in the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL 32801). This was a day of workshops and performances culminates in a celebration
featuring guest artist Michael Burritt and the UCF Percussion Ensemble.

The Music of Michael Burritt concert featured the following program of his percussion works:

Fandango 13

Dex

Blue Ridge

Marimba Quartet

Home Trilogy


Thad Anderson, Kirk Gay, and Jeff Moore, were the directors.

The performers included Matt Albano, Joshua Albert, Chris Baird, Nicholas Cabiness, Nick Chase,
Calvin Chiu, Steve Estes, Carson Griego, Griffin Harvey, Will Huth, Joe
Jones, Matt Malhiot, Christ Marsh, Christian Martin, Joey Noble, Deborah
Parsons, Madison Schafer, and Austin Warren

Elixir of Love at The Dr. Phillips Center of the Performing Arts.

Gaetano Donizetti’s L’elisir d’amore (The Elixir of Love) was a light hearted operatic comedy that was staged for free at the Dr. Phillips Center of the Performing Arts (445 S Magnolia Ave

Orlando,
FL
32801.) This truly classic opera endures the ages and speaks to the hearts of all who come in contact with it. 

Elixir tells the story of a young, poor man, Nemorino (David Soto Zambrana)
who tries to win the heart of a beautiful wealthy woman, Adina (Romana Saintil). Add to
the mix a blustering self-absorbed officer, Belcore (Justin Morrison) and a traveling
quack doctor, Dr. Dulcamara (Juan Tomas Martinez) who claims to sell potions that cure
everything from psoriasis and old age to diabetes and – well, you name
it! – and you have the principal cast of one of the most beloved and
melodic operas ever written.

This modernized adaptation featured a cast member on a Segway which clearly set the scene in the modern day. The painted backdrop set the scene in a modern day park. Nemorino yearns for Adina from a distance. Sergeant Belcore his passion for Adina. Dulcamara sells a bottle of a love elixir to Nemorino who drinks it. He approaches Adina with a confident swagger and she is turned off and decides to flirt with Belcore. It was basically a story of how drinking lots of wine builds your romantic confidence and love wins in the end. It was a fun operatic romp.

The production was staged as part of the week long UCF Celebrates the Arts.

Dance 10 at the Dr.Phillips Center for the Performing Arts

Dance 10 featured 80 dancers who performed at the Disney Theater in the Dr. Phillips Center for the Performing Arts (455 S. Magnolia Avenue Orlando FL.) The performance was one of many during the week long UCF Celebrates the Arts. In the spring of 2015, the university launched this

festival to celebrate UCF’s visual and performing arts through plays, exhibitions, and musical performances.

For its second year, the School of Performing Arts and the School of Visual Arts and Design, in

collaboration with community and university partners, has prepared a showcase of UCF’s

vibrant disciplines to delight and educate audiences. The festival included over 30 performances by Theatre students and Music students, as well as gallery and interactive exhibitions by student visual artists. The showcase brought to Central Florida a celebration of the talent, creativity, and dedication of the school’s student artists. 

The Disney Theater was packed for Dance 10. I had to find a spot in the nose bleed seats. Many of the people  in the audience around me seemed like they might be dancers themselves. With the low light, I  painted the scene with just the three primary colors, red yellow and blue. It was a good lesson in leaving out local colors like the colors of a dress or the tint of a blouse, and instead just focusing on large washes to cover the page quickly. Photography and video wasn’t allowed but no one mentioned that art could not be created at a festival of the arts.