Phantasmagoria was at Kids Fringe.

Posted on by Thor

Phantasmagoria is a steampunk themed acting troupe that shares classic Victorian horror stories every Halloween. At Kids Fringe, Phantasmagoria was set up in the shade of the huge Live Oak tree at the Mennello Museum. They were on hand to teach dance to anyone who cared to learn. Pandora performed on Cello and her mom taught several children how to waltz. John DiDonna founded this macabre acting company and I have been sketching their performances for years.

This was another demonstration sketch to show my Sketch Tour student how to catch actors in the midst of constant motion. There was a new actress among the company this day and she fit in perfectly. I never can get enough sketches of these exotic costumes. There is a whole culture of people that love steampunk and Phantasmagoria now makes appearances at Steampunk gatherings and conventions. Several women were dressed in more colorful Victorian garb, and they were fans of Phantasmagoria.

It was an extremely hot day, so dancing must have been kept to a minimum. I wouldn’t want to be dressed all in black in the intense Florida sun although I’ve been known to do just that. As an artist thought my first thought when sketching outside is, “am I in the shade, and will this shade last for the duration of the sketch”. Anytime I misjudge the suns movement, I end up with a red neck.

A curators preview of Real Life Observations by Dale Kennington at the Mennello Museum of American Art.

Posted on by Thor

On January 22, I went to The Mennello Museum of American Art which was undergoing preparations for the January 23 opening of Real Lives: Observations and Reflections by Dale Kennington. This is the first exhibit in the museum’s yearlong series devoted to “Storytellers of the South: Voices of Women.”  Curator Dr. Lee A Gray offered insights as guests followed her through the museum. I sketched Executive director Frank Holt who had just announced that he planned to retire at the end of January. Holt was instrumental in widening the museum’s scope from simply folk
art to all American art, and in establishing the Mennello’s affiliation
with the Smithsonian Institution. Virginia Mecklenberg, chief curator
of the Smithsonian American Art Museum, has called Holt a “visual
genius.” As the group of about 20 guests moved gallery to gallery, I stayed sketching the main reception desk. Frank seemed pensive, perhaps reflecting on the influences brought to the museum. He always seemed to understand and respect my sketching obsession. So I’m sorry to see him go. This sketch was done on top of another sketch so that I could give the sketchbook a consistent flow.

Realist painter Dale Kennington is now 80 years old. She does large oil paintings of people engaged in everyday activities. She takes a series of photos of any given location and then pieces together her composition from those many visual elements. For instance a painting of people in a swimming hole featured the same bather in multiple places in the same painting. I do the same thing when I sketch on location. Often I will follow one person, sketching them multiple times to populate a scene. Dales paintings are all inspired by luminous light and often feature reflections. She married Don Kennigton, a successful business man so making a living as an artist was not a concern. She started painting because she wanted portraits of her children. In the mid 80’s she gave up portraiture and switched to becoming a studio painter. In 2009 she was recognized by the Alabama State Council on the Arts with
the Governor’s Arts Award, and the Alabama Bureau of Tourism and Travel
as one of Alabama’s “Master Artists”. Seeing so many large light filled paintings made me want to start working large myself. I’m working on a 30 inch high piece right now but it is a real challenge to sit alone all day working on one painting. I’m used to sketching in the hectic chaos of life and those sketches only take 2 hours. Committing to spend a solid week with one image is a real challenge.

WTF? (What the Fringe?)

Posted on by Thor

The 2014 23nd Annual Orlando Fringe Theatre Festival takes place May 14th-27th in Orlando’s Loch Haven Park. Venue locations are within Lowndes Shakespeare Center, Orlando Rep (corner of Princeton and Mills)-812 East Rollins Street, and The Venue (Virginia Dr.). Kid’s Fringe is located at the Menello Museum (across Princeton from Loch Haven).

The Fringe is…

100% UNCENSORED

100% UNJURIED

100% ACCESSIBLE 

100% of $ from ticket sales go directly to the ARTISTS

Fringe volunteers manned the information table inside the Orlando Shakespeare Theater while Jeff Ferree promoted his puppet show “Girl Who Fell Up a Chimney” in his bright conical Gumbyesque outfit. Jeff waved to me, and I gave him a stiff armed wave in return. At the information table you could buy the $9 buttons which are needed to get into any show as well as the Fringe program which lists all the shows.  There are about 100 shows so the choices are daunting. The best way to find out what you have to see is to hang out at the beer tent and ask around to find out what people have seen and loved.


While doing this sketch, I was given two tips. Nashville Hurricane is “Frigging Amazing” according to Curtis Meyer. I was also told by Karen that Take Out the White Trash was laugh out loud funny. Actress Michelle Knight walked up to the information table. Michelle just completed a run of Disenchanted which is a take on Disney princesses who didn’t exactly live happily ever after. This hilarious musical comedy was first premiered at the Orlando Fringe several years ago as Bitches of the Kingdom, and now it is headed to off Broadway in NYC. This is a great example of how the Fringe is a great place to launch a creative concept.

If there is a show you feel I should see and sketch, please leave me a comment!

Southwestern Allure: The Art of the Sante Fe Art Colony

Posted on by Thor

The Mennello Museum of American Art (900 East Princeton Street, Orlando, Fl.) kicked off it’s 15th anniversary season with the opening celebration of the first exhibit in their series devoted to “The Art of the American West.” Southwestern Allure: The Art of the Santa Fe Art Colony considers the development of Santa Fe as an art colony through the artists who visited there and helped establish the city as an artistic center, tracing the colony’s formative years from approximately 1915 up to 1940.

When artists from eastern locales began to settle in the Santa Fe area, they discovered a rich culture and a wealth of picturesque imagery. Southwestern Allure focuses exclusively on the art and artists of the Santa Fe colony, presenting the best of the artists’ work and showing the distinct artistic climate of this unique locale and the qualities that distinguish it apart from the rest of the state. The city has a majestic landscape and multicultural environment, which proved a matchless blend of inspiration.

The exhibition presents a thorough picture of which artists went to Santa Fe, what they found compelling about the environment, the work they produced, and the prevailing artistic trends, from Realism to Modernism, which they applied to Southwestern subject matter.

Through the works included in the exhibition, a range of styles are presented, encompassing the Santa Fe Old Guard, such as Carlos Vierra, Gerald Cassidy, and Warren Rollins, the Realism of Robert Henri, Edward Hopper, and John Sloan to highlight only a few of the prominent artists.

I was so pleased to see so many of the Ash Can artists I admire on display. Southwestern Allure features almost 50 outstanding artworks carefully selected from leading public and private collections. The exhibition and accompanying catalogue is organized by the Boca Museum of Art in conjunction with independent curator Dr. Valerie Ann Leeds, a specialist in American art of this period.

In the corner of the back gallery, a kiva (bee hive) fireplace was set up. Close to a dozen candles flickered while images of Madonna and Christ gave it the feeling of an alter. Genevieve Bernard pointed out to me that the candles were actually flickering diodes. From where I sat they looked completely real. A Robert Henri portrait of a beautifully chiseled Indian woman looked on with her eternal gaze. Several chiefs with their prominent head dresses flanked the other side. A gallery goer paused to finger his phone and he forgot about the art. Mark your calendar! This show is on exhibit through April 6th. Don’t miss it. Admission is $5 for adults, $4 for seniors, and $1 for students.

Mennello Museum

Posted on by Thor

I have been returning periodically to the Mennello Museum (900 E Princeton St, Orlando, FL) to do sketches of the exterior. This is my favorite sketch so far. I had to eliminate a tree to help streamline the composition. Trees have been disappearing at an alarming rate at the museum recently. The property is owned by the City of Orlando and they maintain the landscape. A large hole that looked like a grave marked the spot where one tree once stood. A wedding was happening that day and I imagine the happy couple posing for photos in front of the open grave where the huge root system had been dug up.

Another day I came to draw, bright yellow caution tape marked off a large area behind the museum.  A tree branch had fallen and the yellow tape was meant to protect an unsuspecting public. I hope the tree isn’t cut down to spite its branches. There is a huge Live Oak in front of the museum with sweeping long branches that swoop down and touch the ground. It must be hundreds of years old. It is a gorgeous tree. Spanish moss hangs lazily from many of the trees as a reminder that we are in the deep south.

Now on display in the Museum you can discover the Everglades through art. In 1935 American artist Eugene Francis Savage made the first of many
journeys into the Florida Everglades to study the Seminoles. Inspired
by his observations over two decades, he created perhaps the most
extensive painted record of the Florida Seminoles from the early 20th
century. These works reflect Savage’s concern for the plight of native
culture as tourism, land development and environmentalist debates
threatened their traditional way of life. Capturing the natural rhythms
of the Everglades, these works present a vision of Seminole life and
seek to awaken the imagination and inspire the spirit. This is a great series of paintings. Be sure to see this rare collection before it leaves on January 5th. Its a great place to bring family over the holiday. 

Admission for adults is $5. Members get in free. Get a loved one a museum membership this holiday season. It makes a great stocking stuffer and is a gift that keeps giving all year long. I have two free tickets to the museum for the first person who can name the artist whose pen and ink drawings with watercolor were published in 2000 as the book “Crackers in the Glade.” His work is now on display in the Mennello through January 5th. Just post your answer in the comments section to win, or e-mail the answer to analogartistdigitalworld@gmail.com.

The museum will be closed December 23-25 and December 30-January 1st.