Robert Ross Studio #7

Posted on by Thor

The Art and History Museums of Maitland (A&H) offers an Artist-in-Action (AIA) program that reflects the spirit of founder J. André Smith’s Research Studio and the current mission of the institution. This program provides non-residential studio space to an established or emerging artist for the professional practice and research of fine art. This program is an exciting opportunity to interact with A&H’s community of artists and art enthusiasts while working in this uniquely rich and historic environment.

A fixture at the institution for many years, the A&H’s acclaimed Artist-in-Action program takes place at the A&H’s historic Maitland Art Center (originally André Smith’s Research Studio). In Smith’s day, famous artists were invited to live and work at the Research Studio in the winter months, including luminaries Milton Avery and Ralston Crawford. In the recent past, a number of very well-known artists occupied the studios in a non-resident capacity, including the late Anita Wooten, Barbara Tiffany, and Ellie Diez-Massaro.

On September 12th I went to visit Robert Ross one of the 2013 Artists in Action. I got to the studio a bit early, so I considered doing a quick study of the Maitland Art Center’s central courtyard.  Unfortunately that sketch was interrupted by a lawn jockey who entered the courtyard with a lawn mower. He isn’t permitted to mow a lawn with anyone within 50 feet of him because flying debris could cause injury. He asked me to leave and I erased what I had started. Robert arrived as I exited the courtyard.

His studio doesn’t have any windows, but the bathroom window lets light in when the door is left open. A large tree branch was hung on one wall and Robert was working on a life sized sketch which was pinned to the wall directly below the branch. He decided to work on a still life with a cup, jar and seed pod. He quickly assembled his field paint easel. A warm spot light was set up to illuminate his scene. Robert’s paintings  have been exhibited in a growing number of venues in Central Florida. He also maintains a studio at McRae Art Studios in Winter Park. He worked quickly on his painting and I tried to maintain the same energy with my sketch by avoiding line in favor of value and color. Robert is a retired graphic designer and he loves the ability to pursue painting full time. He plans to take part in the Winter Park Sidewalk Art Festival where he can see which pieces sell. He doesn’t want to get caught up in chasing the market. I admire Robert’s work which is a blend between Edward Hopper and Fairfield Porter.  Many of his pieces show lonely, empty spaces between structures.

Recently he has been doing large painting based on sketches from sketchbooks. He likes having control over color and form which he can experiment with not feeling the need to slavishly recreate every detail. Watching him work made me itch to start attacking large canvases myself.

Plein Air Paint Day with Josette Urso

Posted on by Thor

The Maitland Art and History Center‘s new Artist-In-Residence Josette Urso, from Brooklyn New York, began her
residency on April 28. Her residency continued through June 2. The
program honors the legacy of founder J. André Smith, and the 75th
anniversary of the Research Studio’s (now the Art and History
Museums of Maitland) first Bok Fellow. This is the first formal,
nationally competitive Residency program at the Art and History Center since
Smith’s fellowship program, which was funded by Mary Curtis Bok from
1938 through 1957. During her tenure, Urso will work
in her studio and paint plein air, affording visitors an opportunity to
see her create throughout campus.

On Saturday, May 11th, from 10 AM to 1 PM, Josette Urso held an official Plein Air Paint Day at the Maitland Art Center (231 W Packwood Ave, Maitland, FL). Painters from around Central Florida were encouraged to come and create alongside Urso. She showed us the tools and techniques she uses to create her widely-collected paintings. This program was FREE and the public was encouraged to attend.

Josette showed us a color wheel and explained how a limited palette could unify a painting. She had some empty slide casings which she said could help a beginner to see a composition. She said in a workshop she taught in Taiwan, several students taped the slide casings to the brim of their baseball caps.  She explained the importance of thumbnail drawings and she demonstrated a thumbnail sketch using as few lines as possible. We then went off to do our own thumbnails. I excitedly sketched the fifteen or so students around me as they sketched architectural details or foliage. I knew artist Chere Force and Lynn Whipple. I checked out other artists progress and then returned to my own work.

The next step took me outside my comfort zone. We had to pick a thumbnail sketch, and work it  up as a larger painting without using line. My primary issue seemed to be that my brush was to small to put down satisfying bold blocks of color. I found that my two color studies were done before the class was over so I couldn’t resist putting in a few sensual lines afterwards. It was a fun workshop and I’m thinking I might work faster with my daily sketches by focusing on large washes first. The issue I’ve had is that the pens I use die the second they touch water. If I can find a good fountain pen, that might solve that problem. An even bolder decision would be to give up the pen all together. Time and daily experimentation will tell.

Josette Urso

Posted on by Thor

Josette Urso is a Brooklyn based artist who has been invited to come down for a residency at the Maitland Art Center.  Her residency runs from April 28 through June 2nd. This residency program has been resurrected after about a 30 year hiatus. lt was part of J. Andre Smith‘s vision to bring accomplished artists to Florida where they could recharge their creative batteries. Past artists of national prominence,  who were residents here included Milton Avery, Ralston Crawford, Doris Lee, Boris Margo and Teng Chiu.

Josette offered a presentation of her work in the Germaine Marvel Building on the Maitland Art Center Campus. I was one of the first people to arrive. I had been in contact with Josette because I hoped to sketch her at work and learn about her process. This talk was a perfect way to truly meet the artist. She talks with passion and excitement about her art which is accomplished and branches in multiple directions. What was most exciting was that her work has a sense of play as she experiments in various mediums.

Some of the earliest work was collage arranged in circles. Intricate images inhabited tiny squares within the over all design. They were like Madella’s or kaleidoscopes with vibrant color. She collects UPC codes and these linear patterns adorned one of the circular motifs. The image she was working on was huge and she ran out of UPC codes. Most people go to their neighbors perhaps for a cup of sugar but she turned to her neighbors for codes.

When she showed her Urban drawings, I was inspired. One sketch was of a Bushwick building rooftop with a flock of pigeons moving as a dark mass above the building. She thought the pigeons would always be there but the coup was closed down. The drawing was done with a child’s pen she had purchased in Taiwan. The ink is beginning to fade along with the inspiring memory of the flock. She would visit other artist’s studios and sketch the amazing views.

Her paintings border on the abstract yet are grounded in direct observation. She likes to get lost in the process moving around the page and is surprised when it all lines up. One action always leads to another. Her paintings pose questions not offering just answers. Different tools inspire different images. An ink sketch can’t be erased yet an oil painting can be kept in a constant state of flux. Here in Maitland she is working plein air getting her inspirations from the gardens around the museum. She admitted that the Florida sun had tapped her energy. Someone needs to bring this woman a big straw wide brimmed hat.

On Saturday, May 11, from 10 AM to 1 PM,the Art and History Museum will hold an official Plein Air Paint Day with Josette Urso. Painters from around Central Florida are encouraged to come and create alongside Urso. Guests will discover the tools and techniques Urso uses to create her widely-collected paintings, as they enjoy the beauty of the A&H’s Maitland Art Center campus. This program is FREE and the public is encouraged to attend.

Maitland Art Center Mayan Courtyard

Posted on by Thor

This is the rare case of a sketch done in the quiet time between events. I had an hour to kill before the Art Critique and Conversation began at the Maitland Art Center, (231 West Packwood Ave. Maitland, FL). I wandered into the Mayan Courtyard. I’m sure that countless wedding vows have been exchanged in this outdoor garden paradise. I sketched the entry to the chapel. The Art Center was founded and designed by architect and artist J. Andre Smith in 1937. The intricate Aztec-Mayan sculpted motifs cover every surface. The Art Center is one of the few surviving examples of “Mayan Revival”
or fantasy architecture in the Southeast. The Center is recognized by
the State of Florida as an historic site and is entered on the National
Register of Historic Places as of 1987.

A plaque outside the entry read, ” I stood at the gate of life and said give me a light that I might go safely into the unknown. And a voice replied, go out into the darkness and put your hand into the hand of God, that will be to you better than a light and safer than a known way.”

Whitney Broadway

Posted on by Thor

I decided to learn what I could about the Maitland Art Center‘s Artist’s in Action program. The program reflects the spirit of founder André Smith’s Research Studio and the current mission of the institution. This program provides non-residential studio space to  established or emerging artists for the professional practice and research of fine art. This program is an exciting opportunity to interact with Center’s community of artists and art enthusiasts while working in this uniquely rich and historic environment.

A fixture at the institution for many years, the acclaimed Artist-in-Action program takes place at the historic Maitland Art Center (originally André Smith’s Research Studio). In Smith’s day, famous artists were invited to live and work at the Research Studio in the winter months, including luminaries Milton Avery and Ralston Crawford.

Whitney Broadaway grew up in Sebring, Florida and received her Bachelor’s of Fine Arts
with a focus in Printmaking from the University of Central Florida in
2010. During her degree, Broadaway studied printmaking, ceramics, and
the book arts extensively. She has interned with the Museum of Florida
Art and Culture as well as Flying Horse Press. Whitney is currently
the Book Conservator for the Special Collections & University
Archives department of the UCF Libraries. There she is in charge of
conserving and repairing material, as well as coordinating and judging
the annual Book Arts Competition.

Whitney‘s studio at the Arts Center was bright and light filled. Whitney’s recent prints integrate elaborate floral patters similar to work done at the turn of the century. One plate had delicate line work where she had to carve away the areas around the lines which takes amazing patience. As she worked on carving lino plates, she sang along with the tunes on her laptop. I began singing along as well. Pink Floyd began playing and Whitney told me about a video that had the Dark Side of the Moon dubbed over The Wizard of Oz and the music synced perfectly. A huge steel print press stood in the corner of the studio. It once belonged to André Smith so it is a historical relic. It has sat unused for years and Whitney is trying to let the Arts Center committee realize that the press needs to be used so all the working parts are active and lubricated. I felt like a bit of a dinosaur working next to this young artist, so I can identify with the idea that no matter how old you might be you should stay active every day.  I hope the press wheel once again turns to create a new generation of prints.

Dawn Rosendahl

Posted on by Thor

In the Orlando Arts Magazine, I learned that there is a resident artist program at the Maitland Arts Center. The work of Dawn Rosendahl was on the cover, so I contacted her to see if I could stop by to learn about her work and do a sketch. Artist and architect J. Andre Smith established the research studio in 1937. The studio acted as a haven for artists of national prominence in the winter months, The tradition continues today with the Artist in Action program.

Dawn’s studio door was slightly ajar, so I knocked lightly and went inside. The room was perhaps ten foot square and one wall had large barn doors which would be helpful if you worked large. Robin pointed out that there was a mural painted on the opposite side of the doors, so they were never used. A skylight offered extra illumination. Dawn was working at a folding table where she was surgically altering a book. She used an xacto knife to carve into the book  at times unearthing illustrations and creating stair stepped forms like rice paddies in China. A series of circular cut pages folded back resembled a clam shell. A large pile of fresh books and encyclopedias sat in the corner of the room next to her. She had a one foot diameter cardboard tube that was about four feet high in the opposite corner. She plans to create book totem poles.

Dawn studies art at the American Academy of Art and the Art Institute in Chicago. She worked as a sculptor at Disney World, doing the scale sculpted studies of the swan and dolphin for those respective hotels. She told me a story about a creative who couldn’t get approval on a project because an executive kept insisting the color used didn’t match a pan tone color swatch. To get the approval, the guy decided to paint over the pan tone swatch. The project was approved.

Artist Robin Pedrero stopped in since she was dropping off a painting. She and Dawn had a discussion about pricing  art work. Robin felt that if a prospective buyer was willing to spend $75 on a painting, then they could just as well afford to pay $200.  I am of the opinion that art work in Orlando is  all to often under priced and under valued. It was nice hanging out in an artists studio and having another artist visit. It made me feel that there is an artist community in Orlando.