Orlando Arts Collecive

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The Orlando Arts Collective is a diverse group of artists who enjoy supporting, sharing, communicating, and collaborating with other fellow artists. OAC members are painters, sculptors, photographers, and mixed-media artists.

Members conduct workshops, run critique seminars, curate art shows, participate in other community shows and events, and go on art related field trips together. The group encourages members to participate in art activities, shows and other groups throughout the community, and to share their experiences. Having adventures is one of the hallmarks of the OAC.

They are an IRS-501(c) 3 not-for-profit group, which allows them to conduct classes and work with charities. This also means they have a Board of Directors and annual dues. Even though they have a board they are not a board-centered group. All decisions are determined by a majority of their members. The annual membership is $30.00, which helps to pay for group shows, classes, and guest speakers. Extra fees may be required for participation in gallery shows. The members have shown and participated in various art venues in and around Orlando, such as City Arts Orlando, Mega Con, Third Thursdays, Dandelion Cafe, Pom Poms, and FAVO.

The Orlando Art Collective meets on the second Thursday of each month between 6:30-8:30 pm.

I stopped in to a meeting and sketched while members were learning new techniques in a printing workshop. Everything was provided and there were some unique results.  At the end of the table one artist apologized because he had evicted me from a painting workshop at the Albin Polasek Museum and Sculpture Gardens one year because I was sketching as I listened. I laughed and said there were no hard feelings.

Also on the table were ceramic tile hearts which were for a mural that is now up on the side of Lamp Shade Fair which is a 65-year-old business on 1336 N. Mills Avenue, Orlando, Fl. The ceramic hearts were created by artists from around the world and will be arranged into a rainbow coming from the open hand of a Banksy-inspired silhouette of a young girl blowing a kiss.

Before Pixels

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Third Thursdays, now marketed as, Art, Tech Biz is an opportunity for visitors to converge downtown and celebrate art, food, technology, and business. Along the way,
people partake in an evening of sights, sounds, food, shopping, and cosmopolitan living. At the time of this sketch, I had two sketches on display at City Arts Factory, but in order to get a sketch done, I walked two blocks over to The Gallery at Avalon Island (now City Arts) to sketch the musicians performing for the evening.

The monthly Third Thursdays event includes, the Gallery Hop, hosted by the Downtown Arts District featuring numerous
galleries and non-traditional art venues that spotlight the best of
established and emerging Orlando-based artists, in tandem with nationally
and internationally acclaimed artists.

The 3rd Thu Biz
Networking events are hosted by the Downtown Orlando Partnership and
allow attendees to experience some of downtown’s fine establishments
while making great local business connections.

The Orlando Tech
Meetup offers tech enthusiasts and entrepreneurs the chance to
socialize and hear five different technology groups present live product
demos.

This sketch done at The Gallery at Avalon Island was of the musicians for the night, Before Pixels.  Much has happened since this sketch was done, the historic Rogers Kiene Building (39 Magnolia Avenue, Orlando, FL) that was home to the Gallery at Avalon Island was donated to the city. Thus Avalon Island Art Gallery was shuttered. City Arts Factory moved from its location on Orange Avenue two blocks away to the Rogers Kiene Building and is now called CityArts Orlando. The end result is of course much less exhibition space as the visual arts scene shrinks in Orlando.

Third Thursday at Avalon Island.

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On every Third Thursday the downtown art galleries open for the beginning of new exhibitions. I often stop at The Gallery at Avalon Island (39 S Magnolia Ave, Orlando, FL 32801) since there is live music in the bar area. I started drawing the wrought ironwork surrounding the stage and then stopped half way through the process, realizing that the intricate pattern wasn’t adding anything to the sketch. I have
been doing that more and more lately, just leaving out what doesn’t interest me
and sometimes drawing what does interest me several times. This willingness to
change history has allowed me to complete sketches must faster.

Two children sat playing video games the entire time I
sketched. They were oblivious to the art around them, but the games employed
artists to help design the world in which they were playing. Headphones
further guaranteed that they were isolated in this virtual world. The music was
pleasant to sketch to. I had sketched these musicians before. The gallery
curator, Patrick Greene, is often at the bar serving drinks. The gallery doesn’t
get very crowded, so it is nice to sketch a set and then move on to see more
art downtown.

Third Thursday at 55 West.

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On the Third Thursday of each month, the Downtown Arts District, (29 S Orange Ave, Orlando, Florida, comes alive as all the downtown galleries open their art shows with a Gallery Hop, Tech Meetup and Business Networking events.

 On a typical Hop, a series of galleries and non-traditional art venues (think restaurants, boutiques, and salons) spotlight the best of established and emerging Orlando-based artists as well as the works of nationally and internationally acclaimed artists.

Venues include:

Aloft Orlando Downtown 500 S Orange Ave

Art for all Places 55 West Church St.

City Arts Factory 29 S Orange Ave

The Falcon Bar and Gallery 819 E Washington St.

Gallery at Avalon Island 39 S Magnolia Ave.

Grand Bohemian Gallery 325 S Orange Ave

Loft 55 Gallery 55 West, Breezeway, Church St and Pine

NV Art Bar 27 E Pine Street

It was threatening to rain on this particular Third Thursday, and I got as far as the breezeway at 55 west Church Street when it started to rain. Janae Corrado who is a regular at the art market was set up along with Christian Rivera. There was only other vendor set up. It was a surprisingly small turn out. Usually there are at least a dozen artists set up outside at church street across from the railroad station. I guess local artist know to stay home if there is the threat of rain.  Artists in the breezeway at least had a roof over their heads. Christian’s work was playful, seeming to be inspired by modern pop Japanese imagery of mystical pandas and ferocious cats. He worked on his canvas whenever there was a break from potential customers. On this rainy afternoon, he had plenty of time to focus and work. 

Third Thursdays

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On Thursday December 19th, I went downtown for Third Thursdays. On the Third Thursday of every month, all the downtown galleries open new exhibits. At the City Arts Factory, artists rent wall space. In the large courtyard between The Rusty Spoon and Urban Flats, Brad Michael Biggs rents out spots where artists can set up a table to sell their wares. Brad is the founder and owner of Art for All Spaces. Parker Sketch, who is a regular of the street sales scene, had a large display of his splashy pop imagery. In the past Parker had his work on display in the Thornton Park neighborhood on Third Thursday.

A young couple had a table full of tiny steam punk party top hats. There was an entire table full of paintings of bright boxy robots. A glass display case full of jewelry had a huge canvas poster behind it of a couple making out. Arts and crafts of all shapes and sizes were on display.  When the sketch was finished, I hiked back downstairs and ended up photo bombing a family photo.  On the way out, I passed Dresden Kincade‘s handmade jewelry. All her jewelry is handmade using wire and natural minerals. My wife Terry’s favorite color is purple and I saw a lovely Amethyst crystal necklace that she would love. On impulse, I bought it. Dresden wrapped it up along with a card describing the crystal’s powers. If it had the power to bring a moment of happiness it was well worth it.

Mark your calendar, the next Third Thursday is February 20th from 6pm to 9pm or so.

NV Bar and Lounge

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On Third Thursday, September 19th, I went to NV  to see the art opening for G. Lemus. Tr3 Mark Harris curates the shows at NV along with Brad Michael Biggs. The bar is gritty with a fantastic exposed wooden slat wall. G. Lemus came from Honduras and making art helped him adapt to a new culture where he didn’t know the language. In the military his comic sketches of the Drill Sargent were confiscated but he became the official platoon artist. He founded the B-side artists in Orlando with Swamburger. This group of artist were the first to bring art to the clubs and bars in Orlando.

G. Lemus was inspired by the expressive work of Jean-Michel Basquait.  The work in this show featured thick rich paint. Many of the pieces were primarily black and white featuring images of aircraft and flight. In one painting titled “On the Trail of Greatness”, Luke Skywalker seemed to be flying a modern day jet instead of an X wing fighter. Another painting of a nautilus shaped craft was titled “Victory over Love is Flight”. The artist wore goggles as he moved around the opening talking to patrons. He was offered a mural assignment in which he would supervise middle school and high school kids to do the painting.

The artist hired beautiful women to pose as flight  attendants. The whole idea of the show was based around flight. Take you dreams and let them sore. The artist was the pilot and the girls were the flight attendants passing out a menu (his art) with peanuts attached to it. The DJ brought her own equipment and set up at her station at the top of the staircase.

Tr3 and I were discussing a showing of my sketches at NV. Rumors circulated that evening about the possible show and it was quickly established through a quick series of texts, that the planned dates of the NV show were too close to the dates of a solo show still in the early planning stages at The Gallery at Avalon Island. Other than showing my work in a U-Haul (Mobile Art Show), this was my first experience in planning to show my work downtown.  There seem to be unwritten codes of conduct that I overlooked. I’m hoping to have my work on some walls when my book on Urban Sketching comes out in early 2014.

Mark your Calendar, The G. Lemus show at NV (27 E Pine St  Orlando, FL) can be seen anytime before  Sunday October 13th at 2am. Grab a drink and see some art.

Florida Overtures Undertones, Subplots

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On July 18th, I went to the opening of “Florida Overtures, Undertones and Sub Plots” at Gallery at Avalon Island ( 39 South Magnolia Avenue, Orlando FL). The opening featured live
music from Chris Aycrigg’s group , all nestled inside an
Orlando architectural gem, the Rogers Building.

The show was a
multimedia collection that examined the state’s intricacies and
idiosyncrasies through the eyes of 13 artists.The artists included, Gary Monroe, Carmon Colangelo, Therman Statom, Matt Roberts, Brian Phillips, Tamara Cedre, Phillip Estlund, and Jay Flynn. I was intrigued by the black and white photos of Gary Monroe of hasidic Jews in Miami beach. In the front window Jay Flynn had large sheets of plastic or glass had prints on them and the sheets were bent or melting giving a warped surreal effect.

As I sketched the musicians, one of their wives entered with her daughter.  Her daughter was intrigued. She stood beside me watching as I splashed color onto the sketch of her dad. Once the sketch was done, I treated myself to some nuts which were on the table. As I left, Carl Knickerbocker was just arriving. He told me that one of the artists inside, Gary Monroe, wrote “Extraordinary Interpretations: Florida’s Self Taught Artists”, published in 2003. Of course this book showcased, Carl’s Suburban Primitive work.

I also went over to City Arts Factory which was insanely crowed. The Re Define Gallery had toy Marquette’s which were decorated by different artists. I’m pretty sure I recognized a toy by Woolfrich.  Toni Taylor had several of her magnificent futuristic oil paintings on display. I told her that I wished I could take the time to create more refined pieces like hers. She said I should just keep doing what I’m doing. I didn’t explore any other galleries. I decided I needed to get home.

Autobiography

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June’s Third Thursday at the Orlando Museum of Art was organized by Anna McCambridge-Thomas. The theme for all the art that evening was “Collaboration.” When I arrived, I quickly took a look at all the art on display but Genevieve Bernard of Voci Dance had informed me of her unique collaboration. The dance piece her dance company, Voci Dance, was going to perform involved a collaboration with Asatta Wilson of Vixen Fitness. Asatta is a rather talented and fit pole dancer. During previous rehearsals, Genevieve explained to Asatta what dance moves she wanted. Though the dance terminology was different the art forms and moves were similar. As Asatta explained, she does the same moves just with some sensual flair to please the costumers.

I sat in and sketched the rehearsal for the dance titled, “Autobiography“, before patrons got to the museum. A Platinum Stages pole stood at stage right. Dancers approached the pole and interacted with it as a symbolic obstacle. Sarah Lockhard delivered a monologue in which she kept falling into a hole repeatedly. It wasn’t her fault even as she kept to the path and fell again. After repeated tries she finally realized she should walk another route.

Towards the end of the dance performance Asatta took to the pole doing a gymnastic and graceful routine that defied gravity. I got a second chance to work on the sketch as the theater filled with patrons. Having seen the rehearsal, I knew what dancers I wanted to complete the composition. From slow motion walks to graceful twirls, one gesture flowed through the dance company. The pole was no longer an obstacle but something to be conquered.

15 Views of Orlando

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I was asked to exhibit several of my sketchbooks at Urban ReThink. The opening was on the Third Thursday in January and the work will be up through February 16th. Artists include Barry Kirsch, best known for his Murder City Photography, Ashley Inguanta, whose local photography had a surreal edge to it, Lesley Godeck Silvia, who had a bright neon ice cream swirl photo that looked great next to my sketchbooks. All the work depicted scenes from the City Beautiful. The two sketches of mine on exhibit are, Musical Mondays, and There Will be Words. Dina Mack, the curator, explained that she wanted work with a local flavor to accompany a Burrow Press’ 15 Views of Orlando Book Release Party. The book features 15 short stories written by local authors. All of the scenes in the book happen in different neighborhoods of Orlando.

Dina invited me to bring along a box of calendars to the art show opening. Urban ReThink is a bit removed from the downtown galleries that act as the hub of the monthly Third Thursday Downtown gallery hop. Dina and I sat outside Urban ReThink and she had a natural knack for inviting passers by inside to look around. Ashley was there to meet anyone interested in her work. Her pieces were hung clothes line style and they were very affordable. One young man expressed his interest in buying a piece. He insisted that she would have to frame the work however. Quite honestly the frame would cost more than she was charging for the art. I rolled my eyes. He was probably haggling because he was more interested in the artist than the art. In my sketch, Patrick Greene, Dina Mack and Ashley Inguanta were relaxing in the “living room” setting at Urban ReThink. I sketched fast with few interruptions since few arts patrons wandered in.

The gallery was a ghost town. A few people glanced at calendars but they couldn’t afford the $12 to buy one. The highlight of the evening for me was meeting Heidi Behr and Mark Egeland. Mark owns a bicycle manufacturing facility in Winter Garden. He showed me a few photos of the process and it would be an exceptional sketch opportunity. There are seven stations from metal entering the factory until the final product rolls out the doors. These are seven sketches I now want to capture. Who knew that bicycles are being made right here in Central Florida? Heidi is involved in Scooters for Hooters, a breast cancer fundraising event. We talked about how I might get more involved in this cause this year.

Evoke 365

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On the third Thursday of every month I like to go downtown to see what is new in the art gallery scene. My first stop was to see Parker Sketch who had his easle set up outside Nube Nove Salon in Thornton Park. He had three paintings he was ready to work on. One was of Bert and Ernie and another was of Jack Skelington. His easel was splattered with paint indicating it was well used. I really want to sketch Parker Sketch but he explained that he would be handing out business cards more than painting. Besides the sky was filling with dark storm clouds. I realized I should probably seek some cover before I started a sketch.

I walked to Blank Space where an event called “Blank Canvas” was taking place. Jon Glass Man Gardner was outside with a table full of vibrantly colored cans of spray paint. At a previous event he had asked to take a picture of my sloppy, overused watercolor palette. Greeting me, he said, “I wanted to challenge you with that limited palette you use.” Jon had spray painted a spiral design on one of Blank Spaces windows. He told me that Pine Street had been shut down near City Arts Factory. This was news to me and I assumed something big might need to be sketched.

The street outside City Arts Factory was indeed shut down. A food truck was parked waiting for costumers. A makeshift stage was in the middle of the street along with a large screen. It began to rain and people rushed to move the amplifiers, microphones and band equipment under cover. Between downpours, break dancers dried off a dance floor with rags. The rain returned with a vengeance however. A lightning bolt lit up the street and the thunder was so loud and sudden that a woman screamed in surprise. My line jumped.

Two drummers started performing under an awning. I was dry thanks to the same awning. A singer started shouting out the lyrics to the beat. A man sat next to me and started telling me of his life on the streets when he was an alcoholic. Since I was focused on the drawing, I only half heard his story. I assumed that in the end, he wanted change. When he turned to leave, I saw “Trust in God” was emblazoned on the back of his T-shirt.

The performers were part of Evoke Ministries. Evoke began in 2010 with ten artists who vowed to do one painting a day for 365 days. The artists prayed, fasted and asked for god’s direction as they pursued this artistic quest. They hoped their work might open a discussion on what faith means to this generation. They hoped to unveil the liberty, love and freedom of a life rooted in faith. The 1500 paintings, all executed on four inch square wooden panels was on display in the halls and galleries of the City Arts Factory. The paintings were simple and straightforward. Many relied on writing to express thoughts when images didn’t fully express an idea. “A revolution without dancing is not a revolution worth having.” An image of a farmer sowing seeds read, “Sow love.” “Why http://www.blogger.com/img/blank.gifnot a flood of love?” “Get your hand off your mouth… expose your flaws to someone you trust…be unbound and move forward.” Proverbs 28:13

I was inspired with the artists passions to express themselves, unfortunately their visual journey didn’t move or inspire me. Outside the rain continued. A small group of of people were clapping and swaying as a rapper made up devotional lyrics to the beat of a drummer. His rap was fun and inspired until the words got lost and jumbled, he choked. Everyone laughed and clapped encouragement. He dusted himself off and continued to sing.