Auditions

Beth Marshall Presents held auditions for the 2013-2014 season at the Garden Theater in Winter Garden on Saturday June 22nd. Productions she was holding audition for included…

The 2013 Play-in-a-Day 2013 Season kickoff in partnership with Lake Howell High School and Penguin Point Productions September 7th.

Alice Lost in Wonderland (a world premiere) written by Rob Winn Anderson and Beth Marshall, October 18-November 3 at the Garden Theater.

Beatnik, a multi-media art evening of poetry music and dance in collaboration with VarieTEASE. December 3rd at the Venue.

33 Variations by Moises Kaufman, directed by Aradhana Tiwari, March 13-30 at the Garden Theater.

Touring shows include,

Commencement written by Clay McCleod Chapman, directed by Brenna Nicely, Starring Beth Marshall at Fringe, or  The Venue.

The Books, written by Michael Edison Haydon, directed by Beth Marshall for Fringe or The Venue.

Actors gathered in the lobby of the theater and they entered the theater in groups of four or five. Actors read monologues and occasionally sang. I sketched actress Becky Lane since I knew her from some incredible performances in the past. Some actors read beat poetry but it just didn’t have the swaggering flow of 50’s beat angst.

That changed when writer, Tod Caviness and his new bride, dancer, Christin Caviness took to the stage. He recited a poem completely off book with the furious confidence of a generation reaching for a new understanding of what it is to live. Christin danced with sweaty abandon rising and receding with the tide of the poem. Garments were tossed aside as needless encumbrances to the need to move. I was swept along enthralled. I stood and applauded. This could be the corner stone for an amazing evening of Beat madness. What an incredible collaboration, a true marriage of two art forms.

A thunderstorm sent loud rain hammering down on the theater’s metal
roof. Beth considered it good since it would force actors to project. As
one actor was on stage giving a monologue, the lights of the theater
went black. The huge empty theater went silent. In the darkness he muttered, “Well I guess that’s a sign
that I didn’t get the part.”

Children of a Lesser God

The Garden Theatre announces Beth Marshall Presents’ production of the powerful drama, Children of a Lesser God by Mark Medoff sponsored by Progress Energy, March 15-30, 2013, at the Garden Theatre (160 West Plant Street, Winter Garden). On Friday, March 22nd at 8pm, there will be a fully interpreted American Sign Language performance in partnership with the Center for Independent Living.

Winner of the Tony Award, the Outer Critics Circle Award and the Drama Desk Award, Children of a Lesser God is the powerful drama by Mark Medoff.  The show is being directed by Brenna Nicely and Beth Marshall, sign language direction was by Joe Kramlinger. This is the first time Beth has directed a show at the Garden Theatre although this is the eighth show produced by her here.

I went to the Garden Theatre to sketch the dress rehearsal. The front door to the theatre was locked so I walked around the building clockwise to try and find an open door. I climbed two flights of a stairwell before realizing it wouldn’t lead to the theater. The stage door was in the back and thankfully it was open. I stepped right into the actors green room. There was one door leading to the stage. The black curtains disoriented me. I stepped out and saw Will Hagaman who plays James Leeds, as he instructed Mike Deaven as Orin Dennis on how to speak. I realized that I was on stage and quickly stepped back behind the black curtain. I scooted along the wing to the front of the stage but I couldn’t go down the steps into the theater without stepping on stage again. I waited till the scene being rehearsed was finished. Beth shouted out, “Come out of there Thomas.”

As I found a seat, I saw the James Leeds on stage embracing Sarah Norman played by Eliza Steves. They signed to each other intimately. Beth warned me that a sign language interpreter would be standing right in front of where I sat. In the show, James is an instructor at an institute for the deaf. Sarah has never spoken. She refuses to try and do something if she can’t do it well. She signs faster than an interpreter can speak. James falls in love with her and they get married.

 Sarah Norman is performed by Eliza Steven

Every married couple has their differences, communication is the anchor to any relationship but a common ground is hard to find between silence and sound. I found myself rooting for the couple hoping they could mend their differences. Their love story revolves around the politics within the deaf community
about bridging the gap between the hearing and deaf worlds.
The show packs an emotional one two punch that overwhelms to the point of tears. It glows with radiance of hope and abandon and then the depths of despair. As Sarah stood and signed without an interpreter, I felt the undeniable urge to understand. The set was minimal with no props. All the attention is spent on the spark between James and Sarah.

Besides myself there was only a row of acting students from a States Acting Competition. We all stood and applauded. This show leaves you thinking long after you leave the theatre. Will Hagaman did an amazing job as James. He not  only had to learn his lines, he had to learn sign language. Eliza Stevens did an astonishing job expressing her emotions without a word. More importantly the couple had a spark that ignited the emotional engine of the show.

Show times are Fridays at 8PM, Saturdays at 2PM and 8PM,  Sundays at 2PM and Thursday March 28th at 8PM. Tickets are $25 for adults and $21 for seniors and students. The show runs through March 30th.Saturdays
at 2pm and 8pm, and Sundays at 2pm, plus Thursday, March 28 at 8pm.
Tickets are $25 for adults, $21 for seniors/students. For tickets, visit gardentheatre.org or call the Garden Theatre Box Office at 407-877-GRDN (4736).

The Way of the Cards

The Way of the Cards” is a new play written and directed by Aradhana Tiwari. It will have its World Premiere tonight at 8:30PM in the Lowndes Shakespeare Center, Mandell Theatre (812 E. Rollins St, Orlando). I went to a tech rehearsal a few days before the opening. Aradhana welcomed me warmly and introduced me to Tom Mangieri, the set designer. This was the first time the cast saw the set, so stage manager, Brenna Nicely, gave them a walk through. Apparently the steps could be hazardous. The set wasn’t complete yet, but the sink had running water. Everything was a bit off kilter, giving the domestic scene an unsettled feeling

Aradhana said to the cast, “Don’t let
the largeness of the space take away from your power.” She pushed the
actors repeatedly to project to the back row. As the scenes were
rehearsed, she moved to different seats in the theater, getting a feel
for the scenes from all angles. 
She handled the music cues from her iPhone.

The play is about the dysfunctional Arlington family. Tip, played by Anthony Pyatt, narrates the plays opening, structuring his narrative around a single
hand of Texas Hold ‘em. He teaches cards in order to
relay the most tragic hand of his life. He spends much of the play munching cereal trying to remain disconnected from the drama swirling around him. His mom, Sass, played by Kate Ingram
may have been the “First Lady Of The
Vegas Strip” at one point in her poker career, but now she is simply a
tired hack who plays on a riverboat. Tips sister Tally, played by Olivia Richardson, tried to bring some order to the home but she never could fulfill her absent mothers expectations. The youngest member of the family, Lucky, played by Gabe Patrick, dreamed of someday being a “Mechanic” which is someone who knows how to cheat at cards.

Sass needed to convince Lucky that cheating at cards was disrespectful to the game. “In life there are players and there are dealers, you don’t want to look back and wish you had played a hand. The way of the cards is in the people that hold them. There is always some sucker hoping there is a special card that will save the day.” “Don’t worry mom, I’ll earn my wins.” Lucky replied.

This is a powerful heartfelt drama born right here in Orlando. Get out and experience this show for yourself. Be a player, not a dealer. We all have to work with the hand we have been dealt.

When:

April 27th through May 6th
Fri 4/27- 8:30PM
Sat 4/28- 8:30PM
Sun 4/29- 2:30PM
Mon 4/30- 8:30PM Industry Night
Thu 5/3- 8:30PM
Fri 5/4- 8:30PM
Sat 5/5- 2:30PM(Matinee, no night show)
Sun 5/6- 2:30PM

Cost:
General Admission: $15

Industry Night: $10 (Guaranteed seating with previous reservation, we
are also offering a walk-up admission of pay what you can, it’s not
guaranteed seating, but you can pay whatever you want!)

Time:
Fri/Sat/Mon- 8:30PM
Sun/Sat(5/5)- 2:30PM

For tickets and more info: Visit PlayTheMoment.Com.
(Tickets are now on sale )