Creative Isolations: The American Artists Project

I am one of 20 artists who have been selected to participate in Creative Isolations: The American Artist Project as a creator. I joined this journey by creating original work in response to other artist’s stories. The results of these collaborations will culminate in a live broadcast online for free on Monday April 6th at 8pm Eastern Time (US and Canada). Any tips or donations will be divided between the creators. The artists include painters, actors, designers, singers, sand sculptors, composers, leather artists, and more.

I was given two stories and asked to illustrate one. I was fascinated with the story of a sand sculptor who was a 2D artist who became obsessed with sculpting with the heavy medium of sand. Clients were lining up and 2020 looked like the first year where he was completely booked to do conventions, festivals, weddings, parties, and resorts, then the Covid-19 virus closed the country. He was suddenly faced with having to work from home in his private sand box. Despite the endless uncertainties, he continued to create art that others might never see. His story very much parallels my own experience. As I am locked down and creating in my own private vacuum while listening to my inner demons. Lock down has become a time of feverish creation.

Artists have been asked to keep their individual contributions to about 5 minutes in duration. Rehearsals start April 3 and I might sketch the Zoom conference meetings that result.

Here is the breakdown of the performers in the Creative Isolations cast: 

          3 male actor/singer

          2 male actors

          1 medieval musician (multiple instruments)

          1 female actor/voice actor

          1 female comedian/actor

          1 male dancer  

Creative Isolation’s consists of a group of graduate students from the University of Central Florida, have partnered with Orlando Story Club and the Downtown Arts District for a celebration of artists in America. They have gathered stories about how artists’ lives have been altered by COVID-19 and selected artists to create original works based on those stories. Now, the artists are ready to share their creations with you!

The performance is free of charge. However, since social distancing has made it difficult for artists to make money, so funds will be raised by passing a virtual hat for the participating artists via PayPal during the event. 

The performance is free of charge. However, since social distancing has made it difficult for artists to make money, any funds raised will go straight back to the participating artists.

The Downtown Arts District and Orlando Story Club are proud partners of this project (6% of your donation will be used for an administrative fee).

The Performance is Monday April 6, 2020 starting at 8pm to 9pm.

LINK TO YOUTUBE CHANNEL:

https://www.youtube.com/channel/UC1swgTahl0or-KNaCYFCjZg?view_as=subscriber

LINK TO DONATE:

https://downtownartsdistrict.com/product/make-a-donation/

Before Pixels

Third Thursdays, now marketed as, Art, Tech Biz is an opportunity for visitors to converge downtown and celebrate art, food, technology, and business. Along the way,
people partake in an evening of sights, sounds, food, shopping, and cosmopolitan living. At the time of this sketch, I had two sketches on display at City Arts Factory, but in order to get a sketch done, I walked two blocks over to The Gallery at Avalon Island (now City Arts) to sketch the musicians performing for the evening.

The monthly Third Thursdays event includes, the Gallery Hop, hosted by the Downtown Arts District featuring numerous
galleries and non-traditional art venues that spotlight the best of
established and emerging Orlando-based artists, in tandem with nationally
and internationally acclaimed artists.

The 3rd Thu Biz
Networking
events are hosted by the Downtown Orlando Partnership and
allow attendees to experience some of downtown’s fine establishments
while making great local business connections.

The Orlando Tech
Meetup
offers tech enthusiasts and entrepreneurs the chance to
socialize and hear five different technology groups present live product
demos.

This sketch done at The Gallery at Avalon Island was of the musicians for the night, Before Pixels.  Much has happened since this sketch was done, the historic Rogers Kiene Building (39 Magnolia Avenue, Orlando, FL) that was home to the Gallery at Avalon Island was donated to the city. Thus Avalon Island Art Gallery was shuttered. City Arts Factory moved from its location on Orange Avenue two blocks away to the Rogers Kiene Building and is now called CityArts Orlando. The end result is of course much less exhibition space as the visual arts scene shrinks in Orlando.

The I-4 Band at La Maschera Parisian.

The Downtown Arts District hosted a fundraising event at The Abbey (100 S Eola Dr #100, Orlando, FL 32801). Patrons enjoyed a journey back to Paris in the 1890s, when impressionist artistist Henri de Toulouse-Lautrec created his most famous works of art. The birthplace of modern can-can dance, the Montmartre neighborhood is the symbol of creativity, pleasure, beauty, and celebration.

The I-4 Band was performing on stage when I arrived, so I set up immediately to sketch. The lead singer had on a gorgeous black dress that was quite reminiscent of the can-can era. Guests did a great job of dressing up in their Parisian best. I did a second sketch near the bar and was considering a third sketch of the dance floor, when friends invited me to their table. It is sometimes frustrating to only have time to do one or two sketches, when this event clearly had inspiration for dozens of them. It is important to learn, however, that sometimes it is nice to let go and just enjoy the moment.

In the Artist’s Studio fundraiser at Mad Cow Theater.

Mad Cow Theater’s In the Artist’s Studio fundraiser featured Merline Labissière, Lifetime’s “Project Runway” season 14 contestant as the guest artist for the Downtown Arts District’s visiting artist program. The program was moderated by television and radio personality, Marc McEwen, who is best known for his role on CBS This Morning and as an anchor for WKMG-TV, Local 6 News.

A VIP meet-and-greet began at 6 pm.

Labissière, a Miami-based designer, uses architecturally inspired design to create distinctive apparel for professional women. A graduate of the Savannah College of Art and Design, Labissière is a frequent lecturer and advocate for teaching fashion design to inner-city youth. She sat next to me as I sketched the stage prior to her being interviewed. Being an artist herself she loved what I do.

Merline’s family came from Haiti in a very small makeshift boat. She remembers the very real thought that were the boat to sink, a decision would have to be made about who goes overboard. Her mom is illiterate and she always wanted a better life for her daughter. Merline was shy when she arrived, partly because she was just learning to speak English.

At Savannah College of Art and Design, she studied architecture. She took some art classes and remembers finding out that the opposite of orange is blue, “Say what?” Architecture is the mother of all art, and it offers the foundation on which other art forms are built, but she decided that fashion was her calling. To create her garments, she needed to focus on sketching. At first, her mom was less than thrilled with her desire to go into fashion.

She found out about auditions for Project Runway, a reality TV show about fashion, in Miami. She made it through the first audition, but on the callback, she needed to work on her craft. She needed a week to sulk. After her private pity party, she decided that she couldn’t wait for opportunity and instead she would create her own fashion collection. It seems that anytime something amazing happens in her life, it comes after everything has fallen apart. At her first fashion runway show she had butterflies to the third power, she totally understands why celebrities do drugs. Her fashion designs are edgy using architectural straight lines to break up forms. Dresses on display resembled jigsaw puzzles with intricate cut out designs.

At another audition for Project Runway, she was cast on the show. She pointed out that all the contestants were on the show because they were broke. Although not the final winner, the show made her a celebrity and her work seen by millions. Everyone wants people to see their work and say, “I get you.” The trouble with being an artist is that so much of your identity is wrapped up in what you create. If someone doesn’t like it, that can be devastating. She turned to Christ and her identity is held strong in her faith. When Merline’s mom saw her daughter’s success, she came around and fully supported her career choice.

Merline now teaches middle school and high school kids to get out of the studio for inspiration. She has shifted her focus to enterprise, business plans, and branding. Someone showed her how to crochet and she finds that a relaxing hobby. She is now planning to return to architecture. Life has different seasons and there is always room to grow. She specifically schedules one day off a week to rejuvenate and after hearing her speak , I decided to do the same. She loves going on walks, writing, drawing, going to museums, and galleries. She specifically schedules time for fun and, darn it, that is a great idea as well. God, there isn’t enough time in each day to do everything if you stay curious and inspired.

Leena Buchy Celebration.

The Leena Buchy Celebration was held at the Abbey in downtown Orlando. Leena was an arts advocate in Orlando throughout her career. She passed away after a long fight with cancer.

Shanon Larimer, Chairman of the Board for the Downtown Arts District, issued the following statement:

 “It is with a heavy heart that on behalf of the Board of
Directors of the Downtown Arts District, we announce the passing of our
friend and colleague, Leena Buchy.  Leena joined the Downtown Arts
District in 2005 as the first employee of City Arts Factory and most
recently served as the facility’s Manager of Operations.

As an arts advocate, Leena led the expansion of the organization’s
mission-based programs and spearheaded special events that promoted
cultural diversity and engaged participation.  She provided a
significant contribution to the Downtown experience enjoyed by the
citizens of our community and visitors to Central Florida.

It is because of Leena’s support and dedication that City Arts Factory
continues to remain a catalyst for opportunity, creativity, innovation
and artistic excellence.  We will forever be grateful for her service
and friendship.  She will be missed.”

 Photos of Leena flashed on the screen as The Wild Tones performed on stage. After this band, Mia Longernecker, Leena’s niece form Brooklyn New York got on stage to perform a song written my Leena. She strummed a ukulele and sang sweetly. She prefaced the performance saying, “Bear with me if I get emotional during this piece.” Leena’s lyrics were sincere and heart felt… “I go to sleep and imagine your there with me.” Think it on over, is Leena’s original song, “I was a dreamer and everyone noticed my hide away eyes, Think it on over, I would.”

Leena’s nephew Sam came on stage after Mia. Clearly Leena had inspired music to flourish. He had a mixing table set up. He had written his piece as Leena was battling cancer. His performance was edgy and urban with plenty of angst. A photo of Leena holding Sam as a baby stayed on the screen in stark contrast to the dark brooding music he mixed.

A fund has been created in Leena’s name called the Leena Buchy Emerging Artist Fund. Tax deductible donations can be made to the fund payable to the Downtown Arts District (29 South Orange Avenue Orlando Fl 32801.) Specify that the gift is for the “Leena Buchy Fund”.

Orlando Story Club – Resolution!

The Downtown Arts District and The Abbey (100 S Eola Dr, Orlando, Florida) presented the first Orlando Story Club event of 2016: Resolution! Admission was $5 at the door.  Producer/Director Robin Cowie, produces the unique and fun series, in which anyone who wishes
to tell a personal story is invited to put their name in a hat, and
selected individuals are chosen at random to showcase their story
telling for the enrichment of the Orlando community.  Judges award
prizes for 1st, 2nd and 3rd place winners.  A guest story teller
headlines every show, which has its own theme, and food, drinks and
laughter are available in abundance.  The January Orlando Story Club theme was
Resolution,” and the benefiting charity was the Boys and Girls Clubs of
Central Florida
, which provide safe places to learn and grow for nearly
14,000 at-risk children in the local community every year.

The word resolution has two great meanings for stories:
1. a firm decision to do or not to do something.
2. the action of solving a problem, dispute, or contentious matter

Cowie formed Orlando Story Club and held the first event in March of 2014 after returning to Orlando from Los Angeles where he participated in a similar story telling group.  “It’s important to talk about the value of sharing your story,” says Cowie, alumni of the University of Central Florida.  “There is a reason why in a hectic, intense, media bombarded world the simple act of standing up and sharing your story is so enjoyable.  Anyone can put their name in a hat to tell a story.  This process is almost therapeutic for both the audience and the tellers.”  He continues, “I believe storytelling has more power to unite and build community than any other activity.  By sharing our raw life experiences with complete strangers we build incredibly strong bonds.  Besides, it’s always a truly hilarious and entertaining experience, and the proceeds benefit great local causes.”

 Banks Helfrich and Tisse Mallon from Living room Theater gave brief performances between storytellers based on audience prompts which were in a pink plastic storage container.  Robin acted as the MC, picking names from a hat and introducing the storytellers. My vote for the funniest Resolution story was told is Mike Calvo. He had a seeing eye dog who sat next to me to watch his masters story. Mike was assisted on the stage and stepped up to the microphone. He told a story a bout go, drinking with several buddies who ended up having to many drinks. There were smart enough to realize that they shouldn’t drive in their condition. Mike however was sober. The only problem was that Mike didn’t have a drivers license and he is blind. Where there is a will there is away, and his friends resolved to teach Mike how to drive. He got behind the wheel and slowly did loops around the parking lot with his friends shouting guidance. A policeman noticed the uncertain driving and he flashed his lights. He asked for Mikes license and registration which wasn’t available. Then he asked Mike to step out of the vehicle. Mike did so and unfurled his fold up tapping cane which snapped to attention. “You have got to be kidding me.” the officer responded. He called for back up just to share the experience because no one would believe him back at the station.

Mark tour Calendar! The next Orlando Story Club is March 2. Doors open at 6pm for food and drink. Show, laughter, and awe starts at 7pm. The March theme is “Body“. Like it or lump it we are all born with our bodies. It seems much of our life is spent just taking care of them. Join us as the Orlando Story Club explores our topsy turvey relationship with them. Every part will be explored! Anyone who wants to tell a story can put their name in the hat. Bring friends!

Third Thursday at 55 West.

On the Third Thursday of each month, the Downtown Arts District, (29 S Orange Ave, Orlando, Florida, comes alive as all the downtown galleries open their art shows with a Gallery Hop, Tech Meetup and Business Networking events.

 On a typical Hop, a series of galleries and non-traditional art venues (think restaurants, boutiques, and salons) spotlight the best of established and emerging Orlando-based artists as well as the works of nationally and internationally acclaimed artists.

Venues include:

Aloft Orlando Downtown 500 S Orange Ave

Art for all Places 55 West Church St.

City Arts Factory 29 S Orange Ave

The Falcon Bar and Gallery 819 E Washington St.

Gallery at Avalon Island 39 S Magnolia Ave.

Grand Bohemian Gallery 325 S Orange Ave

Loft 55 Gallery 55 West, Breezeway, Church St and Pine

NV Art Bar 27 E Pine Street

It was threatening to rain on this particular Third Thursday, and I got as far as the breezeway at 55 west Church Street when it started to rain. Janae Corrado who is a regular at the art market was set up along with Christian Rivera. There was only other vendor set up. It was a surprisingly small turn out. Usually there are at least a dozen artists set up outside at church street across from the railroad station. I guess local artist know to stay home if there is the threat of rain.  Artists in the breezeway at least had a roof over their heads. Christian’s work was playful, seeming to be inspired by modern pop Japanese imagery of mystical pandas and ferocious cats. He worked on his canvas whenever there was a break from potential customers. On this rainy afternoon, he had plenty of time to focus and work. 

Kicked out of Sam Flax. The story of an Otter and the Gun.

When I got back from NYC several weeks ago, I checked on Facebook to see what sketch opportunities I should pursue in Orlando. One of the first images I saw was a photo of a person posing in front of a Sam Flax event poster that had a low resolution harshly cropped version of a sketch I did at the art store’s grand opening celebration. The original article promoted the store and the artists. The image had been lifted off the internet without my consent or knowledge. Later I learned that the sketch ran as an animated banner on the art store
commercial website, as fliers, ads in newspapers, call to artist forms and the list
goes on. This has happened many times before, with the The Winter Park Chamber of Commerce, The Galley at Avalon Island, the Downtown Arts District, others like Ivanhoe Village District and the Orlando Weekly  ultimately went on to do the right thing, by paying for the reproduction rights. I aired my frustration and annoyance on Facebook at this copyright infringement from a store I had shopped at for years.

What followed was a long thread of comments about similar cases and advice on the best course of action to take. It also however,  opened a dog eat dog divisiveness in Orlando’s tiny arts community. Because of that, I regret making this issue public until it was resolved. Then a troll entered the fray. He was furious that I had expressed my frustration and annoyance publicly before I spoke with Sam Flax.  He used the thread to promote a recent mural he did and then cursed, and berated everyone who tried to reason with him. I thought he was joking so I toyed with him a bit, but he didn’t have a sense of humor. His stance was basically shut up and draw, although he seemed to feel I was too old to draw. Such an angry, bitter person is fascinating for a moment, but then I got bored with his tirades and stopped reading. My apologies to anyone who tried to reason with him.

The troll is a member of the B-side Artists. Asaan ‘Swamburger’ Brooks
who helped found the group asked me to call him since he didn’t understand my frustration. We both discussed our viewpoints and although we didn’t agree on all points, we both shared a mutual respect. I gained insights that will help me redirect my energies with future infringements. We all make mistakes, but what a person does when they realize their mistake tends to define them. Sam Flax and I ultimately talked on the phone. We negotiated some form of compensation for the reproduction rights and he told me the check was in the mail. A sketchbook manufacturer also wants me to do a demonstration at the store, so I respected Sam for putting the incident behind him, and moving forward. I was invited to a workshop on using stencils at the art store, so I couldn’t resist the urge to go in and sketch now that the air was clearing. Danny Rock had given a similar workshop at Blast Studios and I learned quite a bit.

That morning I put on a black T shirt with a sea otter on it. Sea otters are constantly active, very curious, and rather playful. They were hunted to near extinction, and they were decimated by huge oil spills, but their population is making a slow recovery. Sea Otters have been known to playfully climb on tourists kayaks just to see the reactions. At Living Room Theater, actors start off each show by saying to each other, “Can l call you Otter?” with the response, “Sure, can I call you Bear?” I was Otter for the day.

The workshop was at 5pm which meant I had to drive through hellish rush hour traffic on Colonial Drive to get to the store. I arrived about 15 minutes late. I wasn’t concerned though, since I mostly wanted to sketch the students at work. When I entered, an employee shouted, “aren’t you Thorspecken?!” That was an odd welcome. “Yes.” I replied. “Where is the workshop?” I asked. “Have you met?” he asked, gesturing to a man at the far end of the check out counter. I approached the man warily until I realized it must be Sam Flax, who I had never met. We shook hands, but I was distracted since I was late to start the sketch. He asked if I got his email that the check was in the mail. “Yes, thank you.” The only person who understands my distraction as I hunt down a sketch is my wife who has had to live with it for years.

The workshop was upstairs. There were four students and a store employee with plenty of empty chairs to choose from. The instructor was wearing a T shirt with a handgun pointed towards the students. The total number of gun related deaths in the US in 2014 was 12,569 the death toll in 2015 is already 11,811. The US leads the world  in guns per capita with 270 million guns in the hands of citizens according to a 2007 survey. The gun explained that he prefers to paint on walls rather than show his work in galleries. He offered me supplies, but I didn’t want to be a bother, I was already concerned since I had arrived late. “I have my own supplies.” I told him. Then he froze and his eyes darkened.  “I’m alright.” he said. I sat down. “No, I’m allllright.” He said again. “Me too.” I said pulling the smallest sketchbook out of my bag. “No, I have to ask you to leave.” Great, here we go again, I thought. I needed to buy a little time to block in the sketch. “I thought that this was a free artist workshop. I don’t have to sketch you if that is an issue.” In New Mexico in an outdoor public market, an Indian woman got upset when she saw me sketching. She was concerned I would steal her soul if I sketched her. I put a large basket in her place, and sketched everyone else. I don’t think that was the issue here.”Is this my workshop?” he asked the employee.

The staff woman went downstairs to get “the manager.” I threw quick pencil lines on the page. I had only minutes to work. The gun’s face was etched with deep lines of anger. His hands were fists in his lap. “He is here for a reason.” he said. Then he sat mute. Sam Flax came upstairs and escorted me to the store exit. “You have to be kidding me.” I said to Sam. I get it however, Sam was stuck between a rock and a hard place. It was the guns workshop and if he wanted fewer students, he was entitled. Sam explained the the gun doesn’t want me promoting his events. Best to leave him in his cage of anger, although I’ve admired and discussed his work in three separate articles in the past on AADW.  As I left, the female employee said to me,” Thanks for bringing ‘that’ in here to a safe place.” All I had brought in was my curiosity and I sketchbook. “You’re welcome?” I asked. I posted the incomplete sketch just to let you see what I put on the page in the panic of the moment.

The next day, I returned to the art store to complete the sketch. All the empty seats remained. I figured that with the instructor gone, I could relax and study the room. My rough sketch had already established  where I should place the figures. Even before I had my sketchbook out of the bag, an employee came up the stairs and asked me what I was doing. “Oh, I’m just finishing up a sketch.” I replied. “You can’t be up here unsupervised.” he replied. Ugh, he’s just following orders, I thought. “All right, I’ll just shoot a few photos and I’ll get out of your hair.” This is a rare case where the sketch had to be finished back in the studio. 

Did I have to walk into the lions den? Perhaps not, but at this point in my life I would prefer to try and understand someone who has a different opinion than my own, rather than avoid them. I want to listen and learn and of course sketch. Hatred needs to be stared in the face. When the KKK demonstrated in Maitland, I stood face to face with a grand poo-bah or dragon as he aimed his large mace can at my face. If he sprayed the mace he would be arrested. I’ve seen the look before. I don’t get it. After I got kicked out of Sam Flax, there was an ocean of possibilities. I went to a Base Orlando, Body Painting Circus event where I was welcomed with open arms. Time to play and enjoy the uninterrupted sketching process again. Creativity among the chaos, I was back in my happy place. “Hey, I love you’re otter shirt.” a model shouted.

La Maschera Goes Motown at the Abbey

On Friday, September 26, The Downtown Arts District held it’s 10th annual fundraiser, La Maschera Goes Motown, presented by Bud Light Platinum at The Abbey (100 S Eola Dr #100, Orlando, FL). La Maschera was a festive celebration of the arts featuring live entertainment by Motown In Motion and the I-4 Band, tasty cuisine, refreshing cocktails, and fun. Last year’s theme was Mardi Gras and the year prior was the Roaring 20’s. Guests were encouraged to dress in themed attire and the best dressed won a prize. Tickets for La Maschera Goes Motown, presented by “Bud Light Platinum” were $50 per person, with proceeds benefiting the Downtown Arts District.

When I arrived, The Abbey wasn’t  yet crowded, so it was easy for me to find a seat close to the stage and sketch. The I-4 Band was on stage exuding energy. Although the two singers were dancing up a storm, no one was on the dance floor. Their set was over before my sketch was done. Luckily the same band members returned to the stage to back up Motown in Motion. The MC shouted into the mic, asking all the men in the room if they wanted to see some very sexy ladies. There was a muffled response and the MC joked that there must be too many husbands in the crowd. I sketched the band as Pointer Sisters started to sing “Stop in the Name of Love.” At first, I didn’t know if I should take them seriously. It’s sort of the feeling I get when I see a Marylin Monroe or Elvis Impersonator. I figure it is all look and no substance but they proved me wrong because everyone took to the dance floor to move to the beat. Ray Charles came in to perform a solo and the dance floor got crowded. An all male singing group then took to the stage and the ladies in the house started hooting and hollering.

The dance floor got so crowded that I started to get bumped. Each time the singers returned to the stage, they were in new outfits. That would certainly be challenging to sketch. A dear friend, Michael Mcleod was celebrating his birthday that night, so with the sketch done, I drove to the party only a few miles away. At that party I learned all about Artegon from the executive vice president Steven A. Sless. 60 million dollars has been invested to renovate the largely deserted Festival Bay Mall on International Drive across from the Outlet Malls. Artegon is modeled after Pikes Market in Seattle which has local artists and craftsmen renting booths for $6 a day that are part studio space and retail. It is a fascinating idea and I plan to get to an open house soon to learn more.

Shin Sushi

On Friday February 28th, I went to meet Julie Anderson at Shin Sushi (803 N. Orange Avenue, Orlando, FL) to discuss the Orlando Sentinel‘s new “HypeOrlando Blogs.” This can be found on the Sentinel website on the “Home” tab at the top of the page. Several months ago, Terry and I bumped into Julie and her husband Lars at an outdoor cafe in Winter Park. Over drinks, Julie first described the “Hype” concept. A newspaper in Chicago first developed the idea where a large group of bloggers all contribute to the same blog site. None of the contributors is paid, so the newspaper online site gets plenty of creative content for free.

In return, “Hype” contributors would get, a daily newsletter from an experienced blogger
on how to build audience (Search engine optimization, optimizing
Facebook, writing headlines that make people click, etc.)

Offline blogger community meetups. 

Free platform and technical setup.

Ongoing technical support.

Monthly incentives and contests for writing and audience-building.

I got to the Sushi restaurant a bit early since I had just done an interview with Seth Kubersky a few blocks away for a write up in the Orlando Weekly. The head waiter at Shin Sushi told me I would have to wait an hour before I could get inside. I had hoped to sketch the interior and fill the sketch with patrons as they arrived for the lunch hour. Oh, well, it was a nice day outside, so I sat across the street and sketched the barren exterior. As I was finishing my sketch, I saw Julie approach the restaurant and go inside. I packed up the supplies and rushed across the street. The restaurant was bustling now. I ordered some sushi combo which turned out to be much more food than expected.

HypeOrlando in it’s first weeks had about 30 contributors. Julie hopes to push those numbers up into the hundreds. My impression is that “Hype” is a great opportunity for beginning bloggers. All the layouts for the blogs are identical making it hard to tell one blog from another. The one established “Hype” blogger that I recognized was  Kristen Manieri who runs Great Dates Orlando. Over lunch, Julie pushed for the idea of having me channel all my future content over to the “HypeOrlando” site. This seemed like an extreme notion which would likely result in my loosing many readers in the transition. I can’t imagine giving up a site that I’ve built up over 5 years. Kristen still maintains her original site while occasionally contributing to “Hype”. The fact that I post creative content every day means that I would have to write a new article any time I wanted to contribute to “Hype.” I would have to add an 8th day to my work week! I asked about just posting an article on “Hype” that already ran or simultaneously ran on Analog Artist Digital World. Julie said that the Google search engine would label any re-purposed article as spam thus all content would have to be new.

I fired of a long list of concerns. I didn’t like having to give up a large header on the new site. Apparently the “Chicago Now”  site learned that letting contributors create their own headers resulted in some very bad and amateurish designs. The “Hype” site limits each contributor to a one inch square avatar. It results in trying to create a recognizable brand on the size of a postage stamp. I was also concerned that there is no right click copyright protections making it easy for Sentinel Surfers to copy any sketches I post to the site. This is an ongoing concern since even the Downtown Arts District and the City of Winter Park do not realize that it is wrong to copy and republish work without permission. The Internet is a lawless Wild West for theft and ripping. The fact that City organizations have no clue about copyright makes it appear that Orlando is a second rate city. Terry seems to feel there is no advantage to posting on “Hype”. Even the name seems to imply vacuous content with little substance. I’m still weighing the options. I might even cut back submissions to Analog Artist Digital World to 6 days a week and submit one article a week to “Hype”. I’ve been making adjustments to try and allow for more family time and contributing free content to “Hype” could be a step backwards. I was surprised and pleased that Julie paid for lunch.

Let me know what you think. Should I stay the course and keep AADW a daily, or should I also contribute to the “Hype”? Leave me a message below. One last note. Something I ate at Shin Sushi didn’t agree with me and I had the runs all afternoon. Not a good sign.