Orlando Tech Week at Church Street Marketplace.

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I walked over to Church Street Marketplace (101 S Garland Ave Orlando FL 32801) for what I thought would be a tech demo. The place was deserted except for the caterer. I asked him what he knew about the event and he was pretty clueless. A large screen was set up, and when I arrived, it was projecting a computer desktop. I figured that had to be my center of interest.

Procreate, the digital sketch program on my iPad had updated several days ago and a new feature showed up called the perspective tool. It allows you to place several vanishing points on the sketch and the program automatically sets up a perspective grid to use as a drawing guide. I used that feature for the first time on this sketch, which is a pretty high tech leap for me. I was utilizing a bit more tech to cover Tech Week.

Only later that night did I learn that what I was sketching was the Black  Orlando Tech Hip Hop Happy Hour. DJ Nigel John shouted up a welcome to me, shouting “Thor!” I shouted back and then sketched him as he set up his DJ mix station. Janessa Gursky must have been an event organizer because she also greeted me. About six round high top tables were set up and slowly people started to arrive. This was slated to be the
chillest, happy hour event of Orlando Tech Week 2017. It was a chance for everyone to unwind from the
nonstop tech events of the week with a drink and conversation. I was a little disappointed not to walk away with some miraculous tech enlightenment but the music was pumping as I left for dinner.

Snap! Downtown Opening.

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Snap! Orlando has opened a new gallery downtown at 420 E Church St, Orlando, FL. The opening exhibit featured g artists in z galleries.  As part of our ongoing mission to boldly increase the visibility and appreciation of art in our community and beyond, Snap has expanding to the Downtown / Thornton Park neighborhoods.

The largest gallery featured Mark Gmehling, ‘Nu Werks’ – Exhibit curated by Holly and Patrick Kahn. Mark is a German artist who has an elastic view on life. He makes fine art prints from 3D renderings of abstract characters and bizarre scenarios, all illustrated in a playfully fluid manner. The aesthetics of each of his figures are highly polished though and resemble beautiful, glossy ceramic pieces. Gmehling was introduced to the US by Snap! in 2014, and has garnered international press including the cover of Orlando Weekly, front page of Orlando Sentinel, Hi Fructose Magazine, and Der Spiegel in Germany.

Also in the front gallery, were sculpted rings by Rebecca Rose, ‘New Sculpturings,’ which are beautifully created pieces redefined beyond their traditional sense, each piece with unique form and storytelling, blending luxury with urban activism relevant to current social issues. Rebecca sketches, assembles, carves, invests, kiln fires, and casts her own work in her studio.

In the middle gallery was work by Chris Robb, ‘Continuum’. Coming from a background of graphics and printing, Robb’s work has evolved over the past 30 years into an expressionistic abstraction. Color is central to his dynamic compositions. His grasp of the formal properties of color––hue, value, intensity, and temperature, permits him to layer multiple colors without overpowering the structure of his compositions.

The back gallery featured the edgy urban work of Earl Funk, ‘Seasons Change’ This exhibit was curated by Gina Bernadini. Orlando illustrator and tattoo artist new works are inspired by the changing of the seasons, as well as the idea of being open to changing ourselves.

Artists were present on opening night. Catering, craft cocktails by The Courtesy Bar, music by DJ Nigel John and DJ Ken Sherry.

Snap! Space presents : ‘WILD IS THE WIND’.

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On Friday November 20, Snap! Orlando (1013 E Colonial Dr, Orlando, Florida) presented ‘Wild Is The Wind,’ an unconventional visual exploration of freedom and innocence by selected international photographers and contemporary artists. The exhibition captures an ethereal sense of the interaction between humankind, native environments, and the creatures that inhabit them, through the inspired work of celebrated international artists. Many artists were present on opening night. Craft cocktails by The Courtesy Bar and music by DJ Nigel John.

This multimedia exhibit, including photography, digital art, projection, oil painting, and water color, curated by Holly and Patrick Kahn, features works by:

• Julien Nonnon (France. Works from series ‘Urban Safari’)

• Tom Chambers (USA. Works from series ’To The Edge’)

• Heather Evans Smith (USA. Works from series ’Seen Not Heard’)

• Cameron Bloom (Australia. Works from series ‘Penguin the Magpie’)

• Elicia Edijanto (Indonesia. Works from series ‘Natural Connections’)

• David Olivera (USA. Works from series ‘Duality’)

• Martin Stranka (Czech Republic. Works from series ‘I Found The Silence’)

On the evenings following the opening night, Snap! invited guests to join artist Julien Nonnon, as they will traveled with him to produce new digital projections in specific architectural locations throughout Orlando. Locations were be announced through social media prior to the evening of the event. This was the premiere behind the scenes of the making of his new “Urban Wild‘ series, created for the first time in the US. Details to follow!

The exhibition will be on view through January 16th, 2016 during gallery hours Thursday – Saturday, 11 AM – 4 PM, and by appointment contact: info@snaporlando.com

Beatrice Carmen Miranda was wearing a hat that resembled high tech Mickey Mouse ears. She explained the she ran across this unique hat in Brooklyn NY and she simply had to have it. It seems to be made from the support wires found in bras, but its inner structure is covered with a black felt fabric. I couldn’t stop looking at her so the hat certainly attracts attention. Her friend Richard Wahl was surprised to find that he was also in the sketch. We exchanged business cards. He is the coo and principle at Findsome and Winmore, a digital marketing agency. Sketching digitally, kind of blows my cover.   When I work in a sketchbook, I’m usually ignored. But when I work on a tablet everyone wants to know who kind of tablet I’m using, and what software is creating the art. I want to reply “The medium isn’t the message, it is just a tool like a pencil.” People seem l be attracted to The ghost in the machine, like moths to a flame.

After the sketch was complete, I had a stiff drink and then sat down with Swami World Traveler and got to see a 3D rendering program that he is writing code for that creates 3D representations of mathematical equations. The sample he showed me featured pyramids built from just a few block and then progressing to thousands of blocks. Had there been programs like this when I was a kid I might have had more interest in math.

Snap! Space is a New Hip Cultural Hub in Orlando

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On May 2nd I went to the opening reception for Edge of a Dream at Snap! Space (1013 E. Colonial Drive, Orlando, Florida). The show explored the fine line between figurative narratives, reverie and the familiarity of reality while resembling a dream. Curated by Patrick and Holly Kahn, the exhibit featured the works of eight nationally renowned fine art photographers, along with sculpture, installation, fine art origami and jewelry.

Guest artists were in attendance. Cocktails were offered by ‘The Courtesy Bar‘, and music was by resident DJ Nigel John.  I was most intrigued by the photos of Richard Tushman. His “Hopper Meditations” series showed an isolated couple in a bedroom. The lighting and compositions made the photos look like Edward Hopper paintings. The photos had a surreal quality to them. It wasn’t until after the opening that Patrick explained that the rooms were miniatures created by the photographer. Looking at the photos again I could see that the curtains didn’t hang quite right.

At the opening I sat next to the reception desk to sketch the bar. Snap! girls volunteer at these events and field any questions people might have. Holly came to the desk with a prospective client and sold a small sculpture made from vintage watch gears and pieces by Mike Nuriel. Sketching the Courtesy Bar was a challenge, since the line kept moving as people picked up their drinks. My artists stool wobbled as my crossed legs grew tired. I have a nasty habit of leaning back in a chair until I’m balanced on the back two legs. Unfortunately the small artist stool couldn’t handle my maneuvering.  The back legs folded under me sending we toppling backwards in slow motion. A lamp cord was strung behind me like a clothes line to the outlet, so as I fell, the lamp flew off the table. The Snap girl acted with quick instincts and caught the lamp like a professional baseball outfielder. I landed squarely on my ass and flushed red as I got up and reset my stool with what little remained of my dignity. “Great” I thought, “Save the lamp and let the artist flop down like a rag doll.” Actually I was very grateful. Patrick and Holly had “borrowed” the lamp from their son’s bedroom. Had it been broken, I would have felt horrible. I finished the sketch without incident and then looked at all the art one more time before I slipped out.