Jai Gallery

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Josh Garrick informed me that he would be reciting a Homerian Greek Myth at Jai Gallery (101 South Garland Avenue Orlando FL) on Third Thursday. Josh took the gathered patrons on a journey through the world of Barbara Sorenson‘s artwork. Dancers from John DiDonna productions / Empty Spaces Theater Co(llaboration) performed to the narration. Jennifer Bonner designed some magnificent cloaks for the dancers that mimicked and accentuated tall sculptures in the room. Josh spoke of potions for the fairest in the land as he stood by large vases. I didn’t realize that this Snow White theme dated back to Greek myths.

Wendy Wallenburg was shooting pictures and Carl Knickerbocker had ventured out of his art studio to gallery hop.
Melisse Mila Makaroff was one of the dancers and I almost caught her in my sketch but the moment flowed past too quickly. The performance moved all throughout the gallery for just 20 minutes and I could only catch one view. As people mingled afterwards, I rushed to complete what I had started. This was my second sketch of the night and I needed to get home. Patrick Greene tripped on one of Barbara’s colorful metal sculptures and I laughed out loud. The pretentious veil had been lifted.

Phantasmagoria

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It would be a fiendish, horrific tragedy if you didn’t get to see Phantasmagoria. Tonight is the final show starting at 8:30pm at the Orlando Shakespeare Theater’s, Mandell Theater. I arrived early and started blocking in my sketch before the audience arrived. I love these final moments as the actors stretch, warm up and joke to break the tension. The actors gathered in a circle and held hands. Director, John DiDonna said, “Lets build a bridge to next year. Make these final performances fiendishly dangerous. See you on the other side guys.” Brittany Wine shouted out, “Love you all!”

All the actors layed down on the floor and they were covered with black blankets. John warned, “We have a full house tonight with 98 people. Check your extremities, don’t leave anything sticking out.” A female voice boomed over the sound system, “Five minutes to house open.” Members of the cast shot back, “Thank you five.” The room grew deadly quiet and then the audience walked in to find their seats. One actor rose quietly, the blanket still covering him to strike a ringmasters theatrical pose. As the blankets were lifted off, the actors came to life in their costumes of blood red and black. The costumes designed by Jennifer Bonner were lavish and stunning. A scrim behind the actors often acted as a screen for projections of animations and titles.

Each of the acts were built around horrific folklore and poetry. Edgar Allen Poe’s “Masque of the Red Death” resulted in the whole cast dancing, celebrating and then succumbing to the pestilence of the red death. No one was spared. Phantasmagoria was a whimsical and horrific poem by Lewis Carol.

“Allow me to remark
That ghosts have just as good a right,
In every way to fear the light,
As men to fear the dark.”

I enjoyed “The Picture of Dorian Grey“. In this act a painter created a stunning portrait of Dorian Grey. When Dorian viewed the painting, he saw it morph, revealing his inner dark self. The picture took on a horrific visage because Dorian was morally bankrupt. In the end Dorian died taking on the horrible appearance in the portrait and the painting returned to its former splendor. A life sized skeletal puppet was used to portray his inner self to great effect.

Music of Eric Satie played during an elegant and beautiful aerial act. Tiny Gina Makarova performed on a suspended hoop while Mila Makarova and Dion Smith performed suspended in silks. Satie’s music expressed the melancholy inner yearning of the creative spirit and the women floated weightless in its ethereal embrace.

The most stunning puppet was the Jabberwocky from Alice in Wonderland. An actor on stilts acted as the hind legs of the creature and a long silver spine snaked down from head to tail. The head was immense being controlled by a strong puppeteer. A small army was needed to control the beast. I wish I had been fast enough to get a sketch. This show is the perfect Halloween treat.

The Double D Incident

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Britt Daley and an amazing army of talent were shooting a music video for her new song, “One and Only” in the Orlando Repertory Theater, Katie Peters in he bright yellow dress stood on her mark for the audition. John DiDonna and Jennifer Bonner were in the audience seats acting as the director and his assistant. For this shot the video camera was way in the back of the theater pointing at the stage for a long shot. There was a nervous tension in the room. Everyone wanted to get this shot right.

Katie sang the last note in her song, “Bill Bailey Won’t You Please Come Home” She then lowered her arms. Jennifer barked, “Thank you” with disdain and disinterest. Dejected, Katie walked off the stage. Britt entered the stage with her huge 80’s style boom box. She waved to get the directors attention shouting, “Hello, HELLO!” Then she marched over to the piano, her high heels clicking loudly and assertively. She slammed the boom box on the piano. The battery compartment sprang open sending the double D batteries flying. They tumbled down striking the keys of the piano making a loud cacophonous clamor of notes. The room fell silent, then everyone laughed. Someone shouted out, “Keep those double D’s contained!” I was in tears, because I couldn’t stop laughing. I couldn’t breath! Finally calm returned. I just hope the final edit is as entertaining as the shooting process.

Any tension was broken. It was decided the batteries weren’t needed since the music would be added in the edit anyway. The next time Britt strutted on the stage the atmosphere was lighthearted and care free. She was ready to storm the audition. The scenes were shot in rapid succession. Then there was a break for lunch.

Music Video Shoot

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In the Rep Theater, actors John DiDonna and Jennifer Bonner arrived on the set. They were told which theater seats to sit in. Scott Wilkins, who wrote the Britt Daley music video script, stood in front of the actors and described the scene. Scott was boldly silhouetted against a fill light that illuminated a scrim. Both actors were to be preoccupied not paying attention to the audition. John was to be turned away talking on his cell phone while Bonnie fingered her cell phone surfing the web or checking Facebook.

The camera began to roll and the director called, “Action!” John started arguing with the person on his cell. “I’m not having this discussion with you now.” He repeated the point again several more times raising his voice till he was shouting into the phone. Jennifer stared vacantly at the screen of her cell phone. In the next shot Katie Peters sang the final note of her audition song. Jennifer glanced up from her phone and shouted, “Thank you!” with disdain and disinterest. Katie walked off screen, crushed.

The next shot was to come after Britt Daley had sung her song, “One and Only“. John and Jennifer were locked together in a passionate kiss. Of course when shooting for a quality production you never shoot a scene just once. John and Jennifer kissed again and again. Scott suddenly realized that they should still be holding their cell phones and he asked John to move his hand lower for the next shot. They kissed again and when Britt’s music ended they were startled back to reality. Jennifer struggled to straighten her disheveled hair.

Britt Daley Music Video

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Inside the Rep Theater there was an all day shooting marathon to complete Britt Daley’s “One and Only” music video. The camera crew set up the tiny digital camera so it was on stage at the Repertory Theater pointing out at the theater seats. They were setting up for a shot of the Director played by John Di Donna and his assistant played by Jennifer Bonner. Britt’s dad sat in the seats so the cameraman could frame the shot before the actors arrived. Fill lights and spots were adjusted to light the seats. The director kept checking how the shot was framed by looking at the laptop. Scott Wilkins looked through the script and storyboards so everyone was on the same page.

A small crate was set up Katie Peters to stand on. She is the female singer in the local band CIRCUS. She stood in front of the camera facing the theater seats. She was instructed to sing the final note of the song she was singing for the audition and then step out of frame. The song she was supposed to be singing was an old minstrel/vaudeville tune, “Bill Bailey Won’t You Please Come Home“. A funny choice since Britt Bailey and Britt Daley sound so similar.

The Pollock Project (Abridged)

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Spending so much time working on the Mennello Museum Mural, I realized I never posted a sketch I did of the Beth Marshal production of “The Pollock Project.” This one act play was presented in the Mennello Museum gallery when Jackson Pollock’s actual paintings were on display. John Didonna played Jackson Pollock and Jennifer Bonner played his wife. I just saw them perform together this week in a music video being produced for Britt Daley. Douglas McGeoch played the part of a German photographer who wanted to photograph Pollack at work and get an interview.

John did an exceptional job playing the volatile and contentious artist. When the photographer questions Jackson’s “style“, the artist stormed out of the gallery shouting from another room in the museum. The audience who were seated in the museum gallery were right next to the performance. Jackson’s wife managed to sooth his ego. The interview resulted in Jackson defending his work and vision, enlightening the audience in the process. Combining theater in the museum setting helped bring this artist’s work to life in a new and exciting way. There was talk of bringing this type of production to other museums and I hope that idea takes flight.