Political fundraiser for Martha O. Haynie

My wife, Terry, suggested I come out to sketch a political fundraiser for Orange County Comptroller Martha O. Haynie at the Abbey, (100 South Eola Drive.) The scene didn’t look that much different than sketching in any bar except folks were dressed in business attire and they all had name tags. Martha was very cordial and introduced herself to me. She immediately found common ground with me when she said that she missed former United Arts CEO Margot Knight.

Terry arrived and waved to me. She moved around the room from one conversation to the next, meeting everyone as I sketched. Janet and Geoff Benge, who lead the Silver Fern Writing workshops sat down at a central table. Terry started attending these workshops after one of my sketchbooks was used as a writer’s prompt. She sat with Janet and Geoff and the laughter grew louder.

As Comptroller, Martha keeps an eye on Orange County finances and she makes sure that money spent is accountable. This doesn’t stop politicians from miss spending money, but it does mean their actions are accountable come election time. Marthe joked that it might not be wise to check the finances of the sheriff’s department since they carry guns. She checked their books anyway. There is someone running against Martha in the upcoming elections so she has to be diligent in letting people know she is doing a good job. Her address to the gathered crowd was short sweet and to the point.

Terry was hungry, so she went down the block to Mucho’s to get some takeout tacos. She returned with two boxes of tacos and we shared with Janet and Geoff. By this time, my sketch was done and most everyone else had left. Martha stopped over and she had a taco with us as well.

The Abbey

Yelp was promoting its new “Culture Club” campaign with a kick off party at the Abbey. When I entered the venue, I saw Kelly DeWayne Richards sitting at the bar so I went over to say hello. He was dressed all in black with a red tie and stylish fedora. I know Kelly from his Sunday morning cabaret performances at the Parliament House. This is the one place where I occasionally get up to sing. It turns out Kelly is now performing at “Musical Mondays” which start at 7pm each week at the Abbey. He was told about the gig just two days before his first performance and had just nine people the first night. I want to get out to the next “Musical Monday” and I know the place will be packed.

The Yelp event featured several performances. Altar Boyz sang flamboyant religious themed songs. They had plenty of pep, but left me cold. The Orlando Ballet performed a piece from the upcoming “Vampire’s Ball.” Robert Hill, the artistic director, explained that in horror films there is always a young innocent couple who is unaware of any danger since they are so in love. The young dancers performed a sensual dance that expressed their longing. It was the undeniable highlight of the evening.

Then Kelly’s baby grand piano was wheeled on the stage. He explained to the audience that he was there to set the mood, so people continued to mingle as he played. He began with “The Piano Man” by Billy Joel. The lights in the room were constantly on the move, switching from reds to blues. I considered going to sketch at the Comedy Improv Festival after I finished up at the Abbey but Terry fired off a text asking when I would be coming home. I decided to call it a night. I typed Hh (heading home) into my cell. She wasn’t there.

Yelp Culture Club Kick Off Party

Yelp had a kick off party for it’s new “Culture Club” at The Abbey (100 South Eola Avenue). Yelp is an Internet service where people write reviews about restaurants. It allows you to see what your friends think about the restaurant you are considering. Through the month of October, Yelp is offering discounted tickets to museums and theaters around town. Venues include, the Morse Museum, Albin Polasek Museum, History Center, Maitland Art Center, La Nouba, Orlando Ballet, the Social, Beacham, Mad Cow Theater, the Abbey and Orlando Shakespeare Theater. Go to www.yelp.com/events for discounted tickets. They will showcase the best of the arts, entertainment, theater, live music, and basically, all sorts of cultural enrichment in the City Beautiful. Some of the special events are completely free so it pays to check back as offers arrive.

I arrived early and sketched as someone changed the movie marquee sign over the entrance. There was a suction cup at the end of a long pole and he used it to remove plastic letters and then put up the Yelp signage. All the wrought iron made the Abbey feel a bit church like. I found it odd that there was a parking garage right above the Abbey. Two female Abbey employees talked to the signage man as he worked. People walked past with their dogs. Two men valet parked cars as they arrived. As I walked into the Abbey, one of the valets asked to see my sketch.

The Abbey

The Orlando theater community gathered for a pot luck dinner at the Abbey (100 S. Eola Ave.) The space offers a bar, cabaret and a small stage for intimate downtown productions. Small tables filled the floor space reminding me a bit of Casablanca. A digital fireplace flickered near the bar and a large circular stained glass window decorated the ceiling. Terry and I made our way through the long line for food and then we sat near the stage.

I did this quick sketch when we finished eating. People networked and went table to table. I thought their might be some sort of presentation or announcement but that never happened. This was just a chance for the theater community to eat, drink, and be merry. Britt Daley and Scott Wilkins joined us at our table. Britt described all the work going into a music video she is producing for her recently recorded song, “One and Only.” Scott will be shooting and editing all the video. The video will be shot at the Orlando Repertory Theater. Britt is recruiting the help of many actors, dancers and other talented artists for the shoot. I of course asked to sketch on the set.

Our table at the Abbey was right in front of a huge speaker and the music got loud making it impossible to talk. We all moved to a table closer to the bar, behind a wrought iron railing overlooking the open seating area. Actors kept strolling across the stage inspecting the space. They might stop center stage and look out at the room squinting into the bright lights. No one performed. Finally Britt and Terry went on stage and they danced to the sixties retro pop that was playing. Red and green lights flashed and spiraled on the walls and floor. Scott shot video on his iPhone as they danced. I clapped loudly for their impromptu go-go dance.