Hurricane damage in Greenwood Cemetery.

I drive by Greenwood Cemetery almost daily and after Hurricane Irma I was amazed at the amount of tree damage there was in the cemetery. I decided to return to document some of the trees that had snapped like twigs. The first stop was to the four headstones for victims of the Pulse nightclub massacre. This area of the cemetery had been largely spared. As a matter of fact one stone had rainbow balloons, rainbow flowers, a pin wheel and a rainbow colored teddy bear. All the memorial items were pristine. The day before had been Leroy Valentín Fernández birthday. Clearly the family had come out and colorfully decorated his headstone to mark the occasion. All of the Pulse victim headstones now had color photos that were laminated in plastic and cut into the headstones. The photo of Cory Connell was had outstretched arms as if he were ready to wrestle the world. All memorial items had been removed form his stone, probably in preparation for Hurricane Irma. All 4 stone sat quietly in the shade of a large tree that had weathered the storm fine.

Pam Schwartz and I searched the cemetery for the tree I had seen while driving by the cemetery. Blanche Crews headstone
was knocked over by a fallen tree limb. It was wedged back up with
fallen branches making it look like the fallen angels had crutches. 
Dozens of trees had snapped and branches littered the entire cemetery making it appear wild and overgrown. I settled into a spot near the headstone of Edgar Earl Hitchcock. I of course wondered if he was related to the film maker. Pam quickly did research and found out that Edgar was an important figure in Orlando’s medical history.
He founded the Pediatric Associates of Orlando in 1939. He was shown in a photo giving the very first polio vaccine shot in Central Florida to a young boy. His wife Ruth died many years after him but her headstone was not in her family plot or perhaps there is just no headstone.

Across the lane from where I was sketching, a family arrived in several cars. Blue and white helium balloons bounced up out of the car behind them. They were visiting the headstone of Richard Marcano Trinidad who had died on August 19, 2016. He had died at the tender age of 36. His stone noted that he was a Stealers fan and the epitaph read…”For the best daddy in the world. We will never forget you…from your kids.” An Orlando Sentinel article reported that police had been dispatched to a home near UCF, where they found Trinidad critically injured. His 36 year old girlfriend was on the scene. I could not find any further reports about how or why Richard had died. The family released the dozen or so blue and white balloons and they silently rose into the sky.

Near the fallen tree I was sketching was the headstone for Harry P. Leu (1884-1977) and his wife Mary (1903-1986) of Leu Gardens fame. Their two granite slabs lying side by side, were pristine except for a few leaves. The Harry P. Leu historic home however has suffered damage from a huge tree limb that crashed into the roof, exposing the Leu bedroom to rain and wind damage. The ceilings and floor boards are soaked. Leu Gardens has closed indefinitely. Pam Schwartz, the Orange County Regional History Center curator went to the historic home to offer advice on preservation societies who might be able to help as well as FEMA contacts. 

The History Center off site storage facility had suffered damage when a roof access panel was blown loose and it gouged holes in the roofing as the heavy metal lid was hurled by the high winds, causing leaks over the historic collection. I was with Pam when she found the soaked warehouse and helped in removing soaked ceiling panels and now useless archival cardboard boxes. It look hours of work and in the emergency the sketchbook was ignored. Even though the floor were dried and artifacts were lifted to be  dried out off the floor, it was then discovered that the walls of the warehouse are fulled with mold. Now an effort needs to be made to save the collection form that mold which is inside the walls up to 10 feet high. The History Center is replacing all the inner walls in an effort to  protect and preserve Orlando’s History.

Orlando One Year Later

The Orange County Regional History Center has mounted an exhibit entitled “One Year Later” that showcases a fraction of the items collected from the various memorial sites around Orlando in the aftermath of the Pulse Nightclub shooting tragedy that took 49 lives. The exhibition commemorates one year of pain, grief, loss, love, fear, resilience, coping and community. The exhibit recalls the heroes in our community who banded together in defiance of hate, who support all those who continue to live through the nightmare, remembering those murdered and holding the victims families in our hearts.

I sketched on the final day of the exhibition install. Museum staff were putting up the final vinyl lettering on the walls and making sure everything was in its place. Over 5000 items were collected from memorial sites. This exhibit encapsulated the shear volume of what was left. Rather than showing just one rosary, there are twenty, instead of one t-shirt there is an entire wall. One wall is covered with a sampling of the hundreds of paintings i have done at vigils and fundraisers since that fateful day last June 12th. Also on display are the original paintings and sketches done by local artists in one evening of the 49 victims of the attack. I hosted the evening and felt it was important to do the work in one evening since all 49 lives were taken in one night of terror.

Above the Angel Action Wings, built from PVC and white fabric, there was a quote… “I don’t have money to give, but I can spread love and I can spread hope. I was waiting for the opportunity to use the one thing I do have, which is the skill to sew, I can sew like the wind.” Jeannie Haskett, a theater seamstress and Angel Action Wings volunteer, to the Miami Herald.

I made my way through the exhibit reading every panel, circling the huge room counter clockwise. At the entrance there was a long platform with artificial grass covered in candles, rainbow pinwheels and flowers. The pinwheels spun in the breeze, recreating in a a memorial site in a ghostly way. The room is organized into sections, each honoring members of the Orlando community. There was a wall for first responders, a wall showed the worldwide response and outpouring of love after the tragedy. There were lines of prayer flags, and a floating wall of stars decorated with rainbows and messages of hope. An Ikea couch was covered in messages as well as the water cooler that was filled daily by church volunteers for people who were visiting the Pulse memorial site. In the corner of the room was a gorgeous dress made from a rainbow of hearts. In a secluded alcove, were the 49 crosses that were left at the Orlando Regional Medical Center. All the crosses grouped together in the tight space, left me feeling overwhelmed by the loss.

There was an opening for the families of victims and survivors. It was incredibly well attended. Probably over 500 people attended the opening night. This was an opportunity for families to get out and see items left in honor of their loved ones for the first time. There were 20 therapist at the opening wearing bright yellow shirts that said, Feeling sad? Lets talk. With so many therapists, it must have been difficult to grieve in peace, let alone move around the exhibit. One therapist handed out stress balls any time there were tears. There were also 11 therapy dogs on hand who performed their jobs with honor.

In my sketch, Whitney Broadaway is putting up vinyl lettering that encourages viewers to use #OrlandoOneCollection when posting information about the show online. Her baby bump proves that new life begins as tragedy ends, just as baby Cory Connell was named for his heroic uncle who died at Pulse. A large interactive area encourages people to write notes on a six foot square sheet of paper with permanent markers. Messages of hope and condolences are added every day. The exhibit runs from June 12th to June 17th when it has to come down for a wedding ceremony. This is an incredible, moving and inspiring exhibit, and I encourage anyone who feels they are a part of the Orlando community to get down there to experience it. The museum is open from 10AM to 7PM each day and admission is free.