Voci Dance

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Voci Dance is known for their mystical and surreal dances often times performed gorilla style in unexpected urban settings. Genevieve Bernard was one of the founding members of Voci dance, there were five back in the day, Adrienne Nichols got the group together. At the Orlando International Fringe Festival, the dancers performed with camping head lamps. The performance was staged next to the Orlando Museum of Art and the dancers interacted with the huge blue steel sculpture that is next to the museum on the green lawn of fabulousness. It was just past dusk and the dancers resembled dwarfs returning from the mines. Well, let me restate that, the dancers didn’t look like dwarfs, they were sleek and limber, OK I’ll stop digging. An audience of perhaps fifty people gathered in the darkness around the dancers. This was one of those situations in which I couldn’t see my sketch as I worked on it in the dark. Sometimes that can be a blessing when the sketch finally sees light.

Blues Dance

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After repairing my computer, Damon Natch Burke and his wife, Amy Davenport were going to take a Blues Dance Class at the Zebra Room (2609 Gowen Street, Orlando) . Damon suggested I meet him there so he could give me my repaired tablet. Of course I asked if I could stay and sketch. Damon talked to the instructors and they were fine with the idea. Cars drove inside what looked like a residential backyard and parked on the lawn between orange trees. I arrived at the same time as a petite girl from Knoxville Tennessee.

 Unfortunately the air conditioning in the Zebra room was broken. That didn’t stop this group of dancers. People kept arriving with fans and one couple showed up with three huge industrial fans. It was bliss when the breeze hit. With all the fans on however you couldn’t hear the instructors talk, so the fans were turned back off. I liked the premise that dance is an intuitive dialogue, or conversation between couples. Simple exercises started with couples facing each other and touching palms. They needed to stand close and move as one. They stepped together forward and back to the beat of the blues. When a lead dancer would spin his partner, she could go with the flow of his up beat pace or slow down the spin at the apex and dip in slow motion. Her desire for a slow sensual movement could then be followed up by the lead. The sensual dance conversation could continue without a word.

Classically Demented

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Yow Dance brought Classically Demented: A Darkened Fable of Storybook Characters You Thought You Knew to the silver venue at the Orlando Fringe Festival. Several days before the Fringe opened, I went to the Rep Theater to watch the Tech rehearsal and several run-throughs of the show. Eric Yow was half way back in the theater seating counting out the beat as dancers went through the blocking. The dance company presented classic storybook characters, like Snow White, Cinderella, Bo Peep and many others in a darkened vision of the fairy-tales.

Mother goose was spry and graceful.  In one twisted dance number, a dancer cloaked in black entered holding an egg. The egg was split open over a bassinet dripping blood inside. At the foot of the stage there was a black board that was used to keep track of the casualties. Dancers collapsed  and were dragged off stage by their feet. The death tole rose. The costuming for all the dancers was elegant and beautiful. A dancer cut her toe on an exposed nail on stage. It was hammered down and taped over.

When it came time for the full run through, Eric shouted, “Have a great run dancers, Merde.” I had never heard that term before. Apparently back in the early days of ballet, the
companies used to use live animals in performances. Well, whenever one
of the animals would dump on stage, someone would yell “MERDE!” from
stage to let the dancers know to watch out so that they wouldn’t slip!
And I suppose that they said it so much that it just came to mean good
luck! Addicted to Love  played behind one of my favorite dance numbers. Who wouldn’t want to see zombie princesses devouring each other as they hunt for love? Eric himself performed as the evil queen. Michael Marinaccio, the Fringe producer stopped over to say hello before the second run through. He had his child with him and wanted to be sure the show was family friendly. I assured him there was nothing risque. As the dance began I began to wonder if a child would be upset by this darkened fable… Nah.

Show times:

Today, Saturday May 26th at 3:00PM

Sunday May 27th at 8:45PM

The show is in the Silver Venue at the Rep. Tickets are $10.

Connected, An Interactive Experience

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“Connected : The Interactive Experience” is the story of a man named Jacob who has shut himself off relationally from the world around him. As Jacob faces moments from his past that have caused him to isolate himself, he is awakened to deeper levels of intimacy in his current reality.

But Jacob isn’t the only one journeying into his memory. Through the use of technology, The Guide invites each audience member on a unique, introspective journey into their own emotional, physical and relational past. This illuminating process of discovery will welcome the audience into introspective and interactive moments that will surely be risky, challenging, humorous and healing.

This 60 minute theatrical experience combines drama, choreography and technology to connect the audience with the performers on stage, with one another and to the deepest parts of themselves.

I first learned about “Connected” when I went to Cole NeSmith‘s Facebook page to ask him about “The Tree of Light”. It turns out that “The Tree of Light” will be installed at Lake Eola on a cement pier that juts out into the lake on the Roseland Avenue side. The tree is just on hold until Cole finishes his work on “Connected.”  When I asked Cole if he felt that the Connected rehearsals are “sketchable”, he replied, “Yes, stop on by tonight!”

The rehearsal was at Downtown Credo (706 W Smith Street). Credo is a coffee shop in College Park where you pay what you want for your hot cup of Joe. I couldn’t imagine a dance rehearsal in a coffee shop so I had to see for myself. When I arrived, I noticed the dancers warming up in a back room. Holly Harris, the choreographer told me I could sketch from anywhere. I couldn’t place Holly, but she later let me know that she did the choreography for “The Pink Ribbon Project” which I had sketched. There was a couch in the room where the dancers were warming up so that is where I ended up. The cushions kept me from moving my arm as I drew, so I sat on the arm of the couch and moved the back cushion for freedom of movement.

In the first dance sequence, Cole sat in the center of the room wearing headphones and sunglasses. He held a flashlight which illuminated the ceiling. Dancers explored and swirled around him essentially guiding away from his insular world. Holly explained that some of the dancers would be holding canvas panels which would catch the shadows cast by fellow dancers. The dance studio was dark and Cole began to explore the edges of the staging area which meant he would be interacting with the audience. At one point, he lit up my sketch pad and looked down in wonder.

The second dance sequence was even more complicated. Dancers walked along diagonal lines and then froze for a moment while Cole moved among them. Later a group of four dancers stood center stage and individual dancers would move between them being tuned and toned through touch in a swift staccato factory styling before moving off refreshed and invigorated. Holly explained that these central dancers were “teaching people to connect.”

Connected will be premiering at the Green Venue at the Orlando International Fringe Festival in May. Tickets are $9 plus a Fringe button which is good for all the Fringe shows. Mark your calendar and get Connected!

  • Thursday 17 May; at 7:45pm

  • Saturday 19 May; at 8:30pm

  • Sunday 20 May; at 11:30am

  • Monday 21 May; at 5:45pm

  • Tuesday 22 May; at 8:45pm

  • Friday 25 May; at 10:15pm

  • Saturday 26 May; at 2:45pm

Flamenco

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Inside Casa Feliz, I hear feet stomping and hot Spanish music. People were seated in the intricate old wooden chairs facing the dancers who were in front of a bay window facing the back. A large sheet of plywood had been dropped on top of the Casa’s floor boards. It was a full house, so I decided to slip through the kitchen to a side room. That looked in on the dancers. Unfortunately several other people had same Idea. This still offered the best view, so I started sketching.

The woman in the fiery red and black dress was performing a solo dance with castanets. Three of the dancers were students of Alborea Entertainment. The other man and woman were the teachers. Besides teaching flamenco, Alborea teaches, Bolivian Folkloric Carnival dances, Persian dances, Belly dance, Bollywood, African Rhythms, folkloric Mexican dance, Latin Rhythm and Fusion Rhythm. They perform at private parties, educational programs, theater productions, television programs, corporate events, and conventions.

Artist Bernie Martin stopped in and sat on the floor close to the stage. The man in front of me kept shooting photos and the woman seated at the same table did the same occasionally. Between performances, I was still splashing color on the page. A female artist introduced herself. I was still distracted, as I was getting close to finishing my sketch. She has been going to Casa Feliz every week and sketching the performers. She asked my advice on how she could improve her drawings. I took a sheet from her sketchbook and made suggestions on how she could use perspective to improve on what she was already doing. She knew of the Urban Sketchers site and of Analog Artist Digital World. As she left, she said E was her artist muse. That was definitely the best compliment I got in a long time. I feed good knowing that the next time she sketches, she will have the compositional tips I offered as a new spring board. I admire her tenacity in returning to the same place to sketch each week. Over time it could become a great series of sketches.

When my sketch was done, I went back outside to finish the sketch I started of Casa Feliz’s exterior.

Casa Feliz

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Every Sunday, from 12pm to 3pm, Casa Feliz in Winter Park hosts musical events. I’ve sketched here before and honestly it would be a worthy spot to sketch every week. I arrived early on this weekend when Alborea Dances was going to perform flamenco. It was a gorgeous, cool day, so I decided to walk around the old historic home. For the first time I slipped under an arch into the back of the building. The sun blazed bright on the brickwork and there was a large shady oak tree under which I decided to sketch. There was only half an hour or so before the flamenco dancing was to start inside, so there really wasn’t enough time to sketch. I couldn’t resist and I started anyway.

Several people approached me to see what I was working on and they were both artists. Is everyone in Winter Park an artist? One girl arrived early for a wedding that was going to happen at the Casa that afternoon. She took a multitude of photos of the building and garden for a painting she planned to do of the building. Her eye was drawn to the bright colors of the scene. I suspect the painting might be a wedding present. A tail stately woman let me know that she had painted almost an identical view to the sketch I was working on. She lived right across the street and she went back to her place to get the painting. She brought back a panoramic three foot wide canvas. The painting was done in oil with a Burnt Sienna under painting which she wiped away the lights. She said she had forgotten to paint one of the chimneys but a fellow painter pointed out the apparent flaw and she added it back in. I let her know that we were on the same page doing panoramas, since I am often bringing out the panoramic sketchbook. She let me know that there was a plein air painting group that got together every week in Winter Park. I wish I had written down the information. All I remember is that they meet at Panara’s. There is another Plein air group that meets once a week in the evenings, and they do nocturnes of the businesses on Park Avenue.

Before I could start adding color to my sketch, I heard the Flamenco Music flair up inside Case Feliz. I couldn’t resist the draw of the music. I quickly packed up my supplies and then slipped into a back door to see what was going on inside. After sketching the flamboyant flamenco dancers, I returned to my spot under the tree and I started splashing in colors.

Lindy Exchange

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The Orlando Lindy Exchange is a yearly Swing Dancer’s dream marathon. For close to a week, swing dancers from all over the country converge on Orlando to shake their hips and kick up their feet. Damon Natch Burke is my tech guru and he helps organize the event. I found out there would be a free dance in the Lake Eola band shell and I had to go down to sketch. Walking around the lake, I could hear the energetic retro beat and soon I saw flashes of color as people twisted and turned on stage. There were up to 50 dancers on stage and boy did they know how to dance! When the song changed, people would switch partners to add some variety to their steps.

It had been boiling hot all week, but on the day of the dance, the temperature dropped drastically. An ice cream vendor stood at the foot of the stage offering his ice cold treats. I had a sweatshirt on and when I slipped into the shade, I started to shiver. Still, when couples strolled past me away from the stage, they were glowing with sweat. It was getting towards sunset, yet when Damon walked by with his dance partner, he said they had forgotten to eat since the night before. They were heading out to find some breakfast. A couple saw that I was sketching, and they stood directly in front of me and “vogued“. He said, “Check out this move!” and he leaned his dance partner back, arching her back over his arm. I laughed, and said, “That’s great, now hold that for about 15 minuted!”

A young woman liked the sketch. She asked if I was cold and I shivered dramatically. She said, “If you want to warm up, then come on up on the stage and dance! You’ll warm up fast.” I was still messing with washes on my sketch, besides I don’t know any swing moves. Chances are, I would get up there and trip up the whole swinging crowd. Fred Astaire, I am not. But, with a few lessons, I might be able to keep up with these hip swinging kids. I’ll put it on my bucket list.

Big Hair and Eyeliner

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The “One and Only” music video was being shot in the Orlando Repertory Theater. I did a sketch in the dressing room as the actresses and dancers got ready for the 80’s styled sequence. Megan Hinkle seemed to be a hair and makeup specialist. She helped Jessika Meriko with her eyeliner. Jessica had large curlers in her hair and she quickly changed into a firehouse red dress for the shoot. Britt Daley was busy teasing Darci Ricciardi’s hair. When Megan offered to help, Britt quickly acknowledged that she could probably do a better job. The room was a constant flurry of activity. I had to sketch extra fast. The male actors had dressed quickly in the same dressing room. They waited outside when they were done. Everyone looked primped and proper for the final scene.

Le Musee de l'impressionisme

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Robert Callender wrote a show that takes you through Le Musee de l’impressionisme room by room, with live musicians, dancers, and singers. The show was produced once in NY, so this was a chance to see it in Florida at the Timucua White House (2000 S. Summerlin Ave). Each musical number was based on a different impressionist painter, like Renoir, Monet, Bazille, Morisot, Gauguin, Van Gogh, Degas and Henri de Toulouse–Lautrec.

Once Terry and I got to the White House, I made my way to the third floor to start my sketch. I sat against the railing along with a couple from out of town. Terry went downstairs to open the bottle of wine we had bought. I knew the dancers were from Emotions Dance and I was excited to see them perform. Three female vocalists backed up Robert Callender and the band was talented and tight with two guitars, a sax, Trumpet, bongo drums, a full drum set played by Benoit Glazer, the evenings host, and a wind synthesizer.

Wine wasn’t allowed on the third floor so Terry never rejoined me. I got several texts from her where she praised the band. All of the dancing was improvised on the spot. I spoke with dancer, Cindy Michelle Heen, after the performance and she described how she lost herself in the music and the energy from the audience. Her body moved freely without the restrictions of second guessing. I sketched the dancers when they came out in bright red skirts for the Lautrec piece. For an inspired moment I felt like I was at the Moulin Rouge. Durring the second half of the performance, Paula Large sat at an easel in the back corner of the stage and she did a composite caricature sketch of the performers.

Faery Festival

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On Saturday July 30th Avalon held it’s annual Summer Sale and Faery Festival. It was a hot day. Six or so crafts vendor tents were set up in the parking lot next to Avalon (1211 Hillcrest Street.) Faria Maieed was painting a henna dolphin on a little girls hand as her father watched. I contemplated a sketch but the dolphin was almost complete. People were relaxing on massage benches. The massage looked particularly tempting. I went inside Avalon and looked at the wide array of crystals, spices, enchanted crafts and incense. The store wasn’t as crowded as it was last year so it was easy to browse.

Back outside, Florida Tribal Dancers were gathering in one of the tents. People started gathering in a semi circle around them in anticipation of a performance. I set up my stool in the shade of a tree and started blocking in a sketch. Lacey Sanchez, dressed in her gorgeous blue tribal dress, asked the assembling crowd to back up to give the dancers room to perform. Once the dancers came out, people stood right in front of me. I had to move out onto the hot pavement to re-start the sketch. I had to sketch quickly since the dancers twirled constantly. A huge gust of wind lifted one of the tents and people caught it’s poles to keep it from toppling. Lauren E. Lee pointed to the sky. I glanced up as a clear plastic bag danced in the wind swiftly rising up towards the clouds. When the performance was done, I was still adding color washes to the sketch. A woman walked up behind me and said, “You’re neck is going to be crisp as a lobsters hide if you keep sitting in the sun.” After I assured her I would be done soon, another woman approached and warned me about skin cancer. I was getting annoyed since in an ideal world I would of course be sitting in the shade, but life keeps pulling me out into the sun.