The Grandma Party Bazzar at Stardust Video and Coffee.

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The 15th annual Grandma Party Bazaar is an Orlando holiday tradition held at Stardust Video and Coffee

(1842 E. Winter Park Road, Orlando, FL.) There you could find handmade gifts, food, raffles, live music and more.  It is a great opportunity to grab something
unique for that hard to buy for person on your holiday gift list.

Music on the main stage included DJ Nigel, DJ Oled, Dad, Von Nacht, Tiger Fawn, TV Dinner and more.  I spotted Tiger Fawn with her Vulcan ears among the booths but I didn’t see her perform.  Pam and I brought Sprout to the event and there were plenty of butts to be sniffed.

Tents were crowed into the Stardust Video and Coffee parking lot.  Across the street more tents were set up outside Park Avenue CDs and Redlight Redlight.  One vendor had vintage board games but they were priced at $40 and $50 a pop.  It was a gorgeous sunny day and several friends stopped to say hello. Perhaps someday I should rent a space and offer quirky crafts at affordable prices.  Market value art would not sell.  Of course, I shouldn’t be selling any art right now since it is considered a joint asset.  My art is only half mine, it would seem. 

Voci Dance presented Whisper-Roar at the Orange Studio.

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On September 5th and 6th Voci Dance presented Whisper-Roar at The Orange Studio, 1121 N Mills Ave, Orlando, Fl. V Whisper/Roar was two collaborative evenings of modern dance, music,film, costume couture and installation art. The collaborators were Voci Dance, DJ Nigel John, Tamara Marke. 

Admission: was $15 at the door.

Wine was available as well as lite bites from Happy Chow.

The most unique feature of the space was a huge sculpture that consisted of wooden slats that were all interconnected by bolts. This sculpture by artist Mario Shambon looked like it was articulated. Had any section moved, it would affect every other section. Yellow florescent lights were also suspended throughout the space. I arrived early when the dancers were just warming up. A black and white video was projected on the far wall. In the video the dancers stood in a line, erect like soldiers.

The audience became an integral part of the space as they filtered in. Dancers might coach a few people to move forward but in general there was no set stage that separated the audience from the dance. Several free standing doors were also set pieces for one of the dances. My favorite dance number involved one dancer, Leah Marke, shedding multiple layers of robes and light frilly fabric covered with words. A bold spotlight illuminated her from the side. It was as if she were shedding layers of judgement or self criticism. An aluminum staircase on wheels was rolled in slowly by a procession of dancers. The dance ended with her ascension to the top of the stairs and then the room blacked out.

While sketching I felt like I was trying to capture fleeting gestures against a stark industrial setting. The strong verticals implied in the black and white video strengthened that premise.

Snap! Space is a New Hip Cultural Hub in Orlando

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On May 2nd I went to the opening reception for Edge of a Dream at Snap! Space (1013 E. Colonial Drive, Orlando, Florida). The show explored the fine line between figurative narratives, reverie and the familiarity of reality while resembling a dream. Curated by Patrick and Holly Kahn, the exhibit featured the works of eight nationally renowned fine art photographers, along with sculpture, installation, fine art origami and jewelry.

Guest artists were in attendance. Cocktails were offered by ‘The Courtesy Bar‘, and music was by resident DJ Nigel John.  I was most intrigued by the photos of Richard Tushman. His “Hopper Meditations” series showed an isolated couple in a bedroom. The lighting and compositions made the photos look like Edward Hopper paintings. The photos had a surreal quality to them. It wasn’t until after the opening that Patrick explained that the rooms were miniatures created by the photographer. Looking at the photos again I could see that the curtains didn’t hang quite right.

At the opening I sat next to the reception desk to sketch the bar. Snap! girls volunteer at these events and field any questions people might have. Holly came to the desk with a prospective client and sold a small sculpture made from vintage watch gears and pieces by Mike Nuriel. Sketching the Courtesy Bar was a challenge, since the line kept moving as people picked up their drinks. My artists stool wobbled as my crossed legs grew tired. I have a nasty habit of leaning back in a chair until I’m balanced on the back two legs. Unfortunately the small artist stool couldn’t handle my maneuvering.  The back legs folded under me sending we toppling backwards in slow motion. A lamp cord was strung behind me like a clothes line to the outlet, so as I fell, the lamp flew off the table. The Snap girl acted with quick instincts and caught the lamp like a professional baseball outfielder. I landed squarely on my ass and flushed red as I got up and reset my stool with what little remained of my dignity. “Great” I thought, “Save the lamp and let the artist flop down like a rag doll.” Actually I was very grateful. Patrick and Holly had “borrowed” the lamp from their son’s bedroom. Had it been broken, I would have felt horrible. I finished the sketch without incident and then looked at all the art one more time before I slipped out.

Cardboard Art Festival

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Mark Baratelli of TheDailyCity.com came up with the idea of having a Cardboard Art Festival. The opening night was Friday January 25th at the Orange Studio (1121 N Mills Ave, Orlando). I had to work till 9PM that evening, so I wasn’t even planning to go. Terry sent me a text photo of the new Dog Powered Robot techno beach buggy. She let me know that the event was open past midnight so there would be time to get there and do a sketch.  There was a line of people out the door to get in. I could see strips of Doug Rhodehamel corrugated cardboard bacon hanging from the ceiling. All of the Dog Powered Robots stood, deactivated in a corner.

The opening reception featured music and dancing with DJ Nigel and tons of cardboard sculptures filling up the space created by artists: Jessica Earley, Brendan O’Connor, Evan and Christie Miga, Adriaan Mol, Doug Rhodehamel, Nathan Selikoff. Cardboard dinosaur helmets lined the back wall created by Banjo Bob. They were just the right height where you could stand up and have your photo taken with the helmet on yet still mounted on the wall. Blue Moon beer was being served under the bacon strips and the carpeted dance floor was always full of dancers. After making the rounds with Terry, I settled in to sketch. Blue submarines and ferocious deep sea fish hovered over the dance floor. A rocket garden thrust vertically upward above a collection of mini robots. A tubular instrument resembling a pipe organ could be played by swatting the tube openings with cardboard fly swatters. A ten foot tall tube marionette stood with a tetrahedron head. People could pull chords to make him dance. I got plenty of abuse and by the end of the evening he was lying on the floor, a spent mess.

The opening night was an undeniable blow out success. The place was surreal, the music loud and the dancing furious and care free. It’s not too late to experience the madness in person.


Sunday January 27

  • 10am-11:30am for kids 7 and under
  • 12pm-1:00pm for kids 8 and above
  • Kids Matinee Sponsored and hosted by Kids Fringe and Mennello Museum of American Art $1
    admission. Kids only! Attendees will get to (1) use cardboard to build
    and decorate their very own mask, hat, or wings, (2) meet the famed Dog
    Powered Robot and (3) get a chance to tour the entire exhibit.
  • 7:30pm – 12am
  • Dog Powered Robot + Andy Matchett and the Minks, $5 admission (pay at the door, cash only), wine and beer by donation. Dog Powered Robot is a fantastic group of cardboard robots defending the world against evil via a robot powered by a Pomeranian. Andy Matchett and the Minks is a very popular and fun musical group.

Snap! 2nd Live Fashion Shoot Out

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The Snap 2nd Live Fashion Shootout was held at the Orange Studio (1121 North Mills Avenue). At this event, photographers were given two beautiful models fully made-up and styled, a light and an infinity background. They then had five minutes to shoot. There was a cap at 40 photographers who could be professionals or amateurs.

I parked on a side street in the Mills/50 neighborhood. I passed a car with press credentials in the windshield and saw that it was from the Murder City Photography. Darn, I thought, I should have arranged a press pass to this event. I bumped into photographer Barry Kirsch outside near the entrance. He wasn’t going to be shooting photos. The suggested donation was $5 and I paid at the door. Patrick Kahn, the Snap Orlando Producer, greeted me and said, “It’s officially an event now.”

Inside I debated about sketching DJ Nigel who worked the sound board all night. I then noticed the models were still being primped and preened. I started a sketch but didn’t commit because the make-up was done before I could finalize a composition. I then found a spot in the corner of the photo studio that let me sketch the models and photographers. Models posed for a fraction of a second at a time as photographers shot. Each shot was then projected live on a screen so bystanders like me could see what the photographers were doing. Later in the evening, someone told me that a photo of me sketching was up on the screen. With my hiking boots and jeans I’m the antithesis of a fashion statement.

People on the sidelines were snapping cell phone pictures as well. A billion or so pictures must have been taken of the six lovely models. Tisse Mallon worked with two models, getting them to interact and have fun. Much of the time however the models glared at the camera threateningly. The room got packet with people sipping Peroni beer, and watching the leggy models vogue for the cameras. I had a chance to chat with Lisa Bates after the sketch was done. It seems her closet exploded like a volcano when she went in searching for an 80’s outfit for the Don Cornelius Soul Train Dance Party the following evening. The Orange Studio is becoming quite the social hot spot.

Magnifique!

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Magnifique! A Voci Dance Nighttime Glowing Fairy Fundraiser will be held at the Mennello Museum of American Art (900 East Princeton Street Orlando, FL) on Saturday, November 20th from 6:00pm to 8:00pm. Admission is just $15.

As dusk falls, the audience will gather beneath Orlando’s oldest oak tree for an evening walking tour of the grounds of the Mennello Musuem of Art. Refreshments, wine and a raffle will accompany the performance. All funds go to Voci Dance to support their many performances, workshops and community outreach programs they present throughout the year.

Since I was going to be on assignment in Miami that weekend, I called Genevieve Bernard, the choreographer and founder of Voci Dance and I asked to sketch a rehearsal. She filled me in on the entire rehearsal schedule. When I arrived at the Mennello Museum, I found Genevieve in the parking lot talking to two dancers. Rakia Mikhailenko had just flown in from Seattle for this performance and she was on her cell talking to her children. Leah Marke is the center pin of the performance and she was at every rehearsal whereas other dancers might have conflicts with work schedules. Genevieve explained that there would be seven fairies, including a pregnant fairy, on performance night, but for this rehearsal there were but two. Actress, Sarah Lockhard, showed up, and her roll was as an honorary fairy, helping illuminate the lead dancers.

The hatchback of Genevieve’s car was open and inside were lights, costumes and fairy wings. Leah’s sister Tamara had designed the wings which are made of a light translucent fabric. Leah secured her wings by tying a knot just below her chest and then tying two more shoulder straps in place. Genevieve had made a Walmart run the night before, to get small LED lights which will be used on performance night. With everyone’s wings in place, the dancers walked out to a huge Live Oak tree whose branches gracefully bowed out, touching the ground, then branching back up. The late afternoon sun illuminated this magical secluded cove with patches of warm light.

Leah lead the performance. Her movements were graceful and light. She danced using the tree’s huge branches as a natural staging area. Rakia picked up her moves by following Leah’s lead. Sarah followed the dancers, crouching low and using an LED flashlight to illuminate the movements. The fairy’s approached the main tree trunk, perhaps 20 feet in circumference and they worshipfully raised their arms and arched their backs, their arched fingertips reaching toward the stars. They were a delight to watch. On performance night their wings will glow, adding a haunting element to the already surreal choreography. Genevieve explained to me that she was inspired in part when imagining Magnifique, by the amazing, unexpected work of Henry Darger. Doug Rhodehamel will fill the mysterious cove with glowing mushrooms and DJ Nigel will supply the music. Tell your Facebook friends, this is one evening you do not want to miss!