Macbeth Final

Posted on by Thor

The final version of the poster had MACBETH surrounded by a cast wearing black stocking masks as they lay their hands on the king. The hands on each side of his head imply that the crown had just been placed. it is a bit akimbo feeling not quite set in place yet.

Since the Shakes is under renovation, very few people drive to the theater and therefor they do not see the large posters hanging in front of the theater. I am not sure when plays will once again be stages in the theater.

This production of Macbeth is being staged at Fringe Art Space in downtown Orlando. The cast are UCF masters degree students.  Tickets.

NOVEMBER 1 & 2, 2024

Where: Fringe ArtSpace

54 W Church St Suite 201, Orlando, FL 32801

When:

November 1:

  • Evening: 7:30 – 8:50 PM

November 2:

  • Matinee: 2:00 – 3:20 PM
  • Evening: 7:30 – 8:50 PM

What the Constitution Means to Me

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I sketched a dress rehearsal for What the Constitution Means to Me, by Heidi Schreck is being presented by the Orlando Shakes at the Orlando Family Theater. Becky Baird dominated in the lead roll. The play rolls back the years to when Heidi was 16 years old an presented speeches about the Constitution at American Legion halls for cash prizes. She earned her college tuition this way.

There is a joyous excitement in her presentation about this document which she loves. yet during the presentation emotions start to run deep as she recalls her family history of a grandmother being sold to a outdoors man in Washington State. There is clear evidence of generational trauma throughout her family history. The constitution was written by the founders for the founders, in other words wealth white property owning men. Women never factored into the equation.

I loved what the actors broke the 4th wall towards the end of the play, breaking character and speaking to the audience as themselves. The Legionnaire who I assumed was rather conservative was actually a very liberal and open minded actor named John Voigt. A debate was held with an energetic high school debater. he debaters were played by Daisy Spann, and Tatriana Hinds. Each brought a unique energy to the roll. They  each argued their points on weather the constitution should be abolished or amended. Though the Constitution is very old and rather outdated, the youthful debate inspires hope for the future. With presidential elections only month away this play takes the audience on an inspired journey through what makes us all American and how we need to work hard to make democracy work for us all.

The play runs through October 13, 2024. If you only see one play this year, this should be it. Get your tickets now.

 

What the Constitution Means to Me: Final

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The final version of the poster for What the Constitution Means to Me has the actress much larger. There was an earlier version of this that had that looked too much like Heidi Schreck,

Altering the face and making her look much younger was actually quite fun. The paint itself was moved and morphed to fit the new drawing that I created for her face. I was surprised at how fast 20 years could be dropped.

The book cover was designed to match what an actual printed constitution looks like. Audience Members will each get a copy of the constitution to take home at each performance.

This really is a show that you should not miss. It will have you laughing out loud and also rethinking just what the founding fathers had in mind when they crafted this document. Presented by the Orlando Shakes, the show runs from October 2-13, 2024 at the Edyth Bush Theater at Orlando Family Stage, 1001 East Princeton St, Orlando, FL 32803. Get your tickets now.

Ain’t Misbehavin’ Final Poster

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The final version of the Ain’t Misbehavin’ poster for the Orlando Shakespeare Theater has the two gentlemen smiling instead of singing. Ain’t Misbehavin’ will run at the Shakes from April 10 to 28, 2024. Tickets run from $32.86 to $48.76.

I have a full run of poster designs done for next season and I know there will be some evolution to each design. I try not to fall in love with one particular design since I just know what I like and that isn’t always the image that will sell the most tickets.

With my online Elite Animation students I am always pushing them to loosen up the drawings they do to get more gesture and flow in each pose. My goal is to focus on the action or the verb of any scene. I am not drawing or painting nouns. I want to feel like things are happening and a story is about to unfold.

That is hard to relate to students and even harder to put into practice every day.

On an unrelated note, It is day 1 in the new studio and OUC cut the power before I sat down to start writing.

Several days ago, had set up service online and then spoke to 2 robots who never understood a thing I said. I shouted my responses robotically into the phone but that digital bastard don’t listen. I spoke to 2 separate robots but I assume they are of the same digital hive mind. I finally realized I have to confuse the robots right off the bat and then they are forced to put on a human to answer the call. The human took all my information and did a credit check. She said everything checked out so I was set to go.

Fast forward to this morning and the power cuts off as I am making breakfast. My landlady was shutting off her service but I figured that OUC would be smart enough to roll my service on. After dodging a robot and talking to a human for over an hour she admitted she had all my information but the computer insisted that the service could not be turned on. I was put on hold, having to listen to  horrendous call waiting music. Several service managers finally managed to bypass the computer system. Day one with OUC and I am not happy. I was better off with Duke Energy. What can I do? I have to charge my phone and summer in Florida without AC would be hell on earth.

 

Comedy of Errors: Poster Evolution 3

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The final version of the Comedy of Errors Poster involved removing the winged lady or just clipping her wings, and adding more parade revelers. One of the twins was removed, and the whole focus became the parade. I added sparks falling from the sky as if from fireworks.

The third pass at the title treatment worked best. It was hand drawn for added control over the letters. Copying some letters saved time. Thank goodness there were so many Es and Rs.

I learned quite a bit about using elements from one poster and adding new elements as the poster evolved. Each character was kept on their own layer in case they b=needed to be moved. People were indeed moved multiple times to fill out the scene.

This might not be the final pass a the poster but it was the one I could locate on my hard drive. I just noticed I had already signed the original poster. I threw another signature on this post since it is kind of a habit.

Comedy of Errors: Poster Evolution 2

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The second pass at the Orlando Shakespeare Theater poster focused on a Mardi Gras parade. Two of the characters were identical but since they looked alike it felt like a mistake. I set up a woman with shimmering wings as the focal point but she didn’t really relate to the play directly.

Everyone liked the street scene I had set up and the musicians. The title didn’t have enough of a Mardi Gras feel so it would need to be reworked. The glowing lights of a nocturnal parade felt right. The large mask as a decorative element really wasn’t needed so it would fall to the wayside.

Though there were plenty of changes still needed it felt like I was on the right track.

Comedy of Errors: Poster Evolution 1

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With the first pass at A Comedy of Errors poster for the Shakes, I played with twins imagery. The show is set in New Orleans during Mardi Grass so masks and vibrant colors were incorporated. I used an abstract peacock imagery as a backdrop which was also symmetrical.

It was decided that the twins imagery wasn’t needed. What did stand out was the hint of a Mardi Gras parade in the background. The parade was to be the focus.

Comedy of Errors was performed at the Orlando Shakespeare Theater from September 6 to October 1, 2023. Since I have been so focused on my film, I didn’t get to the theater to sketch. Photos I saw on Facebook clued me in to the fact that I was missing a fun time.

Poster Evolution: Kinky Boots Final

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Kinky Boots was a really fun poster to design. The idea came from watching  Hollywood Bubsby Berkely dance numbers. I saw one scene there the camera trucked down between a long row of dancers legs. I watched YouTube videos of various productions go get an idea of what the show was like but unfortunately I missed the show at the Shakes. I have been so caught up in the film production that the show slipped past my radar.

It is a really fun production, I am rather sad that I missed it. It is about an old show factory in England that has run across hard times since they only produce old fashioned shoes that are going out of style. The entire staff including inflexible yokels are set the task of producing Kinky Boots to keep the business alive. It is a joyous musical.

Anyway my COVID film is wrapped up and I am looking for ways to promote it. I don’t know how to get The challenge will be to get as many eye balls as possible to see it in the coming weeks. The world premiere will be May 19, 2023 at the free Fringe Film showcase inn the Shakespeare outdoor courtyard. I had to put a warning in front of the film. This has to be the first time an Fringe animated film had had a warning. I can’t wait to see how an audience reacts. I’ll be there with my mask on.

Poster Evolution: Zoom in

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Since the door seemed to predominate the first pass of this poster, the easiest solution was to create a version that was zoomed in.That allowed the tile and author information to cover the door and camouflage it. The scene was still a bit to bright and cheery. I needed some urban grunge but wasn’t sure which way to turn yet. The director of the show was shown the poster and she had some magnificent suggestions.

She sent me on a search of a particular style of portraiture that uses unexpected colors in skin tones. This allowed me to keep the bright colors I was drawn to in the steps but use those colors to paint skin. I was no longer limited to painting variations of flesh tones.

The show is about love and acceptance but also about intolerance, to a hint was needed of conflict. The director helped me find that balance in the final poster.

Though set in an imagined future utopia the themes of the show are particularly relevant today.

First Concept: Apologies to Lorraine Hansberry

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This was my first poster concept for Apologies to Lorraine Hansberry by Rachel Lynett which ran at the Orlando Shakespeare Theater. After reading the script I was fixated on the brownstones in what was an all black utopia after a civil war in the future. It is a play about race and gender and trying to find happiness only among others who are truly black.

I added rainbow colors to the steps to add color and lighten the mood of the poster. It was felt that the door took up too much of the composition. It takes up about half of the image. I also felt that it had a bit of Sesamie Street feel as apposed to an urban feel. For a start I just had to reduce the size of the door so it didn’t dominate.