Henry IV Part 2 at the Shakes

Pam and I went to a dress rehearsal for Henry IV Part 2. This is part of Orlando ShakesFire and Reign series, a seven Shakespeare production journey through history over three seasons covering the Rise of Henry V and the Wars of the Roses, from Richard IIRichard III.

“Uneasy lies the head that wears a crown.” William Shakespeare’s story of burnt bridges and growing pains stripped is down to a lively, raw, rambunctious performance, like nothing you’ve experienced before. Orlando Shakes’ actors will tackle Henry IV, Part 2 with less than 40 hours of rehearsal, no designers, and no director – just like the acting companies of Shakespeare’s time!

Actors blocked out the scenes themselves and selected their own costumes. Ned Averill Snell as the Gower wore a Rolling Stones T Shirt along with his medieval costuming. Philip Nolen as Falstaf chose to wear a bright red Santa suit. Brandon Roberts as Bardolph wore light blue sneakers.

Prior to the official start of the run Benjamin Bonenfant as Prince Hal and Lauren Culver ran through some lines. They jostled and joked and surprised each other as they hastily rehearsed the scene. Laughter in the scene mixed mixed with the laughter of their surprising each other as they performed. There is a real joy in this sort of anything goes attitude that made for a very fun production.

Masks are optional at the Shakes. Thankfully all staff seated in the audience wore masks as did we, but actors who are tested regularly performed without masks. When Henry IV stood hacking up a lung for minutes at a time center stage, the performance seemed too convincing during a pandemic. Overall it was a delightful and fun performance. This play is less about war and more about the father son relationship as the young prince moves away from deadbeat, carousing friends, like Falstaf who steer him wrong.

Goodbye at Fringe

Goodbye by John Mark Jernigan a new play directed by Chris Crawford with music by Anthony R. Smith. The show starred T. Robert Pigott and he was seated center stage at the start of the show. Various interpersonal dinettes spiraled around him. Two men (Brian Brammer, Jeffery Correia) began an affair. One was cautious ant the other threw himself into the relationship without a second thought. A  young mother (Lauren Culver) was overwhelmed by the responsibilities of raising a new born child. She met a young man (John Mark Jernigan) in the park and his friendship helped give her strength. He adored the child and his attention gave her moments of rest. Later as she expressed her gratitude and affection he let her know that he was gay. The last relationship was between the main character and his sister. Their relationship was  about contentious but you could tell she loved him, despite their differences.

As these scenarios played out it slowly became apparent that they were all moments from the main characters pas life. He had been impetuous and passionate. He been open to ta young mothers plight and given her hope, and his relationship with his sister had given them both strength because of the shared history.

For some reason an urn stood quietly on a stool at the back of the stage.  As I sketched I wondered what it might mean. The main character began talking about his love of scuba diving and how quiet and serine it was under water. As he sank below the shimmering surface of the ocean he began to cry. Needless to say, it is hard to breath through the air tank respirator while crying. His sister reacted with shock and dismay to a call she received.

They say your life flashes before your eyes when it is your time to die. Perhaps that is what just transpired. Though never stated implicitly we were left wondering if that vase was full of ash. The lesson learned might be that we should live life without compromise. Nothing is guaranteed. All we can do is love and support each other along the way. The smallest kindness can have a huge impact on someone else’s life.

A Long Time Ago: The Eighties Strike Back.

It is time to Fringe! The 2015 24nd Annual Orlando Fringe Theatre Festival
takes place May 13th-25th in Orlando’s Loch Haven Park. Venue locations
are within Lowndes Shakespeare Center, Orlando Rep (corner of Princeton
and Mills)-812 East Rollins Street, The Venue (Virginia Dr.), and
several site-specific location in the area. Kid’s Fringe is located at
the Menello Museum (across Princeton from Loch Haven).

100% UNCENSORED

100% UNJURIED

100% ACCESSIBLE

100% of $ from ticket sales go directly to the ARTISTS

There are more productions than can be seen, so pick your poisons wisely. Of the productions I saw in the first few days, the Star Wars music at parody written and co directed by Simon MacDonald called A Long Time Ago: The Eighties Strike Back, was my laugh out loud favorite. The classic Star War characters are re-imagined as 1980’s pop stars, and movie stars. For instance Artoo (Melina Smart) is portrayed as Olivia Newton John in Xanadu and Threepio (Lauren Anne Anderson) is portrayed as Madonna with her golden ice cream cone bra.

Singing performances by Lauren Culver as princess Leia and Melinda Smart as Artoo were particularly outstanding. The Chewbacca themed song Was hilarious and Joseph Fabian did an amazing job replicating the throaty roar. If you are a fan of the original two Star Wars movies, and you old enough to have lived through the 1980’s you will love this show. I still have “Hoth is a Battle Field” running through m head, set to y music of “Love is a Battle Field” by Pat Benatar.

The plot and characters are deeply en-grained in our minds, but this musical parody is absolutely hilarious. Don’t miss it!

Orange Venue – Orlando Shakespeare Theater 812 E. Rollins Street, Orlando, FL 32803.Shows are on May 20, 22, 24, 26, 27, and 28. Tickets are $10.

  • No Button = No show entry (no exceptions). The button costs $10 and is a one-time purchase. Button proceeds go to support Orlando Fringe.
  • No Late Entry to shows (no exceptions).
  • No refunds given for any reason other than show cancellation (no exceptions).
  • No ticket exchanges made (no exceptions).
  • No outside food or beverage is allowed inside any venue.
  • Alcoholic beverage purchased in the Green Lawn may not leave the fenced lawn area.
  • No food or drink allowed inside the Orlando REP (GREEN, SILVER, and TEEN Venues).
  • Beverages are allowed in our Lowndes Shakespeare Center venues
    (PINK, BROWN, RED, PURPLE, YELLOW, ORANGE, and BLUE) and may be
    purchased in the Darden Courtyard. Beverages are sold and allowed at the
    Venue (BLACK) and many other BYOV locations.

Anne Frankenstein strikes the Orlando Fringe like lightening.

Anne Frankenstein written by Michael Knight and directed by Adam McCabe melds the worlds of horror and 70’s grind house films. In the opening scene Dr. Sylva Steffel, (Meghan Mitchell) harnessed the power of a lightning storm to re-animate the dead body of Anne Frankenstein (Lauren Culiver). The theater lights flickered and sparked as the body twitched and then slowly sat upright. Anne was killed by Nazis in a concentration camp but she and her sister were put on ice. Anne was re-assembled using some of her sister’s body parts.

Anne was brought back to life to be a super human Nazi killing machine much like the vengeful female protagonist in “Kill Bill.” The “Igor” in this tale (Rob Mobley) explains to Anne how he helped re-build her. He shows Anne her printed diaries and she is shocked to find out millions of people have read her words. She vows to kill every living Neo-Nazi.

Heinrich Von Arschloch  (Michael Mikanite Knight) is the leader intent on finishing Hitler’s work. He incites his thugs by telling them simplistic lies about how Jews are running America. At the heart of this insane lie is Einstein Bagels. Heinrich’s daughter Pamela (Danielle Miller) is as evil if not more evil than her father. Her weapon of choice is a cinder block at the end of a bat that creates a hammer that even Thor might envy.

Anne quickly kills the Neo-Nazi thugs that are torturing an Einstein Bagels costumer.  To get to Heinrich Von Arschloch however she has to battle the imposing Pamela. The play moves at s thrilling pace. The single set piece rotates between the Neo-Nazi den and the Doctor’s laboratory for quick efficient scene changes. The tech rehearsal I sat in had many stops and starts to adjust lighting cues and sound effects. I do suspect that Anne Frankenstein will  have long lines of ticket holders waiting to see the carnage. Believe the buzz. It’s Alive!

REMAINING SHOW TIMES:
Sunday, 5/17- 10:00pm
Saturday, 5/23- 10:00pm
Sunday, 5/24- 6:00pm

LOCATION:
The Orange Venue (Margeson Theater)
Orlando Shakespeare Theater
812 E Rollins St,
Orlando, FL 32803

TICKETS are $10 w/ Orlando Fringe Button
($2 off with legal proof of Jewish heritage!)