RAW Artists Orlando Presents…Marvel

On April 4th, I went to The Abbey (100 South Eola Drive, Orlando, Fl) to check out the talent at RAW Artists Orlando presents…Marvel. There was a line to get in that snaked around the corner into a parking garage.

A recording of Britt Daley‘s “One and Only” was pulsing through the room. “Awesome!” I thought. “They really are showcasing the best local talent.” However, Britt wasn’t on stage that night. Musical acts included Live Hart, Cure for Caska, and Judy Tribune. One performer who sang while I was sketching was so far off key that I cringed.

The artist that caught my eye was this body painter named Nix Herrera. He used stencils and an airbrush to create intricate lettering and designs.  It was really stunning work. The model, Sierra Missed, had a proud and regal expression the whole time. She was enjoying the attention.

Artist, Jean-Claude Rasch introduced himself.  I had met him before at one of Parker Sketch’s art critiques. I remember Jean worked on Plexiglas and the paintings would have different coloring if lit from behind. He was set up in the same spot where Parker Sketch had been set up the month before. Jean’s work had more than a passing resemblance to Parker’s work incorporating splashes and pop culture imagery.

Last time I went to a RAW event I was dressed a bit grungy, walking in with a baseball cap the bouncer reminded me to take off. This time, knowing cocktail attire was required, I wore a suit and tie. I just had to keep the tie from flopping down onto the palette. You have to be over 21 to get in and tickets were $10 in advance or $15 at the door.

New Year’s Day Party

Terry and I hosted a New Year’s Day party to celebrate AADW’s third anniversary and to ring in the New Year with friends. We shopped for hot dogs and hamburgers the day before along with beers champagne and orange juice. On the morning of New Year’s day, I went to Panera to pick up a large order of bagels and pastries that Terry had called in the week before. Panera’s was packed. Everyone seemed to want bagels that morning. There was a separate line for pick up orders but no one was at that counter. The place was understaffed and chaotic. A twelve year old girl in line in front of me held a puppy she must have been given for the holidays. The woman next to me said, “I’m just waiting for that pup to pee. That’s what they do. There’s a sign on the door that says no pets. My mother would be having a fit right now.” I laughed wondering if the puppy would prance around on the pastries when the girl got to the counter.

The cashier didn’t know about my order. One woman searched, but came up empty handed. They waited for the manager who was at a register. We waited. He finally looked in the same place as the other woman and pulled out the large bag. The next stop was Publix for some lox and cream cheese. At home everything was spread out on the dining room table. Candles and the Christmas tree were lit. The invitation was for noon till midnight. Since no one had arrived yet, I started writing a blog post. Half way into the post, the doorbell rang. Our first guest was from Terry’s writing group and Terry immediately put him to work cutting tomatoes and an assortment of last minute preparations.

All through the day people arrived at various times. In the evening, Kelly DeWayne Richards stopped by with his portable piano. Terry was the first to sing. She sang, “Soon or a Later.” I was outside scrambling to get burgers and hot dogs on the grill. Amanda Chadwick got up to sing “Somewhere out There.” I don’t know how this tradition started, but I always get called up to sing with her. I will spare you the audio. Amanda then called Matt Simantov in Seattle via Skype. She had me hold the cell phone while she sang to him. Britt Daley sat behind the keyboard and began singing “Anything But“, one of her original songs. Everyone stopped to listen. There was magic in that moment. What an amazing way to start the New Year, with authors, artists and musicians. So much talent in one place made my heart warm.

Then Terry insisted I sing “Hold On” by Michael Buble. I hid in the kitchen. Though Terry couldn’t see me, Amanda could. She shouted at me to “Get in there and sing!” I don’t know the lyrics and when I perform, I like to know I’m well rehearsed. I messed up the lyrics several times and couldn’t find my way back to the refrain. Luckily no one was in the room but Terry and poor Kelly at the piano. She was seated on the couch in her wedding dress, listening intently. She had changed her outfits five times that day to everyone’s delight. After the song, she knelt down in front of me and said, “Marry me.” We had already renewed our vows on our 20th wedding anniversary. People shouted out, “Again?” The writers looking in from outside found the image of Terry kneeling in front of me suggestive. When I realized why they were laughing, my face flushed red.

Britt Daley Music Video Released!

I did a series of sketches the day Britt Daley’s music video was being shot in the Orlando Repertory Theater. Since that day, Scott Wilkins, the writer and director, has been working feverishly at an editing bay to polish the final cut. This video was shot gorilla style in one day featured the talents of some amazing local performers who volunteered to create some fun lighthearted magic.

Britt invited cast and crew to her parents home for a special advanced screening. People brought side dishes and Britt’s dad lit the grill for a barbecue. Terry and I arrived first and Britt showed us her private recording space in a room beside the garage. As more people arrived, they hung around the kitchen counter before retiring to the screened in porch. Scott arrived later and when he tried plugging in the hard drive, it didn’t work. It was assumed that the adapter on the hard drive was broken so he rushed out to see if he could find a replacement at a Radio Shack.

The food was served, and periodically Britt got a call from Scott who was having no luck finding an adapter. He eventually returned, annoyed and defeated. After dinner Britt pulled out her laptop which had a very early edit. Scott explained how he intended to multiply shots and he was embarrassed that a more polished edit wasn’t available. We also watched a blooper reel with silly outtakes. There was plenty of laughter. The next week it was discovered that a breaker had burnt out in the Daley residence. The adapter was fine, they just needed to find a working wall outlet.

Now all the blood sweat and tears has paid off as the final edit is now going viral on You Tube. Enjoy the latest from Orlando’s own electro-pop goddess!

Big Hair and Eyeliner

The “One and Only” music video was being shot in the Orlando Repertory Theater. I did a sketch in the dressing room as the actresses and dancers got ready for the 80’s styled sequence. Megan Hinkle seemed to be a hair and makeup specialist. She helped Jessika Meriko with her eyeliner. Jessica had large curlers in her hair and she quickly changed into a firehouse red dress for the shoot. Britt Daley was busy teasing Darci Ricciardi’s hair. When Megan offered to help, Britt quickly acknowledged that she could probably do a better job. The room was a constant flurry of activity. I had to sketch extra fast. The male actors had dressed quickly in the same dressing room. They waited outside when they were done. Everyone looked primped and proper for the final scene.

The Repertory Theater’s Backstage Dance Studio

Shooting continued for Britt Daley’s music video, “One and Only.” A door at the back of the actors dressing rooms opened into a backstage dance studio. I never would have guessed that this room existed. Andy Matchett lounged in front of me along with Megan Hinkle and Kyle Raker. For much of the day, Britt had been worried that her break dancer hadn’t shown up. Scott Wilkins the writer for the music video shoot said that the one thing he needed more than anything else was a break dancer. The dream sequence was saved for last since everyone in the cast had to change into their flashiest 80’s outfits.

Will “MainSwitch” Campbell and Darci Ricciardi began working on their dance moves. “MainSwitch” brought Darci up to speed until they were a well oiled break dancing machine. Jessica Mariko had her own dance moves worked out. She wore a sleek red dress and her sensual moves could make any James Bond actress blush. Nicholas Corcoran was a bit nervous since he isn’t a dancer and he was being asked to light up the dance floor like John Travolta in “Saturday Night Fever.” The biggest surprise came when Katie Peters rolled onto the dance floor in a classic roller skating disco queen outfit. She had performed as a singer during the audition scenes of the video shoot. The actress who was going to skate didn’t show so Katie stepped in. Nicholas didn’t have to work on many dance moves, he just had to help guide skating Katie as she glided around him. Tape on the rehearsal floor was a bit of a stumbling block at first but soon Skating Katie and Nick had a smooth routine worked out. Everything was worked out for a stellar dream scene.

Andy Matchett

A long line of actors stood in a hallway of the Orlando Repertory Theater. They were waiting to audition. Britt Daley with her boom box strutted down the hall. The cameraman used a steady cam to go down the hallway and then he backed out the stage doorway and crouched framing Andy Matchett who was strumming his guitar. Andy did a double take when Britt walked past and he involuntarily strummed a twangy wolfs call on the guitar. His T-shirt read, “Popular” and he wore a Dog Powered Robot button on the guitar strap. 0ne of the lyrics in Britt’s “One and Only” song pointed out,”You’re wearing that T again.” Andy’s hair swelled to an Elvis styled wave in front. He wore a neat little hip amplifier.

The shot was executed again and again until it felt right. One of the stage hands tested the hallway’s light levels, fortunately it was already perfectly lit. I couldn’t sketch in the hallway without getting in the shot so this doorway was my only option to sketch the scene. My back was up against some stage curtains and ropes and wires snaked all around me. Andy of course is the lead singer in Andy Matchett and the Minx. This local band puts on a show that will rock your socks off.

One and Only

I sketched all day in the Orlando Rep at the video shoot for Britt Daley’s One and Only. In this scene Britt is on stage performing her audition. You can just see her leg and the loose shirt slipping down her shoulder. I was fascinated by the dolly and boom which allowed the camera to be moved smoothly all around. Britt and Andy Matchett, who was also auditioning, enter a dream sequence together. They dance together to Britt’s song. They spun around, their outstretched arms extended. Extra fluorescent tubes and fill lights were set up to illuminate the couple. Britt told me the camera man was whispering to himself enthusiastically during this shot. “Yes, that’s it, good.” Luckily the audio is being replaced in the final video edit. Everyone enthusiastically volunteered their talent and time to bring this gorilla style video shoot to life. The One and Only music video will premiere on October second. I’ll keep you posted.

The Double D Incident

Britt Daley and an amazing army of talent were shooting a music video for her new song, “One and Only” in the Orlando Repertory Theater, Katie Peters in he bright yellow dress stood on her mark for the audition. John DiDonna and Jennifer Bonner were in the audience seats acting as the director and his assistant. For this shot the video camera was way in the back of the theater pointing at the stage for a long shot. There was a nervous tension in the room. Everyone wanted to get this shot right.

Katie sang the last note in her song, “Bill Bailey Won’t You Please Come Home” She then lowered her arms. Jennifer barked, “Thank you” with disdain and disinterest. Dejected, Katie walked off the stage. Britt entered the stage with her huge 80’s style boom box. She waved to get the directors attention shouting, “Hello, HELLO!” Then she marched over to the piano, her high heels clicking loudly and assertively. She slammed the boom box on the piano. The battery compartment sprang open sending the double D batteries flying. They tumbled down striking the keys of the piano making a loud cacophonous clamor of notes. The room fell silent, then everyone laughed. Someone shouted out, “Keep those double D’s contained!” I was in tears, because I couldn’t stop laughing. I couldn’t breath! Finally calm returned. I just hope the final edit is as entertaining as the shooting process.

Any tension was broken. It was decided the batteries weren’t needed since the music would be added in the edit anyway. The next time Britt strutted on the stage the atmosphere was lighthearted and care free. She was ready to storm the audition. The scenes were shot in rapid succession. Then there was a break for lunch.

Music Video Shoot

In the Rep Theater, actors John DiDonna and Jennifer Bonner arrived on the set. They were told which theater seats to sit in. Scott Wilkins, who wrote the Britt Daley music video script, stood in front of the actors and described the scene. Scott was boldly silhouetted against a fill light that illuminated a scrim. Both actors were to be preoccupied not paying attention to the audition. John was to be turned away talking on his cell phone while Bonnie fingered her cell phone surfing the web or checking Facebook.

The camera began to roll and the director called, “Action!” John started arguing with the person on his cell. “I’m not having this discussion with you now.” He repeated the point again several more times raising his voice till he was shouting into the phone. Jennifer stared vacantly at the screen of her cell phone. In the next shot Katie Peters sang the final note of her audition song. Jennifer glanced up from her phone and shouted, “Thank you!” with disdain and disinterest. Katie walked off screen, crushed.

The next shot was to come after Britt Daley had sung her song, “One and Only“. John and Jennifer were locked together in a passionate kiss. Of course when shooting for a quality production you never shoot a scene just once. John and Jennifer kissed again and again. Scott suddenly realized that they should still be holding their cell phones and he asked John to move his hand lower for the next shot. They kissed again and when Britt’s music ended they were startled back to reality. Jennifer struggled to straighten her disheveled hair.

The Abbey

The Orlando theater community gathered for a pot luck dinner at the Abbey (100 S. Eola Ave.) The space offers a bar, cabaret and a small stage for intimate downtown productions. Small tables filled the floor space reminding me a bit of Casablanca. A digital fireplace flickered near the bar and a large circular stained glass window decorated the ceiling. Terry and I made our way through the long line for food and then we sat near the stage.

I did this quick sketch when we finished eating. People networked and went table to table. I thought their might be some sort of presentation or announcement but that never happened. This was just a chance for the theater community to eat, drink, and be merry. Britt Daley and Scott Wilkins joined us at our table. Britt described all the work going into a music video she is producing for her recently recorded song, “One and Only.” Scott will be shooting and editing all the video. The video will be shot at the Orlando Repertory Theater. Britt is recruiting the help of many actors, dancers and other talented artists for the shoot. I of course asked to sketch on the set.

Our table at the Abbey was right in front of a huge speaker and the music got loud making it impossible to talk. We all moved to a table closer to the bar, behind a wrought iron railing overlooking the open seating area. Actors kept strolling across the stage inspecting the space. They might stop center stage and look out at the room squinting into the bright lights. No one performed. Finally Britt and Terry went on stage and they danced to the sixties retro pop that was playing. Red and green lights flashed and spiraled on the walls and floor. Scott shot video on his iPhone as they danced. I clapped loudly for their impromptu go-go dance.