Artlando in Lock Haven Park.

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In 2016 I was asked to participate in Artlando at Loch Haven Park (900 E Princeton St, Orlando, Florida). Over 80 artists cover the lawn with their displays, selling and creating art. Art created on-site was to be entered into a competition with thousands of dollars offered as awards. 100% of revenue from art sales went directly to the artists. I set up my tent the night before. The next day I had to teach classes all day, so I asked Bonnie Sprung to help man the tent for the duration of the event. She did a great job selling quite a few t-shirts. She offered her own art as well which gave some variety to the work offered. I am starting to realize that small ticket items are the only things that move at an outdoor festival like this.

There was a Toyota ‘paint by numbers’ exhibit which asked the community to paint in a mural by local artists, which covered an entire Toyota with art. Local artists also painted Juice Bike racks to be used at Juice Bike locations, which is a way to display art year-round in Orlando. I haven’t seen these painted bike racks yet, if you spot one, please let me know.

The outdoor performing arts stage featured
Orlando’s most prominent performing arts organizations showcased throughout the day and into the night. From Orlando Ballet to Orlando Fringe, programming transitions from kid-friendly in the morning, to general audience in the afternoon, and acts for mature audiences in the evening at Artlando After Dark.

As the host sponsor, the Orlando Museum of Art is an integral part of Artlando. The museum provided an air conditioned environment and housed exhibits from participating galleries.When I got to the park late in the afternoon, it immediately started to rain. Loud speakers announced that a strong storm was heading to Central Florida and that there would be high winds and tons of lightning. We were all warned to get off the lawn. When there was a lull in the downpour, I packed up my tent early. Just as I loaded it into the car, it started to pour again. I returned to Loch Haven Park later that night to pick up my empty tent. Many tents had been mangled in the high winds and looked like umbrellas that had been turned inside out and put in a blender. Oddly my old tent sat serenely alone among the carnage as if a cyclone had decided to stop and spin around it, hitting everything else in its path.

Mark your calendar, Artlando will return to Loch Haven Park on September 30, 2017 from 11 AM to 11 PM.

German Lemus at Artlando.

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Artlando is coming to Lock Haven Park in Orlando on October 1, 2016. They are looking are looking for innovative, interesting, talented visual and performing artists to take part in this all day event.

SPACE COST $125

WHAT YOU GET:

• 10’x10’ space for you to set up your tent, table and art!

• All the art you sell is commission free! You keep 100% of your profits!

• Entry into our competition (if you create on-site).

WHAT’S THE COMPETITION?

ARTLando is an immersive experience for our attendees where they can see art being created.

• We want you creating your art LIVE! Bring your paint, canvas and anything else you need to create your art.

• All artists that paint/create during the event will be judged and
booth fees will be used exclusively in production of the event and to
award $3000 in cash prizes to artists who place in the competition.

Winners will be chosen from a combination of judges panel and popular votes!

SUBMISSIONS DUE BY: AUGUST 31ST

At the 2015 Artlando I had to stop and watch as German Lemus painted y brand new Scion live on the lawn. He was getting close to be done when I arrived, so I sketched frantically, afraid he might put the spray can down and walk away. The car’s surfs was richly textured making a bold statement. I don’t know who drives it around today.

I participated in the first Artlando, but it rained all day long. I am debating about giving it a try again this year.

Grand Opening Party and Benefit features the work of Josh Garrick.

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The new Henao Contemporary Center, 5601 Edgewater Dr Orlando, FL, held a Grand Opening party where one hundred people were the first to see the history making, Timeless exhibition by Josh Garrick. For the first time, after touring some of
the worlds best museums, with 9 museums purchasing works for their
permanent collections, Josh Garrick’s TIMELESS, history making exhibit,
is now for sale to the public. Part of Josh
Garrick’s magic comes in part from taking something classic and
modernizing it with his use of lasered aluminum as photographic
substrate. The new, cutting edge process is believed to be the first
that will hold an image indefinitely. Timeless therefore a truly fitting
exhibit title.

 This was the firs time I had seen so many of his photos in one place. The result is a museum quality show. The new gallery is located in an unexpected location across the street from a used car dealership. d parked my car behind a used tire store.  A large search high lit up the sky and this black tie affair brought out some of Orlando’s most beautiful socialites. I decided to settle myself near the pianist for the evening, Joshua Glenn Wilson.An iPad on a music stank held the sheet music, therefor it seemed appropriate to sketch on a table to sketch on a tablet.

Outside, a car was parked on the sidewalk, and artist German Lemus was busy doing a custom paint job. The hood had a large lions head painted in spray paint and he follow up with layers of brush strokes to create a rich colorful textured surface. I considered sketching German at work but I had sketched him just the week before at Artlando where he was painting a Scion. Besides the Live music, there was champagne, wine, and signature cocktails, as well as a menu designed by the benevolent people of 4Rivers. A print to my let sold almost immediately.

Proceeds from the evening would help the Ronald McDonald House of Central Florida in their effort to build their new House. A resident of the Ronald McDonald House outlined the events in her life that lead to her being in need and she praised the Ronald me Donald House for being her safety net and helping her get back on her feet.

Jose Henao is the man who has established The Henao Contemporary Center. Josh Garrick praised Jose’s commitment and dedication to art. Jose has a respect for artists which, rare to find in Orlando. I hope, therefore, to report on this galleries continued success. Josh Garrik’s Timeless, will be on exhibit through January 15th, 2016.

Mark your calendar. On December
4, 2015, The gallery will be holding a fundraiser event featuring
Steven Assael, the New York artist hailed by The Art Newspaper as “the
foremost figurative painter of his generation”. On this day the artist will
perform a life drawing demonstration in the Henao Contemporary Center. Patrons can drink wine and watch one of this generations greatest
artists bring skill and creativity to life. Tickets are only $15.

A Digital Artist in a Digital World?

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On October 22, I  went to Parker Sketch‘s monthly Artist Critique at the Barefoot Spa, 801 Virginia Dr, Orlando, Florida. This group of artists and art appreciators gathering to help each other grow as artists. You don’t have to be an artist, or show art to participate in the discussion, and meet the artists! It is a supportive and constructive discussion group about art. We look at the work of about 12 artists in the evening and talk about it. The opportunity to show art is first-come-first served. If you are interested in art and want to meet other people who also enjoy art, this is the event for you. The art can range from the purely abstract to representational. I always learn something new each time I go.

The reason I wanted to show art this night was to see what other artists felt about m using a tablet to start creating my sketches done on location. I’m excited a bow the possibilities in the digital medium but Terry says she cringes every time she sees a digital sketch on this site. I decided to show one of my sketchbooks and the sketch [ did on the tablet of the critique. sketching digitally is still difficult because [ waste so much time looking for tools and menus. Recently I’ve bee streamlining my work flow by learning how to use my tablets keys to select the most common tools. I asked everyone if it made sense to try and recreate my watercolor sketches in the digital medium. Most artists felt that the traditions sketch had more spontaneity and they could clearly see that a digital sketch has z different look. Parker suggested that I take an entire different approach to the digital work, accepting the difference. He even suggest using the tablets camera as the starting point and built the sketch over that. When I confided that the tablet seems too small, Bethany Taylor Meyers suggested I do a traditional sketch on paper, then shoot that with the camera and start painting digitally. I love that idea since I can us a bigger sketch pad and maintain the traditional feel of pencil on paper.

Other artists critiques also inspired me to push in new directions. One artist is trying to pull away from dark line work. Although I love line, the digital medium seems to favor blocking in colors as if building up an oil painting. I’m convinced that the digital work will inspire change in the traditional sketches and vise a versa. Someone suggested that I start using gouache on my traditional sketches and ironically the is something I’ve been considering for  some time.

There was so much amazing art shown that night, and having feedback from fellow artists is indispensable. Parker showed a large “Falling Man” painting. I’ve seen other paintings from the series and they are usually monochromatic. This falling man was fractured into vertical strips and had intense bright colors like cadmium yellow and bright pink. The image is a haunting reminder of 9-11 for me and the bright Peter Max inspired colors seemed a stark contrast. Parker did the painting live at Artlando with constant interruptions as people asked questions.  He said the colors were happy accidents because they just happened to be the colors he packed that day.

If you click the subscribe button over in the right column, I will keep you informed next time there is  an artist Critique.  The subscription is for a weekly AADW e-mail newsletter.

The most authentic Oktoberfest in Orlando is at the German American Society.

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Each year I like to get to the German American Society (381 Orange Ln, Casselberry, FL) to sketch during Oktoberfest. This year, on October 24th, I was joined by a young UCF journalism student named Deanna Ferrante.I met Deanna at Artlando in Lock Haven Park and she seemed quite fascinated by what I do. She decided to use me as a subject for an article she has to research for her journalism class. So far she has interviewed my wife and several others. Since I consider my daily sketches a form of journalism, it makes sense for her to find what I do interesting.

Parking was hard to find, and for the first time I paid $5 to park at a nearby business. Getting into Oktoberfest is also $5, which gets you a wristband. Most of the action is behind the Liederkranz hall. A gazebo was set up for music and dancing in the center of the back yard. Long tables filled the yard with crowds of people drinking beer. I decided to go inside where a stage was set up in front of a huge photo of a German castle. Several accordion players and a saxophone player provided the music for traditional German dances. Tyrolean liederhosen outfits were everywhere. A small banner in front of the performers announced, “Beer is proof that God loves us.” There was a collection of different sized cow bells, but they weren’t used in the time I was sketching.

Where I sat was right next to where the teen aged dancers would congregate before they went out on the dance floor. The women wore white puffy sleeved blouses and a black bodice that cinched their wastes tight. The blue plaid dress and apron would billow out like a whirling dervish whenever they danced. The men would stomp and slap their heals as they danced. They would also help guide the women in a direction as they were spinning. One female dancer spun out of control as she exited the dance floor and she tripped on the stage. She wasn’t hurt and the adrenalin kept her spinning just as fast for the next dance.

The dancers became fascinated with my sketch and several crowded around to see what it looked like. Deanna used the opportunity to interview several of them. The main reason she stopped out was to observe first hand what a typical sketch excursion is like. She also interviewed people at my table. She didn’t ask me any questions, instead letting me work. Once in a while I would shout out a thought or two, trying to be helpful.

With the sketch finished, I decided to call it a day. The sketch opportunities were endless, but I decided to get home. I bumped into artist Leslie Silvia and her husband Jared on the way out, so I could have lingered and drank a beer, but I’m a lightweight when it comes to drinking. I get a headache the second I take a sip. Deanna said she got what she needed for the article and she headed back to UCF. I liked her approach. She gets right into the thick of the action to find the story. I’ll be curious to find out what the article turns out like.

The Artlando main stage hosted amazing talents.

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I only sketched at the Artlando main stage in Lock Haven Park once. The Orlando Concert Band kicked off the event in the morning. There was a small group of people right in front of the stage while most of the artists were still setting up their tents or chatting. John Phillips Sousa marches and patriotic orchestrations got the day started. I was seated in a patch of shadow created by the stages canopy. As the sun rose, I had to keep scooting forward to stay in the shade. The small audience around me was doing the same.

As the day progressed, clouds rolled in and it rained. That didn’t stop performers from showcasing their talents on the stage. Phantasmagoria and Emotions Dance performed and I watched them without sketching. Sometimes it is nice to put the pen down and just let a performance sweep over you.  When the sun went down, a DJ took to the stage and the lawn became a dance party.

Taking down my tent was more of a challenge than setting it up. As I lowered the telescoping legs, it leaned against my neighbors tent a bit. They seemed quite annoyed with me but no damage was done. I rolled my stuff up and stored it curbside. I then hiked the half mile or so to my car and drove back to pick everything up. It turned out that award money was given to the artist picked by all the artists that day. G. Lemus was awarded $1000 and he also won a contest for painting a lion, which is the symbol of Orlando’s new soccer team. I made about $18 to $20 in card sales and finished 3 sketches, so the day wasn’t a total bust.

Seen up close, butterflies become monsters.

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When it began to rain during Artlando, I ran inside the Orlando Museum of Art for cover. A crowd of people had the same idea. Inside the museum, local art galleries had exhibits. Jai Gallery was set up in the lobby. I was curious about a large hyper real photograph of a butterfly. Artist and architect James Cornetet was taking microscopic photos of a butterfly. The digital camera was set up on a metal framework which allowed James to move the camera in tiny increments. To get the final high resolution image he shoots hundreds of photos horizontally, vertically and in depth. The camera has a very shallow depth of field which means the tip of an antenna might be in focus but the butterfly head might be out of focus. James had an exhibit titled “High Fidelity” of his monstrous insects at Jai Gallery. Coralie Claeysen-Gleyzon was also on hand to let people know about Jai Gallery. One of Josh Garrick‘s black and white photos of a sculpted Greek god’s head was also on display.  Josh’s photos went on exhibition at the National Archaeological Museum in Greece. He was the first American artist to ever have his work displayed there.

Snap! Orlando teamed up with The Falcon and The Gallery at Avalon Island for a special installation at Artlando. The exhibit featured the art of Szymon Brodziak Photography, Aurora Crowley and an interactive digital installation ‘Beautiful Chaos’ by Nathan Selikoff. The exhibit was in the rotunda of OMA, as well as the galleries located to the left of the museum’s entrance. Once I was done with my sketch, I ran outside to my tent to make sure none of the cards on display had gotten wet. Everything was dry, but I was shocked to see that the tip jar which was half full of dollar bills earlier in the day, was now empty. I was furious. Who would stoop so low to steal money from a tip jar? Later that day I found out that my wife Terry had removed the money, “for safe keening.” The tip jar earned me enough money to pay for the food truck feast I enjoyed later that day.

The Inaugural Artlando was held in Lock Haven Park.

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ALL DAY. ALL ART. I was offered a vendors tent at the inaugural Artlando event held September 27 in Lock Haven Park. My plan was to only sell $2 cards in a card rack and leave a tip jar so people could pay on the honor system. That left me free to roam the event and the day became a sketch marathon. All vendors had to arrive early in the morning to set up. You had to unload at a spot next to the Repertory Theater’s parking lot and then immediately drive off site to park. Each artist was assigned a specific area of Lock Haven’s lawn which was marked by a number. Soon there was a tent city. Clouds loomed ominous and gray all day.

A giant inflatable bird was in front of the Orlando Museum of Art. It was based on a painting by Lamar Peterson whose work was on exhibit inside. The brown statues, which were part of an installation titled “Horizons”,  by noted Icelandic artist Steinunn Thórarinsdóttir (pronounced Stay-nun Thorens daughter), were often used by people who imitated the poses for photo opportunities. That installation is on exhibit through 2015. 

Carolyn Moor, with her daughter Mackensey and a friend from out of town stopped to say hello. Carl Gauze jumped in on the conversation and he pointed out that the inflatable bird had a bullet hole in its chest.  I inspected the inflated art up close and sure enough there was a puncture wound.  I imagined a pickup truck squealing around the parking lot at night with a drunk local using his rifle to take shots at any art he could find. Then again the hole might just be there to control the flow of air. Caroline waited in front of the museum for Mackenzie to return from the main stage. On the main stage there were live performance by Orlando Ballet, Orlando Philharmonic Orchestra, Orlando Shakes, Central Florida Community Arts, Orlando Fringe, Phantasmagoria and many more.

As I was finishing this sketch, it began to rain. I ran inside the museum for cover.

A Phantasmagoria Photoshoot Fires off the Halloween Horror

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On Sunday September 7th, I went to a photographers studio in Winter Park to sketch a Phantasmagoria photo shoot. The studio space was impressive with an upper balcony that allowed Kristen Wheeler to take photos of the cast from above. John DiDonna explained to the cast that they needed to express resolve and resolution as they faced certain death. Josh Geohagen shouted back, “Like in Toy Story 3?!” Everyone laughed, but even toys can express a solemn resolve before they face their fate.

Phantasmagoria features a unique and spectacular blend of storytelling, dance, large scale
puppetry and aerial work. It has been wowing critics and
audiences alike since its premier in 2010. Created and envisioned by
playwright, director John DiDonna, each production offers new stories
taken from the diverse centuries old literature of horror and the
macabre!

The first official Phantasmagoria photo shoot of the 2014 Season had Kristen Wheeler the official photographer taking our picks, with help from Ryan McKenzie the company’s artist,  and a
videographer and photographer there filming the process for articles.
This was a perfect storm of creativity. Images will be released soon from this two hour
shoot including all poster shots, publicity shots, and shots done
specifically for a Phantasmagoria themed Art Gallery show running in October. 

The photo studio was incredibly crowded with the whole cast on hand. Kristen shot the cast in small groups for use in show posters and promotional materials. The rest of the cast would wait on the sidelines when they weren’t in the shot.  Kristen seemed to love coaching the actors. as she said, “It is easy to teach an actor how to model, but it is impossible to teach a model how to act. Dion Leonhard was close to tears for every photo. She would shut her eyes and rest between shots. This cast is always in character.

Mark Your Calendar! As we roll into October, Phantasmagoria seems to be everywhere. On September 27th, the steam punk group will make two appearances at Artlando from 11am to 5pm,  happening in Lock Haven park. the $5 Artlando event features, live performances by Orlando Ballet, Orlando Philharmonic Orchestra, Central Florida Community Arts, Orlando International Fringe Theatre Festival, Phantasmagoria, Emotions Dance Company, Orlando Science Center and more! The Orlando Museum of Art is FREE to all attendees. There will be an outdoor art walk, live painting, installations and more! Beer and cocktails will be provided by The Hammered Lamb. Food from The Food Truck Bazaar. They will also appear at Lady Raven’s Second Annual Cotillion in the Audubon Park Garden District (3201 Corrine Dr, Orlando, Florida) the same day starting at 7pm. The and Rita Lowndes Shakespeare Center!  Now
entering its fourth year, Orlando’s original Victorian Steam
punk Circus troupe offers Macabre and Delicious Halloween tricks and
treats. On October 3-11 artwork featuring The Art and Horror of Phantasmagoria will be featured at Valencia’s East Campus in the Anita S. Wooton Gallery. My sketches from past shows will be on display, so come to the opening and say hi.