The Black Inflatable Monolith of Seneff Plaza

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I am sketching as many events from UCF Celebrates the Arts as possible. The events happen between April 5-14, 2019. Each event  is ticketed. I was issued a ticket to see the Creative City Project’s Immersive Projection Installation happening Sunday April 7 between 4pm and 7pm. The projections were to happen in a large black inflatable room set up on the Seneff Plaza in front of the Dr. Phillips Center for the Performing Arts.

As Pam and I approached the black monolith we got the definite impression that the area was deserted. We got to the entrance and looked inside to find there was nothing inside but one screen. We double checked our ticket and we were in the right place at the right time. I had sketched Creative City Projections in the past, so I knew what was to be expecting. It was also insanely hot inside what was essentially a black bounce house, minus the bouncing. Had  it been a bonce house it would have been more fun. A guard approached and let us know that the monolith would be deflated in a couple of hours. He was nice enough to let us walk around inside to assure us that there was nothing happening. He confided that they don’t let him know anything about scheduling. Being kept out of the loop made his job a bit harder. Clearly the left hand doesn’t know what the right hand is doing with these event organizers.

Rather than claim complete defeat, I decided to sketch the black monolith sitting in the plaza. It was fairly cool under one of the many sun umbrellas. Construction cranes loomed overhead since construction had stopped for the weekend on the northern theater being added to the Dr. Phillips.  As I sketched Pam worked on some editing. A few families started to arrive for what seemed to be a children’s play area to the right of the monolith. One performer waved some colorful silks and another tapped his tambourine. The monolith remained a bust.

Six foot tall panels were being assembled for Creative Clash which was scheduled to happen later that day. One panel had a UCF Knight riding in one of the Lake Eola swan boats. Teams of artists were going to compete against each other armed with black markers racing against a clock. The theme would be announced right before competition began. Having just sketched at a No Borders Art Competition which is essentially the same thing, we decided to head home satisfied too have sketched the empty black monolith which remained as a testament to the strange inefficiency of the Orlando visual arts scene.

Weekend Top 6 Picks for April 6 and 7, 2019

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Saturday April 6, 2019

1pm to 3pm Free. Creative City Project’s Immersive Projection Installation. Dr. Phillips Center for the Performing Arts, 445 S Magnolia Ave, Orlando, FL 32801.

6pm to 8pm Free. FL ANTIFEST IV Music festival. Grumpy’s Underground Lounge, 1018 N. Mills Ave Orlando FL. Celebrating Florida’s experimental music scene.

7:30pm to 9:30pm Free. Titanic: The Musical UCF. Dr. Phillips Center for the Performing Arts, 445 S Magnolia Ave, Orlando, FL 32801.

Sunday April 7, 2019 

10am to Noon Free. Heartfulness Relaxation and Meditation Class. University, 5200 Vineland Rd, Orlando, FL 32811. The Method of Heartfulness A simple and practical way to experience the heart’s unlimited resources.

Noon to 1pm Free. Yoga. Lake Eola Park on lawn by Red Gazebo.

2pm to 4pm Free but get food and drink. Hollerbach’s Springfest. Hollerbach’s Willow Tree Cafe, 205 E. First St., Sanford FL. A spring version of Oktoberfest complete with sausages, pretzels, beer
and people dancing to polka music in lederhosen and dirndls.

Projected : A Creative City Project Special Event

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The Projected event was held at the City Beautiful Church (1220 Alden Rd, Orlando, FL 32803). And was a fundraiser for the Creative City Project which shuts down Orange Avenue in Downtown Orlando each year to showcase some of the cities most amazing talent.

Six projection artists came together to create an immersive world of light an sound.
Each artist brought a unique, interactive installation that allowed patrons to experience digital art in a whole new way.There was live music and dance presented with responsive light installations which cropped up throughout the evening.

Live performance elements brought the entire evening together for a compelling art experience unlike any other.

I decided to sit on the edge of the stage to look back at the room full of projections. Green and purple lasers cut through the air and a dual wall installation featured alternating stripes of vibrant color. People stood on tip toe to wave their hands through the bright green laser beams. When Pam Schwartz and I first entered, our eyes were not accustomed to the dark. A long hallway lead to the main room, but a line of tables covered with black tablecloths blocked a straight approach to the room. I had to tap the table tops with my hands to figure out what the best way in might be.

We wandered down a hall illuminated by a projection of thousands of moving points of light. Several children crouched at the end of the hall looking back at the beams of light that caused every wall to flicker with moving points of light. Later that night I saw Cole Nesmith in the hall using a red light bar to illuminate couples who posed for photos in the sea of moving points.  

Becky Lane had a room set up that was an installation that was built around the experience of her long commute to Tampa. One whole wall had a projection that showed the Florida landscape flying by shot from the side window of her moving car. Palmetto fronds were scattered throughout the room. And when I glanced in at first I saw people waving the fronds in the air. The space incorporated movement, viewpoints and puppetry to give an interactive feeling for her commute.

Outside that room was a projection that used a sensor to track a persons movements. Pam and I were standing in the area looking at Becky’s installation when we were scolded for disrupting the sensors. Only one person could be in the space at a time. Basically that person could create an image on the screen built up from a series of triangles of varying sizes. By waving their arms triangles would appear. I lost interest.

Nathan Selikoff had a projection that looked like a colorful cloud which people could manipulate by waving their hands over a sensor on a table near the projector. Some people couldn’t figure out how to manipulate the cloud because they always had their hands too close to the sensor. Eventually most people figured out the proper distance to get the digital storm to brew.

On the stage wall behind me a series of movies were projected on the wall. The brightest image was of a cloud formed after an explosion. Dancers took to the stage and improvised. One dancer held a laser and projected the point of bright light on the floor. Dancers would follow the light like a cat. The same dancers later dances behind the dual wall of bright striped colors. Their silhouettes wold break up the wall of color dramatically.

The event was very well attended, and I am sure more people kept arriving as the night progresses. This year The
Creative City Project will present their annual event, IMMERSE, on October 19
and 20, 2018. More than 1,000 artists and performers will bring the heart of
the city of Orlando to life! It is possible to book tickets early.

The Creative City Project’s VIP Night of Global Influence.

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This night featured some compelling performances by several Central Florida artists organizations, some of the 2017 partnerships, and an exclusive look at the exciting future of Creative City Project.  The biggest announcement by founder, Cole Nesmith, was the unveiling of the new identity of the annual Creative City Project, to IMMERSE The evening showcased the next steps in fulfilling the mission to “shape the
global perception of Orlando as a city known for innovation and
creativity.”

More than 1,000 artists and performers bring the heart of the
city to life! This year, you will find yourself surrounded with inspiration. Just one example is a
performance by the 100 piece CFCArts Symphony Orchestra on 5 stages, surrounding
the audience with an immersive orchestral experience. Artists will invite you in to become part of the experience. The fusion
of performance and technology extend beyond the stage. The artists of IMMERSE will inspire you to live creatively everyday.

Mark your calendar! The Creative City Project will present the annual event, IMMERSE, on October 21,
2017. Tickets this year range form $10 to $100. There are also a limited number of free tickets available.

Creative City Project

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On October 15, 2016 more than 1,000 artists and performers bring the heart of the city to life!

An adventure of unexpected creative encounters in the heart of the city. As you discover the art of the Creative City Project, artists will
invite you in to become part of the experience. The fusion of
performance and technology extend beyond the stage and into your realm. Find yourself surrounded with inspiration. Just one example is this
performance by the 100 piece CFC Arts Orchestra on 5 stages – surrounding
the audience with an immersive orchestral experience. See
artists like never before. As they unleash their creativity en masse,
the artists of the Creative City Project inspire you to live creatively
everyday.

Last year most of Orange Avenue was shut down in Downtown Orlando to accommodate this explosion of the arts. I sketched these Spanish dancers and then wandered to discover of he amazing performances all up and down Orange Avenue. There were so many act happening at once, so it was impossible to experience everything. 

The Creative City Project brings downtown Olando alive for a night.

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In July of 2014 I went to a meeting at The Gallery at Avalon Island (39 S Magnolia Ave, Orlando, FL) where Cole Nesmith discussed his idea where the Creative City Project could bring together all the separate arts groups in together to stage multiple performances on on night in Downtown Orlando. Cole is a well versed public speaker and he did a great job expressing his excitement for the project. At this early stage there was much work to be done trying to get grants so that some of the artist could be paid. Not all artists live on sunshine and dreams.

I considered the idea of being part of the Creative City  Project, by doing life sized standing portraits on a large sheet of brown parchment paper. I did something similar to this at Drip with chalk on the black walls. I could knock out a portrait about every ten minutes. In the rush of doing my daily sketches, I lost track of this idea.

When the Creative City Project hit Downtown Orlando, I documented it with my usual sketch. Artist named Plinio Pinto and Melissa Marie from Falcon Bar set up a mini art studio in the street with a UHaul truck as a backdrop. They had a model in a mechanic’s outfit posing with  a motorcycle and they invited anyone to stop and draw. It was a great idea. Unfortunately when I arrived, the model had just taken a 20 minute break and I barely caught a glimpse of her as she walked away. Another great sketch opportunity lost. There were plenty of other sketch opportunities however since there were multiple stages up and down Orange Avenue for about 5 blocks.

Plans are already in the works for next year’s Creative City Project.

Tic Toc Thrift, Vintage and Vinyl Market

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True Serenity at 1100 Montana St. Mills 50, Orlando FL, is the site of a weekly pop-up market with merchandise, fine art, performers, outdoor film screenings, lots was also the of vintage items and a huge selection of vinyl records from Apartment E‘s massive collection. Stop by on Wednesdays, 3-10 p.m. through Novembers 25th.

I rather liked the quiet neighborhood of bungalows around True Serenity, and I was surprised to see several empty lots which added to the open green space.  As I approached I could hear the music, and I knew to simply follow it to the source. Frankie Messina who organized the Tic Toc Thrift Vintage and Vinyl Market, was also the DJ, for the evening, spinning vinyl records and projecting documentaries on a portable movie screen. There was a massage station in the corner near the cascading waterfall. Right next to True Serenity there is a grass covered empty lot, and next Wednesday Frankie plans to project the movies  over there so that bicyclists can just stop by and relax on the lawn and watch a movie. I got to meet True Serenity’s owner, Tara Chiavetta who was our hostess for the evening. If you haven It been to True Serenity, then to u are missing a hidden gem just off Mills Avenue.

Besides the records for sale inside, there were original T-shirts, and some art for sale in the back yard which had a meandering stone path. Overall the space had a rustic soothing as an vibe. True Serenity offers gentle yoga, Chakra healing workshops, energy readings, and Reiki Circles. I looked around inside, and the place is amazing. There is a fresh water fish tank in the front entry and cherry blossom murals covered several walls. The mural was illuminated by a black light which made the blossoms glow a magical iridescent pink. Ray Rodriguez, a local musician gave a pop-up performance on his saxophone. It is spontaneous acts of creativity and kindness that make this type of evening so magical.

As The event was winding down and the vendors started packing up, I got a chance to talk to Frankie and his Co. director Brian Barnett.  Frankie told me that he plans to have a UHaul truck set up at the upcoming Creative City Project in downtown Orlando on October 17th. Plans are still in flux, but he had to give the organizers a title for the installation. His first thought was a patriotic red, white and blue but the exhibit is about how Orlando has been documented over the years. So he blurted out read, write and blue. As he thought about it over night, blue didn’t make sense, so he revised the title to Read, Write and Drew. There will be a staggering number of performances and art installations at the Creative  City Project. La Nouba by Cirque du Soleil, Orlando Ballet, Central Florida Community
Arts Orchestra, Orlando City Soccer Club, a 1000 student marching band,
the Downtown Arts District, and dozens of other artists and performers
bring the streets of Downtown Orlando to life.

Sunday in the Park With Voci

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Genevieve Bernard, the founder of Voci Dance, gave me a heads up about a croquet game the Voci dancers were going to play on Sunday October 28th as part of the Creative City project. The Creative City Project had free clandestine performances staged at public places throughout the city on every day of October. The croquet game was held on the green beside the Red Japanese Pagoda in Lake Eola. When I arrived, the players, or dancers, were promenading around the court arm in arm in pairs. Each dancer was had on a primary colored dress that matched their ball color. Blue Doug Rhodehamel paper bag mushrooms marked the outer edges of the court. There were orange lines painted on the grass, probably left over from a football practice.

The Park was rather crowded on this Sunday. There were food trucks and tents set up at the band shell for an event I didn’t get a chance to make out. There was also a stage set up on Orange Avenue for a concert I wasn’t aware of. A large group was picnicking next to the croquet court and they were curious once the game started. A mom and her son sat in front of me to watch the game as well. The dancers circled up when music began to play and they gracefully began to play. I was sitting under the shade of a large oak tree while most of the audience sat on blankets on the opposite side of the court. It actually started to get chilly and I wished I had a sweater to cover my Dog Powered Robot T-shirt.

The performance seemed to be over in a matter of minutes as I struggled to catch each dancers proportions and gesture. More of a dance than a competition, Genevieve informed me that everyone won. Some audience members took to the court after the game was over trying out the mallets for themselves..

Interactive Puppetry

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At the opening of the Handmade Puppet Dreams exhibit at City Arts Factory, Heather Henson, the founder of Ibex Puppet Company, had just opened a present from a friend.
She held a sleek sculpture of a deer or ram or maybe it was an ibex. All the colorful tissue paper was on the floor, and a light breeze from someone passing by caused a sheet to move, begging me to play. I was reminded of a an interactive art performance by actress and puppeteer, Rebekah Lane, on October 16th as part of the Creative City Project. She staged her performances four times at different locations around Lake Eola. When I arrived she was stuffing colorful tissue paper into brightly colored shopping bags. She explained to me that the idea for the performance came about after she attended a recent puppetry workshop. She learned about the work of Albrecht Roser. She explained that there are two ways to approach a story. First you can write a story and then find the materials with which to tell the story. The other approach is to let the materials influence and mold the story.

I was excited at the prospect of a performance in public catching people by surprise. A small foot ladder held a wicker rattle, an iHome stereo player and some thin green wire strands.  The puppet show banner hung from a flaccid length of PVC. She eventually found an existing sign near her staging area to support the banner. She turned on the stereo, playing some Felliniesque music and she approached passers by to try and drum up an audience. First three then five people gathered. Her performance was in mime. She offered the five people the shopping bags with delight in her eyes. They riffled inside the bags looking for what she was offering. All the colorful tissue paper was in the way. Then she extracted a bright blue tissue from a bag. Playfully, she crumpled the tissue into a long worm-like shape. She crouched down and had the tissue crawl about in the grass and then look around quizzically. Others played along. Soon there was a procession of caterpillars in the grass.

They moved to the ladder where a tissue paper cocoon was built and suspended with the silky wire strands. The caterpillars went inside and later emerged. Rebekah took the newly emerged tissue and she lifted it up into the breeze. It floated and danced in the wind. Every one’s tissues flew up in the air like graduation caps hesitant to return to any head. People ran after their creatures before they could be blown into the lake. Rebekah then folded her tissue, creating wings and her hand acted as the body and legs of a butterfly. A little girl was delighted when the butterfly landed on her head. There was an innocent Gelsomina joy in this performance that playfully asked people to imagine life in the colorful, and inanimate, while offering them the luxury of play. Sometimes we all need a little reminder that life isn’t all about meetings and schedules.

Thriller Flash Mobs

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The Creative City Project came about as a result of a conversation between Cole Nesmith and Terry Olson, the Director at Orange County Arts & Cultural Affairs. The Creative City Project involves gorilla style performances in public spaces every day of the month in October.

The Orlando Ballet had a Thriller themed flash mob on October 12th in the Plaza Theater Courtyard in Downtown Orlando at noon as part of The Creative City Project. I arrived a bit late and there was a crowd of people in business attire milling around the plaza. A 7-11 which recently opened in the plaza was packed. I was afraid I had missed the flash mob but  Robert Hill, the company’s artistic director let me know that there would be three more performances about every 15 minutes. Each performance would be just three minutes. That would be a challenge to catch an entire cast dancing in three minutes. I felt I had bit off more than I could chew.


I climbed the stairs for an aerial view of the staging area. Suddenly I was surrounded by the entire ballet cast all dressed in black. They were posing for a photo in front of the Plaza Theater marquee and resting before the next performance. In the bright noon light they tended to look more like cheerleaders rather than zombies. I considered sketching them, but they went back downstairs just as I started. A woman’s piercing scream shifted my attention to the courtyard. She ran to the center of the courtyard, screaming the whole time. People turned to look concerned. Then Michael Jackson’s Thriller boomed from the sound system. The entire cast danced as zombies and ghouls. People kept gathering to watch. Then as Vincent Price laughed, the performers disappeared. The flash mob was used to help promote Vampire’s Ball which will run from October 19th to the 21st. The show is advertised as being frightening, erotic, and campy. I saw a preview from last year’s show and it looked amazing.


Tonight after 6PM at the City Arts Factory, Yow Dance will also be performing a Thriller Flash Mob as part of Dia Des Los Muertos and Monster Factory. At this flash mob, everyone is being encouraged to join in. So put on your best zombie attire and get out and dance! There will be makeup artists at City Arts Factory in case you need some extra gory wounds.