Jessica Domingo Going Away Party

Posted on by Thor

Jessica Domingo joined the Orange County Regional History Center in the aftermath of the Pulse nightclub shooting.She specifically joined the staff to help in cataloguing and preserving all of the memorial items collected from the Dr Phillips Center of the Performing Arts, Lake Eola and Pulse. This was a monumental task  since there were so many memorial items left and and the constant Florida rains, humidity and bugs made preserving the collection a challenge. She spent most of her time at the museum’s offsite storage facility which is in a huge warehouse.

When Hurricane Irma hit Orlando in 2017 as a category 2 storm, the warehouse roof was damaged when a rooftop access portal the size of a manhole cover was blown free and the heavy cover ripped holes in the flat roof. Unfortunate some Pulse memorial items were on the floor as they were being triaged for conservation and cataloging. Ceiling panels from the interior ceiling soaked up water leaking from the roof and fell to the floor exploding like wet bombs. Items on the floor got soaked. Pam Schwartz the museum head curator was on the scene shortly after the storm passed and assessed the damage. The staff was quickly called in to help clean up the damage. I was on site to help by making a pile of all the ceiling panels and debris  while leaving the artifacts for the museum staff to recover.

Water caused mold to build up inside the off site facilities walls and dehumidifiers were moved in and all the interior walls had to be replaced while protecting the collection with floor to ceiling plastic tarps. All of that is to say that Jessica’s job became all the more important after hurricane Irma. Conservation of memorial items did not include trying to flatten paper documents from water damage. The everyday Florida rains had already soaked and wrinkled any papers left at memorial sites. However mold could not be allowed to spread. Which reminds me I have a small pile of paintings and sketches which were also damaged by hurricane Irma. Water blew its way in through my downtown studio apartment windows soaking a small stack of art I had left near the window. I am sill debating if that work will end up in a landfill since it is damaged with black mold.

Jessica has family out west and her grandmother needed care so she decided she had to leave Orlando. A party was held at Pam Schwartz’s home. I sketched briefly between food and games. Whitney Broadaway‘s child had a game that everyone played, it involved a maze that kept moving making it a challenge for players to collect the items needed to win. I played a round after the sketch was put a side and it was a fun game.

After Hurricane Irma Jessica allowed Pam and myself to come over her place for a shower and a bit to eat.  It is when there is an emergency when true friend step up. Since moving Jessica had had a child herself. It is a shame that really good and talented friends keep getting pulled away from Orlando.

Participation at the Maitland Art Center.

Posted on by Thor

The Maitland Art and History Museums hosed Participation at the Germaine Marvel Building. A large outdoor event tent was set up on what were formerly shuffleboard courts.  Two young female violinists performed with a piano accompaniment. One of Central Florida’s most intriguing fundraising events,
Participation is a feast for your senses. Local artists transform dining
tables into works of art, and guests enjoy dinner with the artist at
these unique creations. The evening includes live performances and
demonstrations, a silent art auction, elegant dining and more. It is an immersive sensory experience that provides patrons the opportunity to learn about the creative process while raising crucial funds to support educational programs at the Museums.  Artists are the cornerstone of this event.

Participating artists received a
complimentary dinner, and networking  opportunities with Central Florida
collectors and promotion through A&H event marketing Each artist was asked to donate an artwork indicative of their style for the silent auction. All works were valued between $500
and $3000. Starting bids for artwork began at 25% of full value. Artist will provided the A&H with a current resume, bio,
artist statement; digital image of donated artwork and will provide
size, medium and value of work. Tables for the event will seat 8 people and are 60 inches diameter. Artists received an honorarium to put toward supplies.

In sketching the event, I decided to focus on Victor Bokas‘ table. He had a display with lots of poodles, and a small cat that was climbing to the top of the  centerpiece. Victor’s work is bright and abstract while also incorporating recognizable elements. The bright palette clearly has a tropical influence.

Whitney Broadaway has a table with an illuminated wire tree as the centerpiece. Individual leaves hung from the limbs from mono filament and the leaves all twirled in the evening breeze. Whitney said she designed and built the tree the night before in a mad rush. A large battery was hidden in the base.

Pam Schwartz joined me at the event and she was nice enough to make sure I had some food and drink. I wasn’t seated at a table but leaned back against a tent pole as I sketches Victor’s table. I usually skip food since my hands are always busy sketching, but this time I juggled tasks. As I sketched the scene grew darker and darker and I spent my time chasing the light as I painted.

The Orlando Shuffle.

Posted on by Thor

Shuffleboard is free at Orlando’s Beardall Courts, (800 Delaney Avenue Orlando FL) each month on the 1st and 3rd Saturdays of each month from 7PM to 9PM. I challenged Pam Schwartz to a game figuring I have an advantage as an artist given my eye and hand coordination. I got off to a great start taking a lead but then slipped back as Pam warmed up. I lost by a humbling amount. I tried to erase the chalkboard score but I was held back as a photo was taken of the score. I can claim ignorance and a short memory as I gloss over the score.

At a Tacky Tourist event at the Orange County Regional History Center a shuffleboard court was set up on the floor of the museum lobby. That game I won as Pam teamed up with Whitney Broadaway‘s daughter. It wasn’t a full court, but I am sure Rick Kilby set it up to the official specifications. For some reason Pam refuses to accept this clear victory and perhaps a rematch is needed.

The bottom line is that shuffleboard is some free fun, so get out and give it a try.

Mike Perkins presented a Collective Narrative.

Posted on by Thor

Mike Perkins, the Orlando Regional History Center director gave a talk at the Albin Polasek Museum‘s Capen House (633 Osceola Ave, Winter Park, FL 32789) titled “A Collective Narrative” about the museums efforts after the Pulse Nightclub massacre to collect and preserve the memorial items left at sites around Orlando.

The goal at the Orlando Regional History Center is to present History in an interesting way, You are going to have challenges as you work through your career, but you don’t expect to have something so incredibly changing, with such a huge impact to the community happen, and all of a sudden, while you are at the job it becomes your task to collect and retain this history that just happened. It was a shock to all of us. Pam Schwartz, who is the museum senior curator carried the bulk of this initiative.

It was of course the middle of summer. We had to collect at Lake Eola first since the city wanted to have July 4th fireworks. Collecting began on June 26th and went on for about 3 months? The question was directed towards two members of the museum staff, Emily Arnold, and Whitney Broadaway in the audience of seven. After Lake Eola was cleared, Dr. Phillips Arts Center (DPAC) became the primary site for a memorial.

Mr. Greg Zanis brought his 49 wooden crosses to Orlando Regional Health Center and that became its own memorial site. When the crosses were eventually collected, items left around the crosses were also collected. The crosses were stored in specially designed archival boxes and the items left at each individuals cross were put in an accompanying box in the museum archives. Photos are on the museum’s online digital archive that show the crosses when they were first put in place and then several photos document the memorial items as they were left at each cross. Mike gave credit to Emily Arnold for all the photos in his presentation but from the audience, she had to let him know that all the photos were by a photographer named Phelan Ebenhack.

All the candles couldn’t be collected. Only particularly beautifully decorated candles were collected the rest went into land fill (most have been kept for potential use). American flags that had touched the ground could not be collected. Those couldn’t go into the museum collection. After much of the memorial had been cleared at DPAC, Boy Scouts collected the flags and gave them to the military or fire department to be properly disposed of. There were huge banners that were often covered with other items and flowers. The banners were folded up or rolled up. Flowers could not be collected and they were turned into mulch. Keep in mind it was hot out. The sun and fading of items became a problem.

Candles would get kicked over and drip wax onto other memorial items. Items that were most at risk were collected first. The collecting was only the beginning of the work. Gathering was in some ways the easy part of the process. Once items were safely back in the museum archives, they were cleaned, and processed to be made stable for the collection.

Then of course Pulse became a memorial site and items are still being dropped off precipitously. So obviously a tremendous effort went into this. A tent would be set up and the History Center van would be close by. There were archival boxes, blotter paper, and a press, all to stabilize items so they cold get to the History Center with low humidity and temperature control. The collection now is called the One Orlando Collection and it has over 6100 items. The exhibit that we opened on June 12th was visited by about 700 family members. It was seem by about 2,400 people that week.

A question from the audience: “Were people upset when you took memorial items away?”

Mike: “When we told them what we were doing, generally they thanked us.”

Question: “Did you call the City or did the City call you?”

Mike: “We are a County institution.”

Question: “How did that happen? Did someone say, ‘Hey you need to do this?'”

Mike: “It was an organic thing. If anyone deserves credit, it would be Pam Schwartz.”

Orlando One Year Later

Posted on by Thor

The Orange County Regional History Center has mounted an exhibit entitled “One Year Later” that showcases a fraction of the items collected from the various memorial sites around Orlando in the aftermath of the Pulse Nightclub shooting tragedy that took 49 lives. The exhibition commemorates one year of pain, grief, loss, love, fear, resilience, coping and community. The exhibit recalls the heroes in our community who banded together in defiance of hate, who support all those who continue to live through the nightmare, remembering those murdered and holding the victims families in our hearts.

I sketched on the final day of the exhibition install. Museum staff were putting up the final vinyl lettering on the walls and making sure everything was in its place. Over 5000 items were collected from memorial sites. This exhibit encapsulated the shear volume of what was left. Rather than showing just one rosary, there are twenty, instead of one t-shirt there is an entire wall. One wall is covered with a sampling of the hundreds of paintings i have done at vigils and fundraisers since that fateful day last June 12th. Also on display are the original paintings and sketches done by local artists in one evening of the 49 victims of the attack. I hosted the evening and felt it was important to do the work in one evening since all 49 lives were taken in one night of terror.

Above the Angel Action Wings, built from PVC and white fabric, there was a quote… “I don’t have money to give, but I can spread love and I can spread hope. I was waiting for the opportunity to use the one thing I do have, which is the skill to sew, I can sew like the wind.” Jeannie Haskett, a theater seamstress and Angel Action Wings volunteer, to the Miami Herald.

I made my way through the exhibit reading every panel, circling the huge room counter clockwise. At the entrance there was a long platform with artificial grass covered in candles, rainbow pinwheels and flowers. The pinwheels spun in the breeze, recreating in a a memorial site in a ghostly way. The room is organized into sections, each honoring members of the Orlando community. There was a wall for first responders, a wall showed the worldwide response and outpouring of love after the tragedy. There were lines of prayer flags, and a floating wall of stars decorated with rainbows and messages of hope. An Ikea couch was covered in messages as well as the water cooler that was filled daily by church volunteers for people who were visiting the Pulse memorial site. In the corner of the room was a gorgeous dress made from a rainbow of hearts. In a secluded alcove, were the 49 crosses that were left at the Orlando Regional Medical Center. All the crosses grouped together in the tight space, left me feeling overwhelmed by the loss.

There was an opening for the families of victims and survivors. It was incredibly well attended. Probably over 500 people attended the opening night. This was an opportunity for families to get out and see items left in honor of their loved ones for the first time. There were 20 therapist at the opening wearing bright yellow shirts that said, Feeling sad? Lets talk. With so many therapists, it must have been difficult to grieve in peace, let alone move around the exhibit. One therapist handed out stress balls any time there were tears. There were also 11 therapy dogs on hand who performed their jobs with honor.

In my sketch, Whitney Broadaway is putting up vinyl lettering that encourages viewers to use #OrlandoOneCollection when posting information about the show online. Her baby bump proves that new life begins as tragedy ends, just as baby Cory Connell was named for his heroic uncle who died at Pulse. A large interactive area encourages people to write notes on a six foot square sheet of paper with permanent markers. Messages of hope and condolences are added every day. The exhibit runs from June 12th to June 17th when it has to come down for a wedding ceremony. This is an incredible, moving and inspiring exhibit, and I encourage anyone who feels they are a part of the Orlando community to get down there to experience it. The museum is open from 10AM to 7PM each day and admission is free.

Curator of Exhibitions and Collections Pamela Schwartz.

Posted on by Thor

I first met Pamela Schwartz, The Orange County Regional History Center Chief Curator three months after the horrific Pulse Nightclub shooting that took 49 lives. I had contacted artist, and History Center Collections manager Whitney Broadaway, about sketching interviews with survivors, family of victims and first responders. It just so happened that Pamela was beginning interviews, so the collaboration made perfect sense. Pamela is an artist herself, so she understood what I do.

Pamela had been working as the History Center museum curator for just four months when the Pulse shooting happened. As politicians and first responders scrambled for a course of action, Pam was making plans on how the History Center could play a role in preserving the history that was unfolding. Multiple memorials were appearing with people leaving flowers candles and personal mementos. Rather than have all these items end up in a landfill, Pamela spearheaded an effort to collect, preserve and catalogue all of the thousands of items in the museum archives.

The collections work happened under grueling conditions in the height of the Florida summer heat. It was thankless work since not everyone understood or appreciated what the museum staff was doing. To date over five thousand items are still being preserved and catalogued. In this sketch Pamela is working late at night cataloguing the 49 crosses that were left at Lake Beauty next to the Orlando Regional Medical Center where people were treated after the shooting. After being collected, each cross was placed in a specially made archival box with a clear front. All of the memorial items left at each cross would fit in another box that slips behind the cross inside the box, keeping everything together. Preservation of the crosses was a challenge since they weren’t built to last. Pamela took photos of each cross when they were at the hospital, showing them the first day and then sequentially with memorial items added over time. A large online database was created where memorial items can be seen. The crosses were supposed to go on public display 6 months after the shooting but Hurricane Mathew shut down those plans and canceled the Pride Parade. With one year fast approaching this June, the crosses are once again being considered as a symbolic centerpiece to honor each of the victims.

On Pam’s desk are several EMS and fire department rainbow patches which were custom made to honor the senseless loss of life. It is just one example of the many small gestures that people continue to make in order to deal in some way with the tragedy. Such items are often sent straight to the museum since only the memorial at Pulse remains. Lake Eola and the memorial at the Dr. Phillips Center for the Performing Arts have since been collected and are now being preserved.

On this night the subject for the interview didn’t show up, so I sketched Pam at work. She entertained me with stories about her family in the midwest. She has been working in museums since she was 14,  so she was immediately up to the challenge when the Pulse Tragedy occurred. Interviews are still being conducted and likely will continue for years to come. Not everyone is ready to talk about that night. Just locating people is a challenge. Some wounds may never heal. I feel fortunate to be using my art to help document this story.

Whitney Broadway

Posted on by Thor

I decided to learn what I could about the Maitland Art Center‘s Artist’s in Action program. The program reflects the spirit of founder André Smith’s Research Studio and the current mission of the institution. This program provides non-residential studio space to  established or emerging artists for the professional practice and research of fine art. This program is an exciting opportunity to interact with Center’s community of artists and art enthusiasts while working in this uniquely rich and historic environment.

A fixture at the institution for many years, the acclaimed Artist-in-Action program takes place at the historic Maitland Art Center (originally André Smith’s Research Studio). In Smith’s day, famous artists were invited to live and work at the Research Studio in the winter months, including luminaries Milton Avery and Ralston Crawford.

Whitney Broadaway grew up in Sebring, Florida and received her Bachelor’s of Fine Arts
with a focus in Printmaking from the University of Central Florida in
2010. During her degree, Broadaway studied printmaking, ceramics, and
the book arts extensively. She has interned with the Museum of Florida
Art and Culture as well as Flying Horse Press. Whitney is currently
the Book Conservator for the Special Collections & University
Archives department of the UCF Libraries. There she is in charge of
conserving and repairing material, as well as coordinating and judging
the annual Book Arts Competition.

Whitney‘s studio at the Arts Center was bright and light filled. Whitney’s recent prints integrate elaborate floral patters similar to work done at the turn of the century. One plate had delicate line work where she had to carve away the areas around the lines which takes amazing patience. As she worked on carving lino plates, she sang along with the tunes on her laptop. I began singing along as well. Pink Floyd began playing and Whitney told me about a video that had the Dark Side of the Moon dubbed over The Wizard of Oz and the music synced perfectly. A huge steel print press stood in the corner of the studio. It once belonged to André Smith so it is a historical relic. It has sat unused for years and Whitney is trying to let the Arts Center committee realize that the press needs to be used so all the working parts are active and lubricated. I felt like a bit of a dinosaur working next to this young artist, so I can identify with the idea that no matter how old you might be you should stay active every day.  I hope the press wheel once again turns to create a new generation of prints.

Artists Party and Street Market

Posted on by Thor

Affect Art held its first Artists Party and Street Market at Taste Restaurant (717 W. Smith Street College Park). The purpose of Affect Art is simply to help artists help themselves. A few artists were set up inside the front room in Taste and everyone else was set up outside under the awning. Clouds loomed, threatening rain as the evening grew dark. Parker Sketch had some paintings on display in the gallery inside. I met Terry for dinner at Taste before I started a sketch. I liked the tatter tots but the fish tacos were too hot for my taste. I had to wash them down with plenty of beer. Parker walked some patrons through the gallery and on his way out he saw us and stopped over to say hi.

Some sort of performance was going to happen in the gallery. A petite dancer was getting ready to perform. I found out she was a silks dancer who would be performing her aerial act.  The event was a fundraiser for YAYA, a youth and young adult Network of the National Farm Worker Ministry. It cost $5 to enter, so I opted to go with a free sketch outside, besides, catching a girl spinning and flipping as she is suspended from the ceiling would be a difficult sketch.

Outside, Parker was busy painting a skateboard with a Pabst Blue Ribbon logo. The board was for a show at City Arts Factory. Just about every gallery is filled with skateboards that have been painted by local artists. The show, curated by B-side artist Tr3 Harris is called Boarded up – The Art of Skateboarding. It is an impressive show hanging till July 14th.

Whitney Broadaway had an ingenious idea of letting passers by make their own prints. She had lino cuts already prepared and a young couple stopped to try their hand at print making. The woman rolled out the ink and applied it to the print plate. Only the high ridges would print. A sheet of paper was applied on top of the inked plate and then Whitney set it inside the press. The crank was turned applying massive pressure. The costumer was given the thrill of the big revel. Both Whitney and the costumer signed the print.

Although not much art was sold, it was a great opportunity for artists to mingle and talk art. One artist was talking about how the DADA movement was “the punk rock of art.” He admired Jackson Pollack who finally said, “F*ck this I’m just going to do what I want.” An artist who was dressed like a rough Harley Davidson biker lamented how he was an outsider in high school. Whitney’s table became a social hub for artists who had studied with the same teachers at UCF. A friend walked by and didn’t notice me sketching. I suppose I become a bit invisible when I sketch and I was camouflaged by large potted plants.