Britt Daley Music Video Released!

I did a series of sketches the day Britt Daley’s music video was being shot in the Orlando Repertory Theater. Since that day, Scott Wilkins, the writer and director, has been working feverishly at an editing bay to polish the final cut. This video was shot gorilla style in one day featured the talents of some amazing local performers who volunteered to create some fun lighthearted magic.

Britt invited cast and crew to her parents home for a special advanced screening. People brought side dishes and Britt’s dad lit the grill for a barbecue. Terry and I arrived first and Britt showed us her private recording space in a room beside the garage. As more people arrived, they hung around the kitchen counter before retiring to the screened in porch. Scott arrived later and when he tried plugging in the hard drive, it didn’t work. It was assumed that the adapter on the hard drive was broken so he rushed out to see if he could find a replacement at a Radio Shack.

The food was served, and periodically Britt got a call from Scott who was having no luck finding an adapter. He eventually returned, annoyed and defeated. After dinner Britt pulled out her laptop which had a very early edit. Scott explained how he intended to multiply shots and he was embarrassed that a more polished edit wasn’t available. We also watched a blooper reel with silly outtakes. There was plenty of laughter. The next week it was discovered that a breaker had burnt out in the Daley residence. The adapter was fine, they just needed to find a working wall outlet.

Now all the blood sweat and tears has paid off as the final edit is now going viral on You Tube. Enjoy the latest from Orlando’s own electro-pop goddess!

One and Only Dream Scene

The final scene that needed to be shot for Britt Daley’s “One and Only” music video was the dream sequence. Everyone was dressed in 1980’s fashion. This scene lap dissolved from the scene of Britt spinning on the audition stage with Andy Matchett. Britt and Andy are spinning in the dimly lit theater surrounded by characters frozen still. When they walk up to the bar, Kyle Raker and Jessica Mariko snapped to life. Kyle served martinis and Jessica began a sensual dance.

Center stage, Will “MainSwitch” Campbell and Darci Riccardi begin a break dance when approached. Britt and Andy laughed and danced as the dream snapped to life. Finally they approached Nicholas Corcoran, and skating Katie Peters who performed a blend between a “Saturday Night Fever” dance and a roller girl dance routine. They were a smooth and well oiled dancing machine. I was amazed at how this scene was rehearsed, then performed in a matter of hours.

The scene was shot multiple times. One master shot followed Britt and Andy the whole time, then cut away shots and close ups were done. Scott Wilkins, the director, explained that the scene would be cut together with multiple shots sliding into place much like the complex montage scenes from the 1966 film “Grand Prix.”

Big Hair and Eyeliner

The “One and Only” music video was being shot in the Orlando Repertory Theater. I did a sketch in the dressing room as the actresses and dancers got ready for the 80’s styled sequence. Megan Hinkle seemed to be a hair and makeup specialist. She helped Jessika Meriko with her eyeliner. Jessica had large curlers in her hair and she quickly changed into a firehouse red dress for the shoot. Britt Daley was busy teasing Darci Ricciardi’s hair. When Megan offered to help, Britt quickly acknowledged that she could probably do a better job. The room was a constant flurry of activity. I had to sketch extra fast. The male actors had dressed quickly in the same dressing room. They waited outside when they were done. Everyone looked primped and proper for the final scene.

The Repertory Theater’s Backstage Dance Studio

Shooting continued for Britt Daley’s music video, “One and Only.” A door at the back of the actors dressing rooms opened into a backstage dance studio. I never would have guessed that this room existed. Andy Matchett lounged in front of me along with Megan Hinkle and Kyle Raker. For much of the day, Britt had been worried that her break dancer hadn’t shown up. Scott Wilkins the writer for the music video shoot said that the one thing he needed more than anything else was a break dancer. The dream sequence was saved for last since everyone in the cast had to change into their flashiest 80’s outfits.

Will “MainSwitch” Campbell and Darci Ricciardi began working on their dance moves. “MainSwitch” brought Darci up to speed until they were a well oiled break dancing machine. Jessica Mariko had her own dance moves worked out. She wore a sleek red dress and her sensual moves could make any James Bond actress blush. Nicholas Corcoran was a bit nervous since he isn’t a dancer and he was being asked to light up the dance floor like John Travolta in “Saturday Night Fever.” The biggest surprise came when Katie Peters rolled onto the dance floor in a classic roller skating disco queen outfit. She had performed as a singer during the audition scenes of the video shoot. The actress who was going to skate didn’t show so Katie stepped in. Nicholas didn’t have to work on many dance moves, he just had to help guide skating Katie as she glided around him. Tape on the rehearsal floor was a bit of a stumbling block at first but soon Skating Katie and Nick had a smooth routine worked out. Everything was worked out for a stellar dream scene.

Andy Matchett

A long line of actors stood in a hallway of the Orlando Repertory Theater. They were waiting to audition. Britt Daley with her boom box strutted down the hall. The cameraman used a steady cam to go down the hallway and then he backed out the stage doorway and crouched framing Andy Matchett who was strumming his guitar. Andy did a double take when Britt walked past and he involuntarily strummed a twangy wolfs call on the guitar. His T-shirt read, “Popular” and he wore a Dog Powered Robot button on the guitar strap. 0ne of the lyrics in Britt’s “One and Only” song pointed out,”You’re wearing that T again.” Andy’s hair swelled to an Elvis styled wave in front. He wore a neat little hip amplifier.

The shot was executed again and again until it felt right. One of the stage hands tested the hallway’s light levels, fortunately it was already perfectly lit. I couldn’t sketch in the hallway without getting in the shot so this doorway was my only option to sketch the scene. My back was up against some stage curtains and ropes and wires snaked all around me. Andy of course is the lead singer in Andy Matchett and the Minx. This local band puts on a show that will rock your socks off.

One and Only

I sketched all day in the Orlando Rep at the video shoot for Britt Daley’s One and Only. In this scene Britt is on stage performing her audition. You can just see her leg and the loose shirt slipping down her shoulder. I was fascinated by the dolly and boom which allowed the camera to be moved smoothly all around. Britt and Andy Matchett, who was also auditioning, enter a dream sequence together. They dance together to Britt’s song. They spun around, their outstretched arms extended. Extra fluorescent tubes and fill lights were set up to illuminate the couple. Britt told me the camera man was whispering to himself enthusiastically during this shot. “Yes, that’s it, good.” Luckily the audio is being replaced in the final video edit. Everyone enthusiastically volunteered their talent and time to bring this gorilla style video shoot to life. The One and Only music video will premiere on October second. I’ll keep you posted.

The Double D Incident

Britt Daley and an amazing army of talent were shooting a music video for her new song, “One and Only” in the Orlando Repertory Theater, Katie Peters in he bright yellow dress stood on her mark for the audition. John DiDonna and Jennifer Bonner were in the audience seats acting as the director and his assistant. For this shot the video camera was way in the back of the theater pointing at the stage for a long shot. There was a nervous tension in the room. Everyone wanted to get this shot right.

Katie sang the last note in her song, “Bill Bailey Won’t You Please Come Home” She then lowered her arms. Jennifer barked, “Thank you” with disdain and disinterest. Dejected, Katie walked off the stage. Britt entered the stage with her huge 80’s style boom box. She waved to get the directors attention shouting, “Hello, HELLO!” Then she marched over to the piano, her high heels clicking loudly and assertively. She slammed the boom box on the piano. The battery compartment sprang open sending the double D batteries flying. They tumbled down striking the keys of the piano making a loud cacophonous clamor of notes. The room fell silent, then everyone laughed. Someone shouted out, “Keep those double D’s contained!” I was in tears, because I couldn’t stop laughing. I couldn’t breath! Finally calm returned. I just hope the final edit is as entertaining as the shooting process.

Any tension was broken. It was decided the batteries weren’t needed since the music would be added in the edit anyway. The next time Britt strutted on the stage the atmosphere was lighthearted and care free. She was ready to storm the audition. The scenes were shot in rapid succession. Then there was a break for lunch.

Music Video Shoot

In the Rep Theater, actors John DiDonna and Jennifer Bonner arrived on the set. They were told which theater seats to sit in. Scott Wilkins, who wrote the Britt Daley music video script, stood in front of the actors and described the scene. Scott was boldly silhouetted against a fill light that illuminated a scrim. Both actors were to be preoccupied not paying attention to the audition. John was to be turned away talking on his cell phone while Bonnie fingered her cell phone surfing the web or checking Facebook.

The camera began to roll and the director called, “Action!” John started arguing with the person on his cell. “I’m not having this discussion with you now.” He repeated the point again several more times raising his voice till he was shouting into the phone. Jennifer stared vacantly at the screen of her cell phone. In the next shot Katie Peters sang the final note of her audition song. Jennifer glanced up from her phone and shouted, “Thank you!” with disdain and disinterest. Katie walked off screen, crushed.

The next shot was to come after Britt Daley had sung her song, “One and Only“. John and Jennifer were locked together in a passionate kiss. Of course when shooting for a quality production you never shoot a scene just once. John and Jennifer kissed again and again. Scott suddenly realized that they should still be holding their cell phones and he asked John to move his hand lower for the next shot. They kissed again and when Britt’s music ended they were startled back to reality. Jennifer struggled to straighten her disheveled hair.

Britt Daley Music Video

Inside the Rep Theater there was an all day shooting marathon to complete Britt Daley’s “One and Only” music video. The camera crew set up the tiny digital camera so it was on stage at the Repertory Theater pointing out at the theater seats. They were setting up for a shot of the Director played by John Di Donna and his assistant played by Jennifer Bonner. Britt’s dad sat in the seats so the cameraman could frame the shot before the actors arrived. Fill lights and spots were adjusted to light the seats. The director kept checking how the shot was framed by looking at the laptop. Scott Wilkins looked through the script and storyboards so everyone was on the same page.

A small crate was set up Katie Peters to stand on. She is the female singer in the local band CIRCUS. She stood in front of the camera facing the theater seats. She was instructed to sing the final note of the song she was singing for the audition and then step out of frame. The song she was supposed to be singing was an old minstrel/vaudeville tune, “Bill Bailey Won’t You Please Come Home“. A funny choice since Britt Bailey and Britt Daley sound so similar.

Britt Daley Music Video

I went to the Orlando Repertory Theater where a music video was being shot for Britt Daley for her newly released song, “One and Only.” Scott Wilkins wrote and directed the video shoot. When I arrived, Full Sail interns were setting up tripods and lighting outside the doorway to the greenroom. Wires snaked everywhere and they had to be ducktaped down so no one would trip. A small SLR digital that shoots high definition video seemed out of place mounted to a bulky tripod. A laptop was also mounted on a tripod so more than one person could see what was being shot. The hall was already bright thanks to large plate glass windows. The lighting was enhanced by mounting lights up near the ceiling.

The story that anchors the music video is built around an audition. Britt is in the audition and shakes things up. In this shot she enters the scene by opening the purple door at the end of the hall. She then struts down the hall carrying a huge 1980’s style boom box. The cameraman told the intern to dismount the camera from the tripod. Instead of a steady shot, he wanted to dolly back keeping Britt in frame as they both moved down the hall. A wheelchair was brought in and the cameraman sat down.

They shot the scene multiple times. Some takes were full body, while others focused on closeups of Britt’s lethal high heels. An intern had to quickly coil in the video cable as the cameraman was backed down the hall. The setup and shooting was time consuming. Everyone felt they were falling behind on the shooting schedule. There was a mad dash to strike everything and they rushed off to the next shooting location.