Titanic the Musical

Titanic the Musical based on the story and book by Peter Stone, and music a lyrics by Maury Yeston, was staged at the Walt Disney Theater in the Dr. Phillips Center for the Performing Arts as part of UCF Celebrates the Arts. I entered the theater under the impression  that i would be seeing a quaint college production with excited parents in the audience shooting shaky iPhone footage of their child on stage. The stage itself quickly dismissed that false notion. The set was huge consisting of three tiers with stairways and gang planks. An orchestra was under the second tier providing live musical accompaniment. Silky banners were suspended from the rafters, and at the overture, photos were projected of the people who would  play a part in the tragedy to follow. As the projection glowed bright a spotlight wold illuminate the tiny actor on stage playing the part.

This wasn’t based on the James Cameron movie in which Kate Winslet let her artist lover, Jack, slip off the floating door which she needed to survive, and watched him sink into the cold ocean depths. The play introduced a whole new cast of characters, many immigrants hoping for a better life in America and others rich and famous. Three women from Ireland discovered they all had the same first name of Kate as they entered the floating palace destined for a new life. Below deck third class passengers ate at humble wooden tables excited for what might come while the rich smoked cigars and drank brandy as they played cards up in the Grand Salon. The excited songs below deck were tinged with an underlying sadness since we all knew their true destiny to come.

Captain Smith was on his final voyage before he retired and he allowed himself to be pressured into accelerating the speeds ship beyond his usual safety precautions. Titanic after all was unsinkable. At the end of the first act a spotlight illuminated Fleet, who was high above the audience on a an upper balcony in the theater. He was the look out and he sang a song lamenting no moon and no wind as he shivered on his post. Then he spotted an iceberg. The sound of ice ripping through metal was followed by the blackness of the curtain falling.

Another particularly powerful scene came when perhaps 20 of the cast appeared above the audience on the lower balcony. Watery reflections shimmered around them as they sang. Perhaps they were ghosts. As the first and second class passengers gathered in the grand salon they were told to put on their life jackets. Vanity kept the rich from covering their expensive robes. As they argued a coffee cart began rolling across the stage. All the bickering stopped and suddenly everyone was in a rush to get the jackets on.

I had never heard the music before but by the second act I would myself predicting what word would follow on the next line to rhyme. With so many intertwining human stories, some stronger lyrics might have added a finer polish to the show.

The Titanic carried 20 lifeboats, enough for 1178 people. That was only a third of the passengers and crew. Women and children entered boats leaving the men behind to die. As one surviving woman described it, “It was as if a while football stadium entered the sea and the screaming was overwhelming. A half hour later, all the screaming stopped.”

This was a stellar production, far exceeding my expectations. The theater was packed. It is a shame there were only two chances to catch this amazing show. There were over 50 performers in the cast and all of them were UCF students with a few guest artists and faculty in the mix.

Night of Percussion

Night of Percussion was a free concert that was part of UCF Celebrates the Arts held at the Walt Disney Theater in the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL 32801). This was a day of workshops and performances culminates in a celebration
featuring guest artist Michael Burritt and the UCF Percussion Ensemble.

The Music of Michael Burritt concert featured the following program of his percussion works:

Fandango 13

Dex

Blue Ridge

Marimba Quartet

Home Trilogy


Thad Anderson, Kirk Gay, and Jeff Moore, were the directors.

The performers included Matt Albano, Joshua Albert, Chris Baird, Nicholas Cabiness, Nick Chase,
Calvin Chiu, Steve Estes, Carson Griego, Griffin Harvey, Will Huth, Joe
Jones, Matt Malhiot, Christ Marsh, Christian Martin, Joey Noble, Deborah
Parsons, Madison Schafer, and Austin Warren

Alone is to premiere at UCF Celebrates the Arts.

Cindy Michelle Heen, the choreographer, invited me to a rehearsal of Alone at Studio Two in the Performing Arts Center at UCF12488 Centaurus Blvd, Orlando, FL. This piece will be part of Theater UCF presents Dance 10 which will be performed on April 8th at 7:30pm in the Walt Disney Theater at the Dr. Phillips Center for the Performing Arts. This is part of 9 Days of Free Events starting April 8th through April 16th. In order to enter the Dr. Phillips Center for the Performing Arts, you must have a free ticket for an Event or a free Hall Pass. A ticket grants you entrance to a specific event at a specific time. A hall pass is valid for the entire festival and allows you to enter the center without a performance ticket’ When an event is sold out of advance tickets, a wait line forms an hour before the performance begins’ Patrons must have a hall pass to join the wait line. In 2015 all patrons in the lines got into performances.

Alone tells the story of a young woman finding her way in the world. Cindy explained that it reflects her own experience as a young dancer starting out in Orlando. Times were hard and finding refuge was difficult. Friends helped keep her spirit afloat. Now she is interconnected with so many people and she struggles just to keep up with the creative possibilities. At times the dancers moved on the stage with militaristic straight lines. At all times, the female lead was clearly defined, she was part of the crowd and at other times she was alone. Separation is hard, it is painful and yet sometimes it is needed for growth. The caged bird never flies.

Red Bull One North American Final.

Terry scored tickets to the Red Bull One North American Final in the Walt Disney Theater in The Dr. Phillips Center for the Performing Arts. The main floor was full, so we ended up in the nose bleed section. I rather liked the view looking down on all the action. Two B-Boy dancers would face off at a time, gesturing and getting in each others faces. Then each dancer would show off his moves. A TV camera sat on a rail rotating around the circular stage to catch all the action and show M on two big screens above the stage. Photographers snapped shots constantly from the front row, and iPhones caught the action from just about every seat in the theater.

Legendary radio host and MTV star Sway hosted the evening. Phife, of A
Tribe Called Quest, entertained with a set of some of his classics. The
crowd was in for a night of surprises, with Rock and Roll Hall of Famer
Grandmaster Flash, Hip Hop pioneer DJ Charlie Chase, and legendary NYC
Hip Hop Photographer Joe Conzo all hitting the stage to show support.
The four elements of Hip Hop were alive and thriving in Orlando.

I could hear how each dancer was doing by the audience reactions. The level of athletics and balance was astonishing. I remember local boy Vicious Victor Montalvo from last year’s competition. He always had that extra spark and insane moves that would get the crowd screaming. It came as no surprise the he won round after round and was the ultimate victor for the day. He successfully defends his title in his hometown of Orlando
in front of a 3,000-person crowd at the Dr. Phillips Center for the
Performing Arts, making history as the only B-Boy to win consecutive
titles.

The one-on-one battle format pitted 16 of the best U.S. and Canadian
breakers against each other. Victor pulled out some of the best moves in
his repertoire, including back flip flares, backspin air babies, and his
completely unique style of form spins. “It feels so good to win this year because Orlando really supported
me, more than I ever could have imagined,” Victor said. “They were
screaming for me like crazy, and that got me hyped. I gave it all I had,
and it means so much to me that I won here.” Vicious said. Several months later, Vicious Victor went on to win the World Championship in Rome.