A Christmas Carol: Final Poster

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For the final version of A Christmas Carol poster, for the Orlando Shakes,  the title had to be larger. that meant slipping the paint lover thus removing the floor in the scene.

Instead of the detailed room setting I added a shimmering red glow to the background. This was an abstract element to keep visual interest behind the title and credits. The focus of the scene is the torch flame and the background helped make that very clear.

I am surprised the old English cursive credits made it to the final poster. I remember being told at one point that people in this digital age have trouble reading cursive writing. It would be a shame to only use bold block lettering for fear that the digital mind can not comprehend the more flamboyant cursive style. Charles Dickens hand writing was definitely cursive and rather messy. I am a fan of leaving some of the messiness of the creative process. I always feel the need to see the imperfect touch of the human hand.

Merry Christmas one and all.

A Christmas Carol: 3rd Pass

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The third pass at A Christmas Carol poster was filled with light. Light equals drama.

I had a rather detailed room as the setting. The intricate mirror behind Scrooge was fighting with the credit type, so I had to blur it out in spots. Ultimately it was decided that it might be better to just get rid of the room details.

All the fruit also needed more painted detail. Things were still a bit sketchy.

Both actors portrayed in this poster reprized their roles for this year’s production. It is very rare that I get to include the actual actors since the posters are painted far in advance of the auditions for each show.

Since I rethink the design for A Christmas Carol poster so often, I am becoming very familiar with the Charles Dickens show. The possibilities are endless, from the depth of despair to the sheer joy of celebrating the holiday.

Since all the posters are painted at the same time, things often rough while changes are made and if time allows, each poster is refined where people will notice the most. It is a fun juggling act. Sometimes I hit the mark right away and other times I search blindly for what is needed. That is the fun of being an illustrator, it is seldom a linear path.

A Christmas Carol: Poster 2nd Pass

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The second pass at A Christmas Carol poster involved zooming in a bit for a medium close up shot. Two children were removed and I gave Tiny Tim his crutch back. With the crutch raised over his head however it seemed to dominate the scene.

I liked the glowing lights in the background and would have liked adding snow to the street. In general it was working but something was missing. Perhaps it was too dark.

I decided to press on and work on a completely new scene to give options. I could have pushed this forward and resolved anything that was making me uncomfortable. The next rendition however had pure brightness and a sense of glowing celebration. That ultimately is what was needed.

 

 

A Christmas Carol: First Rough Sketch

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This rough sketch was an attempt to create a poster similar to the one I had done the first year but with the actual cast from a Shakespeare Theater production.

It was decided that we really didn’t need to see all the cast from a distance.  Seeing the feet on the ground wasn’t needed. I had neglected to draw Tiny Tim’s crutch which would make him difficult to identify. I had to decided weather to hide it in the lower hand or thrust it up in the air with the raised hand. It was also decided that the two extra siblings were not needed for the poster.

The time I did not put into painting the figures, I had put into refining the title for the poster. The new title treatment was accepted as is. My placement of the Charles Dickens and adopted by credits was a bit sloppy but I would give that placement much more though as I refined the poster image.

This rough sketch was enough to send me in a new direction which I would push much further along. I knew the the illuminated

A Christmas Carol is running at the Shakes through December 22, 2024. General Admission tickets are $25. The show is in the Margeson Theater at the Orlando Shakes, 812 E Rollins St Orlando, FL 32803.

A Christmas Carol: First Ad Seen

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It is always fun to see the first ads that appear for shows that are coming up. When I design the poster I supply all the different elements as separate layers so that different sizes can be accommodated. I design the poster vertical but then do a second version that is horizontal. This square ad lives somewhere between those options. Brianna Bell the web and graphic designer does such a good job making design adjustments for all uses. She even produced cool video animations that help bring the poster and the show to life.

I have designed A Christmas Carol poster each year I have been painting these images. One year the poster from the previous year was reused but I also did several variations that were not used. This poster used elements from previous unused posters to come up wit a new images for the show. A Christmas Carol has plenty of darker imagery which attracts my aesthetic, but it is the images that express some joy of the season which make the grade and get used.

The annual tradition continues at Orlando Shakes with the return of one of Central Florida’s favorite holiday classics! The miserly and miserable Ebenezer Scrooge greets each Christmas with a “bah humbug,” until he is visited by the Ghosts of Christmas Past, Present, and Yet to Come. Come see this classic, heartwarming story at Orlando Shakes – a magical and musical spectacle for the whole family!

A Christmas Carol runs through December 22, 2024. Tickets are between $25 and $47. there are special deals for Military and students.

Phantasmagoria presents: A Christmas Carol & The Canterville Ghost

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If you are looking to kick off the Holiday season with a taste for the macabre, then join Phantasmagoria as they present  “Ghost Stories” this Christmas season. They will bring to life and the bitter sweet taste of death to not one but TWO whimsical classics. The well-loved A Christmas Carol, A Ghost Story of Christmas by Charles Dickens, followed by Oscar Wilde’s rollicking The Canterville Ghost.

I sat in on a dress rehearsal for the show at the Dr. Phillips Center for the Performing Arts. The set felt like an abandoned attic with carousel horses flanking the stage. Projections on a large screen behind the set changed the settings with ease. I fell in love with the faint flickering candle light that illuminated the various corners of the stage.  That meant I needed to keep the scene dark so the candles could shine.

A Christmas Carol is a well loved and very familiar classic. Phantasmagoria added its dark and vaudevillian steampunk styled flair to the story. John DiDonna as Scrooge lived in the old man’s skin. I have seen him perform this roll many times over the years. Daniel Cooksley as Marley, draped in chains did an amazing job filling the stage with his his twisted and agonized self. Of the three ghosts, the ghost of Christmas future was magnificently designed. Much larger that life, the dark draped figure gestured with gnarly black branches for hands.

The Canterville Ghost offered a much lighter tale full of light hearted dance. It was the yin to Dickens dark and foreboding Yang. There are two more performances December 3–4, 2022 at the Alexis & Jim Pugh Theater, in the Dr. Phillips Center for the Performing Arts, 8 p.m. and 2 p.m. Tickets are about $35.

A Christmas Carol: Poster Evolution

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Each poster I illustrated for the Orlando Shakes this season went through an evolution from initial concept sketches to final tweaks and refinements.

My initial concepts simply used sketches I had done at past performances. There is a big difference between a loose spontaneous sketch done in a dark theater and a final illustration, but it was a way to start getting ideas out.


I then went on to an illustration of the ghost of Christmas past in front of the raging fireplace. My thought was that we could all use some semblance of joy after more than 20 months of living with a pandemic.

Ultimately however I settled on Scrooge’s conversion on Christmas day as he holds up Tiny Tim. That visually expressed the joy I wanted without the visage of ghosts. It also helped to put a large chorus in the scene. There were other refinements to the poster involving refining chorus members, but I will not get into that minutia.

A Christmas Carol runs through December 24, 2021. The show features your favorite carols and awe-inspiring special effects, this delightful rendition tells the iconic tale of one man’s chance to change for the better. Gather together to witness the holiday magic and create a tradition for the whole family.

Phantasmagoria’s Christmas Carol

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 Phantasmagoria is proud to present One of the greatest and most enduring Ghost Stories ever told! Victorian Troupe Phantasmagoria returns to
the stage with its own unique adaptation of Charles Dickens’ classic
holiday tale “A Christmas Carol, A Ghost Story of Christmas”.

This
critically acclaimed Victorian Performance Troupe will bring its
signature tapestry of movement, dance, puppetry, projections, music and
storytelling to the stage as one of the most famous Ghost Stories of all
times comes alive! A true tale of the Past, Present and Future – with
the glory of redemption!

Dickens’ wonderful tableau will come to
life with Phantasmagoria’s own unique aesthetic and performance style in
a brand new adaptation of the classic work. Last year’s performances
SOLD OUT fast so get your tickets now! A show good for ALL ages!

The dress rehearsal I sketched had all the bravado I have come to expect from a Phantasmagoria performance. Jacob Marley was presented as a skeleton puppet wrapped in chains. A unique head harness linked the skeleton’s head movements to the movements of the handler’s head. The ghost of Christmas past was a floating blue head with a streamer. The ghost of Christmas yet to come was the largest and most menacing enshrouded in a dark hood. with bony fingers. John DiDonna as Ebeneezer Scrooge brought plenty of energy to the part which he has performed for years. He steps into the crotchety old mans skin with ease.

Only one show date remains, Dec 15, 2018 at 8pm
John and Rita Lowndes Shakespeare Center, (812 E Rollins St, Orlando, FL 32803). Ticket prices are…

Student/Senior/Military: $15.00 regular / $40.00 VIP

Adult: $25.00 regular / $30.00 VIP

(VIP
includes early entry to pick seating, Christmas beverage (no alcohol),
Take home souvenir, and POST show performance including Poetry, Dance,
song, Magic and more!

A Christmas Carol at Orlando Shakes

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1 of 5 Prints SOLD

I have seen A Christmas Carol by Charles Dickens many times so I am a bit jaded, however this production far exceeded my expectations. The set felt like an attic and there was a staircase at the front of the stage that heightened that effect. The play began with the sounds of an excited party below the stage, and then the actors walked up from that excitement onto the stage.

Steven Paterson did an amazing job as the crotchety Scrooge. Paul Bernando got to perform some very angst filled scenes as the chain covered Bob Marley’s Ghost. Amazingly he also performed as the kindly ghost of Christmas Present. Many actors got to play up to seven different characters and I didn’t even notice. Tiny Tim, played by Sebastian Cranford had the thinnest legs, making him a perfect fit for the part.

The Shakes really seems to be stepping up their game when it comes to effects in their staged productions. A ghostly door knocker was represented by a framed photo in a spotlight held by an actor from behind. When the ghostly knocker came to life the actor pressed his face into the mesh of the canvas creating a ghostly three dimensional apparition. The ghost of Christmas future was a huge hooded puppet that moved around the stage freely. A four poster bed rose from a trap door and the curtains floated down from above.

More important than the flash however was the emotional heart of the production. This is a great show to warm even the coldest heart this holiday season. It is nice to see innocence and kindness win over a hard heart.

Performances of A Christmas Carol continue through December 30, 2018 at the Orlando Shakes (812 E Rollins St, Orlando, FL 32803) in the Margeson Theater.

Tickets are $30 to $53.