Henry IV Part 2 at the Shakes

Pam and I went to a dress rehearsal for Henry IV Part 2. This is part of Orlando ShakesFire and Reign series, a seven Shakespeare production journey through history over three seasons covering the Rise of Henry V and the Wars of the Roses, from Richard IIRichard III.

“Uneasy lies the head that wears a crown.” William Shakespeare’s story of burnt bridges and growing pains stripped is down to a lively, raw, rambunctious performance, like nothing you’ve experienced before. Orlando Shakes’ actors will tackle Henry IV, Part 2 with less than 40 hours of rehearsal, no designers, and no director – just like the acting companies of Shakespeare’s time!

Actors blocked out the scenes themselves and selected their own costumes. Ned Averill Snell as the Gower wore a Rolling Stones T Shirt along with his medieval costuming. Philip Nolen as Falstaf chose to wear a bright red Santa suit. Brandon Roberts as Bardolph wore light blue sneakers.

Prior to the official start of the run Benjamin Bonenfant as Prince Hal and Lauren Culver ran through some lines. They jostled and joked and surprised each other as they hastily rehearsed the scene. Laughter in the scene mixed mixed with the laughter of their surprising each other as they performed. There is a real joy in this sort of anything goes attitude that made for a very fun production.

Masks are optional at the Shakes. Thankfully all staff seated in the audience wore masks as did we, but actors who are tested regularly performed without masks. When Henry IV stood hacking up a lung for minutes at a time center stage, the performance seemed too convincing during a pandemic. Overall it was a delightful and fun performance. This play is less about war and more about the father son relationship as the young prince moves away from deadbeat, carousing friends, like Falstaf who steer him wrong.

The History Boys at The Mad Cow Theater

On August 5th, I went to a dress rehearsal of The History Boys, written by Alan Bennett, at The Mad Cow TheaterThis show, directed by Mark Edward Smith was quick witted and fast paced. The school bells rang with incessant frequency causing the boys to cascade and rush like waves hitting a beach.  I grew flustered, trying to catch then all in one place. Philip Nolen, gave a memorable performance as the boys’ unorthodox history teacher. Philip kept the boys and audience laughing while making them think. He would playfully swat a student if he wasn’t keeping up with the playful banter. The boys would protest but they didn’t mind. One admitted he was a bit hurt that he wasn’t swatted. It meant the teacher didn’t like him.

One boy described his date with a girl as if he was recreating a historic battle. Adolescent sexual yearnings were fodder for playful humor. I came to admire the teacher’s closed door tactics until he was found guilty of inappropriately touching a boy.  It suddenly seemed that the all boy’s school was bubbling over with homosexuality. A young teacher, Peter Travis, joins the school staff and he challenges the view of history as entertainment. he prepares the unruly handful of senior
schoolboys, for coveted places at either Oxford or Cambridge by making them challenge historic fact. Everyone at an Ivy league school knows the boring facts. They want to see someone think outside the box.
The boys were encouraged to challenge conventions and therefor  they not
only learned historic fact but they understood its motives and meaning. I was a bit put off by this teacher’s view that any student who didn’t get good grades could always go into the arts.

When the older teacher is about to be expelled, he breaks down in class, lamenting the years he wasted teaching the same material again and again. It is the first time the students got to see him as a flawed man rather than a clown. Everyone seems to want to sweep his indiscretion under the rug except for the school administrator played by Tommy Keesling. The very purpose of education seemed overshadowed by the chaos of adolescence. The play write turns a blind eye to the harm done from lost trust. The one boy who didn’t play along in classroom games got accepted into his chosen Ivy league school not because of what he learned from history, but from his family connections.

 The History Boys plays Thursdays – Sundays, Aug 8 – Sept 7, 2014 in The Harriett Theatre.
Curtain time is 7:30pm for all evening performances and 2:30pm for all matinees. Tickets start at $28.25.

 The History Boys

What: A comedy-drama by Alan Bennett

Length: 2:40, including intermission

Where: Mad Cow Theatre, 54 W. Church St., Orlando

When: 7:30 p.m. Thursdays-Saturdays, 2:30 p.m. Sundays, through Sept. 7

Tickets: $28.25 and higher

Call: 407-297-8788

Online: madcowtheatre.com