Interactive Puppetry

At the opening of the Handmade Puppet Dreams exhibit at City Arts Factory, Heather Henson, the founder of Ibex Puppet Company, had just opened a present from a friend.
She held a sleek sculpture of a deer or ram or maybe it was an ibex. All the colorful tissue paper was on the floor, and a light breeze from someone passing by caused a sheet to move, begging me to play. I was reminded of a an interactive art performance by actress and puppeteer, Rebekah Lane, on October 16th as part of the Creative City Project. She staged her performances four times at different locations around Lake Eola. When I arrived she was stuffing colorful tissue paper into brightly colored shopping bags. She explained to me that the idea for the performance came about after she attended a recent puppetry workshop. She learned about the work of Albrecht Roser. She explained that there are two ways to approach a story. First you can write a story and then find the materials with which to tell the story. The other approach is to let the materials influence and mold the story.

I was excited at the prospect of a performance in public catching people by surprise. A small foot ladder held a wicker rattle, an iHome stereo player and some thin green wire strands.  The puppet show banner hung from a flaccid length of PVC. She eventually found an existing sign near her staging area to support the banner. She turned on the stereo, playing some Felliniesque music and she approached passers by to try and drum up an audience. First three then five people gathered. Her performance was in mime. She offered the five people the shopping bags with delight in her eyes. They riffled inside the bags looking for what she was offering. All the colorful tissue paper was in the way. Then she extracted a bright blue tissue from a bag. Playfully, she crumpled the tissue into a long worm-like shape. She crouched down and had the tissue crawl about in the grass and then look around quizzically. Others played along. Soon there was a procession of caterpillars in the grass.

They moved to the ladder where a tissue paper cocoon was built and suspended with the silky wire strands. The caterpillars went inside and later emerged. Rebekah took the newly emerged tissue and she lifted it up into the breeze. It floated and danced in the wind. Every one’s tissues flew up in the air like graduation caps hesitant to return to any head. People ran after their creatures before they could be blown into the lake. Rebekah then folded her tissue, creating wings and her hand acted as the body and legs of a butterfly. A little girl was delighted when the butterfly landed on her head. There was an innocent Gelsomina joy in this performance that playfully asked people to imagine life in the colorful, and inanimate, while offering them the luxury of play. Sometimes we all need a little reminder that life isn’t all about meetings and schedules.

Marionette Making Workshop

As part of ArtsFest, Hannah Miller offered a free Marionette making workshop at Urban ReThink. I heard that this workshop was sold out quickly and tickets were limited. Thankfully, Hannah, AKA Thunder Hag, understands my sketching obsession and she was open to having me observe. On the white board, Hannah had written the names of two puppet masters who’s work influenced the workshop. Albrecht Roser is a German puppeteer who believes that the puppet drives the motion, not the puppeteer. Robin Walsh had an affinity to using fabric, especially silk in the construction of her puppets. She explained that the puppets we would make today would be ugly but functional. Hannah pointed out that the puppets movements were based on a pendulum swing and each puppet would have its own way of moving depending on what it was made of.

Each participant had a bag of supplies. Inside was fabric, beads, string, and a control bar. The fabric was used as the body of the puppet. Beads were threaded onto the corners and became hands and feet. The head required special attention since three screws were positioned for mobility and control once the puppet was strung. April Tennyson was assisting Hannah. Both puppeteers once worked at Pinocchio’s Marionette Theater in the Altimonte Mall. April asked me, “Where should I stand to get in the sketch?” “Well,” I said, “The best place would be to stand behind Hannah.” She stood behind Hannah and smiled broadly as she took a heroic pose, holding up some fabric. I laughed out loud and tried to ignore her until she “acted natural.” I hope Hannah didn’t think I was laughing at her lesson.

Jeff Ferree who is a puppeteer who had a show at Fringe last year in the smallest venue, a closet, sat next to Hannah and struggled with the head of his puppet. To me, he is a puppet master but even masters want to expand their horizons. The couple seated closest to me seemed like a married couple. They giggled like kids as their creations came to life. The woman was always two steps ahead of her partner, and she would step in and help out on occasion. Some folks arrived late and April tried to get them up to speed.