Star Child’s Odyssey: A Retrospective View Into the Imaginative World of Toni Taylor

Star Child’s Odyssey: A Retrospective View Into the Imaginative World of Toni Taylor opened on August 15th at Gods and Monsters, inside Artegon, (5250 International Drive; Suite E8, Orlando, Florida). I held a free ticket give away last week on AADW and Toni won the ticket to “The Visit” by M. Night Shamalan. I decided to visit her opening to present her with the ticket and to sketch. Toni was one of the first artists I met when I started doing one sketch a day. She was kind enough to let me visit her studio to watch as she painted.

Toni Taylor began her professional illustration career in 1985 as a
cover artist for Heavy Metal Magazine. She is a visionary artist whose
work travels through the realms of fantasy and mysticism. She feels a
special kinship with the mysteries of Ancient Egypt as well as the
spirit of Native America. Goddess imagery is represented powerfully in
her collection and as a lover of all things celestial, the beauty and
limitlessness of the Cosmos often finds its way into her paintings. Mark Your Calendar! Toni’s paintings will be on display for one month.

Toni has begun creating three dimensional tree sculptures using wire, driftwood and moss. They were quite beautiful and amazingly affordable. Dale Bartlett, the Tree Mon, helped inspire Toni to explore these mysterious miniature creations. Dale had tears in his eyes as he told me that Toni would certainly surpass her master. He was so proud of her. The retrospective showcased work from all facets of her career over the years. In the realm of her imagination anything is possible.

Anna Maiya Young and Todd Fisher the owners of Gods and Monsters had the foresight to include the Transmetropolitan Gallery inside the huge comic store. Anna told me about her bucket list of talented artists that she wanted to showcase. Those artists include, Clive Barker, David Mack, Ben Templesmith, Menton 3, David Stoupakis, Chet Zar, Damien Echols and Vaughn Belak, so her bucket list is almost complete. Needless to say there will be amazing art showcased in this venue all year.

A falconer and a knight from Medieval Times stopped in to the opening. Also some of the cast from Phantasmagoria mingled in the crowd adding to the color of the evening.  Later  performers danced with fire outside. I could feel the heat on my skin as they gracefully performed with five pronged torches. A butler offered a mistress a drink and then she became a human flame thrower spitting flames six feet in the air.

Phantasmagoria gets even better with age.

Phantasmagoria Orlando and DiDonna Productions, present the first ever “Tour Version” of the Critically Acclaimed Victorian Horror Troupe, featuring the “BEST of” the Last Five Years of Phantasmagoria.

Phantasmagoria “Wicked Little Tales” will have a limited engagement
weekend of only 3 performances at the Mandell Theater of the John and
Rita Lowndes Shakespeare Center
, July 24th, 25th, and 26th before
leaving for its first ever Atlanta Performances. Performances are
Friday, Saturday and Sunday evenings at 8:00pm.

I went to a dress rehearsal in the Mandell Theater. John told me that the theater had sat quiet for several months with only the ghost light illuminating center stage. A popular theater superstition, every theater has a ghost, and a ghost light is meant to appease the ghosts. The theater had been struck by lightning and the theater was black when Phantasmagoria arrived. At that first rehearsal, the speakers died for no apparent reason. As the actors warmed up on stage, one said, “That ghost is a jerk.” Another replied, “Yes, especially with the speakers.”

At this dress rehearsal the ghosts gave the performers free reign. During the pre-show the entire cast stood on stage frozen while video of past performances was projected behind them. Each character was introduced in turn in mysterious oozing credits. Two macabre clowns performed among the frozen cast until one was stabbed by accident which animated the troupe as they moved towards the blood.. The ring master standing on a box shouted out with glorious aplomb that the show had begun.  In the opening tale, the cast moved towards the audience menacingly, even climbing over chairs to get face to face. The fourth wall was broken and I was unnerved as the beautiful Aurora (Kim Hough) almost touched my neck as if she were ready to take my life.

Edger Allen Poe‘s “The Raven” started off the tales of horror. A beautiful animation of black wings in flight made a perfect back drop for an actress whose out stretched arms and bird like mannerisms complimented the motion. Another tale from a far continent had haunting hints of voodoo and impending death. “Captain Murderer” was told with a fiendish sense of humor. John DiDonna, playing the Captain played the part over the top which offered much needed laughter. This delightful humor saturated the entire show. The actors are so seasoned that they understand that there is a tongue in cheek humor in even the darkest tale. Other tales included “Varney the Vampire” and “The Feast of Blood”.

The young Pandora (Gina Markarova) naively asked to hear the tale of Lewis Carroll’s “Jabberwocky”. One a tale is begun it must be finished. Alice (Sara Costello) had to be protected from the beast and then she defended herself with a shield and sword. As in Jumangi, the fierce Jabberwocky burst to life threatening the lives of everyone in the cast. Puppetry brought the creature to life and everyone defended themselves with knives and swords. At this rehearsal the fight was run at a quarter speed and still the sharp blades seemed to fly far too close to flesh. This touring edition of Phantasmagoria combines humor and horror in a steampunk, goth production that shines.

Ticket prices are $15.00 for
students and $20.00 for general admission with a $5.00 per ticket add on for VIP guests.
Phantasmagoria “Wicked Little Tales” remaining shows are July 25-26 at the John and Rita Lowndes Shakespeare Center (812 E Rollins St, Orlando, Florida) it then goes to Atlanta Georgia on July 31 to August 2.

Barre Bellas tones muscles with dance stretches and strength.

I went to ‘Barre Bellas‘ at 1061 South Sun Drive Suite 1121 Lake Mary Florida to sketch Dion Leonhard as she lead a strenuous dance workout. She has classes are every Monday and Wednesday starting at 10:30am and 11:30am. She also
offers private one-on-one classes. The full class line-up with other
teachers is available on the website.
She also offers a dancer, theater, student,and performer discount at $15 per class and a package of 5 classes for $50. The package is good for a year. This discount is only available for her classes, so individuals interested need to contact her on Facebook or email Dion_Christine@yahoo.com smile emoticon.

Dion is a talented dancer and actress. I first sketched her years ago when she danced for Emotions Dance and now she is part of the quirky cast of Phantasmagoria, a Gothic Steampunk group that tells tales of horror. She has always been a master of classic ballet and modern dance. After the initial stretches on the pink yoga mats, everyone lined up at the barre at the front of the classroom. Stretches, with one foot up on the barre involved both strength and dexterity. One woman’s knees started to shake as she tried to hold the pose. Although the workout seemed simple enough, it clearly pushed everyone to their limit. I later learned that the one guy in the class, Stelson Telfort, was the actor who played Hooper in Beth Marshall Presents, Hoodies. After this group was finished with their workout, an individual women came in for a one on one instruction session. What a great opportunity to get fit and toned head to head with on of Orlando’s top talents.

The Art and Horror of ‘Phantasmagoria’ was at Valencia College.

A multi-media art exhibit brought the spirit of a Victorian-era, Steampunk-influenced Halloween opened at Valencia College’s East Campus on Oct. 3 for a one-week run.

“The Art and Horror of ‘Phantasmagoria’: Puppetry, Photography, Costumes, Props and Video” offered an inside peek at the magic behind “Phantasmagoria,” a critically-acclaimed stage production that director John DiDonna describes as “a graphic novel come to life.”

Five years ago, “Phantasmagoria” began as an evening of horror stories told by local actors dressed in clothing from the late 1880s. Today, the production has evolved into a sort of Gothic soap opera, with recurring characters who appear year after year.

The exhibit also included Phantasmagoria-related works by prominent local and international artists, including paintings by Thomas Thorspecken and photographs by Kristen Wheeler and Beaureguarde Von Hoffman.

The exhibit was on display at Valencia’s Anita S. Wooten Gallery.I went to the opening reception and was immediately drawn to the Punch and Judy styled puppets on display. Some people at the opening were dressed in Victorian Steampunk fashions and they weren’t even part of the Phantasmagoria cast. Members of the cast did mingle mysteriously at the opening and then they waltzed to music that only they could hear. Giant skulls and bones hung from the ceiling and a ghostly figure hoovered in the corner.

Serafina’s belly dance at Fringe.

Although Phantasmagoria didn’t have a stage show, they were listed in the Fringe program as Bring Your Own Venue. On the first day of my Sketch Tour they seemed to be everywhere at once. While we were waiting in line for Grim and Fisher at the Rep Theater, Phantasmagoria swept into the lobby to entertain everyone waiting in line. For those who don’t know, (where have you been) Phantasmagoria is a Gothic Steampunk storytelling group that blends dance, aerial work, fire performance and combat into the mix as they weave their horrific tales.

Serafina Schiano began an exotic belly dance. I agonized about how much time I might need to catch the dance. The line started to inch forward and I kept adding watercolor washes to the sketch as we moved towards the entrance. When Serafina was done, I followed her with my eyes to try and catch details of her costume. This is why some sketches can seem rushed and unfinished, because life and performance rushes by. It is a challenge to catch the flash of a moment. That is what makes sketching on location fun, exciting and challenging. Even if unfinished in my mind, I have to accept what I can accomplish in the time that I have and move on. That is a fair analogy to life in general.

The lobby of the Rep is always full of art by school children during Fringe. Most of the work is tight and struggling towards realism. None of the art seems rushed or hurried. This is the problem I have when painting digitally. Since it is all new to me I’m far to cautious and what results has too much polish. I’ve started carrying my tablet out on location with me but it is seldom used. In a dark theater, its glow would distract others and outside in the Florida sun the screen isn’t bright enough.  I wish the screen were larger but the market trend it towards smaller tablets. It is like carrying a hot brick.

Phantasmagoria was at Kids Fringe.

Phantasmagoria is a steampunk themed acting troupe that shares classic Victorian horror stories every Halloween. At Kids Fringe, Phantasmagoria was set up in the shade of the huge Live Oak tree at the Mennello Museum. They were on hand to teach dance to anyone who cared to learn. Pandora performed on Cello and her mom taught several children how to waltz. John DiDonna founded this macabre acting company and I have been sketching their performances for years.

This was another demonstration sketch to show my Sketch Tour student how to catch actors in the midst of constant motion. There was a new actress among the company this day and she fit in perfectly. I never can get enough sketches of these exotic costumes. There is a whole culture of people that love steampunk and Phantasmagoria now makes appearances at Steampunk gatherings and conventions. Several women were dressed in more colorful Victorian garb, and they were fans of Phantasmagoria.

It was an extremely hot day, so dancing must have been kept to a minimum. I wouldn’t want to be dressed all in black in the intense Florida sun although I’ve been known to do just that. As an artist thought my first thought when sketching outside is, “am I in the shade, and will this shade last for the duration of the sketch”. Anytime I misjudge the suns movement, I end up with a red neck.

The Artlando main stage hosted amazing talents.

I only sketched at the Artlando main stage in Lock Haven Park once. The Orlando Concert Band kicked off the event in the morning. There was a small group of people right in front of the stage while most of the artists were still setting up their tents or chatting. John Phillips Sousa marches and patriotic orchestrations got the day started. I was seated in a patch of shadow created by the stages canopy. As the sun rose, I had to keep scooting forward to stay in the shade. The small audience around me was doing the same.

As the day progressed, clouds rolled in and it rained. That didn’t stop performers from showcasing their talents on the stage. Phantasmagoria and Emotions Dance performed and I watched them without sketching. Sometimes it is nice to put the pen down and just let a performance sweep over you.  When the sun went down, a DJ took to the stage and the lawn became a dance party.

Taking down my tent was more of a challenge than setting it up. As I lowered the telescoping legs, it leaned against my neighbors tent a bit. They seemed quite annoyed with me but no damage was done. I rolled my stuff up and stored it curbside. I then hiked the half mile or so to my car and drove back to pick everything up. It turned out that award money was given to the artist picked by all the artists that day. G. Lemus was awarded $1000 and he also won a contest for painting a lion, which is the symbol of Orlando’s new soccer team. I made about $18 to $20 in card sales and finished 3 sketches, so the day wasn’t a total bust.

Phantasmagoria V “Death Comes for All” in Orlando

This is the fifth year that creator and director John DiDonna has brought classic tales of horror to Orlando in the form of a Victorian Steam punk Circus troupe called Phantasmagoria. Each year has progressed the story of this troupe’s back story and interpersonal drama. For many millennia they have had to tell the stories as a matter of life and death. Once a story is started it must be finished. This year in the John and Rita Lowndes Shakespeare Center‘s Mandell theater, platformed walkways are set up behind the audience seating. This allows the cast to circulate around and behind audience members. It is a theater in the round and you have a front row seat to experience the horror first hand.

 Since this was a rehearsal, there was a fight call that went over the fight direction by Bill Warriner. There is one spectacular sword fight that features three combatants. Even at quarter speed, the fight seemed dangerous as the three blades flashed in the stage lights. Being so close to the action you might find yourself leaning back in your chair for fear of being slashed. Megan who was juggling all the sound and lighting cues was able to act out all the staging so the lighting designer by Hatem Habashi could set the lighting cues. She playfully stomped on projected beetles that scurried on the floor.

Phantasmagoria presets tales of terror from diverse authors such as Lewis Carroll’s Hunting of the Snark”, Charles Dickens Captain Murderer and many others including horrific folk tales, legends and myths from around the world!

In the tight intimate space, you will find the cast often inches from you.  During one tale, Mercury (Kaitlin Elizabeth Baxter) was behind me laughing maniacally and then gasping in horror. Having the cast so close ensures that even a sketch artist can get sucked into the drama that unfolds. The classic Edgar Allen Poe story, “The Pit and the Pendulum” had Leon (Joseph Josh Geoghagan) lying in the grasp of much of the cast. They held him aloft and then embraced him as the straps held him down in the story. Dana Mott had created wonderful projections that had rats scurrying on the floor while the shadow of the pendulum arched gracefully downward. Poe was also represented in an abridged telling of “The Tell Tale Heart” which is one of my favorite stories of horror insanity and suspense.

An Indian horror story had  Seraphina (Serafina Schiano) return from the dead as a demonic creature with multiple arms and flowing red drapery as she took vengeance on her three self centered brothers. Exotic Indian dances were beautifully choreographed by Mila Makarova and Dion Leonhard.  This show is a great way to gear up for Halloween.

Mark Your Calendar!

WHAT: “PHANTASMAGORIA V–“Death Comes for All” 

WHEN:  Oct 10th – 31st 2014

Friday, Saturday and Sunday evening performances.

Special Monday performances Oct 20th and 27th.

Halloween performance October 31st.

All evening performances at 8:30pm (Box opens at 7:50pm/Doors at 8:15pm)

WHERE: The Mandell Theatre, John and Rita Lowndes Shakespeare Center

Loch Haven Park, Orlando, FL (Corner of 1792 and Princeton)

TICKETS: General Admission $20.00 / Student and Senior $15.00

(VIP Tickets available – $25 for all performances leading up to Halloween / $30 Halloween night. Includes drink/special gift/photo op with cast/reserved seating/Post show performance)

A Phantasmagoria Photoshoot Fires off the Halloween Horror

On Sunday September 7th, I went to a photographers studio in Winter Park to sketch a Phantasmagoria photo shoot. The studio space was impressive with an upper balcony that allowed Kristen Wheeler to take photos of the cast from above. John DiDonna explained to the cast that they needed to express resolve and resolution as they faced certain death. Josh Geohagen shouted back, “Like in Toy Story 3?!” Everyone laughed, but even toys can express a solemn resolve before they face their fate.

Phantasmagoria features a unique and spectacular blend of storytelling, dance, large scale
puppetry and aerial work. It has been wowing critics and
audiences alike since its premier in 2010. Created and envisioned by
playwright, director John DiDonna, each production offers new stories
taken from the diverse centuries old literature of horror and the
macabre!

The first official Phantasmagoria photo shoot of the 2014 Season had Kristen Wheeler the official photographer taking our picks, with help from Ryan McKenzie the company’s artist,  and a
videographer and photographer there filming the process for articles.
This was a perfect storm of creativity. Images will be released soon from this two hour
shoot including all poster shots, publicity shots, and shots done
specifically for a Phantasmagoria themed Art Gallery show running in October. 

The photo studio was incredibly crowded with the whole cast on hand. Kristen shot the cast in small groups for use in show posters and promotional materials. The rest of the cast would wait on the sidelines when they weren’t in the shot.  Kristen seemed to love coaching the actors. as she said, “It is easy to teach an actor how to model, but it is impossible to teach a model how to act. Dion Leonhard was close to tears for every photo. She would shut her eyes and rest between shots. This cast is always in character.

Mark Your Calendar! As we roll into October, Phantasmagoria seems to be everywhere. On September 27th, the steam punk group will make two appearances at Artlando from 11am to 5pm,  happening in Lock Haven park. the $5 Artlando event features, live performances by Orlando Ballet, Orlando Philharmonic Orchestra, Central Florida Community Arts, Orlando International Fringe Theatre Festival, Phantasmagoria, Emotions Dance Company, Orlando Science Center and more! The Orlando Museum of Art is FREE to all attendees. There will be an outdoor art walk, live painting, installations and more! Beer and cocktails will be provided by The Hammered Lamb. Food from The Food Truck Bazaar. They will also appear at Lady Raven’s Second Annual Cotillion in the Audubon Park Garden District (3201 Corrine Dr, Orlando, Florida) the same day starting at 7pm. The and Rita Lowndes Shakespeare CenterNow
entering its fourth year, Orlando’s original Victorian Steam
punk Circus troupe offers Macabre and Delicious Halloween tricks and
treats. On October 3-11 artwork featuring The Art and Horror of Phantasmagoria will be featured at Valencia’s East Campus in the Anita S. Wooton Gallery. My sketches from past shows will be on display, so come to the opening and say hi.

Sugar Skull Decorating Workshop

Carolina Suarez-Garcia held a Sugar Skull Decorating Workshop in CityArts Factory (29 S. Orange Ave, Orlando FL). The dozen or so attendees learned how to make sugar skulls using sugar and then how to decorate the skulls using colored icings. Kattya Graham performed traditional songs on guitar as everyone worked on their skulls.

All the skulls decorated All were eligible to be exhibited in the 4th Annual Dia de los Muertos and Monster Factory Exhibit on October 17th. Carolina explained that sugar Skulls are decorated in a relatives memory. The relatives name is often written on the back of the skull. It is believed that the gates of heaven are opened at
midnight on October 31, and the spirits of all deceased
children (angelitos) are allowed to reunite with their families
for 24 hours. On November 2, the spirits of the adults
come down to enjoy the festivities that are prepared for them.

In most villages, beautiful altars (ofrendas) are made
in each home. They are decorated with candles, buckets of wild marigolds mounds of fruit, peanuts, plates of turkey mole,
stacks of tortillas and big Day-of-the-Dead breads called pan de muerto. The altar needs to have lots of food, bottles of soda,
hot cocoa and water for the weary spirits. The living feast on the alter at the end of the evening.

Sugar art was brought to the New World by Italian missionaries in the
17th century. The first Church mention of sugar art was from Palermo at
Easter time when little sugar lambs and angels were made to adorn the
side altars in the Catholic Church.

Mark your calendar! The 4th Annual Dia de los Muertos and Monster Factory Exhibit and Block Party starting at 6pm to 11pm on October 17th promises to be Bigger and better than ever. The award winning block party
and exhibit will have Live Music by Tacatantan Records featuring Los Nadie,
Kattya Graham, Doomino and Kevin Stever, Live Art Performances by ME
Dance
, Salvador Live and Phantasmagoria, Giant Mojiganga Puppet
Procession and Exhibit, Artist and Vendors, delicious food by Wako
Taco
and The Vegan Hot Dog Cart, a Costume contest – Win a Prize Pack
which includes 2 tickets to Spooky Empire Weekend of Horror!!!, Kids Craft Area from 6pm-8pm sponsored by the Young Artist’s Group, Face Painting, and much more!