Henry IV Part 2 at the Shakes

Pam and I went to a dress rehearsal for Henry IV Part 2. This is part of Orlando ShakesFire and Reign series, a seven Shakespeare production journey through history over three seasons covering the Rise of Henry V and the Wars of the Roses, from Richard IIRichard III.

“Uneasy lies the head that wears a crown.” William Shakespeare’s story of burnt bridges and growing pains stripped is down to a lively, raw, rambunctious performance, like nothing you’ve experienced before. Orlando Shakes’ actors will tackle Henry IV, Part 2 with less than 40 hours of rehearsal, no designers, and no director – just like the acting companies of Shakespeare’s time!

Actors blocked out the scenes themselves and selected their own costumes. Ned Averill Snell as the Gower wore a Rolling Stones T Shirt along with his medieval costuming. Philip Nolen as Falstaf chose to wear a bright red Santa suit. Brandon Roberts as Bardolph wore light blue sneakers.

Prior to the official start of the run Benjamin Bonenfant as Prince Hal and Lauren Culver ran through some lines. They jostled and joked and surprised each other as they hastily rehearsed the scene. Laughter in the scene mixed mixed with the laughter of their surprising each other as they performed. There is a real joy in this sort of anything goes attitude that made for a very fun production.

Masks are optional at the Shakes. Thankfully all staff seated in the audience wore masks as did we, but actors who are tested regularly performed without masks. When Henry IV stood hacking up a lung for minutes at a time center stage, the performance seemed too convincing during a pandemic. Overall it was a delightful and fun performance. This play is less about war and more about the father son relationship as the young prince moves away from deadbeat, carousing friends, like Falstaf who steer him wrong.

Henry IV

Henry IV Part 1 by William Shakespeare is at the Orlando Shakes through March 21, 2020. Some back story is needed to set the stage. Henry IV (Jim Ireland) took the throne from his corrupt and indecisive eldest brother Richard II. King Henry IV’s eldest son was Prince Hal (Benjamin Bonefant). Though he should be destined to one day take his father’s throne, he instead spent his time hanging out with very fat and disorderly Falstaff (Philip Nolan). Hal spends his time drinking and womanizing and the occasional highway theft, much to his fathers annoyance.

Meanwhile Edmund Mortimer (Cameron Grey) the leader of Henry IV’s army is captured in Wales by the Welsh rebel fighter Glendower (Brandon Roberts). Hotspur (Walter Kmiec) of the Percy family helped King Henry IV overthrow Richard II. But the new king never paid his debt and for this reason, Edmund was held ransom. The king refused since he found out Edmund had turned traitor and married the rebel’s daughter. Edmund’s daughter was married to Hotspur who was a hot blooded and very angry cousin to King Henry IV.  He formed an alliance with is uncle and the rebels to overthrow king Henry IV.

On the battlefield the alliance fell apart in that the rebels and Hotspur’s own father (Rodney Lizcano) never showed up for battle, leaving them hopelessly outnumbered by King Henry IV’s forces. Hotspur’s uncle went to the king for a parley and the king offers a pardon to Hotspur. This messages was never relayed and so battle ensues. It seems like dozens of sword fight broke out on stage all at once.

The wayward son Hal joined his father and in the end saved the day. Falstaff on the other hand stayed true to his debauchery ways, hiding to avoid fighting and then taking credit for Hals handiwork. His monologues about how useless Honor is on the battlefield are for me some of the most memorable and moving accounts of what it means to be human and alive. Just keeping track of the family tree is a feat unto itself but the action and drama are universal.

The bottom line is that this was a fun evening of theater.

Tickets are $32 to 57

The remaining show times…

Wednesday, March 4, 2020 – 2:00 PM – Senior Matinee

Wednesday, March 4, 2020 – 7:30 PM

Saturday, March 7, 2020 – 7:30 PM

Sunday, March 8, 2020 – 2:00 PM – Talk back Performance

Wednesday, March 11, 2020 – 2:00 PM – Senior Matinee

Sunday, March 15, 2020 – 2:00 PM

Friday, March 20, 2020 – 7:30 PM

Saturday, March 21, 2020 – 2:00 PM

Saturday, March 21, 2020 – 7:30 PM

Richard II

Richard II is a historical play written by William Shakespeare in 1597. It is being presented at the Orlando Shakes through April 28, 2019. Richard II (Ryan Farley) was an arrogant, narcissistic and bumbling king. He surrounded himself with sycophants who fed off his good fortune and did his bidding. By brashly putting his own vanity before the needs of his kingdom, he
created the perfect opening for Bolingbroke (Amy Hutchins) to seize the throne.

His true self was stripped bare when he had to surrender the crown. When he took the crown off his head and handed it to his foe, he couldn’t bring himself to let go. He cried and ranted like a spoiled child extending his monologue as long as possible to avoid his ultimate surrender. At one point he stood in a spotlight high above his throne, with the crown above his head. As he lowered his arms, Bolingbroke stepped in front of him to allow him to place the crown on her head. Richard turned, hopped down and continued his monologue.

The Shakes production his set in modern times with a gender equal cast. To help the audience with the casting, they would often announce their name and title as they walked onto the stage. The set by Ruthmarie Tenorio, resembled a royal garden and the golden rings floating above stage of course represented the crown. At one point one giant ring floated down to surround the jailed King Richard further confining him. “I wasted time, and now doth time waste me.” Mirrored boxes were repositioned in each scene to break up the space and to remind the audience of the kings vanity.

I have to give a shout out to the costume designer (Denise R. Warner) who made Bolingboke look regal and refined in every scene. In equal measure she made the royal court look like spoiled dandies and the common folk like mid-western farmers.

The language in the play was delicious. It is some of the most engaging prose I have heard from Shakespeare and the modern twist made it clear that out modern rulers are not that different from the rulers of the past, though they might be less eloquent. For the final act I put the sketch away and just let the prose wash over me. Every character had clear motivation and the story flowed unhindered to its inevitable conclusion. I absolutely adored this production.

These are the remaining show dates. Don’t miss Richard II!

Saturday, April 20, 2019- 7:30 PM

Sunday, April 21, 2019 – 2:00 PM

Wednesday, April 24, 2019 – 2:00 PM

Wednesday, April 24, 2019 – 7:30 PM

Thursday, April 25, 2019 – 7:30 PM

Friday, April 26, 2019 – 7:30 PM

Saturday, April 27, 2019 – 2:00 PM

Saturday, April 27, 2019 – 7:30 PM

Sunday, April 28, 2019 – 2:00 PM